Reverb VST Plugins

The Classic Sound of a Spring Tank

Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond.

Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! The added tube-amp-style tremolo can be routed before or after the spring resulting in an unrivalled ability to craft your own unique reverb sound. Alter the intensity by changing the tremolo depth and adjust the tremolo rate in Hz, or note value when tempo-synced to your project.

Want more control of your tone? Spring has controls to independently manipulate the damping frequency for both the Low and High end. Get even more ring from your spring by adjusting the amount of metallic Resonance present in the High Damping frequency. Guitarists love the revered surfer vibe but all creative musicians will find that Spring makes any synthesizer, drum, or vocal stand out in a mix.

Features

• Artist presets by Matt Lange, Nick Hook, and Nu-Trix.
• Tempo Sync reverb decay to your DAW
• Craft original sounds by changing the number of springs and damping frequency
• Alter overall resonance by selecting the size of the spring tank 
• Tube-amp-style tremolo that can be routed pre- or post-reverb
• Create chorus-like effects by altering Modulation Level
• The Ribbon controller allows for dynamic modification of several knobs at once to easily morph between settings
• Programmable Hotswitch provides ability to jump instantly to an alternate sound at the push of a button
• Mac/Windows plug-in version works as VST, AU, AAX

Artist Presets

Spring Reverb was designed to give you extensive control, allowing you to craft your own signature sounds. The plug-in comes with a carefully curated set of presets that serve as a launch pad for your explorations including some by Eventide artists covering a wide range of musical styles.

Granular Cloud Reverb

Albedo is a granular cloud reverb. It constantly records incoming audio into a buffer, and at the same time runs up to 64 individual looping playheads – called grains – scattered within this buffer.

All grains have their own random size and position, and as they are overlaid together, a lush “cloud of sound” effect is produced.

Thanks to dual envelope generators per grain, playback speed has continuous adjustment with perfectly smooth transitions between forward and reverse directions – enabling live audio manipulation much like on a tape machine or a turntable, including a fully stopped state.

With multiple detailed controls, Albedo is capable of a vast variety of other effects, too: from melting pitch shifts and chaotic reversed delays, to chorus atmospheres and dark grimy dissonance.

Albedo can also “freeze” its buffer and keep playing the granular cloud indefinitely, allowing you to layer the original input signal on top – and making this plugin a great performance tool.

MAIN FEATURES

Sound Engine

• Real-time circular recording buffer with freeze and stereo link functions, plus optional multi-mode state-variable filter
• Granular playback engine with up to 64 grains, randomized position and size, bi-directional speed, variable detune
• Selectable grain playback interpolation: low quality linear and high quality spline
• Sine-wave LFO for synchronous grain speed and size modulation
• Lag filters on all continuous parameters for smooth, click-free adjustment.
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

Graphic Interface

• Color-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Built-in preset management functions
• Supports window size scaling up to 200%

MorphVerb is a unique reverb plugin that allows its users to blend several reverb types. It’s a tool providing the fastest way to get the perfect reverb settings.

What type of reverb should be used on my track? Shall I use the Chamber or Hall? What about something in between? MorphVerb is a magical tool providing a unique way to find the perfect reverb settings!

All reverbs in a single plugin

MorphVerb covers all reverb types you could think of. It offers lush algorithms for Spring, Ambience, Echoes, Room, Chamber or Plate. It also features great spaces like Hall or Cathedral and your reverb can even be Infinite.

Reverb surgery

Apart from controlling the Width, Predelay or Size for every algorithm, MorphVerb also gives you the chance to tweak the Modulation, Saturation and Compression of the reflections. You can tune the reverb sound to meet your wish with no compromise.

Ducking

Simply looking Ducking feature makes sure that your tracks won’t drown in the reverb. It will make your mixes cleaner, but still, give them the space they deserve.

Real-time spectrogram

HiPass and LoPass filters dedicated to the wet signal are placed on a real-time spectrogram display to deliver an immediate visual response. The spectrogram gives you also maximum control over the Ducking and Dampening effects.

For every situation

MorphVerb is equipped with over a hundred presets conscientiously divided into several folders. That not only increases the speed of MorphVerb workflow but it also shows the variety of sounds and usage MorphVerb is ready for. MorphVerb can really be used on anything.

Choose your GUI style

Some people like 3D graphics better, some prefer flat design. With this plugin, you are not determined. You may choose which GUI suits your more and switch between 3D and 2D any time. The graphic style has NO effect on sound nor on CPU load.

Smart bypass

The intelligent way our plugins manage bypassing ensures that you don’t get any click or harmful noises when automating the parameter.

Reverb Time Machine:The SP2016 was the first programmable effects box available on the market.

It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual hardware chips that would be plugged in under the hood.

Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski.

The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more.

Now, 36 years later, this signature sound is available for your DAW.

Features:

• Three distinct reverb types
• Room: Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes.
• 2016 Stereo Room: Recreates the ambience of a large concert hall, with very clear, natural reverberation.
• Hi-Density Plate: Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are.

