Delay VST Plugins

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies.

As the original unit, Outer Space features an echo section with three playback heads and a spring reverb tank.

We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback.

We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects.

Specifications

• Vintage Tape Echo
• 3 Tape modes: Original, Modern, Old
• Spring Reverb (with short/long Decay)
• Background Noise with Envelope
• Oversample up to 16x
• Preset system with randomizer
• Formats: VST, AU, and AAX (32/64bit)
• Platforms: OSX, Windows

Blast Delay is a simple and intuitive delay with a built-in parameter sequencer.

You can program independent loops of motion sequences for each knob with independent speeds.

Tweak your effect in live situations and recall all the parameters in the sequencer.

The sequencer allows you to sequence all the parameters of the Blast Delay to pre-program motion sequences of parameters in loops.

The sequencer is synchronized to the hosts tempo and each step of the sequencer represents the value in percentage of the parameter from 0 to 100%.

Features:

• DRY/WET: The Dry/Wet control adjusts the balance between the processed and dry signals
• VOLUME: The Volume parameter adjusts the volume of the processed signal.
• TIME: The Time parameter adjusts the time of the delay in milliseconds or from 1 Bar to 1/128 when sync button is activated
• FEEDBACK: The Feedback parameter defines how much of each channels output signal feeds back into the delay lines inputs
• FILTER: From -100 to 0 the parameter works as a low pass filter, from 0 to 100 it works as a hi passfilter
• SYNC: If the Sync switch is on, the delay time is synced to the tempo from 1 Bar to 1/128. If the Sync switch is off, the delay time reverts to milliseconds. In this case, to edit the delay time, click and drag up the Delay Time knob
• PING PONG: When the Ping Pong switch is activated, the signal jumps from the left to the right output
• FREEZE: This button will loop the delay buffer. The input signal is no more processed by the Delay
• POLARITY: It inverts the phase in effect by 180°, the effect is more interesting on low value of TIME with high feedback
• PITCH: Pitch button on causes a pitch variation when changing the delay time, similar to the behavior of old tape delay units
• PARAMETER SEQUENCER: The sequencer allows you to sequence all the parameters of the Blast Delay to pre-program
  motion sequences of parameters in loops.

ALL SOUNDS GOOD NOW

Vocal Finalizer is designed for holding “Vintage & Modern Characters – Simplicity – Wide Usability Range – Time Saving” properties together. Carefully crafted pieces are used in this combination to give everything you need to reach a final ready to mix vocal sound from a raw vocal track.

BALANCED & POLISHED

Vocals are the most important element of any song. Maybe that’s why a mixing engineer / producer wastes most of the time on vocal tracks to make the vocals sound as much as “perfect” and “sit-in-the-mix” possible. You don’t need to worry about that anymore. Get gorgeous results with ultra simple controls…

ALL IN ONE TOP FAMOUS CLASSIC VOCAL EFFECTS

You will find different variations of top 7 most popular vocal effects on a single unit with right settings and right amounts.

• Compression (3 types)
• DeEsser (Vocal Specific Dynamic EQ)
• Delay (4 types)
• Reverb (5 types)
• Doubler (3 types)
• Solid State, EQP1A and 31102 Classic Analog EQ Collection with 3 frequency band sections
• Stereo Wider effects

QUICK, SIMPLE & ELITE

Quickly combining the vocal processing settings for all musical genres is just a few clicks away. So because of getting the amazing sound very easily, you won’t believe what you hear. Your vocals will turn into real records just like in your dreams.

REAL ANALOG MODELS

If you’re looking for a true high quality “Analog Character”, quick and all in one vocal tone solution, “Vocal Finalizer” will definitely be your ”go to” vocal fx processor”. It will finalize your vocal track from “a raw track to professional record” with it’s magical processing power.

