EQ VST Plugins
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4.66 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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NEED 81 Console EqNEED 81 Console Eq is another British Style Class-AB preamp/equalizer unit that holds the true sound of the legendary modular consoles. It’s been used on countless classic top platinum-selling albums and is also still widely used to great effect, which confirms this baby’s status as a much-wanted classic unit that every mixing environment needs. The extremely accurate end-to-end circuit emulation which is holding each small detail and true vintage tone of the phenomenal studio equipment. Musical curves, fast transient response, and outstanding sensitivity features make this unit a flexible tool that shapes new sounds and controls any part of the audio spectrum in a very warm and old-school way. MAIN FEATURES
Expertly Detailed NoiseAsh Audio is proud to bring the original vintage amplifier and eq units into your DAW. Expertly captured, totally detailed, extremely accurate analog models for sculpting your sound just like legendary top-rated British style consoles. Thanks to NoiseAsh modeling technology; warm, bold, and distinguishing analog characteristics, even little details are exactly here in the box now with NEED 81 Console Eq. Quick Reality Analog domain components have some little tonal nuance differences which create some deviations concerning their theoretical values. Nuance Deviation System (NDS) is the NoiseAsh Audio proprietary signal processing model, which emulates the sonic character deviations of the analog components. Individual Left-Mid and Right-Side channels can be alternated with NDS. There are plenty of carefully modeled console channels and each number stands for a console channel bearing its deviation. With NDS, real tonal differences can be captured quickly! Right in your DAW, very easily! Innovative cutting-edge NoiseAsh technology has given the analog reality with a very light CPU usage, expanded modern features like NDS & Mid/Side options, and maximum accurate Anti-Aliasing Analog tone behavior. NEED 81 Console EQ is much more than an emulation. It’s what every mixing/mastering environment needs for letting you enjoy all the warm tones of a mythical piece of the studio consoles, right in your DAW, in-the-box, very easily! Product Specifications
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Price History: NEED 81 Console Eq 49.90 $ |
4.66 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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OSL Side EffectsMID/SIDE PROCESSING AND STEREO WIDENING OSL Side Effects is a versatile audio plugin that allows the stereo field to be manipulated in both subtle and creative ways. It separates a stereo signal into Mid and Side channels which can be independently equalized, compressed, saturated, boosted, attenuated and panned using an intuitive processing chain. This makes it possible to alter the width of a mix in ways that would be impossible using conventional stereo processing techniques. FEATURES
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Price History: OSL Side Effects 39.00 $ |
4.64 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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MAutoDynamicEQMAutoDynamicEQ is the ultimate “go-to” parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital! Melda Production’s Adjustable Slope Filter (MASF) technology gives you natural sounding, versatile filters that are free of the resonance associated with other equalizers. Each highly adjustable and dynamic band let’s you fix problems easily, whether you are putting together a mix, or, tackling compression, expansion or de-essing tasks. Melda Production’s Filter Adaption (MFA) technology can actually perform your equalization for you based on an analysis of your recording, another recording or even your own ‘drawn-in’ spectral content! They’ve included a whole host of other useful features too. Their integrated analyzer and sonogram lets you quickly see the structure of your audio material, while the high-pass and low-pass filters offer slopes from 6dB/oct up to 120dB/oct. There’s also soft-saturation that adds a character normally only associated with analog consoles. And of course there is mono/stereo processing, upsampling, A/H presets and much more! The plugin even comes with 4 advanced modulators, just in case you feel like being creative.. MAutoDynamicEQ is extremely versatile, useful for everything from mixing to mastering! Features
Windows
64-bit plugins can’t work in 32-bit hosts even if the operating system is 64-bit. Do NOT use 32-bit plugins in 64-bit hosts. They would have to be bridged and can become slow and unstable MAC
AU note: in some hosts, the GUI is not shown for the first time, if so, then please just restart the host. |
Price History: MAutoDynamicEQ 120.00 $ |
