Multi-effect VST Plugins

Tape – That Missing LoFi Plugin
The newest member of our Plugins line is here, a perfect meticulously simulator of the most famous Cassettes and Cassette Players of All the Time.

Take any beat, sound, or project, and instantly inject beautiful nostalgic flavor and endless vibes, from subtle analog fatness to Glitchy pitch flutters. Lush, fat, and crunchy, all your lo-fi needs within seconds.

Introducing to you The TAPE, a Carefully crafted vintage, lo-fi Multi-fx Plugin With an Eye-Catchy interface, That is Missing in your FX Arsenal.

Buy now and receive CLONE completely free (A $79.50 Plugin!!).

More info at the bottom!

The Sound of the Good Days

Plug TAPE in the Master / Audio or Midi tracks, and bring instant chill atmosphere and vintage tape-aged warmth to any sound.
Browse through the built-in presets and choose the one you like, and Start tweaking anything to achieve That that crunchy, noisy, imperfect sound!

Instant Tape & Lo-Fi Effects

TAPE combines 7 different effect units, including:

1. Noise: 9Textures + HP/LP Controls. Import your Textures, simply via drag-n-drop.
2. Space: an Algorithmic Crystal clear, Lush, and Bright Reverb + HP/LP Controls.
3. Echo: a Tempo Synced Delay + HP/LP Controls.
4. Glitch: The most Creative Part of The TAPE, Glitch Lets you do Robotic Time stretching, and Repeating The Audio Signals. No word can explain How Cool It is.
5. Drive: Add warmth to your mixes, or even full-blown distortion.
6. 8-Bit: From 1 single bit up to 64 bits per sample, Go Digitalized With 8-Bit.
7. Drops: Emulate a virtual tape getting stuck randomly and catching up again.

Combining these options allows you to recreate any Lofi characteristic you could think of.

Realistic Emulation of Real-Life Cassette Players

I = Warm, Natural, and Noisy
II = Warm, More low end, a Little Dark.
III = Warm, Boomy Low end.
IV = Telephone Cassette Recorder.
V = Walkman Player, With A Little Boost on Lows.
VI = Radio Recorded Through Walkman.

Features

• 6 Different cassette types, Each one delivering different Sonic Characteristics.
• Real-life cassette hiss or low-fidelity hardware.
• Built-in Effects ( Noise Player – Reverb – Delay – Glitch Machine – Bit Crusher – Saturation – Stereo Widener – Dropouts).
• Mix, Input, Output Controls.
• Can be used for Video Audio Post Productions as well as Music Productions & Mixing Purposes.
• Amazing, user-friendly Vector GUI (No PNG At All, all Codes).
• Animations, And in/out VU Meters
• Resizable UI ( up to 200%, Sharp and Smooth )
• Preset Browser system. ( 70 factory Presets & Shareable Patches )
• Mac & PC All Updates Compatible.
• And More…

Buy now and receive CLONE completely free (A $79.50 Plugin!!) Check out CLONE below!

CLONE – Double Check your Mix

Introducing “Clone” a realistic emulation of different types of speakers with their acoustics and environments. an ultimate mixing assistant that helps you to get better mixes instantly.

Clone simulates a wide range of playback speaker systems for auditioning purposes, from studio monitors, hi-fis and headphones, to car stereos, phones, tablets and TVs. Choose from 16 different convolution-based speaker sims and quickly turn your studio monitors into classic reference monitors or get creative and “Colorize” your mixes.

Clone Features:

• 16 Realistic emulation of different types of speakers
• 4 Band Eq.
• Real-Time Goniometer | Widener
• Built-in Effects ( Distortion – Bit Crusher – Stereo Widener – Noise Player – Time Machine From VYBZ – Stereo Widener ).
• Fully resizable Vector / HD interface (up to 200%, Sharp and Smooth)
• Get inspired with Animations.
• Preset Browser system. ( Plenty of factory presets & Shareable Patches )
• Mac & PC All Updates Compatible.
• And More…

Plug-in formats: Windows ” VST / VST3 ” 32 & 64 Bit Mac ” AU / VST / VST3 ” 64 Bit Size On Disk: 45 M.b for each format.

System Requirements:

• “Windows” 7, 8, 10 or above
• 4 Gb ram / 2 GB free space on the system drive
• “Mac” OS X 10.9.5 Mavericks or above
• 4 Gb ram / 2 GB free space on the system drive
• macOS Catalina / Bigsur Ready ( Compatible With M1 Silicon Computers Under Rosetta 2 )
• Works In Most Major DAWS Excluding Pro Tools. ( No AAX )

Elevate Bundle

Mastering with a Brain

Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master.

Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.

Elevate utilizes 26 critical filter bands modeled from the human ear. Each of the bands are spaced to give maximum control over how the sound hits your eardrum. Draw curves, solo bands and manipulate the transient attack for each individual band to bring out particular instruments such as kick or snare drums.

Adaptive Technology

Elevate uses artificial intelligence algorithms to make it easy for you to get the best sounds, but you can still get under the hood for as much precise control as you desire. This includes giving you control over the tonal balance and transients inside the final limiting stage. The adaptive algorithms reduce audible artefacts and the additional controls give you maximum flexibility with professional results.

Features

• Analyzes and alters the gain, speed and transients of each filter band in real time.
• Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.
• Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce “pumping” and breathing artifacts and perceived distortion.
• Preserves or emphasizes fast transients to avoid squashing your mix.
• Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.
• Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.
• Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.
• Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.
• Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.
• Six different types of metering allow you to keep an eye on every aspect of your output audio.

EQuivocate

Powerful & Precise Human Ear EQ

Graphic EQ that uses filters which are modeled on the human ear.  Perfect for mixing and mastering, EQuivocate’s auditory filters and match EQ functionality make it incredibly powerful, simple to use, and natural sounding. Each of the 26 critical bands tickles a different part of your inner ear, making any combination of settings sound as natural as possible. Combining this with a linear-phase filter shape that reduces pre-echo makes EQuivocate an EQ with a difference you can hear. Includes a parametric EQ, compressor, gate, soft saturation, transformer emulation, micro pitch shift, and stereo delays.

