Multi-effect VST Plugins

Creative FX Extraordinaire – Effects for Contemporary Sound Design

Finisher is a brand-new type of effect plug-in by UJAM. It is designed to combine the power of an entire effect rack with the ease of use and instant gratification of a single plug-in. Finisher is your musical companion that will keep inspiring you and protect you from recording or mixing a bland and boring track ever again.

What’s in there?

• 200 multi-effect modes in total.
• 1 Finisher macro knob each and 4 Variation knobs.
• Automation and MIDI Learn to connect pedals and add extra articulation to your performances.
• DYNAMO: Easily and intuitively animate your sounds.
• VOODOO: More than 150 signature sound designer presets.
• NEO: 80 signature sound designer presets.
• FLUXX: 100 signature sound designer presets.
• RETRO: 100 individual presets created from the modes.
• A free add-on: Finisher MICRO

Never Again a Boring Audio Track

Know that feeling when you got a great basic track laid down, but you just can’t get it to sound interesting? Sure you do, UJAM do too, and that’s why they designed the Finisher series. You are freed from the pressure to know what’s going on. Trust your ears to be inspired – and make your tracks more beautiful, interesting, bigger, tougher, or change them entirely – while your focus remains on your music.

Focus on Music

At UJAM, they want you to focus on the only important thing: Your music! The super-simplified interface guarantees sound design inspiration without headaches. A dash of fresh inspiration for musicians, producers, sound designers and even podcasters.

Special FX

It’s not just an effect. It is the solution to not having to use a plethora of effects. You could think of a Finisher as a channel strip with virtually unlimited slots for effect processors, all of which can be switched on and off at the change of the Mode. Finisher NEO uses 27 different effect algorithms of all types – from simple Chorus to Multiband Distortion, from Convolution to Grain Pitch, from Multimode Filters to Multitap Delays while Finisher VOODOO uses up to 40 effect modules from multiband compression and distortion, convolution, modulation effects, Filters, EQs to envelope following and granular Effects. Accelerate, modulate, agitate, swirl and catapult your sounds without restraint. With more than 50 individual effect modes in Finisher FLUXX, you’ll never run out of possibilities!

Keep it Simple

UJAM have designed Finisher to be hyper-simplified at surface level. No complicated setup, no armada of knobs and buttons, no learning curve. Just browse through the ready-made Modes (scripted and automated multi-effect chains under the hood) and enjoy the – probably – most straightforward and delightful sound-design process ever.

DYNAMO – The Magical Movement Machine – Animate, morph, and re-groove your sounds

Surreal Transformations

With Finisher DYNAMO you embark on a journey through animated soundscapes and surreal vibes beyond the realm of the ordinary. Every Finisher FX plug-in is designed to deliver the power and flexibility of a full rack of audio processors and effects with the instant gratification that UJAM products are famous for.

Animate any sound!

• 50 versatile multi-effect modes
• 290+ presets pre-categorized to maximize workflow and productivity
• 5-pattern rhythm selector, tone control and 2 variable FX controls

Worlds of Sound

Finisher DYNAMO comes with 50 carefully designed audio effect configurations built from 27 different algorithms – from Step Filters to Multiband Distortion, from simple Delays to Convolution Reverb and many more!

The five categories of Modes in DYNAMO were programmed with specific use-cases in mind. Just pick a preset from a category and fine-tune to your delight…

• 1. REMIX – Designed to be used on full tracks and mixes for immediate remixing potential
• 2. SOLO – Optimized for use on basses and other single-voiced sounds
• 3. RHYTHM – Optimized for use on drums and percussion
• 4. SUSTAIN – Optimized for use on pads and sounds that are rhythmically static
• 5. VOCAL – Generate vocal chops and glitches from your own vocal tracks

The happy accident machine

There’s so much going on under the hood that it’s often hard to predict what will happen when you turn a knob in DYNAMO. A huge part of its appeal!

Pattern

DYNAMO is all about moving sounds – here you can select a rhythmical pattern that best suits your production.

Vari Knobs

The Variation Knobs adjust musically useful aspects of the current Mode – e.g. switch modulation rates, set EQ characteristics, change distortion curves and much more, often at the same time!