Includes a variety of presets including some by Dave Pensado, Richard Devine, Joe Chiccarelli, Sasha, George Massenburg, The Butcher Bros, Buda & Grandz, Erin Tonkon, and more.

Hyperspace is an algorithmic reverb allowing the user to create algorithms made up of various processors.

Vintage, Classic, Retro, Modern, Sci-Fi and Cosmic modes let you combine various algorithms with endless possibilities.

Hyperspace will enrich your tracks with myriads of colors.

Custom Build Your Algorithms

Hyperspace allows you to easily create your own algorithms in a fast intuitive way. From vintage plates or classic hardware to super realistic spaces or out of this world ethereal textures. We used machine learning to qualify over 20 million sets of values and selected only the best. All you have to do is simply use the pads to get a great sounding reverb that is unique to you.

The Perfect Fit

Too often reverb can wash out your sounds and push them back in the mix losing focus and clarity. Hyperspace gives you 4 extremely useful mixing tools that manipulate your reverb to fit perfectly in your mix. Including spectral noise separation, ducking, transient recovery and more these unique processors give you complete control over the shape of your reverb.

Intelligent Randomization

The dice symbols are smart randomizers that dial in useful settings to give you great sounding reverbs in just one click. With 3 levels of randomness, you can use them to subtly change the character of your existing sound or unleash chaos to surprise and inspire you.

Intuitive Interface

Hyperspace gives you an amazing amount of control of your reverb, with a simple to use interface. The super clean background disappears letting your eyes focus on the controls that matter, with colour coded zones to help you quickly find your way around the plugin. The GUI is also resizable and HDPI compatible, so it will fit perfectly on any screen.

Smart Control

The parameters in Hyperspace offer extreme value ranges to give you the most flexibility possible while having the useful values tuned to the centre of the controls allowing you to find that sweet spot quickly. Separate controls for Wet & Dry give you maximum control over the balance of reverb, with a link option to give you the typical mix behaviour found in most other plugins. Time-based parameters can be synced to the host tempo to get predelay and decay grooving with the beat.

Number of Presets

Browse through a wide range of presets designed by pro sound designers and producers. Use them as a starting point, inspiration or convenience without slowing down your creative flow. Any way you choose to use them, they truly showcase the sonic beauty of Hyperspace. You can also use our super fast copy & paste preset function to share your creations with other Hyperspace users online.

64-bit Audio Quality at ANY Sampling Rate

The plugin provides the maximum audio quality you can get. It uses 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher

A Simple, Powerful Reverb Plugin

The Apogee Clearmountain’s Spaces plugin reproduces Bob Clearmountain’s personalized workflow for creating the distinctive, rich spaces where his mixes live. With the very same echo chamber profiles and processing he’s used on countless hit records, Clearmountain’s Spaces lets you envelop your tracks in unique and cohesive atmospheres that set your mixes apart.

Even with the simple operation of “adding reverb” to a mix, Clearmountain has developed a highly personalized workflow for creating the distinctive sonic environments that make his mixes stand out. Rather than rely on commonly available reverb effects, Bob has relied on physical rooms and chambers for realistic and unique reverb. Once convolution reverb technology allowed him to “capture” the characteristics of his favourite rooms as digital impulse response files, he was free to use all his favourite spaces no matter their location.

With Clearmountain’s Spaces, you now have access to the very same impulse response room profiles used on countless hit mixes. Equally important to achieving the signature Clearmountain sound is flexible input signal processing for shaping the sound before it hits the Spaces – three-band EQ, easy-to-use de-essing, and pre-delay. The final stage of Bob’s spatial workflow is a technique we call Composite Spaces – mixing and layering Spaces of different timbral characteristics and decay times for a result that’s utterly personalized.

Classic Presets Make it Easy to Add Space to your Mix

Have you ever struggled when adding reverb to your mix? The Clearmountain’s Spaces presets built by Bob, deliver decades of mixing expertise to your fingertips letting you easily add polish, depth and atmosphere to all your tracks.

Custom Impulse Responses of Clearmountain’s Reverb Spaces

Earlier in his career, Bob leaned heavily on physical rooms and chambers for realistic and unique reverb – for example, the custom-designed echo chambers at his MixThis studios in Los Angeles. Once convolution reverb technology allowed him to “capture” the characteristics of his favourite rooms as digital impulse response files, he was free to use all his favourite spaces no matter their location. With Clearmountain’s Domain, you now have access to these spaces, the very ones used on countless hit mixes.