Saturate

Saturate is the Spectral Clipper algorithm made popular in the Elevate Mastering Limiter. Saturate’s two controls belie a sophisticated signal processing engine which allows it to overdrive a signal without effecting the tonal balance no matter how hard you push it. Add up to 12 dB of clipping with a variable shape parameter which moves from a pleasant soft curve to full hard clipping. Additionally, the SHAPE control allows you to smoothly morph between hard clipping and the mathematically smoothest curve possible. Use Saturate to overdrive individual tracks or your entire mix.

Learn more about Saturate.

Punctuate

Based on the Transient Emphasis section of the award winning Elevate Mastering Limiter, Punctuate is a multi-band transient modulator based on the critical bands in the human ear. Punctuate’s intelligent algorithms allow you to control the transient emphasis or suppression of all 26 critical bands with just 4 controls. This makes for an incredibly powerful, but very easy to use transient modulator.

Learn more about Punctuate.

Maximum Energy Transitions

Create massive impacts & uplifters with one knob 

Inject life into flat loops 

If your transitions are lifeless (or nonexistent), turning to your ‘Risers’ folder and smacking on some samples is a surefire way to sound generic… but with BOOST, you can turn any audio track or buss into a new transition that meshes perfectly with the mix. 

What’s in there? 

• 60 versatile multi-effect modes 
• 200+ included presets 
• Loop control, intuitive Flip button, and Vari controls custom-tailored to each mode
• Available natively on Apple Silicon and in VST3, VST2, AAX, and AU formats

Amp Up the Tension

Bland choruses all suffer from the same ailment: there’s no drama. BOOST adds a natural ebb and flow to any track with a complex combination of effect modules and processing techniques you can subtly drop in within seconds. 

Plug into the grid 

Sync to your DAW’s grid and choose phrase lengths of 2, 4 or 8 measures, choose which beat hits max intensity and let it run; everything else is done for you. For total control, go manual and freely automate the Finisher knob position in your DAW. 

Spark your creativity

Create perfectly synced swells, downlifters, impacts and more in moments without diving under the hood — BOOST tracks the playhead position of your DAW so that no matter where you start from, the effect will always hit the same bars at the same time.

Hit turbo charge

Listen to how BOOST shoots a massive rush into the demo tracks.

Features

• Loop – Set your loop length or freehand the whole thing — you have complete control over the dramatic arc of everything you make. 
• More Drama – Crank it up for MORE of everything, or turn it negative to filter the dry signal into oblivion and print only the BOOSTed signal. 
• Juice it up – Give your transitions new life and download the fully featured demo for 30 days free!

Bass is the base

Of course, Bass is the fundament of music. And when guitarists got their Electrum, we simply had to create Bassment. We built a multi-effect all-in-one one-screen bass solution around the most flexible bass amp that was ever made. An amp that contains them all. You wish you could have this beast on stage. Dream on, it won’t happen. But you can still use it to get the most of your mixes.

Choose your GUI style

Some people like 3D graphics better, some prefer flat design. With this plugin, you are not determined. You may choose which GUI suits your more and switch between 3D and 2D any time. The graphic style has NO effect on sound nor on CPU load.

KEY FEATURES

Smart input setting Hit Analyse Input Level button and hit the strings of your guitar as hard as you intend to play. Electrum will set up the input level automatically to find the perfect sweet spot to match your signal’s strength with the particular processors’ ideal working point. Perfect gain-staging and volume balance helps to get the most out of Electrum.

Sound like your heroes

EQ Matching is Electrum’s secret weapon. Make your guitar sound similar to the tracks that are already out there and you admire. Just load your favourite guitar performances into your track and loop-play them to analyze. Then analyze your guitar sound and let Electrum do the automatic match with incredible accuracy.

(Most) Flexible Amp

One amp is enough if it is truly universal. Bassment’s amp doesn’t go to eleven but its input gain goes from gentle to brutal. And it has a perfectly tuned 5-band EQ that matches any style. Even when mentioning the amp’s dry/wet control we may say: That’s not all!

Bass Treatment

Bassment’s amp can give extra care to bass frequencies. It has a dedicated compressor for the low-end, low-pass filter and Aggression and Presence knobs to help your sound fight through.

The Mids

The middle frequencies can determine the final bass sound character. Not only you can control the frequency and low-cut, but also the brightness and colour of your midrange. And it also has dedicated drive control. Trebleshooting

High frequencies have 6 controls dedicated. Give them some drive, choose colour and brightness or add some rust with corrosion control.

The Boxes

Bassment’s unique cab simulation brings 15 types of cabinet simulations combined with 15 alterations, over 200 models. And it’s no simple IR set, our cabinet produces a great natural sound no IRs can provide. Order

Bassment lets you easily reorder the modules it provides if you want to be extra creative. Perhaps you’d like to compress before EQing. Maybe you’d like to try the auto-wah pedal after the amp? Maybe it is impossible with hardware, but certainly not for Bassment!

Advanced Tuner

Your performance will never be out of tune unless you really want it. Electrum’s super-fast responding and super-accurate poly-tuner is based on advanced spectral analysis. Strike all your strings at once to see which one is out of tune. Or do it one by one with incredible accuracy.

Multimodulation

The Modulation section usually includes several stomp-boxes. We decided to merge them into one to let you blend unique effects. Chorus, flanger, phaser, tremolo, sweeper and any combination. How about a sweerus or trenger? 🙂 Smoothen your performance

The Leveller section is here to balance performance mistakes and volume dropouts. Its (inaudible) performance will make you feel like they were never there.

Extra Parallel Drive

To finalize your bass tone’s personality Bassment’s amp offers great parallel saturation. Its six controls allow you to have a maximum variety of sounds.

Cutting-Edge Separation, Sampling, Remixing & Song Creation Software

Cutting-edge remix software that splits full-mix stereo MP3s, WAVs and most mainstream file formats into voice, drums, bass, keyboard, guitar, sound effects and other layers.

Export straight to WAV stems to add to your DJ set or to perform or practise over, or use DeepRemix‘s powerful remix software tools to take your music to the next level, copying and pasting parts between tracks and much more!