RETRO – Instant Old School Flavours – Rediscovering Glorious Tones

Do you ever play classic records and think “That. Sounds. GREAT! How do I get that 60s (or 70/80/90s) vibe in my track?” With Finisher RETRO, it’s easy. UJAM’s experts have done the hard work and captured the classic reverbs, delays, flangers, tubes, tape hiss and magic for you. Just load RETRO and go!

A Complex Web of Effects

RETRO is so much more than just one effect. Each of its modes is a web of up to 20 interconnected sound modules. It’s like having a huge pedalboard AND rack of studio gear with everything set just right.

• Like Instagram filters for your audio.
• 50 modes presented in decades, from 60-90s.
• 100 individual presets created from the modes.
• FINISHER and VARI knobs for fast, easy tweaking.

60s, 70s, 80s or 90s. You Pick!

Finisher RETRO’s models are presented in decades, from 60s, 70s, 80s or 90s. Each mode is carefully crafted by UJAM’s sound designers to give you an authentic snapshot of a great sound from that decade.

Tweak-o-Rama

Don’t worry, you’re never stuck with RETRO’s presets. The FINISHER and VARI knobs let you easily push each preset in different directions from “light and subtle hint” to “laying it on real thick!”

Features

• Super-Simple User Interface: Create your music without overthinking! Pick any inspiring preset and get to work instantly.
• UJAM’s infamous FINISHER knob: Presets have dozens of processors under the hood, but it’s all controlled with one glorious knob.
• Tweak to perfection: In addition to the FINISHER knob, you have four VARI knobs to tweak your sounds to perfection.

FLUXX – The Evil Genius of Creative FX – Deconstruct, transform and animate your sounds.

Welcome to Your New Laboratory…

Since the beginning of sound design, audio scientists have been toiling away in their labs… Micro-dosing fuzz boxes, sample rate reduction, and feedback artifacts in careful proportions.

There was always one big question unsolved: “Can’t we use all of these at once?” But with 50 unique effect chains squeezed into a single FX unit, the risk would be too high. It would simply explode, right?

Finisher FLUXX is the mad professor’s answer in big glowing letters: YES! The experiment has produced a creative effect plug-in that is certain to animate your sounds. Super-charging them while deconstructing them on a subatomic level: From quirky to epic. Your lab has been upgraded and whatever you may call this creation of yours, it’s come alive!

The Mechanism

• Get sounds moving: From granular beat cutting to step-sequenced distortion
• From light & floating to dark & saturated
• Easy creative control
• Perfect for taking any bland, static sound and adding an instant “Oh ****” factor

Unshackle Your Mad Scientist

Accelerate, modulate, agitate, swirl and catapult your sounds without restraint. With more than 50 individual effect Modes, you’ll never run out of possibilities!

If you want to tinker with sonic shaping, stereo modulation, signal polishing and deadly degradation, FLUXX gives you the perfect interface to unleash your favourite experiment.

Bring Dead Sounds Back to Life

It’s time to throw every detail of your sound into sharp relief. You control its size, heat, ambience, and other elements with potent precision. But even the best producers will never know how you did it–putting you on the bleeding edge of mad sound design.

Master Complex Effect Chains

Nothing slaughters creativity faster than a patch cord eyesore. With FLUXX, all the complex routing is safely hidden away so you can stay laser-focused on sound design.

Every Mode is carefully pre-set so that you can have maximum flexibility without spending hours just on learning a new interface. You can plot and scheme to your mischievous heart’s content, without ever being slowed down by excessive controls.

Finisher Control

Dial-up the saturation, delay, doubletracking, phasing, depth, darkness and more and listen as your audio devolves into an entirely new soundscape. This “magic” knob reacts differently with every preset–sometimes with grace, but more often with rage.

Variation Controls

4 individual macro controls with surgical precision, each controlling a separate effect cluster. Only the bold dare touch these, as most of the time you’ll conjure up more chaos than you can handle simply by changing presets and dialling the Finish knob up to max.

Shape (Vari4)

Do you like your sounds crushed tight and neatly wrapped up? Or jolted, given life and thrown into max resolution? The Shape control gives you a quick way to carve out the frequency spectrum to your liking, without spending hours labouring over the right EQ settings.