Product Tour

Flexible Input Processing

• 1) Easy-to-use De-esser removes distracting sibilance for smooth and consistent Spaces
• 2) Pre-delay separates the dry signal from the Spaces signal for greater clarity and rhythmic interest
• 3) Three-band EQ gently de-clutters or radically alters the character of Spaces

Realtime Spaces Visualizer

• 4) See the sonic effect of your reverb with the captivating display of Spaces as they evolve through time & space

Three Customized Spaces you can Combine

• 5) Apogee Studio – A short and warm ambience from Apogee’s in-house recording studio and development lab
• 6) Mix This! – A medium length, bright reverb from the physical echo chambers at Clearmountain’s Mix This! studio in Los Angeles
• 7) Roscoe – An extra-long, rich-sounding reverb captured in Clearmountain’s friend’s studio with AEA ribbon mics for a super-warm sound

Features

• Three Customized, Clearmountain Spaces
• Clearmountain Expert Presets
• Composite Spaces Mixer
• Input Processing with 3 – Band EQ, De-esser
• Pre-Delay
• Real-Time Spaces Visualizer
• Flexible Plugin Window Resizing

Create stunning musical spaces

The UJAM way is about making world-class sound accessible for everyone. This is our take on pro-level creative FX. Putting the control in your hands, while holding true to our frustration-free design values. With 10 different modes to choose from, UFX Reverb is your Swiss army knife for every type of algorithmic space. The built-in Finisher and modulation options make it a fun creative tool beyond your average reverb.

What’s inside?

• 10 algorithmic reverb modes
• 25 creative filter models, e.g. “Megaphone”
• unique auto-ducking function
• 50 Finishers

A solid source of inspiration

The infinite possibilities of electronic music production is its blessing and its curse. Think of UFX as your digital companion on your creative journey. It gives you all the possibilities with none of the overwhelm.

Features at a Glance
Take control of the ambience with the sound character and dimension controls. Use Freeze and Finishers for endlessly creative modulations. Filter models span from bread’n’butter to outright crazy.

Freeze! Build custom pads or atmospheric sound effects from any source signal. Add in Finisher goodness like grain delay, etc, etc, etc to add unique textures that will set your production apart from the pack.

Tidy mixes guaranteed: Do you find yourself getting lost in thick spacey sauce when dialing in that big beautiful washy reverb? All your worries will be far, far away with our auto-ducking feature. It side chains the reverb with the source signal, so you get the best of both worlds!

A Complete Sonic Universe

The Anthology XII plug-in bundle brings Eventide’s 50 years of pioneering audio technology directly to your DAW. Anthology XII has everything you need to take your sonic story to the next level by combining award-winning, groundbreaking, inspirational effects with the most essential music production staples of the last half-century! 

Anthology XII comes with 33 plug-ins designed to enhance, morph, mangle, pitch shift, re-shape, and define your sound. A comprehensive and creative toolkit for music producers, mixers, and artists alike, Anthology XII features Eventide’s revolutionary Structural Effects plug-ins, SplitEQ and Physion, which utilize transient/tonal splitting technology; the radical sound manipulation of Blackhole® and Undulator; authentic emulations of Eventide studio mainstays such as the iconic H910, H949 and H3000 Harmonizer®, Instant Phaser, Instant Flanger and Omnipressor®; and the legendary reverbs of the SP2016.  Also included are other one-of-a-kind tools like Tony Visconti’s Tverb, the powerful CrushStation® overdrive/distortion command center, and the unique Octavox eight-voice diatonic pitch shift Harmonizer.

MAIN FEATURES

• 33 Plug-in flagship collection delivers 50 years of Eventide effects to your DAW
• 4,500+ presets across all plugins, including artist presets
• Modernize your workflow using SplitEQ, a groundbreaking EQ with Transient/ Tonal splitting technology
• Authentic emulations of classic Eventide Harmonizers®, modulation effects, and more
• Lush spaces from the iconic Blackhole® and SP2016 Reverb among other dreamy and musical reverbs
• Thicken and layer sounds with signature pitch effects like Crystals, MicroPitch, and Octavox
• Create depth with unique delay multi-effects like UltraTap, Undulator, and H3000 Band Delays
• Sweeten tracks with the smooth sounds of TriceraChorus, Instant Phaser MkII, and Instant Flanger MkII
• Inject heft and grit with distortion multi-effects CrushStation® and MangledVerb
• Design sweepable transition effects with the H9 series plug-ins RIBBON slider
• Plenty of ways to morph, mangle, pitch-shift, reshape, and define your sound
• A comprehensive and creative toolkit for producers, mixers, and artists alike

Anthology XII adds 10 plugins to the previous Anthology bundle with 3 new reverbs, 3 new mod effects, 2 pitch effects, a cool distortion effect, and a next-generation EQ:

• SplitEQ — Groundbreaking EQ with transient/tonal splitting technology

• SP2016 Reverb —The legendary Room, Stereo Room, and Hi-Density Plate from the rackmount SP2016

• Spring — The dreamy flutters of the classic spring reverb 

• ShimmerVerb — Massive ethereal reverb with parallel pitch shifters

• TriceraChorus — Syrupy smooth Tri-Stereo chorus with MicroPitch & Psychedelic Swirl

• CrushStation® —Distortion/Overdrive Command Central

• Rotary Mod — Whirly Leslie Cab Modulation

• Undulator —Magical H3000 Modulated Tremolo

• MicroPitch —Iconic H3000 Dual Voice Pitch Shift + Delay

• Crystals —Signature reverse pitch shift/delay effect

NEW IN ANTHOLOGY XII

SplitEQ

SplitEQ is a groundbreaking EQ that offers a new approach to corrective and creative audio equalization. It excels at Enhancing, Repairing, Rebalancing, and Widening any musical source or audio signal. SplitEQ is both a surgical tool for fixing particularly nasty problems and a creative tool that opens up exciting new musical possibilities. More than just an EQ—It’s a new and better tool.