Remove Vocals. Extract Stems. Create Music.

Audio is stored in Hit’n’Mix’s revolutionary Rip format, a step up from waveforms, enabling full control over all aspects of sound.

For example, you can mix your favorite parts together and have fun experimenting with different tempos, effects, pitches, scales, time-stretching, stereo panning (even on mono tracks), volume, and EQ. You can even create loops and edit them during playback to create new music in real-time.

Copy and paste parts from one track to another, automatically fitting the new tempo.

Apply powerful built-in live effects ranging from Reverse to Delay to Vibrato. Add Harmony to thicken out a vocal, Shift Formant to change the characteristics or apply a Low/High Pass filter for a different atmosphere.

For real inspiration, apply the Randomize effect, set a loop playing and DeepRemix will automatically create variations of the audio in what we call a Ripple. You can play back, edit and copy & paste audio from a Ripple to your working Rip, or even loop and edit it real-time to create further Ripples.

Changing a song’s musical scale

To help getting the right notes & chords, you can set the musical scale or key of the track – or click Detect and let RipX work it out for you. Notes will snap to the pitches that are part of the scale as you change their pitch by clicking and dragging up/down.

Turn on Auto Pitch To Scale and RipX automatically fits notes to the scale, whilst keeping it sounding natural.

The Randomize effect means you can set up a loop and hear sections of music played back in different scales – find the one that you like best.

Remix software with the right mood

Drop your own background image (PNG or JPEG) onto the rip to set the mood when creating music.

For Remixers

• Mix & match vocal, instrument, percussion and effects parts between different songs and layers, with revolutionary remix software.
• Create acapellas.
• Change tempo and apply/randomize effects and key.
• Extract and manipulate samples from within mixed and mastered stereo files.
• Remove drums, bass and vocals that might be in the way of other vocals, instruments or percussion, especially if the track wasn’t recorded as separate stems.
• Transform old mono recordings to stereo.

For DJs

• Export separated stems straight to WAVs to transfer onto a USB stick for mixing into a DJ set.
• Change tempo and apply/randomize effects and key.
• Mix & match vocal, instrument, percussion and effects parts between different songs and layers.
• Transform old mono recordings to stereo.

For Musicians

• Analyze and change tempo of existing music to help learn how to play.
• Create backing tracks to play along to.

For Arrangers, Transcribers & Music Publishers

• Extract and export parts as MIDI files to import into notation software.
• Analyze notes for transcription. If you have a customer who wants a score that sounds as similar to an existing recording as possible, RipX can expose the subtle nuances.
• Extract and delete vocal parts to create instrumentals from stereo masters for sync placement purposes, without needing to open a single, original multitrack DAW project.
• Alter the structure of stereo files by deleting, copying and pasting sections within rips, as well as creating new sections.

For Songwriters

• Experiment with music and samples to create new ideas and creations. For example, adjust tempo, effects, pitches, keys/scales and time stretch.
• Use Set Musical Scale to analyze the existing key and set new keys. The Auto Pitch To Scale and Randomize options further enable creative experimentation.

For Students & Educators

• Study compositions and performances of yourself or others. View the precise volume, timing and variation in pitch of each note over time and make subtle adjustments to hear the difference.
• Rip and separate MP3s and audio files into vocal, instrument and percussion parts, then view the individual notes of any part and practice against backing tracks.
• Create new versions of songs and compositions and import background images to match the feel of the music or for personalized inspiration.
• Experiment with new sounds and effects.
• Import samples or MIDI from existing works.
• Create minimalist compositions with real-time editing of loops, stored as Ripples.
• Experiment with polystylism and polytonality by applying different scales to selections of notes.

Effects That Make All The Difference

ColorFX Suite offers a wide palette for assertive sound coloration. Tape Machine combines the pulsating dynamics of analog hardware with the precision of virtual sound control. Bitcrusher takes the concept of digital distortion to a new level, delivering more parameters for more excitement. Tube Distortion gives sound a singing quality that ranges from quiet and harmonic to fiery and crashing.

With signal routing that can be filtered and modulated, colorFX can be used flexibly – as subtle emulsifiers for masters and grouped signals, or to create a distinctive texture for individual tracks.

ColorFX Tape Machine

Tape saturation produces more overtones in louder signals and can even be pushed to distortion. Subtle variations in pitch give tape recordings more vibrancy.

Tape speed and tape head mechanism amplify selective frequencies in the bass range, creating greater warmth. colorFX Tape Machine combines the virtues of analog technology with digital efficiency and flexibility.

Ideal for the fine-tuning of sound and dynamics in mastering and for the colorful editing of individual instruments and vocals.

All colorFX include professional visualization aids for input and output such as peak level or RMS value.

ColorFX Bitcrusher

By reducing the resolution and bandwidth of audio with lower bit and sample rates (for instance 8-bit and 22kHz), colorFX Bitcrusher can create distortion ranging from aggressive to bright.

Parameters can be freely modulated, which keeps distortion dynamic and creates exciting variations in sound. Aliasing and quantize noise sound great here – not just for lo-fi fans. By carefully mixing distortion, colorFX Bitcrusher achieves concentrated and full sounds that are perfect for group and summed signals.

On the other hand, massive bit reductions let you send any track up in smoke and are just the thing for the perfect breakdown.

All colorFX include professional visualization for input and output from spectrometer to loudness meter.

ColorFX Tube Distortion

ColorFX Tube Distortion Tubes don’t just become warm: they create warm sounds too. This is produced by harmonic clipping at peak levels. These FX are well-suited for enhancing different instruments and vocals, and essential for that classic tube amp sound.

When used for mid-range distortion, color FX Tube Distortion delivers a range of expression that’s rich with nuance – for melodic and percussive instruments, vocals and even noise. Full overdrive supports harder musical styles, but also creates solo accents across genre boundaries.

All colorFX include professional visualization aids for input and output such as VU meter or as a waveform display.