Product Specifications:

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Simplified controls, lot’s of creative possibilities
• 3 types of Vocal Specific Compressor/Limiter unit
• 4 types of Vocal Specific Tempo sync stereo delay unit with customizable section
• 5 types of Vocal Specific High Definiton Reverb unit
• 3 types of Vocal Specific Stereo Doubler – Chorus modulation unit
• Vocal Specific Body and Treble (Solid State, EQP1A and 31102 Classic Analog EQ models with 3 frequency band sections)
• Analog High Pass & Low Pass Filters
• DeEsser (Dynamic Eq) module
• Simplified Vocal Noise Gate
• Advanced Stereo Enhancer algorithm
• Resizable GUI with Vectoral GUI elements
• “Stereo” and “Mono to Stereo” Channel support

Droplet is a delay modeling engine for creating “raindrop delay” effects. It is based on 32 stereo delay lines connected in series via a proportional feedback system, with each delay’s time and stereo pan being randomized in order to produce a natural sound similar to water drops falling onto a surface.

The wide parameter range, as well as low- or high-frequency feedback damping, allow Droplet to produce a huge variety of effects – not just its trademark raindrop delay but also lush reverb and resonator simulations.

The built-in modulation oscillator adds a unique dimension and unison detune to the sound, thanks to its unique flipped-polarity routing.

And thanks to the fact that the randomization seed is generated each time the plugin is loaded, just like the natural process it’s modeling, every instance of Droplet will always sound different.

Sound engine

• Multi-tap delay engine with 32 stereo delay lines and proportional feedback scaling
• Adjustable delay time randomization
• Adjustable delay output pan randomization
• Individual low-pass and high-pass damping filters per each delay line
• Sine-wave oscillator for delay time modulation, with flipped polarity between even and odd delay lines
• Lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

Graphic interface

• Color-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host
• control/automation
• Built-in preset management functions
• Supports window size scaling up to 200%

Introducing Pluralis, the ultimate delay plugin for producers and musicians who demand nothing but the best.

With its unique signal-splitting actions and advanced delay design, Pluralis lets you create truly unique and dynamic delays that will take your mixes to the next level.

Two Regular Delays

Featuring two regular delays with standard controls for Time, Feedback, Colour and more, Pluralis also offers four powerful modes for processing your audio: Mid/Side, Left/Right, Quiet/Loud, and Low/High. These modes allow you to split your signal into different parts, apply different processes to different areas, and get truly unique and creative results.

Modulation Section

With Pluralis, you can also take advantage of two Modulation sections that let you set values for Level, Rate, Feedback, and Dispersion. This gives you complete control over your delays and allows you to create dynamic and evolving delay effects that will enhance your productions.

Advanced Visualization

Pluralis also features an advanced visualisation system that makes it easy to see what’s going on in your mix. The four modes are logically placed, the modulation area is simple to set up, and each of the delay chains clearly displays input and output levels and frequency information. This gives you complete control over your delays and allows you to create complex and sophisticated effects with ease.

Presets for Inspiration

To help you get started, Pluralis comes with a variety of presets for each of the modes, as well as some artist presets created by Zardonic. And with hassle-free software protection, 15 days of unlimited trial, and free-for-life updates, you can be sure that Pluralis will always be up-to-date and ready to deliver the ultimate delay experience.

Features:

• Unique signal-splitting actions and delay design
• Two regular delays with standard controls for Time, Feedback, Colour, and more
• Four processing modes: Mid/Side, Left/Right, Quiet/Loud, and Low/High
• Modulation sections for Level, Rate, Feedback, and Dispersion control
• Advanced visualization of input and output levels and frequency information
• Preset folders for each processing mode and artist presets by Zardonic
• Hassle-free software protection without iLok, dongle, or internet access
• 15-day unlimited trial version with no saving limits or noises
• 64-bit audio quality at any sampling rate, including 192 kHz or higher
• Smart bypass with compensation for latency and clicks or harmful noises when automating parameters
• Intelligent sleep on silence to save computing resources
• Free-for-life updates to keep up with current operating systems and DAWs

A delay playground with endless capabilities

Modley is a modulation delay with effect insert capabilities, which lets you design the whole delay signal with several carefully selected effect modules to create unique signal flows.