SP2016 Reverb

The SP2016 was the first programmable studio rack processor. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual EPROM chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski.  The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.

Spring

Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond. Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! 

ShimmerVerb

ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, “shimmer.” Oftentimes, producers would achieve the effect by using Eventide pitch-shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire.

Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambience to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network. 

TriceraChorus

TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s, particularly the Dyno-My-Piano. It pairs rich BBD style tri-chorusing with another signature Eventide effect: micro-pitch detuning. This effect can be used to thicken the sound and widen the stereo field by detuning the left and right signals and pan them opposite directions.

The combination of these effects makes it easy to create syrupy, smooth, and deep modulations on synths, strings, vocals, guitar, bass, and more. TriceraChorus is a great way to add richness and spatial depth to your sounds.

CrushStation

CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac or PC. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.

Rotary Mod

Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation. Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals. Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand. 

Undulator

Undulator is Eventide’s classic modulated tremolo effect from the iconic H3000 effects processor. This unique, rhythmic effect combines ethereal feedback and detuned echos, run through an AM / FM modulated tremolo. Whether used for manipulating samples or adding movement to strings, pads, guitars, and keys, Undulator is a muse for creative musicians. Add Undulator into your plug-ins collection for the most playable tremolo-style effect on your DAW or iOS device.

Undulator excels at evolving pads, sync’d chops, and time-lapsing dreamy soundscapes. Combined with a multi-tap delay and powerful tremolo, Undulator’s controls give any sound sustain and shape. This is perfect for transforming ordinary synths, keys, guitars, and even vocals into evolving pads, tempo-synced production elements, or ethereal and fluctuant delays. Simply put, Undulator can make shorter sounds into longer layered effects, and give sustaining sounds shape and rhythmic character.

MicroPitch

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on its legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micro pitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

Crystals

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic.

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Effects

Instant Phaser Mk II

Released in 1971, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades.

Reminisce back to a phaser with analog personality, smooth modulations, and inherent musicality. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal. This new emulation of the classic effect accomplishes the same legendary sound notably used on hits like Led Zeppelin’s “Kashmir” and “Presence”. The capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob.

Physion

Physion is the first plug-in to use Eventide’s ground-breaking Structural Effects technology – A new method for processing audio. It allows you to split a sound into its transient and tonal parts, independently manipulate them using Eventide’s world-class effects and then fuse them back together. With the ability to add effects and dynamic controls to the transient and tonal sections, you can produce a wide range of effects, from the subtle to the extreme.

H3000 Band Delays

Imagine if you could take any sound, separate it by frequency bands, change the filter type, and then individually process those bands with delays. The H3000 Band Delays plug-in is dereived from the H3000 Harmonizer® studio processor. This unique plug-in is capable of everything from standard delays and filtering, to stereo-widening and killer rhythmic effects.

Just feed it any instrument or vocal and instantly manipulate up to 8 voices by frequency, resonance, filter type, delay time, volume and panning. Then easily build complex movement using the H3000 Function Generator.

H3000 Factory

The H3000 Factory combines the pitch, delay, modulation, and filtering that made the original H3000 Ultra-Harmonizer a studio legend.

Octavox

Level up your composition skills with Octavox’s unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from Eventide’s flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity.

Quadravox

Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences. With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences.

Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values. Each of the four voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays.

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Reverb

Blackhole

Most reverbs are earth-bound and constrained by the physics of the real world. Eventide’s Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allows it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.

MangledVerb

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favorite DAW.

Tverb

Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb.

Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.

UltraReverb

9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available. 

Clockworks Legacy

Instant Flanger Mk II

Modeled on the original hardware unit from 1976, the Instant Flanger plug-in simulates the happy accidents of flanging sounds originally produced by interfering with physical tape machines. Its phase-reversed and variable-delay outputs, create a heavy stereo effect. With its simple controls, Instant Flanger allows you to instantly oscillate your tones and will add a new layer of movement to guitars, drums and synths.

By pressing multiple front panel “IN” buttons, Instant Flanger allows for multiple simultaneous control modes. Have the flange moving constantly with an LFO, while also spiked by the peaks from the envelope follower!

H910 Harmonizer®

The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.

A powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. Use the H910’s pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback.

H949 Harmonizer®

Building on the legacy of the H910 pitch shifter, the H949 was Eventide’s first de-glitched pitch-shifter. Produced from 1977 to 1984, it introduced MicroPitch which used a proprietary single sideband modulation technique for precise control of small pitch shifts. The H949 also offered unique flange, reverse and randomized pitch effects.

Popularized by Jimmy Page (as the only piece of digital gear to grace his rig) and cherished by Suzanne Ciani, the H949’s full feature set is recreated in this plug-in. From basic engineering and sound sculpting tasks to demonic space robot creations; H949 is built to inspire.