Sounds that pack a real punch

From the soft sheen of analog patina to crunchy digital distortion, colorFX Suite offers the right texture for any track. Use the FX to weld together summed signals such as masters and grouped tracks or to give individual tracks a distinctive character.

Instant Old School Flavours – Rediscovering Glorious Tones

Do you ever play classic records and think “That. Sounds. GREAT! How do I get that 60s (or 70/80/90s) vibe in my track?” With Finisher RETRO, it’s easy. UJAM’s experts have done the hard work and captured the classic reverbs, delays, flangers, tubes, tape hiss and magic for you. Just load RETRO and go!

A Complex Web of Effects

RETRO is so much more than just one effect. Each of its modes is a web of up to 20 interconnected sound modules. It’s like having a huge pedalboard AND rack of studio gear with everything set just right.

• Like Instagram filters for your audio.
• 50 modes presented in decades, from 60-90s.
• 100 individual presets created from the modes.
• FINISHER and VARI knobs for fast, easy tweaking.

60s, 70s, 80s or 90s. You Pick!

Finisher RETRO’s models are presented in decades, from 60s, 70s, 80s or 90s. Each mode is carefully crafted by UJAM’s sound designers to give you an authentic snapshot of a great sound from that decade.

Tweak-o-Rama

Don’t worry, you’re never stuck with RETRO’s presets. The FINISHER and VARI knobs let you easily push each preset in different directions from “light and subtle hint” to “laying it on real thick!”

Features

• Super-Simple User Interface: Create your music without overthinking! Pick any inspiring preset and get to work instantly.
• UJAM’s infamous FINISHER knob: Presets have dozens of processors under the hood, but it’s all controlled with one glorious knob.
• Tweak to perfection: In addition to the FINISHER knob, you have four VARI knobs to tweak your sounds to perfection.

Bring back the Nostalgic Vibes of the old/retro days, and take your listeners to when all the ‘faults’ were a part of the songs.

Whether you’re heating up breaks, crafting broken beats, or looking to add more musical material to your beats, we’ve got the tool that’ll help you do it.

We are proud to introduce you to “Vybz”

A swiss army knife that includes everything about a modern or classic wet tone and it looks great while doing it.

With Vybz ultimate all-purpose effect modules, you can colorize your mixes and crank it back a few decades when snaps, crackles, and pops were a necessary part of the experience.

MAIN FEATURES

• You can layer textures onto your existing audio with the texture unit.
• Iii verb, designed for getting a very fast, powerful, and high-quality reverb sound. + convolution reverb.
• Get short slap, or infinity feedbacks with the echo unit, a tempo synced delay effect, with color control & chorus.
• Distort your signals using inbuilt analog-style distortions, or shape your sounds with vybz modern waveshaper.
• With time machine select the record’s year of your beat, from 1930 up until now, or feel the lo-fi magic with vhs & drop-out effects.
• Stereo enhancement, volume modulation / side chain, trance gate, tremolo / panner all available on motion module.
• Ii band, equalizer designed to correct or balance issues in the most important frequencies, the low and high end + dynamic eq.
• And plenty of presets to help you get to work right away.

Vybz Engine

What Can This Engine Do?

Texture
9 Unique & Professionally Recorded Noises / Textures. Easily Drag & Drop Your Noise Samples into The Texture Module + Duck / HP & LP Controls.

III Verb
3 Type Of Lush And Digitized Reverbs. With Freeze Mode ( “Freeze” button creates infinitely-continuous sustain reverb effect ) Mono / Stereo Controls, And HP & LP Knobs.

Convolution Reverb
Ultra-Fast Module With 30 High-Quality Ir Impulses. You Can Import Your Own Ir Samples Into The Module As Simple As Drag & Drop

Echo
Tempo Synced Delay With Feedback Knob. Color Knob to Control The Darkness or Brightness Of returned Audio Signals + Chorus Effect.

Damage
4 Types Of Special Warm & Gritty Algorithmic Distortions, And 1 Waveshaper With Table Control.

Reducer/ Bit Crusher
Lo-Fi Sample Rate Reducer & Bit-Crusher.

Time Machine
Modeled Eq Settings From Past to Present.

Drop-Out
A Random Audio-Muter With Mix / Sync & Freq Controls.

Motion
Widener / Synced Side Chainer With Table Control And Synced Panner With Mix Control + Real-Time Goniometer Visualizer.

II Band
A Very Transparent EQ, With High – Low, Freq, Gain, Q, And Curve Controls, + Real-Time Audio Visualizer.

Dynamic Eq
De-ess Your Vocals, Remove Bominess Or Harshness Of Your Frequencies, With In-Built One Band Dynamic Eq Compressor.

Real-World Simulations
Realistic emulation of different types of Speakers & Environments.

Engine Features

• Realistic emulation of different types of speakers with their acoustics and environments.
• Sidechain your returned reverb & delay signal, make that pumping feedback with ease!
• Oversample The Engine Up To 4X.
• Dark to bright Tone Control.
• Master Input / Output
• NY Compressor With an addictively punchy flavor.
• Preset Browser system ( Shareable Patches )
• Factory Presets For Vocals, Drums, Keys, and More…
• Undo / Redo
• Scalable All Vectoral interface. 50, 75, 100, 125, 150, 200.
• Automation” Automate Anything

Air is the perfect tool to simulate distance through high-frequency attenuation. Use it on any DAW.

MAIN FEATURES

• Several Locations: Air already includes temperature and humidity settings from different locations around the globe, from Antarctica to Death Valley, but you are always able to enter your one custom.
• Perfect Result: Air is much more accurate than a simple low-pass filter, using scientifically measured frequency response values of air dampening.
• Frequency Response: With Air, you can see the actual frequency response that is being applied to the sound.
• Distance Attenuation: Control the volume over distance with the Distance Attenuation parameter.
• World Units: Do you prefer “meters” or “feet”? “Mph” or “km/h”? Full integration with Imperial and Metric units, for an easy and more welcoming workflow for everyone.
• Control Surfaces: Use control surfaces (such as AVID S6) to edit the plug-ins’ parameters.

Air for Music
Easily take away some presence of specific items within your projects. Let instruments breathe and mixes shine with this ready to go plugin.