If your sounds feel cold and static, run them through FLUXX and electrify them–you’ll be surprised every single time. Time to bring them to life!

VOODOO – Black Magic Soundscapes – Creative guitar effects like no other

The Finisher effect series is designed to combine the power and flexibility of a full rack of audio processors with the instant gratification that UJAM products are famous for. VOODOO is custom-designed for all sorts of guitar sounds, real or virtual, electric or acoustic, direct or amped.

It also works phenomenally well with keyboards, synths, even vocals and other signals. Add VOODOO to anything for organic warmth, magical textures or just a dash of inspiration.

What’s in There?

• 50 Modes configuring up to 40 effect modules.
• Finisher knob and 4 Variation knobs – each macro-programmed into the effect configuration.
• From multiband compression and distortion, convolution, modulation effects, Filters, EQs to envelope following and granular Effects – all combined and meticulously sound-designed into 50 complex Modes that you can easily tweak.
• Automation and MIDI Learn to connect pedals and add extra articulation to your performances.
• More than 150 signature sound designer presets.

A Magical Mystery Tour

VOODOO creates a world of organic, distorted, spicy, colourful, often magical and dark textures, often with an element of surprise, adding limitless possibilities to your guitar. From High gain lead to strummed acoustic or bluesy crunch tone – there are plenty of sound designs to enhance every style. Your source for inspiration for live guitar playing, virtual instruments like the Virtual Guitarist series – or whatever you dare to try. Make your sound float, rumble, glow and scream. With just a sprinkle of magic.

Pinch the Doll

If you’re already using guitar tools like amplifiers and stompbox emulations, VOODOO is a perfect companion. Instant inspiration dialled in and customized within seconds. You focus on your music. VOODOO takes care of the magic.

Virtual Guitarist’s Best Friend

Do you own a Virtual Guitarist? Add VOODOO to the family and you won’t believe your ears – promised. Whether AMBERs acoustic strumming, IRONs power chords, SILKs silky arpeggios, SPARKLEs electric riffs and even CARBONs high-gain chugs – it’s a different world with VOODOO.

Features at a Glance

Finisher VOODOO features 50 carefully sound-designed effect configurations and more than 150 presets combining 40 distinct algorithms – everything from convolution and modulation to dynamics, distortion and EQs – even multiband – to granular and twisted effects. Five macro knobs give you full sonic control. Direct, live and intuitive. Play with pedals or knobs and automate to your heart’s content. Create musically stunning dynamic shifts and make every effect your own.

Variety

With VOODOO’s Variation controls you adjust musically useful changes to the current Mode – switch delay times, set EQ characteristics, change distortion curves and much more, often at the same time.

Highlighter

All VOODOO Modes come with UJAM’s proprietary Highlighter. A combination of low and high pass filters to place your track exactly where it belongs in the mix.

Can You Cope With Magic?

Potions, spells and spices… if terms like that describe what you like for a guitar sound, now is the time to play with VOODOO. The magic is in the sound, not in the words. Cast a spell on your guitars today.

NEO – Infinite Instant Inspiration – Boldly going where no audio effect has gone before.

Inspiration & Creative Control

Finisher is a new concept of audio plugin, designed to deliver the power and flexibility of a full rack of audio processors and effects with the instant gratification that UJAM products are famous for. With version 1.1.0 of Finisher NEO, you get 50 new presets and two new variation knobs.

What’s in There?

• Pro-grade audio effect plug-in
• 80 presets + 50 new v1.1.0 presets 
• 27 algorithms from granular pitch to multi-band distortion
• 50 multi-effect modes: complex multi-effect chains made by pro sound designers
• Uber-easy operation via macro variation knobs

Futuristic FX

NEO stands for the forward-thinking and bold exploration of new frontiers, that’s exactly what this plug-in is about. It’s the first of its kind in the world, and a sheer endless source of inspiration for modern, epic, action-packed and thrilling audio effects.

Features at a Glance

Finisher NEO comes with 50 carefully sound-designed effect configurations built from 27 different algorithms – from Grain Pitch to Multiband Distortion, from simple Stereo Delays to Convolution. Three macro knobs give you full control without the hassle. Tweak or automate the Effect knob for musically stunning sonic shifts, and adjust Variation and Ambience to make every effect your own.