Omnipressor

Introduced in 1971, the Omnipressor® rack unit was widely used on hit records throughout the last four decades. One of Eventide’s first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.

Professional quality dynamic-modifier for gating, compression, limiting and expansion. The Omnipressor is even capable of reversing a sound’s envelope, making loud sounds quiet and quiet sounds loud. This plug-in is based on the original Eventide Omnipressor, introduced in 1971 and used on hit records throughout the last four decades.

Instant Phase Mk II

Modeled on the original hardware unit from the early 1970s, the Instant Phaser plug-in simulates one of the first dedicated electronic effects units ever made. Producers and engineers put it to use on countless hit records to create stereo images from a single source and create swept comb filter effects similar to – yet distinct from – tape flanging. The Instant Phaser employed a series of eight, FET-based, carefully tuned analog all-pass filters which delivered lush phasing while preserving the original tone.

Utilities

EChannel

EChannel is a powerful audio engineering channel strip that includes a routable gate, a powerful parametric EQ, a versatile compressor and an output transformer simulation. EChannel is optimized for efficiency and delivers legendary Eventide effects on multiple tracks at once, without sacrificing sound quality or taxing your CPU. 

EQ 45

Eventide’s EQ45 is a faithful recreation of the Urei 545 equalizer. Its streamlined, easy to use interface features a four-band parametric EQ with high and low cut Butterworth filters, width and gain controls for each frequency band, and an overload protection mechanism.

EQ 65

Eventide’s EQ65 is a faithful recreation of the utilitarian studio tool, the Urei 565 Filter Set. This two-band notch/bandpass filter set allows you to quickly find a selected frequency and perform a boost or cut of the signal. It’s a precision tool that allows you to surgically de-emphasize or completely eliminate selected frequencies in an audio recording.

Precision Time Align

Precision Time Align is a high precision sub-sample delay that can slide a track forward or backwards in time. It will help you get perfectly synchronized double-tracked recordings completely eliminating timing anomalies and phase issues from your mix, especially on multi-miked drums, vocals and instruments.

UltraChannel

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance but is also the most versatile channel strip available due to Eventide’s exclusive FlexiPath™ routing, which allows processors to be ordered based on the desired workflow.

PSP Nexcellence is a rich-sounding, spring reverb emulation inspired by and modeled after classic “necklace-type” reverb units. It provides two different spring set processors, and can use one or both of its processing engines simultaneously.

The Nexcellence algorithm has improved on the original hardware by providing a handy set of parameters to let you control inherent aspects of the spring reverb.

Echo Space – 10 Units – 137 Files – 261 megs

This library contains numerous Tape Echo Units, an Oil Can Delay, various competitors to the 201 and 301 and then what we call the Space section, where we have included a good number of files from these historic units.

Units Included:

• 201
• 301
• Echo 312
• EchoP
• EchoP-2
• German Echo
• Oil Can Delay
• SS 282
• SS 282
• Unit 2
• Tape Echo

These tape delay, oil can and SST 282 files are really quite unique and convincing.

All of the tape delays can be tempo based to your particular project by using the Stretch and Decay parameters.

The beauty of the Echo Space Library, is the ability to use these treasured units, without the maintenance and sometimes noise floor levels that many engineers had to work with.

While Convology XT has gorgeous reverbs, halls and spaces, etc, many users are gravitating towards the Echo Space Library for all of the qualities that made them popular from when they were first introduced.

If you are looking for unique sounding impulse response files that have unique qualities with iconic gear from this era, then look no further!

Echo Space requires the use of: Convology XT

MReverb is a special reverb designed for mixing, particularly spatial positioning. This was a very hard and time-consuming task to do… Until now. MReverb has 4 fully configurable modulators which can be used to make incredible effects.

• MReverb has 4 fully configurable modulators useful to make incredible effects. Each oscillator in any of the plugins is defined by the most advanced technology in the world, which compounds predefined shapes with custom shapes and a step sequencer. Global modulators can move any parameter and make your sound truly interesting.
• Dual user interface – the plugin is not only extremely versatile, but also quick and easy-to-use thanks to 2 graphical user interfaces. First there is a simple default one with several predefined modes, but just a few controls, which lets you start quickly and easily without any knowledge. All you need to do is choose what you want and use a few knobs. And the plugins also has an advanced mode, which provides all the extreme features the plugin offers.
• Spatial positioning system – using a simple view you can easily drag the sound source and MReverb will set all required parameters to make it sound like it is in the specified room and position.
• Fully adjustable 3-band equalizer you can use to control the sound of the reverberation signal, hence the room sound. Each band can be configured to 7 different filter types, has harmonic control and much more.
• Fully algorithmic and true stereo reverb – it does not need separate plate, hall, and room algorithms. Instead it has a huge set of intuitive parameters that allow you to easily emulate any given reverb characteristic. Anything from small rooms to extremely large halls with almost infinite reverb tails…
• 4 global modulators – in each instance you can have up to 4 fully-featured modulators that can modulate any set of parameters including other modulators! In this way you can make the sound move in time, be less static and more interesting. Each modulator works as LFO, follower, midi/audio triggered ADSR envelopes, a pitch detector or even a combination.
• Integrated tube saturation gives the sound a great vintage analog feel.
• Full randomization – using a single button you can generate completely new settings. By clicking the button you can walk through the billions of possible settings and find the best one for you! And if that’s too much, you can just hold ctrl and MReverb will only slightly modify existing settings.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• Automatic synchronization to host tempo – every oscillator and modulator in the plugin can automatically synchronize to the host providing as natural a sound as possible while not offending other tracks.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully automatable.