Air for Sound Effects
A close-by object doesn’t sound like a faraway object. Quickly reinvent sound effects by adding depth and distance to your sounds. No need to record everything all over again.

Air for Mixing
With just one knob, it is possible to accurately simulate the distance of any sound. Air will apply the exact EQ and distance attenuation necessary to make audio assets perfectly resemble real-life sonic events.

Air for Automated Dialogue Replacement
The biggest challenge of ADR is making it sound as natural as if it was recorded on the original set. Air helps in achieving a natural-sounding distance effect, so that ADR never sounds misplaced again.

Uhbiquitous FX Bundle

Uhbik is our fine collection of effect plug-ins for the discerning audiophile. Each surround-capable effect comes wrapped in a beautiful, streamlined interface. The entire bundle of nine effects is available now at an unbeatable price…

Meet the Family…

Four of these units (D, F, P, T) are modulation effects that include an ultra-slow to ultra-fast low frequency oscillator. LFO rate can be set to an absolute value (in seconds or Hertz), synced to host tempo (then scaled by a constant!) or swept manually / automated…

Uhbik-A

Ambience / Reverb, a very unusual combination of early reflections with different plate algorithms.

While most of the other effects in the Uhbik family are geared towards the more synthetic, radical effects, Uhbik-A is the master of understatement. Great reverb is seldom conspicuous, but if itʼs not there, something is missing from the sound. With its independant control over high and low-frequency decays, diffusion and modulation, Uhbik-A delivers the kind of reverberations that can turn a flat sound into a warm space, or evoke the widest of landscapes!

Uhbik-D

Delay / echo with 5 ‘tape heads’, LFO or flutter modulation, low/high-cut filters, soft-clipping, per-tap feedback and multi-channel pan.

Imagine an echo that repeats every quarter note, although precise quarters are not part of the echo signal? Or ping-pong delay (no central tap) that applies the Haas effect for extra movement? Or 7.1 surround delays… Uhbik can do all this and more – once again, the simplicity of the GUI belies its power. Uhbik-D is the perfect playground for creative delays without the overt complexity of MFM2 (see there!)

Uhbik-F

Flanger, from through-zero tape flanging (dramatic jet-effect!) to classic stomp-box type chorus, with LFO modulation and feedback / resonance

Uhbik-F simulates two tape machines per audio channel, with recording and playback heads that can even occupy the same position if you want – impossible in the real world! Bass frequencies can bypass the effect (‘bass sanctuary’) to ensure LF-stability while the rest of the sound is swept around. Turn up the drive (2nd harmonic distortion), and your lead line will scorch its way through any mix!

Uhbik-G

Granular pitch-shifter / phase vocoder (via fast fourier analysis) delivers a wide range of dramatic contemporary effects. Whole grain goodness…

Effectively cuts audio material into snippets (‘grains’), then plays them back at a variable rate – even backwards. In the original tape devices, the radius of a rotating cylindrical tape-head determined grain size and the length of tape in contact with the cylinder determined the overlap between grains. But Uhbik-G is not bound by the physical limitations of rotating cylinders – you can make it huge or impossibly small!

Uhbik-P

Phaser set to stun, with up to 42 allpass filters in series delivering the deepest, richest phasing available. But is it an angel or a metal monster?

Again, bass frequencies can bypass the effect (‘bass sanctuary’) to ensure LF-stability. Again, resonance accentuates the comb filter effect, but unlike Uhbik-F the distance between peaks is kept fairly constant. As the signal is phase-shifted each time it is fed back, frequencies are created that were not present in the original signal – the main reason why Uhbik-P is also great for wild metallic effects!

Uhbik-Q

Equalizer, the perfect balance between simplicity and flexibility required a unique approach… Uhbik-Q is a revelation!

Maximum flexibility from a minimum of controls, low CPU without compromising transparency. Uhbik-Q combines freely tunable frequency bands (4-pole filters, not the usual 2-pole!) with presets for other options. Q-factors automatically adjust to gain, an optional ‘mid’ bell curve filter adjusts to the two main bands… judging by the simple GUI, you would never guess just how much this EQ can do!

Runciter

Filter with parallel lowpass, bandpass and highpass outputs, resonance, controllable input overdrive and brick-wall fuzz.

Filters were always dramatic sound-shaping tools, one reason why they’re still so popular. But users today expect more than a simple resonant lowpass, so here’s RUNCITER! For classic wah-wah, add low- and highpass together then control cutoff from a MIDI pedal. Or max out the resonance and drive the input from -48db to 48dB for a vast range of effects… instant glittering sweeps or absolute filter mayhem!

Uhbik-S

Frequency shifter / sideband filter with exceptional frequency response and low latency, can create anything from serene barber-pole waves to metallic FFF (full frequency freakout) effects!

Movement in frequency shifters (no LFO required) is constantly downwards or upwards. In Uhbik-S, the barber-pole effect can even rise in one channel while falling in the other. Clever routines prevent otherwise inaudible sidebands from folding back into the audio range – Uhbik-S never compromises audio quality.

Uhbik-T

Tremolo – but if you think that just means ‘volume wobble’ you haven’t tried the mother of all tremolos yet: Uhbik-T!

Our tremolo unit Uhbik-T is a general-purpose ‘rhythmicizer’ featuring linear or exponential (with 3 different strengths) gain modulation. But there’s much more: You can morph between user-defined patterns in the 11 x 16 grid, apply rhythmic lowpass filtering, add vibrato or Haas-delay spatial effects. In either of the pattern modes, the LFO wave knob selects a position between 11 user-defined patterns, and the LFO scale knob determines precisely how ‘choppy’ the effect is… tremolo redefined!

Put a sophisticated polish on your productions

Wave Arts PowerSuite gives you five plug-ins that cover the essential aspects of tracking, sound design, mixing, and mastering.

• TrackPlug is a channel strip plug-in with 10-band EQ, gate, and dual compression.
• MasterVerb is a multi-algorithm reverb with 3D frequency plot, gate, and multiple early reflections.
• FinalPlug is a peak limiter/volume maximizer with auto release and noise shaping.
• MultiDynamics gives you powerful multiband dynamics with one to six bands, vintage/clean modes, and dual-crossover slope.
• Panorama takes you beyond the limitations of conventional stereo – without using a surround system.