4.64 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Dodge ProOff The Chain We’re all familiar with the concept of sidechain processing; ducking the amplitude of one audio signal when another is playing. This studio technique is the basis for modern dance music and creates an energetic rhythm that gets hearts beating and feet moving. Dodge Pro takes this simple concept and pushes it into the stratosphere with not just sidechain ducking functions, but also rhythmic motifs, gated rhythms and special fx. Choose from the many presets or draw your own amplitude shapes using point-and-drag nodes, surgical drawing tools and 3 independent frequency bands. Assign up to 12 scenes via MIDI and tweak to your hearts content, with multiple curve types and note divisions. Dodge Pro is the flexible and creative tool you’ve been looking for to take control of your sidechain shapes and make volume automation as simple (or as complex) as you want it to be. Presets With many included presets, it’s easy to find the perfect starting point for your own volume shaping exploits. There are specific global presets dedicated to sidechain ducking, trance gates, arps and special FX. These are useful and broad settings, ripe for tweaking to your own liking. Each of the 3 EQ bands and the master volume automation have simple one-click solutions to quickly access the most common shapes, providing shortcuts to basic ducking, gating and rhythmic shapes. MIDI Scenes Program up to 12 completely different MIDI scenes and switch them on the fly using your own chosen MIDI triggers. This makes Dodge Pro essential as an all-in-one solution to your volume shaping automation, allowing scene switching throughout your tracks to bring variety to your audio. This plugin is also an inspiring tool for live performance with scene switching triggered by an external controller. Advanced Line Editor Simply click the automation line to add a node then drag it to define the shape and curve. Complex curve shapes can easily be selected including a variety of single and double types, pulse, wave, saw and step automation. Quickly copy/paste lines and scenes and select common transformations with the easy access buttons. For an extra layer of programming, each primary automation line has a second layer that can be independently drawn and these are summed together to create more complex shapes for really creative effects. Independent & Adjustable 3 Band Automation Whereas most volume shaping plugins process the entire signal, Dodge Pro can split the audio into 3 frequency band ranges and apply different volume shape automation to each band. Simply drag the multicoloured band graphic at the top right of the interface to define the low, mid and high-frequency crossover points. Then draw your automation lines for the 3 bands, all of which can have completely independent Volume, Shape, Sync, Length and Mix settings. Want to make just your low-end pump, apply a midrange trance gate, or add a high-frequency rhythmic effect? All of these configurations are quick and easy with Dodge Pro. Randomisation Choose to randomise the volume automation of entire scenes or a single band for some ducking and dodging effects that are truly off the chain. Visual Feedback The processed audio can be seen as a waveform in the centre of the interface, either by full frequency or split into the 3 bands. The live ducking is also shown via the mini-meters. Other options for UI feedback include a scaleable interface and left / right monitoring. Bypass & Master Mix The bypass control is smoothed to be as click and pop free as possible for unhindered A/B testing. Choose to mix the dodged signal with your original raw audio via the central Master Mix ratio control, allowing you to dial down the volume shaping for more subtle effects. W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy! Features:
Mac
Windows
Please Note: Pro Tools 11 or higher is required in order to use the AAX version of this plugin. |
Price History: Dodge Pro 29.00 $ |
4.64 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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PivotPivot is a powerful tilt equaliser, allowing you to quickly shift the spectral content of your audio. Mid/Side modes allow you to adjust the stereo content of your audio separately, allowing you to clean up muddy stereo bass, or crisp up the wide treble in your master tracks. Shift Your Weight Pivot is a simple to use tilt EQ, allowing you to shift the spectral content of your track around a mid-point like a seesaw. A little bass heavy? Turn the dial to the left. Treble a bit loud? Move it to the right. It features an adjustable slope and mid-way point to get the exact balance you need. Mid/Side EQ Along with normal mono or stereo processing, Pivot offers a mid/side mode. Useful for making your master sound more immersive, you can brighten up the side channel for a bright and wide feel, or reduce the level of stereo bass, tidying up the stereo spread of your bass frequencies. Lightweight As far as consuming your CPU goes, Pivot isn’t hungry. You can load up multiple instances on multiple tracks without grinding your workstation to a halt. It also has the option to do simple shelf boost and cuts, meaning you can replace your sluggish and unintuitive EQs when you just want a quick adjustment. Windows
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Price History: Pivot 23.40 $ |