The idea behind Modley is to push the boundaries of what a delay effect is capable of – only your imagination sets the limits! While Modley sure can be used to do all the traditional tricks – Stereo delay, Tape delay, Short slapback delay, etc., its true potential lies within the variety of unexpected effect modules that can be applied.

New in v1.1

• New Bitcrusher insert effect
• New Stereo width control insert (Stereoid)
• New Feedback mode, controls the behaviour of loop insert effects
• The Filter insert now features a bandpass type
• The Pitch insert now has a range knob

• 1. Pre-pare for the loop – The first row is the Pre rack – all effects inserted here will process the incoming audio before entering the Loop rack.
• 2. Loop the loop – This is where the fun really starts. The inserted effects will process the audio from left to right, and if the feedback control (4) is set to anything above 0, that amount of the loop output will be re-routed back to the loop input.
• 3. Post-traumatic stress – Same as the Pre rack, but this rack is positioned after the loop rack in the chain.
• 4. Only positive feedback, please – This controls how much fun you want.

Features

• 15 different effect modules – Panning modulation, Phaser, Distortion, Tape Saturation, Pitch Shifter, Delay (!), Reverb and much more.
• Time sync.
• Global modulation of the delay.
• Built-in limiter.
• Freeze function, with pre- or post-loop processing.
• Lots of presets to kickstart the creative flow.
• Dry/wet mix

Vintage BBD Echo

Mantis is a plugin that emulates a rare BBD (bucket-brigade device) delay/echo unit of the 70s, faithfully recreating its warm and analog sound.

As the original unit, Mantis features an echo section with four taps and four swell selectors. It also features the rotafaze section, a modulation that can mimic the wow/flutter of a tape echo or turn the unit into a unique chorus-delay.

The Mantis has eight TDA1022 chips, often associated with shorter and more precise delay, these chips are perfect for organic analog slap-back echo. The base delay time is fixed on the hardware, but in the plugin in “vintage” mode, the base delay can be set in the range of 0.512ms up to 51.2ms (as each chip has 512 stages). In a BBD circuit, the frequency response changes depending on the base delay: brighter at faster rates, and darker at slower rates. To avoid these limitations, AudioThing also included a “modern” mode, which allows a base delay of up to 1sec (free) that is also syncable to the Host/DAW tempo.

Carlsbro Mantis

Built in the early 70s, the Carlsbro Mantis was probably one of the early, but less common, commercial BBD echo/delay units.
As with many BBD echo/delays, it has a warm and distinctive dark sound.

BBD-based delays were a good alternative to the bulky and fragile tape echoes, although with several limitations.

The Mantis had the delay time fixed, but it was possible to adjust it by opening and tuning each BBD trimmer. It was also quite noisy, especially when using all the taps and swells.

BBD Chips

The BBD (bucket-brigade device) technology was developed by F. Sangster and K. Teer of the Philips Research Labs in 1969.

BBDs are essentially a series of capacitors that pass an analog signal down a chain in discrete steps, like a bucket brigade passing buckets of water.

The clock rate (base delay) determines the rate at which the signal is passed down the chain of capacitors. Capacitors are not perfect and can experience some leakage. This results in a gradual loss of information as each new capacitor in the chain receives slightly less signal than the previous one. As a result, longer delay times on these devices can cause the signal to become distorted and darker with each repetition.

Features

• Analog Modelled BBD Echo Delay
• 4 Taps, 4 Swell
• Vintage and Modern modes
• Rotafaze Modulation
• Resizable Window
• Preset system with randomizer

There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!