Put a sophisticated polish on your productions with Wave Arts PowerSuite.

Power Suite consists of the following plug-ins:

• TrackPlug – the ultimate channel strip plug-in with 10-band EQ, gate, and dual compressor
• MasterVerb – multi-algorithm reverb with 3D frequency plot, gate, and multiple early reflections
• FinalPlug – professional peak limiter/volume maximizer with auto release and noise shaping
• MultiDynamics – powerful multiband dynamics with 1-6 bands, vintage/clean, and dual-crossover slope
• Panorama – 3D Sound Positioning lets you go beyond the limitations of conventional stereo (without using a surround system)

The Creative Motion Filter

Shape Your Sound.

Filterstep is a modern motion filter plugin which provides a great deal of potential for all kinds of intricate rhythmic movement.

It can give you incredibly complex and nuanced results based on various filter effect settings, and almost infinite possibilities for sonic exploration and movement randomization.

Filter. In Motion.

Introduce contemporary character to your music. Craft Compelling Textures with Simple and intuitive parameter controls.

Features

• VST/VST3/AU/AAX/Standalone
• Generate filter grooves in real-time
• Syncs to host tempo
• Wet/Dry mix control
• MIDI Controllable
• Infinity mode
• Quick load presets
• 64 & 32-bit compatible
• Instant/Tap bypass for live performance
• Quantization settings
• Motion selector
• Customizable sequence range
• Assign presets to quick-load section
• No two patterns will ever be the same

Noises is an experimental instrument with a playful and inspiring interface, designed to bring a vast world of noise into your music and audio production.

Noises is the fourth plugin we developed together with German composer and “that guy with the sweaters“ Hainbach.

He crafted hundreds of recordings of rare vintage measurement and tape equipment, analog synths, strange field recordings, electro-acoustic and magnetic field experiments, and more in his lab to create this creative noise instrument with us.

It is designed to be fast and inspiring to use, with a big dial at its center inviting you to search for sounds and a sequencer to make them music. This results in a minimum of clicks for a maximum of sound.

Used subtly, it adds coherence to your tracks. Used creatively, this can be the basis for whole tracks. It is easy to create modern scores for film, games, and podcasts with it and a quick tool for sound design. If you need a break, put it on and relax to carefully curated noise sequences.

DJ Swivel’s First Premier Creative Tool for Dramatic Vocal Manipulation

The Sauce brings you all the essential ingredients you need to creatively transform your vocals in one simple plugin. Oh, and it sounds great on drums and instruments too. Find your flavour with The Sauce now!

Main Features

Flavour

Sculpt & shift the pitch and formant modulation of both mono and polyphonic audio in real-time. These effects are commonly used to manipulate vocals, giving that “vocal chop” sound heard in countless Pop, Dance, and Hip-Hop hits. But if you’re feeling adventurous try it on drums, you won’t be disappointed!

Sugar & Spice

Every sauce needs a little sugar and spice. Add your choice of harmonic saturation or overdrive distortion on the Spice knob, and chorus or flanger effects on the Sugar knob.

Squeeze / Smoke

Use these two parallel compressor options in Squeeze to tame or aggressively squeeze your input signal. These two compressor options can also be fed by a sidechain input.

With Smoke, add a little air with 3 different convolution reverb options, all modelled after some of DJ Swivel’s favourites from both past and present. A small room, a medium plate, or a large hall. This knob is treated as a mix knob allowing a 100% wet signal, enabling The Sauce to be used as an FX return.

Drip

Drip is a classic modern delay and echo modulation, with built-in high and low pass filters, along with a ping pong option. Simple, yet effective.

Multiband

The Sauce allows for all of the above effects to be processed both as a whole or individually across three user-definable multiband layers. This allows for endless possibilities of sounds and effects never heard before.

Additional Features

• Make your sounds wide with Spread, a natural-sounding stereo imager.
• Hi and Low pass output filters with resonance switches for a more musical filter sound.
• Output / Mix toggle allowing the main output knob to be used as both a volume gain stage and an FX mix.
• Save, store, and recall your own recipes (presets).
• A / B two different recipe options.
• GUI optimized for retina displays.
• Easy plugin authorization.
• Adjust the size of the plugin to fit your monitor.

HALO-2 FX

The HALO FX plug-in brings the pristine filters, customisable distortions, EQs, fx and modulations from the HALO virtual instrument directly into your plug-in effect chain. With a signal flow comprising of a triple multi filter complete with individual LFOs, four distortions including a customisable waveshaper and bit-crusher, a post distortion filter with LFO, a reverb, delay, phaser, chorus, limiter and a choice of two EQs HALO FX is the fastest way of dialling in experimental FX ever created.

Within only a few clicks you can add any or all of the processing available in HALO FX. The Random Preset Generator will create totally new, useable, interesting settings to shape your sounds in ways you never would otherwise. Via the extensive Preset collection you can easily access a range of finetuned settings, from intense distortions, huge reverbs, cavernous delays, rhythmic modulations and glitchy effects.

Filters Galore

Featuring a total of 4 filters, each with multiple filter modes, and each with their own LFO there is a world of creative possibilities at your fingertips in HALO FX. Creating movement in your sounds couldn’t be easier. Select between Low-Pass, High-Pass, Notch, Peak, BandPass and finally an all- pass Phase filter. With a further choice on a Tone EQ and Master parametric EQ the sonic shaping abilities in HALO FX are unparalleled in a single plugin. The Filter LFO clock will sync with your DAW enabling the LFO movements to be consistent when scrolling and rendering audio.

Push, Warm, Mangle, Crush or Destroy

With 4 distortion modes HALO FX provides an endless sonic palette to play with. Experiment with a choice of Warm Saturation, Amp style Drive, Customisable Waveshaping distortion, and Bitcrushing. The versatile Waveshaper allows complete control over the Waveshape, Bias, Gain and Rate Reduction, whilst also featuring a preset browser of it’s own to instantly select pre-made shapes from the HALO library or quickly saving your own for recall later and in other sessions.