Keep it Simple and Focus on your Music

UJAM helps you focus on the only important thing: Your music! The interface is kept extremely simple to inspire sound design but without the headaches. There is no complicated setup, no tons of knobs and buttons. So, without a learning curve or sound designer knowledge, it is great for musicians, producers, and even podcasters. You just flip through the ready-made Modes (scripted and automated multi-effect chains under the hood) and enjoy the most straight-forward and delightful sound-design process ever.

Enjoy being freed from the pressure to know what’s going on. Trust your ears to be inspired – and make your tracks more beautiful, interesting, bigger, tougher, or change them entirely – while your focus remains on your music. 

MICRO

Finisher stands for instant inspiration and endless creative sonic variety, a little bit like a magic spray finish for audio tracks.

What’s in there?

• 25 complex automated multi-effect chain Modes.
• Mode switching without audio drop-outs.
• Instant creative inspiration for music, sound design, and audio.
• Perfect FX companion for UJAM Instruments.

The Evil Genius of Creative FX – Deconstruct, transform and animate your sounds.

Welcome to Your New Laboratory…

Since the beginning of sound design, audio scientists have been toiling away in their labs… Micro-dosing fuzz boxes, sample rate reduction, and feedback artifacts in careful proportions.

There was always one big question unsolved: “Can’t we use all of these at once?” But with 50 unique effect chains squeezed into a single FX unit, the risk would be too high. It would simply explode, right?

Finisher FLUXX is the mad professor’s answer in big glowing letters: YES! The experiment has produced a creative effect plug-in that is certain to animate your sounds. Super-charging them while deconstructing them on a subatomic level: From quirky to epic. Your lab has been upgraded and whatever you may call this creation of yours, it’s come alive!

The Mechanism

• Get sounds moving: From granular beat cutting to step-sequenced distortion
• From light & floating to dark & saturated
• Easy creative control
• Perfect for taking any bland, static sound and adding an instant “Oh ****” factor

Unshackle Your Mad Scientist

Accelerate, modulate, agitate, swirl and catapult your sounds without restraint. With more than 50 individual effect Modes, you’ll never run out of possibilities!

If you want to tinker with sonic shaping, stereo modulation, signal polishing and deadly degradation, FLUXX gives you the perfect interface to unleash your favourite experiment.

Bring Dead Sounds Back to Life

It’s time to throw every detail of your sound into sharp relief. You control its size, heat, ambience, and other elements with potent precision. But even the best producers will never know how you did it–putting you on the bleeding edge of mad sound design.

Master Complex Effect Chains

Nothing slaughters creativity faster than a patch cord eyesore. With FLUXX, all the complex routing is safely hidden away so you can stay laser-focused on sound design.

Every Mode is carefully pre-set so that you can have maximum flexibility without spending hours just on learning a new interface. You can plot and scheme to your mischievous heart’s content, without ever being slowed down by excessive controls.

Finisher Control

Dial-up the saturation, delay, doubletracking, phasing, depth, darkness and more and listen as your audio devolves into an entirely new soundscape. This “magic” knob reacts differently with every preset–sometimes with grace, but more often with rage.

Variation Controls

4 individual macro controls with surgical precision, each controlling a separate effect cluster. Only the bold dare touch these, as most of the time you’ll conjure up more chaos than you can handle simply by changing presets and dialling the Finish knob up to max.

Shape (Vari4)

Do you like your sounds crushed tight and neatly wrapped up? Or jolted, given life and thrown into max resolution? The Shape control gives you a quick way to carve out the frequency spectrum to your liking, without spending hours labouring over the right EQ settings.

If your sounds feel cold and static, run them through FLUXX and electrify them–you’ll be surprised every single time. Time to bring them to life!

The world is not flat neither should your music be.

Expanse 3D, JMG Sound’s space enhancer, takes advantage of the most recent (and futuristic) knowledge of psychoacoustic effects to help your tracks explode into all three dimensions.

This 3Dimension expander will make your sounds deeper, wider and bigger. 

Or, to sum it up in few words, YOUR MUSIC WILL SOUND SUPERMASSIVE!