All-in-one Introducing Repeater – A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs: Cassette Tape – A model of an early 80’s Japanese cassette tape deck. We’d call this one mid-fi Coopy Cube – An early 70’s delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option. Digital 42 – One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals. Digital 42 x 2 – The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums. Digital Delay – A hi resolution digital delay. Use Repeater’s filters and Color to customize the tone. DM-2 – An early bucket brigade analog delay with a warm and rich tone. Amazing on guitars and synths. Mellow Delay – A smooth, subdued delay that is based on several vintage analog topologies. Memory Guy – Lush analog delay with fat vintage tone. Mirky Delay – Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option. New Radio – Delay tone with FM radio style scooped hi-fi tone. Try it on vocals. Old Radio – Delay tone with AM radio style grainy lo-fi tone. Pitchy Delays – (3 models) – Delays with slight pitch modulations for extremely spatial and deep effects. Sounds great when both delay lines are set to the same time creating a chorusing mono effect. These can also be used with tight delays with Spread option for widening and thickening effects. Plexy Echo – Based on an old 70s tape delay unit. It’s fat tone, which sounds great on vocals guitars and even drums. Space Delay – Based on the famous magnetic tape delay with warm and gritty tone. A classic on guitars. Tape Delay Ancient – An extremely old 1940’s style tape delay tone. Tape Delay Classic – Early 60’s style tape delay. Tape Delay Modern – Hi-fi tape delay with warm and lush tone. Tape Delay Vintage – 70’s style tape tone, slightly grainy but warm. Telephone 1 – Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix. Telephone 2 – Another lo-fi telephone tone with slightly different frequency and distortion tone. TelRay – The analog delay classic made original from a tuna can. Beautifully lo-fi with a rich tone that is perfect for guitars.

Reflections of the Future

Imagine a plugin that sees the future. It reverses your audio, applies effects and plays it back before the event even begins. This plugin would automatically create the much-loved reverse reverb and snare effects in seconds, allowing you to focus on the sound, not the process.

Well, that is JMG Mirror – the world’s first reverse negative delay.

Mirror needs time to record your audio into the buffer before reversing it and playing back before your original sound. This causes latency, which means that playback will not immediately start. Please be patient and give Mirror time to work its magic, in the long run, it will save you lots of time over the tedious manual process. You can shape the effect in context with the rest of the audio in perfect sync. When you are happy with the result, simply bounce the effect to remove the latency.

Mirror Key Features

A Delay Ahead of its Time

Mirror is a reverse negative delay, which means the reverse effect is heard before the original sound. This is achieved by reporting a fake latency to the DAW, which then compensates, perfectly aligning the end of the effect with the start of your original sound.

Ghost Snares

Get that classic reverse snare sound instantly without the hassle of setting it up manually for every hit in your project. Mirror does all the hard work for you and lets you fine-tune the effect to make it fit perfectly to your snare drum.

Reverse Reverb

Mirror lets you easily get that reverse reverb effect in seconds. It records the audio into a buffer, adds reverb, reverses everything and then plays it back before the original sound. Use it to transition into new elements in a song or add ethereal effects and ambiences to tracks.

Get Creative

Mirror is not just for snares. In fact, it can sound amazing on a wide variety of sounds. Inject interesting rhythms to boring drum loops, spice up ARPs and leads or transform vocals and pads into otherworldly textures. The limit is your imagination.

Perfect Fit

The easy to use controls allow you to soften, trim, filter and extend the reverse effect to seamlessly transition from wet to dry. You can smooth out transients, remove bass punch, reduce harsh attacks or bring down high-end frequencies all to make the effect a supporting role while keeping your original sound center stage.

Realistic 3D yet flexible GUI

The photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size – make it smaller to save valuable screen space, or enlarge it to make it easier to use.

64-bit audio quality at ANY sampling rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart bypass

The intelligent way our plugins manage bypassing ensures that you don’t get any clicks or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.

PSP Echo is a high quality echo processor (plug-in AudioUnit, VST, RTAS AAX for Mac OSX (Universal Binary); VST, RTAS and AAX for Windows).

PSP Echo’s powerful and unusual features combined with its smooth operation makes it ideal for all kinds of creative uses from simple slap back and sustain effects through ping-pong delays and spacious echoes.

• Use the delay sliders to add special tape echo effects for even more unique effects.
• The tape wow control and built in ducker further extend the creative potential of PSP Echo.

Internally, the Echo is like a combination of four mono tape delays—two for the initial ping-pong pre-delay and two for the main stereo echo.

PSP Echo includes a set of extremely useful factory presets that cover a wide range of this plug-in’s settings.

Can Your Delay Plugin Do This?