Features

• 50 Fine Tuned Presets
• Custom Waveshaping Distortion
• Parametric Master EQ
• 3 Multi-mode Filters with Modulation
• Post Distortion Multi Filter + LFO
• Reverb, Delay, Phaser & Chorus FX
• Tone EQ for Easy EQ Shaping
• Master Peak Limiter
• Precision Analysers
• Random Preset Generation

‘Studio Trap’ is proud to present StudioX 2.0.

StudioX is an extremely versatile virtual workstation featuring (85) custom created High-Quality playable instruments in the styles of Trap, Hyperpop, Drill, Hip Hop, Rnb and more.

This update has completely brand new sounds and now features 90 high-quality presets in total instead of 70 presets that were included in the original version.

StudioX is inspired by artist and producers such as Lil Uzi Vert, Trippy Redd, Pop Smoke, Lil Baby, Gunna, Future, Rod Wave, 808 Mafia and many more.

StudioX Built in effects include:

• ADSR
• LFO Depth
• LFO rate
• LFO source
• Reverb
• Glide
• Tune
• Width
• Panning
• Cut off
• Voice mode
• Velocity
• Filter type
• Waveform
• Destination

These effects give you the ability to completely tweak and customize your sounds to your liking.

Product Details:

• 90 Presets in total
• 09 Instrument categories
• 13 Bells
• 10 Choirs
• 03 Guitars
• 12 Keys
• 10 Pads
• 10 Pianos
• 11 Plucks
• 04 Strings
• 12 Synths
• Windows 32Bit / 64 Bit Vst
• MacOS Vst3 / Au Mac
• Works in all Daws except Pro Tools
• 4.49GB of Content PC + Mac (Zipped)
• 5.80 GB of Content PC + Mac (Unzipped)

Undiscovered Gem

As music makers, we’re always looking for new ways to take our projects to the next level. We want to create sounds that are unique, original, and sonically stunning. Complex plugin chains and outboard equipment all have their place, but sometimes you just need a quick fix to add a unique flavour. OBSIDIAN is here to help your synths, bass lines, and vocals stand out from the crowd, achieving magical results in just a couple of clicks.

OBSIDIAN is a difficult beast to pin down and to explain – and honestly, you’re probably better skipping the science and just taking OBSIDIAN for a test run to experience the mind-melting modulation that it has to offer. The plugin is more like a creative instrument than a traditional audio device. Route any audio through OBSIDIAN and it will transform the nature and timbre of the sound in sometimes unexpected ways, adding colour with a secret-sauce FX matrix and spectral delay.

This is a truly creative plugin, for those who are looking for that special something to reshape their audio, without losing what made it unique in the first place. If you want to know more, here are the facts that drive this innovative effect:

Freq & Hype Matrix

The XY pad at the centre of OBSIDIAN is where the magic happens, with a central node that can be dragged or automated in your DAW to creatively move between different processing styles. FREQ controls the frequency and shape of the audio-rate modulation. HYPE sets the modulation depth and other special parameters. This secret combination of FX creates additional harmonics that add excitement and colour to your sounds. In essence, the incoming signal is modulated at a very high rate and then formant shifted, before being passed through a spectral delay line.

Creative Spectral Delay

The delay unit within OBSIDIAN is something rather beautiful. Containing controls for TIME, MODE and FEEDBACK, this module returns audio to the main matrix to create ever-shifting feedback. This is a delay with deceptively simple controls that has many creative uses; rhythmic effects, ambient textures, subtle vocal thickening and big-room synth echoes. Delay TIME can be changed, from 10ms – 2s to straight, triplet and dotted note partitions. Change the MODE time to freeplay, or sync to the BPM of your host project. Adjust FEEDBACK from 0-100% with precise control.

Randomization

When you’re stuck for ideas, or just want OBSIDIAN to suggest a magical metamorphosis, hit the central dice icon. The XY pad will be randomized, automatically choosing some stunning effects to shape your audio.

Mix

For creative purposes it’s useful to be able to mix the effected audio that OBSIDIAN produces with the original source audio. Use the Mix slider for this and conjure every kind of processing from subtle transformations, to full-on dub-style modulations that spin into infinity.

Presets

With many included presets, it’s easy to find the ideal way to modulate your music. These factory options can be used on guitars, bass, drums, synths, vocals and almost any kind of audio signal. The presets include everything from subtle transformations to full-on strangled mutations.

W. A. Production are real-life producersmaking creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features

• Your secret sauce for audio goodness
• Unexpected results with complex modulation
• Colour & Harmonic processing
• Randomization
• Creative Spectral Delay
• Mix slider
• Resizable Interface
• Pop & Click-free bypass
• AB Copy & Paste
• Factory presets
• Full PDF Manual & Tutorial video

Blue Cat’s PolyVibe is a complete re-creation of vintage “vibe” pedals, based on original designs and taking them several steps further for the 21st century.

With a couple of twists and innovations, the plug-in can simulate many kinds of “vibes”, chorus, phaser, rotary or wah/vocal effects, while keeping this particular vintage flavor that is so typical to “vibe” pedals.

Thanks to these extensions, the plug-in is not only suitable for guitars, but for any other instrument, including the human voice.

Like the original “Uni-Vibe” pedal (a registered trademark of Dunlop Manufacturing, Inc.) played by Jimi Hendrix, David Gilmour and many others, the PolyVibe plug-in gives you access to a wide range of vintage “vibe” tones, and actually much more!

Using the original filters designs as a starting point, the plug-in lets you control their shape and motion in details to create new modulation effects, with two extra modes. It can also produce stereo vibe effects, while most pedals are still limited to mono these days.

You can of course synchronize the modulation with the host application, and adjust the feel of the oscillator with the “swing” control to fit the music.

Despite all these extra controls and options, it has never been so easy to find your own tone: the Tone Maps helps you explore existing presets and create new effects quickly.