Psychoacoustic magic

Expanse achieves the 3D feel using a combination of analogue type saturation, spectral phase offsetting, re-synthesis, intricate delay networks and more. It can be used for mixing, mastering and sound design, it can help glue sounds together and create contrast and definition between sounds in a mix.

Get wider

The advanced spectral phase processer creates super width while remaining natural and transparent. It keeps bass tight, reduces stereo from the sub and gets progressively wider to the high end. It is fully mono-compatible, preserves position focus and can generate stereo from mono.

Get deeper

Add definition and punch to the front and extend the back to get a deeper sound. Expanse 3D uses a complex algorithm of delay networks with channel and phase processing to enhance the perception of depth and add space. It can be used to add dynamic contrast between separate sounds and glue multiple elements together for a more cohesive mix.

Get higher

Make your sounds larger than life by extending out the high and low ends. Unlike traditional EQ that boosts existing frequencies, Expanse 3D generates additional harmonics to give you deeper bass and brighter treble. It greatly improves the perception of low frequencies on speakers less able to produce them and adds controlled power and punch to larger systems.

Analogue beauty

Each dimension enhancer implements finely tuned saturation in its processing. It is modelled on analogue distortion, capturing all of the nuances, such as harmonic distribution, dynamic consistency, non-linear randomness and anti-aliasing algorithms to add beautifully rich and warm colour.

Transparent filters

All the Expanse 3D processes are applied to the appropriate frequency ranges using high-quality filters. These filters cause zero phase shift which makes them suitable for mastering and also does not have any latency.

Enhance your master

Using Expanse 3D subtly can greatly improve the overall impact and energy of the master, making it sound bigger and more exciting. The widener is sympathetic to each frequency, preserves the focus of the stereo position and is fully mono-compatible. Up to 8 times oversampling provides the highest quality saturation to add analogue colour, while the additional harmonics help add clarity. The whole mix gently becomes more cohesive as the parts share a common space. All of this can be perfectly balanced while retaining the original loudness using the auto gain function.

Glue your mix

The depth processor is useful for glueing a mix together as it adds a common space that all the mix elements share, it also, of course, adds depth. When used subtly, this can really make a huge difference to a full mix. There is also an auto gain switch, so you can make changes without changing the loudness.

Define your tracks

Expanse 3D can be used to create contrast between elements in your music by positioning them in the 3D space. You can widen two sounds with one inverted to separate them, create dynamic depth between deep & shallow and brighten sounds to make them stand out from the crowd. All of this helps to further define the individuality of each part, that makes up a complete, dynamic and full sounding mix.

64-bit audio quality at ANY sampling rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart bypass

The intelligent way our plugins manage bypassing ensures that you don’t get any click or harmful noises when automating the parameter. It also compensates for latency ensuring that the bypass states are perfectly in sync with each other.

Intelligent sleep on silence

This plugin intelligently detects whether it makes sense to perform processing at all. And if not, it temporarily turns on sleep mode. In such a state, it requires virtually no CPU at all saves the computing sources for other processes.

Imperial Delay is designed to be a fast moving, powerful beast of a delay. It gives you complete control over every nuance of your delay, but does so in a way that doesn’t get in the way of your creative side.

Easy to Use. Insanely Powerful.

Imperial Delay was designed from the beginning with two goals: Be the most powerful delay, and be easy to use. As it turns out, those two requirements tend to be at odds with each other. Some delays give you lots of control but require you to get out your lab coat and calculator in order to use it. Other delays sound great with only a couple knobs, but give you almost no options. Imperial Delay does both.

Every option that you would need in a delay is available at the twist of a single knob. If you need more control over those effects, you can enter the advanced controls and experiment to your heart’s content.

Boz Digital Labs’ new preset management system lets you save presets that go far beyond your DAW’s preset saving ability.

From the mind of BT
From the mind of BT and in collaboration with iZotope, Stutter Edit 2 lets you create the famous “stutter” editing effect with one button to slice and dice your samples, tracks, and mixes.

Create exciting movement with the new Curve Editor and control any effect in tempo. Dive deeper with new banks full of pre-made presets soaring gestures, glitched-out breakdowns, and beyond.