Get the signature sound of the UK’s most famous nightclub on your digital audio workstation!

Our new convolution reverb allowing users to get the signature sound of the UK’s most famous nightclub on their digital audio workstation.

Offers 21 different points within the nightclub including booths! So you can “stand” wherever inside the club!

Meticulously captured Impulse Responses give you a feeling as if you were inside the Club!

Choose Your Spot: You can alter between 21 different points within the nightclub including booths!

Sampled With Care: We recorded sine sweeps through each soundsystem in each room so you get the real feel!

Made in collaboration with Fabric London.

MORE THAN JUST A DELAY

We have designed Action Delay with these characterstics in mind: Full Power – Simplicity – Creativity.

Mixing these goals together is a hard task that requires hard work. But at last, this multi-effect beauty was born.

PRODUCT SPECIFICATIONS

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Tempo Sync and free delay modes with individually adjustable L / R channel settings.
• Lo-Fi degrade unit with “Bit Reduction & Sample Amount” settings
• Reverb unit for dry and wet signals with 3 High Definition reverb modes.
• Chorus modulation unit
• 4 band Solid State EQ
• Advanced Stereo Enhancer algorithm
• Simplified controls, lot’s of creative possibilities.

Just plug Action Delay in to your track and after twisting a couple of knobs, boom. You’ll get what you need, so so simply.

4 IN 1

Don’t be fooled by the name. It’s not just a delay unit. It’s a very advanced combination of:

• Delay
• Chorus
• Reverb
• LoFi Processors

You can combine built-in processors with the delay section, so you will be able to produce creative delay effects with an easy & fun way.

BUILT-IN PROCESSORS:

• Classic Reverb
• Lo-Fi Distortion
• Classic Chorus
• Stereo Enhancer
• Classic Solo EQ
• Hybrid Delay Engine

TONS OF POSSIBILITIES

Every parameter designed carefully to give the shortest and the most varied result. So you won’t get drowned in dozens of parameters. There are tons of possibilities for Action Delay but can be achieved with less effort.

Shimmer Reverb

Luminance is a plugin for creating “shimmer reverb” effects – unreal acoustic space simulations which gradually pitch-shift the reverberation tail upwards or downwards. It is a novel take on this highly coveted effect, based on a modern feedback delay network design with a built-in granular pitch shifter, and featuring many original tricks such as alternating-phase time scale modulation.

Thanks to the unique, meticulously executed tuning of its individual components, Luminance possesses a fresh and highly musical character: it smoothly follows the original melodic content and creates a gorgeously beautiful background sound layer reminiscent of a dreamy symphony of strings or pipe organs – with organic depth and expansive stereo field.

MAIN FEATURES

Sound Engine

• Reverb engine based on 8×8 feedback delay network with spline interpolation and smoothly variable time scale
• Granular pitch shifter and two-pole low-pass filter for shimmer effect shaping
• Sine generator for time scale modulation, with unique alternating-polarity routing
• Additional pre-delay stage
• Lag filters on all continuous parameters for smooth, click-free adjustment
• Supports mono › mono, mono › stereo, and stereo › stereo channel configurations

Graphic Interface

• Colour-coded graphic elements
• Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
• Built-in preset management functions
• Supports window size scaling up to 200%

Strange New Worlds

Galactic Reverb is an algorithmic reverb plugin that captures the expansive sound of coveted classic hardware digital reverbs.

With a decay time up to 35 seconds, it enables users to create massive, beautiful aural spaces. Galactic is a natural for transporting guitars, drums, keys, and even vocals into an extraterrestrial ambience.

Based on a reverb algorithm featured in Cherry Audio’s smash hit Dreamsynth virtual instrument, the Galactic plugin adds modulation controls, predelay, and an equalizer. We’ve also added a remarkable ducking function for automatically reducing reverb levels while a singer or an instrument is playing to improve mix clarity, no sidechain required! Ducking can also be used to dramatically alternate between super dry and immense reverb tails, setting Galactic apart from other spacey reverbs.

Galactic is intuitive to use and produces musical results at lightspeed. Like all Cherry Audio plugins, Galactic includes our convenient preset browser, loaded with over 50 ethereal presets. It can be used as an insert or bus effect, and is fully compatible with mono or stereo sources.

Bypass the compressor. Initiate the matter – antimatter integrator. Engage the warp drive and go Galactic!