The team at AIR Music Technology decided to come up with a delay plugin that gave us all we  ever wanted from a delay plugin, and then add some more stuff besides!

For starters there’s modulation and LFO options. And a stereo widener… and some more EQ… and distortion, and we’ve thrown in a limiter too, and a chorus, plus stereo and wobble effect..

But we kept thinking about some really powerful extras… to take your in-the-box mixes outside the box!

Autoclear is magical, it gives you the option to have enormous delay based effects that stop when you need them to, for example, when the next note hits. It’s something you have to hear to really get your head around. Once you’ve used it you’ll wonder how you ever used an echo without it.

Then there’s diffusion, an effect that smears the delay sound, taking it into the realm of a reverb, it’s a way of knocking off some of the hard edges. Experiment to create a mix between a delay and a reverb. We also added an envelope follower that allows you to manipulate the time, feedback, and delay amount based on release and ceiling time. This is where things can get really bonkers.

And just in case you need some inspiration to get you started, we threw in a ton of presets, there’s the usual suspects plus some wild and wacky stuff to really mangle the sound.

In short, we wanted to create a delay plugin without compromise. Some call it extraordinary, we call it the AIR Delay Pro.

Features

• Up to four second delay time
• Fully BPM syncable
• Three stereo modes for creating complex offset and bouncing delays, plus width control
• Choose between characteristic digital and analog behaviours
• Comprehensive feedback section including high and low pass filters, resonant filter with resonance and LFO, and distortion and limiter.
• Auto-clear function
• Diffusion section with stereo switch and size control to create subtle washes
• Modulation section with three distinct modes (Wobble, Stereo and Chorus) with slow and fast modulation control for classic tape emulation effects and more.
• Powerful envelope follower assignable to time, feedback and mix parameters
• Parametric EQ band
• Output section with high and low pass filtering, width, balance and mix controls
• Wide range of logically categorised presets

MORE THAN JUST A DELAY

We have designed Action Delay with these characterstics in mind: Full Power – Simplicity – Creativity.

Mixing these goals together is a hard task that requires hard work. But at last, this multi-effect beauty was born.

PRODUCT SPECIFICATIONS

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Tempo Sync and free delay modes with individually adjustable L / R channel settings.
• Lo-Fi degrade unit with “Bit Reduction & Sample Amount” settings
• Reverb unit for dry and wet signals with 3 High Definition reverb modes.
• Chorus modulation unit
• 4 band Solid State EQ
• Advanced Stereo Enhancer algorithm
• Simplified controls, lot’s of creative possibilities.

Just plug Action Delay in to your track and after twisting a couple of knobs, boom. You’ll get what you need, so so simply.

4 IN 1

Don’t be fooled by the name. It’s not just a delay unit. It’s a very advanced combination of:

• Delay
• Chorus
• Reverb
• LoFi Processors

You can combine built-in processors with the delay section, so you will be able to produce creative delay effects with an easy & fun way.

BUILT-IN PROCESSORS:

• Classic Reverb
• Lo-Fi Distortion
• Classic Chorus
• Stereo Enhancer
• Classic Solo EQ
• Hybrid Delay Engine

TONS OF POSSIBILITIES

Every parameter designed carefully to give the shortest and the most varied result. So you won’t get drowned in dozens of parameters. There are tons of possibilities for Action Delay but can be achieved with less effort.

Bolster Your Imagination: Imagine if you could take any sound, separate it by frequency bands, change the filter type, and then individually process those bands with delays.

The H3000 Band Delays plug-in is derived from the H3000 Harmonizer® studio processor. 

This unique plug-in is capable of everything from standard delays and filtering to stereo-widening and killer rhythmic effects. 

Just feed it any instrument or vocal and instantly manipulate up to 8 voices by frequency, resonance, filter type, delay time, volume, and panning. Then easily build complex movement using the H3000 Function Generator.

Want more? With the H3000 Band Delays, you can play an effect like an instrument.  

Every parameter can be automated or manipulated in real-time via MIDI. Play a filter with a keyboard controller to get not only rhythmic but also musical results.

Recreating a Legend: The H3000 Factory is a re-creation of several key algorithms from the H3000 Ultra-Harmonizer^® effects processor.