Elevate your productions and get a bottomless well of inspiration in a single plug-in with Stutter Edit 2.

BT Producer, music-technologist, and the creator of Stutter Edit 2
“Experimenting is the greatest thing about Stutter Edit 2. It’s an absolute wormhole of power and inspiration. It’s the one thing you need in your toolbox for exciting, modern, ear candy edits for the master and individual tracks.”

One-button Access
With the new AUTO mode, you can easily try out sounds in your mix and fire off gestures without any routing required. Or, easily connect a MIDI controller via an online help system that detects your DAW and provides step by step setup instructions. Get inspired with professionally designed presets that give you cinematic rises, exciting transitions, and club-ready filter sweeps out of the box, ready to be added to your productions. However you want to start your journey into Stutter Edit 2, you’ll be up and running and making sounds quickly.

Movement in the Mix
An upgraded Distort module, new Comb, Chorus, and Limiter modules, and a new Reverb module from BT’s personal collection join a suite of 11 effects that offer everything from lo-fi ear-candy to attention-grabbing tape stops. Every knob and slider in Stutter Edit 2 can move in time with your session using the new Curve Editor, letting you draw in the motion of your effects without needing to use your DAW’s automation. Choose your range with the blue sliders, pick a premade curve (or draw your own), and play back to hear your creation.

Make stutters, breaks, and cuts..
Put Stutter Edit 2 on your tracks to fire off rhythmic gestures, sweeping filters, glitchy effects, or everything at once. Access dozens of unique gestures through custom banks, each with their own rhythmic flavour ready-made to deliver inspiration fast. Chop up your samples to the beat, or just shred them into pitched, synth-y oblivion with the Stutter and Buffer controls. Get simple. Go deep. Try different gestures, and create your own!

MAIN FEATURES

• Create instant rhythmic patterns out of any sound. Trap your hi-hat. Make your vocals skip and jump. Turn percussion into pitch. Make an instant dubstep breakdown.
• An easier setup with AUTO mode lets you audition sounds in your mix hassle-free with one button. Or hook up a MIDI controller with step-by-step in-app help that detects what DAW you’re in.
• Curve Editor affects any setting in Stutter Edit 2, letting you make sweeping filters, pumping reverbs, and blends of lo-fi energy. Drill into any setting to edit the curve in detail, or choose from 12 premade curves for instant inspiration.
• Effects modules: get the creative juices flowing with deeper controls and more options for motion and chaos. Stutter Edit 2 adds new Comb and Chorus modules, along with a full-featured Reverb and two-band Distort module.
• Banks and gestures designed by BT deliver a wealth of effects, ideas, and sounds. Saved banks auto-map to your MIDI key keyboard, giving you dozens of gestures at your fingertips.
• UI experience offers a logical workflow, with a new dedicated output section, easier Stutter controls, and a flexible system for saving banks and gestures.

One plug-in, endless inspiration
From wild stutter edits to sweeping filters, Stutter Edit 2 gives you the power to take your arrangements from demo to done.

RC 20 Retrocolor is a creative effect plugin that adds life and texture to any recording.

It easily recreates the warm, cozy feeling of vintage recording equipment, but also works perfectly in any modern production setting.

With its six unique FX modules, RC 20 Retrocolor can replicate everything from vinyl records to VHS machines, adding noise, wobble and dropouts to your tracks. Its raw distortion and crunchy bit reduction will add grit to your bass and drums.

The space and chorus effects will make your guitar sing like never before and the filtering effects fit right into even the most modern club track.

Our EXCLUSIVE Flux Engine adds subtle (or not so subtle) instability and fluctuations to all of the FX modules, providing the character, warmth and analog goodness of yesteryear`s best technology.

The interface invites experimentation, and the included presets for drums, keys, guitars, bass and post production let you get to work right away.

RC 20 Retrocolor’s 6 Effect Modules. Use them alone or use them together!

Noise Generator
Add life and texture with one of RC 20 Retrocolor many noise types, from subtle vinyl crackle and tape hiss to ambient studio noise, electric circuit hum and stompbox static noise.

Wobble & Flutter
Wobble adds pitch inconsistencies associated with unstable playback on analog gear, like vinyl record players and tape machines.