Galactic Reverb Features:

• Authentically modeled classic reverb
• Modulation from 0.10 Hz to 5.00 Kz
• Damping control for reverb
• Pre-Delay from 0.00 ms to 500 ms
• Decay from 0.00 ms to 35000 ms
• Ducking with attenuation and recovery time controls
• Equalize r with low and high frequency controls
• Use as an insert or bus effect
• Compatible with mono or stereo input sources
• Preset browser with over 50 Presets for Drums, Ducking, Guitars, Keys, and Vocals, favoriting, and user presets
• Full MIDI control and DAW aut omation for all controls
• Preset and Global level MIDI mapping
• User – selectable themes

Everything from Spaces I and more

The original Spaces was lauded for offering a plethora of reverb options, from creative to highly surgical. By adding Spaces II to your mixes, you get hundreds more reverbs recorded in churches, concert halls, opera houses, catacombs, train stations, recording studios, and warehouses. The new streamlined UI and control features enable you to access every reverb and make edits rapidly, with minimal delay between searching for the most suitable reverb and finalizing your settings. And because it includes all reverbs from Spaces I, Spaces II is the most powerful and versatile convolution reverb on the market.

An extensive collection of reverbs from around the world

If you’re looking for a comprehensive collection of impulse responses from every location imaginable, Spaces II is a Swiss army knife of creative and technical reverbs to suit any genre. From a large orchestra down to or a 5-piece ensemble or solo performance, Spaces II makes it easy to select a contextually appropriate and believable reverb for nearly any stage or environment you like, while offering clear detail that would normally get washed away in other convolution reverbs.

Brand-new spaces

From stunning concert venues like Abravanel Hall in Salt Lake City, Reynolds Hall in Las Vegas, and the War Memorial Opera House in San Francisco, to exquisite sounding churches like St. Patrick’s and St. Dominic’s, to unique and extraordinary sounding locations like catacombs and Union Station in Los Angeles and many more, the reverbs from these brand-new spaces will inspire you and help bring your compositions to life with incredible realism. These are some of the best locations EastWest has recorded in and they will all perfectly compliment the locations from SPACES I.

Venues (churches, concert halls, opera house)

The ideal choice for choirs and orchestras, these reverbs have a long tail and present a lot of detail. With so many to choose from, you’re certain to find one with the exact density and tail you’re looking for.

Outdoor (caves, courtyard, forests)

Perfect for sound designers who need to recreate a physical space with strikingly different acoustics from anything you’d normally find in a reverb collection. Excellent for open spaces and unconventional settings.

Large indoor (the catacombs, parking garages, swimming hall, train stations, warehouses)

Sound designers will find these reverbs valuable for foley work and adding to ambiences, and composers will love the opportunity to place their musicians in an environment far removed from a typical performance hall. The incredibly long tails in this collection are unlike any other spaces you have at your disposal.

Classic (plates, rock rooms, studios)

If you’re writing classic rock or want to emulate a session recording, these reverbs are the way to do it. We captured the impulse responses of a plethora of classic plates and studios perfect for creating just the right amount of ambience–not too much, but you would miss it if taken out of the mix.

Effects (digital, tanks)

A sound designer’s paradise: this is an excellent way to force your sounds through unrealistic and eerie metals and digital environments and heavily morph the final result. The result can be a bit unpredictable–but sometimes it pays to take a chance.

Individual (instrument specific tour, solo vocal)

A collection of reverbs tailored specially to some of the most common instruments available, including pianos, strings, vocals, and synths. When you want a quick way to create the perfect ambience for a specific instrument, try looking here first!

Same revolutionary recording techniques

The same revolutionary impulse recording techniques that made SPACES I so popular have been replicated in this new collection. The best gear from Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, and TG were used in each recording. ATC Monitors were used in each space to emulate the real-world sound projection properties of various instruments. Spaces II includes a very hi-resolution, True Stereo engine that focuses on delivering the very best sound at a very low CPU load. Most impulses are in 8 channel format, so surround mixes can be created.

What will you create?

If you have any holes in your collection of impulse responses, Spaces II will obliterate nearly all of them. This level of power and extensive range of options will be difficult to find anywhere else on the market, and regardless of your unique needs, it’s a given that you’ll quickly find a reverb for nearly any physical space you need to replicate.

What’s one space you’ve been desperate to model? Because changes are, you’ll find it in Spaces II.

Are you not sure which of our reverbs is the best? Then grab all of them at once.

This time-limited bundle contains Hyperspace by JMG Sound, which lets you blend your own algorithm, vintage style Verbum Entropic Hall and MorphVerb, which gives you a chance to blend two reverb types. And we are adding two extra related plugins. Recently released Cryostasis can be used as a very creative Reverb, and the reverse snare wonder – Mirror – contains a reverb section too. Try them all. But don’t hesitate for too long. The offer is only available until the end of the year. 

Verbum Entropic Hall – The Beauty Is in Chaos

The recent digital world tends to line up everything. That makes things predictable and… well, boring. The beauty of life is in chaos and randomness of unexpected. And Verbum Entropic Hall reflects that which makes it one of the most realistic reverbs out there.