4.64 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Need 31102 Console EQICONIC CONSOLE TONE The iconic 31102 preamp/eq (featured in the Neve 8068 consoles) has been used to mix many hit records for years. Guns N’ Roses, Bruce Springsteen, AC/DC, Red Hot Chili Peppers, Nirvana, Metallica… etc. We’re proud to present the true analog emulation for one of the best-sounding class A mic pre/EQ modules ever produced. Need 31102 Console Eq, with same character and enhanced with a great modern workflow! The Need 31102 is holding each small detail and true vintage tone of the original unit. Iconic console tone has been reborn! MORE POWER We’ve expanded the original 3 band EQ unit with an extra mid band, so you will have a 4 band Need 31102 console eq. NoiseAsh Mid / Side processing engine has been added to let you apply individual equalization to mid and side stereo content individually. SIGNATURE ATTITUDE & ZERO HARSHNESS Need 31102 opens up the sound with it’s unique signature behaviour and legendary musical curves without sounding harsh. Tighten up kicks with signature attitude, boost the treble with legendary zero-harshness tone. Give all of the tracks personality with adding color and dimension. ANTI-ALIASING ENGINE WITH LIGHT CPU USAGE Innovative cutting-edge NoiseAsh technology procedures have been used in order to give the reality with a very light cpu usage and maximum accurate Anti-Aliasing Analog tone behaviour. PRODUCT SPECIFICATIONS
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Price History: Need 31102 Console EQ 49.90 $ |
4.64 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Amplified Instrument ProcessorA monster of a channel strip you’ll use everywhere. But the AIP is much more than that. Its power and versatility make it an excellent processor for virtually any audio task. The AIP can work wonders on vocals, acoustic instruments, pianos, group buses and even across the whole mix. Parametric Equalization The AIP has 4 bands of fully parametric EQ based on German Klangfilm tube equalizers of the 1950’s. This EQ combines digital precision and flexibility with analog quirkiness and unpredictability.
Proprietary Signal Processing This is the Secret Mojo Sauce of the AIP. Forget about swapping in preamp plugins. Change characteristics of the AIP by switching between different response modeling and adjusting a slew rate emulation.
VCA Compressor The AIP’s VCA Compressor emulation is based on the classic dbx 202 VCA integrated circuit. This compressor is great for guitars, but smooth and musical enough to work with vocals.
Frequency Dependent Gain Reduction Insufferable Midrange Filter Stereo Widening Real Time Analyzer Minimum System Requirements
Licensing
Supported Plugin Formats
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Price History: Amplified Instrument Processor 169.99 $ |
4.62 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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DeeQDynamic EQ DeeQ lets you adjust the frequency, gain, and Q value of the filter dynamically, either from the incoming audio, or from an external sidechain. You can apply a pre-filter EQ to the detector to only respond to specific frequencies, letting you truly have control of the sound. Sidechain Detection Using sidechain detection you can dynamically sculpt your audio using another audio channel as the source. For example, you can automatically remove mid range frequencies when the vocal is playing, or remove the sub bass when the kick hits. Mid/Side With the addition of mid/side modes, you can dynamically adjust the stereo spread of your audio. Make the bass mono when a kick plays, or widen the treble over a vocal take. IN DETAIL DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain. With DeeQ you can do everything from small adjustments like making room in the mix, to creative wah type effects. Windows
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Ubuntu
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Price History: DeeQ 36.00 $ |
4.62 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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EQ45Urei 545 Parametric EQ The EQ45 is a lightweight, four-band parametric equalizer plug-in that allows you to gracefully shape the contours of an audio signal by boosting or attenuating its frequency components. Based on the circuit model of the analog Urei 545 parametric EQ, the plug-in features high and low-cut filters along with an elegant and easy-to-use interface. The classic Urei 545 was the ‘go to’ EQ for a generation of engineers favored for its tone and color. The high resolution and flexibility of its filters and the wide number of parameters offered by the user interface enable you to perform subtle or drastic changes to audio material without unpleasant artifacts. Features
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Price History: EQ45 49.00 $ |
4.62 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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FreqAnalyst MultiBlue Cat’s FreqAnalyst Multi is a unique multiple tracks real time spectrum analyzer: it lets you visualize the spectral content of several audio tracks on the same screen with extreme smoothness and high resolution, for both time and frequency. It is the ideal solution for mixing: you can use it as a frequency overlap detector and actually see which part of the spectrum every single instrument uses. It is now also possible to easily compare the spectrum of several instances (for EQ matching or response curve measurement) thanks to the new ‘Diff’ view which displays the difference between several curves. Just like with Blue Cat’s FreqAnalyst Pro plug-in, the frequency analysis can be fine tuned in details, and three modes are offered for each channel: instant, peak or average response of several audio tracks can be displayed on the same graph (the plugin supports up to 16 curves). Zooming capabilities and coordinates display let you exactly measure the characteristics of the spectrum for each audio track. Thanks to the advanced routing capabilities you can define different settings for each track and thus adapt the analysis for each audio signal you want to analyze. Our multiple tracks tutorial shows you how simple multiple tracks spectrum analysis can be. The four memory slots let you store any curve in memory: it helps you make comparisons between several setups or portions of your audio project very easily. Thanks to included window opacity management feature and advanced layout customization capabilities, you can adapt the plug-in user interface to your personal needs and enhance your workflow. It is also possible to create a completely custom user interface using Blue Cat’s skinning language. Main Features:
Windows
Mac OS X
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Price History: FreqAnalyst Multi 99.00 $ |
4.62 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Pultec EQP-1APultec Modeled Equalizer In Apogee’s obsessive quest to reproduce every nuance of the Pultec Program Equalizer, they have had a worthy partner – Steve Jackson of Pulse Techniques, the current manufacturer of new Pultec hardware. After careful analysis of several vintages and new Pultec EQP-1A units, Apogee chose to model their plugin after one of Steve’s new units – it was like unboxing a brand new unit in 1959. FEATURES
Mac
Windows
Please Note: A FREE Pace iLok account is needed in order to register this software (physical iLok Dongle is not required). Tested & Supported DAWs:
Please Note: Any AUv2, VST2 or AAX fully compliant DAW should work. |
Price History: Pultec EQP-1A 199.00 $ |
4.62 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Rule Tec EQ1AEXTREMELY ACCURATE Legendary passive equalizers have long been a top choice of leading recording and mastering engineers since it was released in 1951. With tons of research and hard work; we are proud to present extremely accurate models of these legendary equalizer units, Rule Tec® Collection. Legendary tone is here with all of the legendary signature features including “Pultec EQ trick”. ON EVERY TRACK Use it on every track. Just put it on the channel, and it will just sound great. Rule Tec add a very desirable and subtle tube saturation to your signal even when the EQ is set flat. Rule Tec EQ1A is all in one solution for both professional mixing and mastering purposes. You really can’t go wrong with it. INTERACTIVE ANALOG BEHAVIOUR We’ve modeled lot’s of unique complex interactive analog behaviour in order to present all signature characteristics of the original units’ “a must have tone”. Same musicality, clarity, warmth and character with original units which is immediately noticeable when tweaking frequency boosts. LEGEND FROM THE HISTORY The result is pretty amazing. All in one solution for legendary famous equalizer tone that you’ve heard in thousands of records for 70 years. PRODUCT SPECIFICATIONS
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Price History: Rule Tec EQ1A 29.90 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Anthology XIIA Complete Sonic Universe The Anthology XII plug-in bundle brings Eventide’s 50 years of pioneering audio technology directly to your DAW. Anthology XII has everything you need to take your sonic story to the next level by combining award-winning, groundbreaking, inspirational effects with the most essential music production staples of the last half-century! Anthology XII comes with 33 plug-ins designed to enhance, morph, mangle, pitch shift, re-shape, and define your sound. A comprehensive and creative toolkit for music producers, mixers, and artists alike, Anthology XII features Eventide’s revolutionary Structural Effects plug-ins, SplitEQ and Physion, which utilize transient/tonal splitting technology; the radical sound manipulation of Blackhole® and Undulator; authentic emulations of Eventide studio mainstays such as the iconic H910, H949 and H3000 Harmonizer®, Instant Phaser, Instant Flanger and Omnipressor®; and the legendary reverbs of the SP2016. Also included are other one-of-a-kind tools like Tony Visconti’s Tverb, the powerful CrushStation® overdrive/distortion command center, and the unique Octavox eight-voice diatonic pitch shift Harmonizer. MAIN FEATURES
Anthology XII adds 10 plugins to the previous Anthology bundle with 3 new reverbs, 3 new mod effects, 2 pitch effects, a cool distortion effect, and a next-generation EQ:
NEW IN ANTHOLOGY XII SplitEQ SplitEQ is a groundbreaking EQ that offers a new approach to corrective and creative audio equalization. It excels at Enhancing, Repairing, Rebalancing, and Widening any musical source or audio signal. SplitEQ is both a surgical tool for fixing particularly nasty problems and a creative tool that opens up exciting new musical possibilities. More than just an EQ—It’s a new and better tool. SP2016 Reverb The SP2016 was the first programmable studio rack processor. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual EPROM chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski. The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW. Spring Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb. This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond. Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! ShimmerVerb ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, “shimmer.” Oftentimes, producers would achieve the effect by using Eventide pitch-shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire. Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambience to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network. TriceraChorus TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s, particularly the Dyno-My-Piano. It pairs rich BBD style tri-chorusing with another signature Eventide effect: micro-pitch detuning. This effect can be used to thicken the sound and widen the stereo field by detuning the left and right signals and pan them opposite directions. The combination of these effects makes it easy to create syrupy, smooth, and deep modulations on synths, strings, vocals, guitar, bass, and more. TriceraChorus is a great way to add richness and spatial depth to your sounds. CrushStation CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac or PC. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects. Rotary Mod Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation. Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals. Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand. Undulator Undulator is Eventide’s classic modulated tremolo effect from the iconic H3000 effects processor. This unique, rhythmic effect combines ethereal feedback and detuned echos, run through an AM / FM modulated tremolo. Whether used for manipulating samples or adding movement to strings, pads, guitars, and keys, Undulator is a muse for creative musicians. Add Undulator into your plug-ins collection for the most playable tremolo-style effect on your DAW or iOS device. Undulator excels at evolving pads, sync’d chops, and time-lapsing dreamy soundscapes. Combined with a multi-tap delay and powerful tremolo, Undulator’s controls give any sound sustain and shape. This is perfect for transforming ordinary synths, keys, guitars, and even vocals into evolving pads, tempo-synced production elements, or ethereal and fluctuant delays. Simply put, Undulator can make shorter sounds into longer layered effects, and give sustaining sounds shape and rhythmic character. MicroPitch MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on its legendary predecessors. MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micro pitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects. Crystals Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration. Effects Instant Phaser Mk II Released in 1971, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades. Reminisce back to a phaser with analog personality, smooth modulations, and inherent musicality. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal. This new emulation of the classic effect accomplishes the same legendary sound notably used on hits like Led Zeppelin’s “Kashmir” and “Presence”. The capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob. Physion Physion is the first plug-in to use Eventide’s ground-breaking Structural Effects technology – A new method for processing audio. It allows you to split a sound into its transient and tonal parts, independently manipulate them using Eventide’s world-class effects and then fuse them back together. With the ability to add effects and dynamic controls to the transient and tonal sections, you can produce a wide range of effects, from the subtle to the extreme. H3000 Band Delays Imagine if you could take any sound, separate it by frequency bands, change the filter type, and then individually process those bands with delays. The H3000 Band Delays plug-in is dereived from the H3000 Harmonizer® studio processor. This unique plug-in is capable of everything from standard delays and filtering, to stereo-widening and killer rhythmic effects. Just feed it any instrument or vocal and instantly manipulate up to 8 voices by frequency, resonance, filter type, delay time, volume and panning. Then easily build complex movement using the H3000 Function Generator. H3000 Factory The H3000 Factory combines the pitch, delay, modulation, and filtering that made the original H3000 Ultra-Harmonizer a studio legend. Octavox Level up your composition skills with Octavox’s unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from Eventide’s flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity. Quadravox Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences. With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences. Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values. Each of the four voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays. UltraTap UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral! Reverb Blackhole Most reverbs are earth-bound and constrained by the physics of the real world. Eventide’s Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allows it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section. MangledVerb MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favorite DAW. Tverb Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb. Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays. UltraReverb 9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available. Clockworks Legacy Instant Flanger Mk II Modeled on the original hardware unit from 1976, the Instant Flanger plug-in simulates the happy accidents of flanging sounds originally produced by interfering with physical tape machines. Its phase-reversed and variable-delay outputs, create a heavy stereo effect. With its simple controls, Instant Flanger allows you to instantly oscillate your tones and will add a new layer of movement to guitars, drums and synths. By pressing multiple front panel “IN” buttons, Instant Flanger allows for multiple simultaneous control modes. Have the flange moving constantly with an LFO, while also spiked by the peaks from the envelope follower! H910 Harmonizer® The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it. A powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. Use the H910’s pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback. H949 Harmonizer® Building on the legacy of the H910 pitch shifter, the H949 was Eventide’s first de-glitched pitch-shifter. Produced from 1977 to 1984, it introduced MicroPitch which used a proprietary single sideband modulation technique for precise control of small pitch shifts. The H949 also offered unique flange, reverse and randomized pitch effects. Popularized by Jimmy Page (as the only piece of digital gear to grace his rig) and cherished by Suzanne Ciani, the H949’s full feature set is recreated in this plug-in. From basic engineering and sound sculpting tasks to demonic space robot creations; H949 is built to inspire. Omnipressor Introduced in 1971, the Omnipressor® rack unit was widely used on hit records throughout the last four decades. One of Eventide’s first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again. Professional quality dynamic-modifier for gating, compression, limiting and expansion. The Omnipressor is even capable of reversing a sound’s envelope, making loud sounds quiet and quiet sounds loud. This plug-in is based on the original Eventide Omnipressor, introduced in 1971 and used on hit records throughout the last four decades. Instant Phase Mk II Modeled on the original hardware unit from the early 1970s, the Instant Phaser plug-in simulates one of the first dedicated electronic effects units ever made. Producers and engineers put it to use on countless hit records to create stereo images from a single source and create swept comb filter effects similar to – yet distinct from – tape flanging. The Instant Phaser employed a series of eight, FET-based, carefully tuned analog all-pass filters which delivered lush phasing while preserving the original tone. Utilities EChannel EChannel is a powerful audio engineering channel strip that includes a routable gate, a powerful parametric EQ, a versatile compressor and an output transformer simulation. EChannel is optimized for efficiency and delivers legendary Eventide effects on multiple tracks at once, without sacrificing sound quality or taxing your CPU. EQ 45 Eventide’s EQ45 is a faithful recreation of the Urei 545 equalizer. Its streamlined, easy to use interface features a four-band parametric EQ with high and low cut Butterworth filters, width and gain controls for each frequency band, and an overload protection mechanism. EQ 65 Eventide’s EQ65 is a faithful recreation of the utilitarian studio tool, the Urei 565 Filter Set. This two-band notch/bandpass filter set allows you to quickly find a selected frequency and perform a boost or cut of the signal. It’s a precision tool that allows you to surgically de-emphasize or completely eliminate selected frequencies in an audio recording. Precision Time Align Precision Time Align is a high precision sub-sample delay that can slide a track forward or backwards in time. It will help you get perfectly synchronized double-tracked recordings completely eliminating timing anomalies and phase issues from your mix, especially on multi-miked drums, vocals and instruments. UltraChannel UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance but is also the most versatile channel strip available due to Eventide’s exclusive FlexiPath™ routing, which allows processors to be ordered based on the desired workflow. PC
Mac
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Price History: Anthology XII 1,999.00 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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FabFilter Volcano 3Erupting with Character and Vintage Quality FabFilter is proud to announce Volcano 3, the latest version of its award-winning filter plugin. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering. Beautiful New Interface and Improved Workflow FabFilter has redesigned Volcano 3 from the ground up to make it more intuitive and immediate, while at the same time introducing a wealth of new features, and dramatically improving visualization of audio and modulation signals. The new filter display speeds up workflow with the selection of multiple filters at once and presents a unified response curve with stereo separation, as well as a high-resolution spectrum display. Characterful New Filters The beating heart of Volcano is, of course, its bank of four analogue-modelled filters. Expanding on the already-established High-, Low- and Band-Pass types, Volcano 3 more than doubles the options with the addition of vintage-style Bell, High/Low Shelf, Notch and All-Pass modes. And Much More… Beyond its stunning redesigned interface and versatile new filter types, Volcano 3 is erupting with useful new functional additions, refinements and tweaks. Many of these are to be found in the modulation section, such as adjustable Attack, Decay and Release curves for the Envelope Generator, a transient detection mode for the Envelope Follower, and the new Slider: a vertical-only variant on the XY Controller. Features
Windows
macOS