The plug-in provides a convenient modular interface to combine up to 18 effects blocks together in a practically limitless number of configurations.

It offers pairs of sweepable delays, pitch shifters, filters, mixers, amplitude modulators (or VCAs).

As well as an assortment of modulation sources including two low-frequency oscillators, envelope generators, and more.

Each of your custom effects can be easily manipulated in real-time or synchronized to a session.

All of this flexibility, with the sought-after sound of the H3000, brings you a great-sounding plug-in that’s as versatile as the original that inspired it.

Features:

• Over 450 presets including over 100 new artist presets and over 100 original presets from the H3000
• Available effects blocks include delays, amplitude modulators, envelope followers, pitch shifters, filters and low frequency oscillators.
• The Function Generator features nineteen waveshapes, a white noise generator, MIDI control and a sidechain input.
• All delays and LFOs can be locked to system tempo. Each delay can be looped and offers a low pass filter.
• The filters include selectable band pass, high pass, and low pass with variable Q, and can be swept and modulated without audible artifacts.

Instantly enhance the functionality of your plug-ins and DAW with eleven different signal modification units. Explore new creative possibilities and quickly add missing features.

Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio.

With eleven single-process modules, SigMod contains many useful, creative functions which are unobtainable or otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.

Full List of Modules:

• Mid/Side
• Protect
• Mono
• Switch
• Delay
• Phase
• Trim
• DC offset
• Tap
• Mute/Solo
• Crossover

For Your Plugins

Add mid/side functionality to classic stereo compressor and EQ emulations, or get creative with mid/side delays, distortion and many other effects by inserting the mid/side encoder/decoder either side of any left/right plug-in instance.

Insert the Protect unit across your output bus and this safety module will automatically cut in to prevent bursts of noise or feedback howls due to system errors, saving both your nerves and your speakers.

Manual or auto reset options give you the level of protection you need.

Want to try some parallel processing? Drop in the Tap module and you are good to go. Use the Crossover module to split the highs from the lows to apply different effects to different frequency ranges – great for avoiding muddying up the low frequencies or getting creative with automation and sweep effects.

For Your Daw

Several of SigMod’s modules offer easy access to functionality which is either missing from certain DAWs, or at least complicated to access natively. Solo/mute or trim the left and right sides of a stereo signal independently, or easily flip the stereo image in one click. Quickly detect and correct DC offset to retain valuable headroom.

How does your mix sound in mono? Think about how many listeners will be using a phone or a DAB radio with one speaker – the Mono module switches your signal from stereo to mono in one click.

You can also check the phase relationship between your left and right channels with the Phase module.

Time twister full of character

Play with the time of your audio in new ways. Characterful and unique effect to spice up any sound

Playtime is a magical, unique plugin that allows you to literally play with time.

WHAT IS IT?

LoFi Playtime is a modern take on the classic and famous production technique of slowing down or starting up a tape recorder, in order to create interesting pitch effects.

We took our virtual tape circuits and used them in a way that gives you full control over the behavior and accuracy of the tapestart and tapestop effects. They can be as precise or dusty and warbling in pitch as you like!

MAIN FEATURES

• Unique new approach to time and pitch
• Two virtual tapes with different playback speeds, instantly change the played back pitch of your input signal
• Create textures out of anything and freeze your audio in time
• Change the sound of your frozen signal on the fly
• Use Tape Age to create characterful pitch fluctuations and chorusing effects
• Use delay to create warbling delay lines and mix them with the dry signal
• Works in Sync with your Session or in free time based mode

This plugin is only one of our growing LoFi Series. This series allows you to combine a variety of LoFi characteristics, which add life and texture to your productions.

Look out for our upcoming LoFi Series products, we have a whole lineup of spices that will be ready for you soon – blend to your own taste!

Transform Your Mixes with Three Essential Production Tools

Designed as the ultimate core set of plugins for producers, engineers and sound designers, the Ultra Essentials Bundle features three of our most powerful plugins: UltraChannel, UltraReverb and UltraTap. Whether you are mixing or tracking a record, live sound or post-production, our Ultra Essentials will make everyday tasks easier and fire your imagination.