Features

• Re-creation and extension of the original “vibe” pedals in a plug-in.
• Create new effects with the 3 filter modes: classic, reverse and phase.
• Total control over the filters shapes and motion.
• “Swing” control for more musical effects.
• Control te stereo width of the effect.
• Synchronize the LFO to the host application, or control the effect with automation or a MIDI expresion pedal.
• Navigate presets and create new tones easily with the tone maps explorer.

Blue Cat Audio Standards:

• Available in most plug-in formats for Mac and Windows.
• Full MIDI control and automation support, MIDI Learn.
• No CPU load on idle: processing shuts down when fed with silence (optimal CPU usage).
• Customizable user interface with transparency & zoom.
• Smooth Bypass: noiseless plug-in activation / deactivation.
• Undo/Redo.
• Full featured integrated presets manager.
• Copy/paste the state of the plug-in between instances.
• Any sample rate supported.

AIR is excited to announce the Creative FX Collection Plus.

This world-class new collection includes our twenty classic AIR FX plugins for the first time in AU/VST Formats plus eight all-new FX (AU/VST/AAX), expertly created by our team based on extensive feedback and requests from customers.

The original AIR Creative FX collection has been included as part of Pro Tools® since Version 8 and is considered the reference FX suite by some of the world’s most respected audio professionals. AIR FX has been featured in many of the last decade’s top film, game and music projects.

Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.

This exclusive and diverse collection provides all you need for creative production, mixing and mastering, including reverbs, compressors, equalizers, delays, filters and so much more.

MAIN FEATURES:

• Unlock your creative potential with the reference FX Suite used by top professionals worldwide
• Bring 20 highly acclaimed FX-included inside Pro Tools® for the first time—to any DAW in AU 64 and VST 32/64 formats
• Utilize a diverse range of audio plugins for creative production, mixing, and mastering, including reverbs, compressors, equalizers, delays, filters and more!
• Re-mastered UI Interface with support for higher resolution displays
• Full support for Virtual Instrument Player (VIP 2.0) included with premium controllers from Akai Professional, M-Audio and Alesis
• Full support for Akai Professionals MPC Software
• Full support for popular DJ/Remix software Mixmeister

INCLUDED FX BREAKDOWN – Twenty Classic FX from Pro Tools (AU64, VST32, and VST64):

AIR Chorus: Lets you apply a short modulated delay to give depth and space to an audio signal.

AIR Ensemble: Lets you apply fluid, shimmering modulation effects to the audio signal.

AIR Flanger: Lets you apply a short modulating delay to the audio signal.

AIR Multi-Chorus: Plug-in that lets you apply a thick, complex Chorus effect to an audio signal.

AIR Phaser: Applies a phaser to an audio signal for that wonderful”wooshy,” “squishy” sound.

AIR Reverb: Use the Reverb effect to apply Reverb to the audio signal, creating a sense of room or space. Typically, you’ll want to use Reverb on one of the Effect Send inserts or Main Effects inserts.

AIR Non-LinearReverb: Use the Non-Linear Reverb plug-in to apply special gated or reversed Reverb effects to the audio signal, creating a synthetic, processed ambience.

AIR SpringReverb: Use the Spring Reverb plug-in for that classic spring reverb sound. Just don’t kick your computer trying to get the springs to rattle! The Spring Reverb plug-in models an analog spring reverb. An analog spring reverb is an electromechanical device much like a plate reverb.

AIR Multi-Delay: Use the Multi-Delay plug-in to apply up to five delay lines to the audio signal.

AIR DynamicDelay: Use the Dynamic Delay Plug-In for a delay line that can synchronize to the DAW session tempo and be modulated by an Envelope follower.

AIR FrequencyShifter: Use the Frequency Shifter plug-in to shift the audio signal’s individual frequencies, creating a unique effect.

AIR StereoWidth: Plug-in that you can use to create a wider stereo presence.

AIR Distortion: Instantly adds color to your audio signal with various types and varying amounts of distortion.

AIR Fuzz-Wah: Lets you add color to an audio signal with various types and varying amounts of transistor-like distortion.

AIR Lo-Fi: Plug-in that you can use to bit-crush, down-sample, clip, rectify, and mangle an input signal.

AIR Enhancer: Enhances the low and high broadband frequencies of an audio signal.

AIR KillEQ: Use the Kill EQ plug-in to zap out the Low, Mid or High broadband frequency range from an audio signal. This is a popular effect with DJs and is commonly used in electronic music production (especially in dance music).

AIR VintageFilter: Plug-in that applies a modulating, resonant filter to an audio signal. Have fun with filter sweeps or give your sounds that extra-resonant aura.

AIR FilterGate: Highly acclaimed plug-in that you can use to chop up an audio signal into staccato rhythmic patterns with variable filtering, amplitude, and panning.

AIR Talkbox: Plug-in that lets you add voice-like resonances to audio signals.

Eight all new plugins (AAX64, AU64, VST32, and VST64):

AIR Pumper: Pumper creates a rhythmic pumping effect, similar to that of sidechain compression, with an assignable speed, depth and envelope shape.

AIR Spectral: Spectral analyzes an incoming signal (its frequencies, level, MIDI notes, and other information) and determines which frequencies will and will not be part of the resynthesized output signal. Set the incoming signal with the Filter By controls, and then play with the “dissolve,” envelope, and stereo phase controls to experiment with the sound. The results may surprise you!

AIR DiffusorDelay: Delay line effect that is synchronized to your session tempo and uses an adjustable amount of diffusion, thus emulating the dissipation of echoes in reverberant space.

AIRTubeDrive: Tube Drive emulates the sound of the signal being played through a mildly “overdriven” tube amp, creating a warm, smooth-sounding distortion.

AIRCompressor: Compressor changes the dynamic range of a signal by automatically reducing its gain if it exceeds a certain level (the threshold).

AIRMaximizer: Maximizer is a limiter optimized for professional mastering.

AIRParametricEQ: Four-band parametric equalizer with four independent EQ ranges.

AIRSaturationFilter: Saturation Filter applies a filter to an incoming audio signal and then applies a selectable type of distortion,reduction, etc to that filtered signal.