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Price History: FabFilter Volcano 3 129.00 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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ClaroWhether you’re a bedroom producer or a Grammy-winning pro, you want to take control to develop your own musical voice. Claro will empower you to make informed musical decisions in a unique and intuitive way. Claro is a comprehensive EQ Plug-In that serves the production process from composition to final mix, with three distinct views, progressively adding deeper insight and precision to prevent mud, clutter, or harshness, helping you blend your tracks into a clear and balanced mix. How does Claro benefit you? Staying focused is difficult, it slows the production process and kills creativity. Specifically designed to offer “Vibe first, detail later”, Claro has three distinct views which help to build your EQ intuition and confidence without interrupting the flow. You’ll be guided towards making the right decision for you, first time, every time. After having reduced masking from your previously muddy mix, have you ended up with something lifeless or sterile? Of course, you have, but were you aware that not all masking is bad all of the time? Masking can impart body, thickness and presence to your tracks. Claro identifies masking and empowers you to learn and choose whether it is problematic or positively contributing to the tone you’re trying to achieve. Resonance isn’t always bad. Resonances are the sharp, tonal characteristics that ring over time, as the overtones of a bell. They can cause things to sound harsh or boxy, and while you might be tempted to notch out or remove all of the resonances, they also help determine that sound’s character, including its pitch. When searching for resonant areas to tweak, Claro shows precise peaks and highlights those that resonate most over time. You don’t always refer to audio in specific Hz, so why should your Plugin? Claro’s friendly, intuitive interface guides you towards frequency ranges using familiar words such as ‘Mud’ and ‘Harshness’ in addition to Hz. A piano keyboard is also displayed to set your EQ band to a specific note helping you to work musically. Produce | Tweak | Mix Three Distinct Views Claro sustains focus and accelerates your workflow through three distinct views. The first is the PRODUCE view, offering a fast, creative EQ that actively promotes your musical creativity while removing unnecessary distractions and complex technical terminology. TWEAK view then opens up more correctional possibilities, providing you with the cleanest, most flexible filters. The real-time analyser adapts to your moves and helps to identify problematic resonances. Finally, use the MIX view to understand and assemble your mix. Every track is simultaneously displayed for you to prioritise, explore interactions and swiftly address frequency collisions between competing tracks. Claro is an equaliser that aids the production process from composition to final mix. Progressively adding deeper insight and precision, Claro maintains focus and accelerates your workflow through three distinct views. Produce – Tone Build EQ intuition and confidence without interrupting your flow. Broad EQ moves while creating, even if they’re subtle, often inspire you to make different musical decisions. Focus on where the energy is and discover what tonal characteristics you want to achieve. Produce – Width Mid-side EQ is often essential for cleaning up stereo synths and loops or creating space for vocals, and it’s just as quick as Tone shaping. Flip to Width mode to see the side-channel energy and tweak it. Too much rumble in the sides? Mono the bass with the Low Cut Filter. Tweak Sometimes you’ll need to dive into finer details, tweak filter resonance, adjust left/right and mid/side balance, or attenuate areas that contribute to boxiness or harshness. Claro’s adaptive spectrum analyser follows the channel (stereo, left/right or mid/side) and the Q of the band you’re adjusting to show you what you need to see. No more boosting and sweeping. Claro identifies resonances and highlights them so you can be in control of how much or little you wish to attenuate those resonances. Mix View all Claro instances across your project and see how the audio interacts. Drag & drop tracks to explore corrective EQ moves across any combination of tracks from the same window. Yellow highlights indicate where each track in your mix competes against, or masks, your chosen reference track. Areas of masking can lead to it sounding boomy, muddy, or harsh. Use the Invert EQ function to apply corresponding boosts to one track and cuts to another to reduce masking and give each track its own spectral space. Features
The Toolbox range offers 2 activations for each product licence you buy. Providing you have an iLok account, each activation will allow you to authorise your plugin on one of these devices:
Pro Tools AAX
Audio Units
VST3
Supported Hosts:
Please Note: This product supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product. |