The bundle comes with more than 600 presets across the three plug-ins, many designed by Eventide artists including Andrew Scheps, Chris Carter, Richard Devine, Sasha, ROCASound, Brian Montgomery, Matt Lange, Colin Newman and many more. Valued at over $500 if purchased separately, bundles are the most affordable way to own Eventide’s award-winning tools.

UltraChannel – Professional Audio Engineering For All

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance, but is also the most versatile channel strip available due to our exclusive FlexiPath™ routing, which allows processors to be ordered based on desired workflow.

The Secret Sauce of Mixing

UltraChannel shines in carving out space for any instrument or vocal to sit just right in the mix. There are an infinite number of ways to generate the exact tone, dynamics and frequency characteristics you’re seeking. Additionally, through its support for side-chaining, you can use an alternative audio source to color the characteristics of your main signal. It wouldn’t be an Eventide if it didn’t also feature micro pitch functionality (from our flagship H8000 hardware) to thicken or increase the stereo spread of any instrument or vocal.

FlexiPath™

Allows drag and drop for reordering the signal path of the top level components (O-Pressor, compressor/de-esser, EQ, Gate) for ultimate flexibility and experimentation.

UltraReverb

Comprehensive reverb toolbox with nine H8000 hardware-derived, reverb algorithms to realistically simulate halls, chambers, rooms, plates and ambience or, taken to the extreme, other-worldly environments. The toolbox includes 4 parametric EQs, compression and delay which can be routed pre or post reverb. Packed with more than 300 presets it is arguably the most comprehensive reverb plug-in available.

Features

• Halls, Chambers, Rooms, Plates, and Ambience derived from Eventide’s flagship hardware processor, the H8000 UltraHarmonizer®
• Create acoustically natural or other-worldly environments
• Packed with over 300 killer presets for mixing, mastering, post-production, and sound design
• Includes Artist Presets designed by top engineers and recording professionals

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

Features

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.

PSP stompDelay, is a creative delay plug-in

Designed to provide a wide range of sounds from lush analog tape delays through vibrant loops, from classic ping-pong to scratchy pitch shifts.

stompDelay features both traditional delay effects and a looper when in “infinite operation mode” (called Infinity mode) that offers continuous tap tempo, as well as accurate tape simulation, including simulating the volume drop that occurs when fast forwarding or cueing the tape.

stompDelay is capable of generating the full gamut of delay-based effects: flanging,doubling, chorus and every kind of echo imaginable, from epic Strawberry Letter 23-style swells to dub delays, slapback and classic ping- pong. It’s also an incredibly easy plugin to edit and tweak.

Features:

• Versatile delay effects
• Lush analogue sound
• Tap tempo feature

Nerdy. Easy. Super Cool.

The Micro Digital Reverberator combines killer reverb and delay effects with a super friendly user interface and controls. Pop it on an insert, pick a preset, and go. Drums? Vocals? Synths? Guitars? This little plugin has you covered.

Our MDR has the sounds of the first generations of budget reverbs that took over project studios in the late 1980s. In a few years, these units were commonplace in major recording studios and all over many of your favorite records.

Don’t let the simple interface fool you: this thing sounds amazing, with tight small rooms, huge plates and halls, gates and reverse reverbs, and some effects that can only be found on the MDR.

Machine 1

Machine 1 is a simulation of a very popular 16 bit, 1/3 rack size digital reverberator that was introduced in 1986. Although it has a limited amount of sounds, they are carefully designed and sound great. You still see this unit in guitar racks and studios all over the world.

Machine 2

Machine 2 is a simulation of the second-generation, full-rack size digital reverberator. This unit has lots of presets, lots of useful sounds, and some one-off special effects which can only be found on this particular unit.

Nerdy on the Back Side

The Micro Digital Reverberator has a few tweaks on the other side that let you craft frequency response, oversampling and GUI performance. There’s also a super effective stereo widener tucked in back there, for those times you want the effect all around the music and the listener.