Hyperspace – Shortcut to the New Universe

Hyperspace is an algorithmic reverb allowing the user to create algorithms made up of various processors. Vintage, Classic, Retro, Modern, Sci-Fi and Cosmic modes let you combine various algorithms with endless possibilities. Hyperspace will enrich your tracks with myriads of colours.

MorphVerb – I’m Every Reverb

What type of reverb should be used on my track? Shall I use the Chamber or Hall? What about something in between? MorphVerb is a magical tool providing a unique way to find the perfect reverb settings!

Cryostasis –  Freeze Time Forever

Cryostasis is a spectral inertia effect that can progressively smear your audio until infinitely frozen in time. It features spectral FX and controls to shape the character of the frozen tail. All are controlled by a continuously variable freeze knob or an auto switch that can be timed in milliseconds or musical measures (double-click).

Mirror – Reflections of the Future

Imagine a plugin that sees the future. It reverses your audio, applies effects and plays it back before the event even begins. This plugin would automatically create the much-loved reverse reverb and snare effects in seconds, allowing you to focus on the sound, not the process. Well, that is JMG Mirror – the world’s first reverse negative delay.

Good Verb Gone Bad

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favourite DAW.

MangledVerb starts with a variable pre-delay which feeds a stereo reverb into a complex distortion effect. Sonically it can range from the light friction of a bow scraping a cello string to the mayhem of a caged beast being poked with a red hot flounder.

Tweak it Live

Like all the H9 Signature Series plug-ins, MangledVerb excels in live situations. The Ribbon is an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them. The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls brings you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

• Create out-of-this-world soundscapes by increasing the Size and Overdrive.
• Use it as Mono-In/Mono-Out, Mono-In/Stereo-Out or Stereo-In/Stereo-Out for ultimate flexibility.
• Smoothly move from Softclip distortion to Overdrive for ripping transitions.
• Use the Wobble control to create spooky detuning effects.
• Use The Ribbon control to easily manipulate multiple parameters in a live situation.
• Program the HotSwitch to instantly change multiple parameters at once.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta-control on the fly.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.

MangledVerb Artist Presets

MangledVerb includes over 180 presets from the H9 and artists like:

• Aaron Nevezie
• Chris Carter
• Christian Cassan
• Count
• Danny Gomez
• Drew of the Drew
• Headsnack
• Joel Hamilton Jordi Martinez
• Kerry Leva
• Lawson White
• Mikail Graham
• Richard Devine
• Symbion Project
• Vernon Reid

A Brief History of MangledVerb

MangledVerb started life as a popular effect algorithm in Eventide’s rack-mount Eclipse and is one of the key algorithms included in our Space and H9 stompboxes. The plug-in version has been optimized for anyone working ‘in the box’ and presets can be shared between Space, the H9 and the MangledVerb plug-in.

PSP 2445 EMT is a reverb processor plug-in inspired by two legendary early digital age reverberators: the EMT® 244 and the EMT® 245.

PSP thoroughly researched how to bring the specific features of those simple, yet very musical sounding reverbs to life as a plug-in.

We then improved from the originals with a handy set of parameters to control details of the sound and mix the reverb not available in the original hardware. PSP 2445 is capable of processing using one selected engine or both of them simultaneously.

The reverb algorithms implemented in PSP 2445 are based on original algorithms designed by Dr. Barry Blesser (one of the grandfathers of the digital audio revolution). Thanks to Dr. Barry’s extensive consultation and support, our algorithms sound as good as the originals and plug-in could be officially endorsed by EMT Studiotechnik GmbH.

The Sound of a Legend

Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall.

With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb.

Visconti set up three microphones in the hall of Berlin’s Hansa Studios, the first for Bowie to sing directly into, a second positioned about 15 feet away and the third further back in the hall.

Visconti placed gates on the second and third microphones set to open as Bowie sang louder and louder.

Signature Techniques

Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.

Inspiration of the Past/Power of the Future

Tverb was designed with a new level of efficiency for plug-ins.

It captures the rich ambience of Hansa’s studio 2, the historic Meistersaal concert hall, without burdening your DAW’s CPU. Tverb features three independent reverbs, with the ability for the two far microphones to be convincingly placed anywhere in the hall.

MAIN FEATURES

• 2 Moveable microphones to adjust reverb size and tone
• Adjustable polar patterns for microphone 1 to adjust the amount of ambient room tone
• Custom Eventide reverb algorithm with EQ, diffusion, and decay control
• Compressor module on microphone 1, just as Visconti had in the original session
• 2 Linkable post-reverb gate modules with control of when the gates close, the speed at which they close and the length of time they are forced to stay open
• Console (inspired by the one used in the session and with Visconti’s “grease pencil” labelling) provides post-reverb channel processing for each individual mic and the master
• Room mixer module alters the sound of the room itself with control over decay, diffusion and frequency attenuation
• Signal inversion buttons to remove (or create) phase cancellation
• Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
• Complete automation support