Price History: Claro 137.00 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Oxford Dynamic EQThe Ultimate 5-Band Dynamic EQ Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head? Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. 5 bands of the ultra-musical Type-3 EQ curve can be overlapped to bring unparalleled control and characteristic Sonnox transparency to your single sources, instrument groups and 2-bus alike. The Dynamic EQ introduces unique features such as the option to engage the effect by onset (transient) detection – very useful when working with drums and percussion. Additionally, mid-side processing can be used to enhance a vocal without affecting side-channel balance or to open up a mix by focusing low end energy in the centre. This highly-tweakable space-carving capabilities of the Dynamic EQ will be a welcome addition to your mixing arsenal. MAIN FEATURES
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Please Note: This product now supports iLok Cloud Authorisation. An iLok USB Dongle OR an active internet connection is required in order to activate and use this product. |
Price History: Oxford Dynamic EQ 270.00 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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EQuivocatePowerful & Precise Human Ear EQ. Perfect for mixing and mastering, EQuivocate’s auditory filters and match EQ functionality make it incredibly powerful, simple to use, and natural sounding. EQuivocate uses filters which are modeled on the human ear. Each of the 26 critical bands tickles a different part of your inner ear, making any combination of settings sound as natural as possible. Combining this with a linear-phase filter shape that reduces pre-echo makes EQuivocate an EQ with a difference you can hear. MAIN FEATURES
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Mac
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Price History: EQuivocate 99.00 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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SpringsVINTAGE SPRING REVERB + BAXANDALL Springs is a plugin which features a collection of vintage spring reverbs paired with an authentic Baxandall EQ emulation. Springs features emulations from 8 types of spring reverbs, ranging from a long 6-spring pipe to a tiny battery-powered single-spring unit. We have used a combination of convolution and modelling to recreate the vintage character of each reverb. MAIN SPECIFICATIONS:
Spring reverbs were usually paired with tone stacks from guitar amplifiers. Springs features one of the most iconic and unique sounding tone stack equalizers: the Baxandall EQ. A classic Baxandall tone stack usually features just the bass and treble bands, but we have also added a Mid band (with control over the Q). SPRING REVERBS We have collected and emulated several spring reverbs. Each one with its own sound.
BAXANDALL EQ The Baxandall EQ is a classic type of EQ, mostly found in guitar amps, and usually limited to just a single tone control or two bands (bass and treble). We have added a third band (mid with Q control) to shape the reverb sound further. One important characteristic of the Baxandall EQ is that the bands interact with each other. This may seem like an unwanted behavior, but it’s one of the reasons why the Baxandall EQ curves are smooth and musical. HOW SPRING REVERBS WORK A spring reverb is an electromechanical device that uses transducers/pickups with steel springs in order to simulate the reflections of a reverb. The input signal is passed through a transducer to one or multiple springs, the vibrations are then captured by an output transducer on the opposite side. Using multiple springs with different sizes and different thickness can create a more interesting and rich reverb sound. Windows XP SP2 or later / OSX 10.6.8 or later Intel Core 2 Duo 2GHz or equivalent 2 GB RAM / 500 MB HD Screen resolution: 1024×768 VST2, AU, or AAX 64-Bit ONLY |
Price History: Springs 44.85 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Action DelayMORE THAN JUST A DELAY We have designed Action Delay with these characterstics in mind: Full Power – Simplicity – Creativity. Mixing these goals together is a hard task that requires hard work. But at last, this multi-effect beauty was born. PRODUCT SPECIFICATIONS
Just plug Action Delay in to your track and after twisting a couple of knobs, boom. You’ll get what you need, so so simply. 4 IN 1 Don’t be fooled by the name. It’s not just a delay unit. It’s a very advanced combination of:
You can combine built-in processors with the delay section, so you will be able to produce creative delay effects with an easy & fun way. BUILT-IN PROCESSORS:
TONS OF POSSIBILITIES Every parameter designed carefully to give the shortest and the most varied result. So you won’t get drowned in dozens of parameters. There are tons of possibilities for Action Delay but can be achieved with less effort. macOS
Windows
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Price History: Action Delay 29.90 $ |
4.6 SOUND QUALITY FEATURES VALUE FOR MONEY EASE OF USE |
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Curves EQDive Deep Into The Matrix Of Frequencies Navigate a digital landscape, effortlessly sculpting up to 16 bands and frequencies in perfect harmony. Shape your sound with surgical precision, enhancing clarity, depth, and richness across the audio spectrum. Embrace the sleek interface that allows you to shape frequencies with the finesse of a digital virtuoso. Create a sonic masterpiece, resonating with a clarity that transcends the boundaries of time and space resulting in a sonic tapestry that defies conventional boundaries.
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Price History: Curves EQ 19.95 $ |