Saturation & Distortion
Add everything from mild saturation to raging fuzz with one of RC 20 Retrocolor many distortion types.

Degrader & Bitcrusher
Recreate the sound of vintage digital gear like old-school samplers, and the unmistakable way limited sample rates and bit rate reduction color sound.

Reverb
Add depth and width to your tracks with RC-20’s tailored reverb module.

Volume Drops
Reproduce the wear, tear and volume loss associated with recording and playback on tape and tape recorders.

Easily Scale ALL of RC 20 Retrocolor’s Effect Modules and Controls with a Single Slider

Dial-in the perfect amount of your effects, or quickly create intros, outros, drops and transitions to take your mix to the next level.

Presets for ANY Track or Mix

RC-20’s tailor made presets for drums, keys, guitars, bass, full mixes and post-production let you get to work right away.

Diplo (Artist, DJ, song-writer and producer
“RC-20 Retro Color is perfect for me to bring all my new sounds into a vintage feel” Diplo (Artist, DJ, song-writer and producer)

Greg Wells (Deftones, Pharrel Williams, Katy Perry and others) (USA)
“This RC 20 Retrocolor plugin is a blast. Nicely done, XLN Audio!”

Simply put, it’s a delay effect. HY-Delay4, designed by HY-Plugins is here to help add delay and multi-fx with an all in one tool.

The plugin contains waveshaper, eq, multip and fx units. You can change these process orders around in any way that suits your current needs.

There are 5 delay modes (simple, dual, grain, groove, pm) and bypass available. If you want to use this plugin without delay, you can use bypass mode.

Also you can modulate those parameters by internal modulation sources. There are 4 modulation units available and each unit has 5 modulation types.

• 5 delay modes + bypass mode
• You can change process order(delay, amp, ws, eq, fx1, fx2)
• Drag&drop for modulation assignment
• 4 modulation generators(5 modulation types)
• Ducker
• Side-chain input for ducker and envelope follower
• Randomizer
• Preset manager (each fx unit also have preset manager)

It’s also a multi effect unit. there are two fx units available, each unit containing 22 effect types.

• Simple Delay
• Ping Pong Delay
• Reverse Delay
• M-Tap Delay
• Haas
• SVF ( State Variable Filter )
• HP/LP
• Formant
• Comb
• Chorus
• Flanger
• Phaser
• Tremelo/Pan
• Freq Shifter
• Pitch Shifter
• Lofi
• Overdrive
• Clipper
• Compressor
• Envelope Shaper
• Gate
• Reverb

LoFi Made Simple

Mixers have used the classic lo-fi / telephone effect for decades. You probably used it in your last mix! But why go through the hassle of using 4 different plugins to achieve it when you can do it in just seconds with TeloFi?

Stop wasting time bouncing back and forth between an entire arsenal of plugins to achieve that classic LoFi sound. Simplify the entire chain with TeloFi and go from 4-5 plugins to one

Automating various parameters in multiple plugins is a hassle. Avoid the headache and automate everything from one plugin to achieve easy filter sweeps and “LoFi to HiFi” effect transitions.

Let’s face it… you’ll be creating different versions of this effect again and again (and again) in your mixes. We got rid of the tedious stuff so you can focus on being fast & creative.

Features:

• Instantly dial-in telephone-like filtering effects that work great on vocals or instruments to have them pop out of the mix.

• Unique Distortion Algorithm adds bite and harmonics to the signal and can be pushed from subtle saturation to heavy overdrive via its smart single knob control.

• Tone Section allows you to easily dial in the perfect sweet spot for a natural-sounding bandpass filter using the ‘Effect’ and ‘Tone’ dials.

• Fast and Snappy Custom Compressor gives the option to really pin the signal in place after the filtering stage and make sure it is solid in dynamics and always present. As with distortion, this is a smart control that can be pushed from subtle to extreme effects.

• Slapback Delay to create space and character without cluttering up the mix and giving a hint of depth and space to the outgoing signal.

Apply An Effect, Hear The Result, Get Inspired

For experimentation, fast mixing, or adding final touches: The wizardFX Suite ensures versatile dynamic, coloration, and modulation effects based on a revolutionary operational concept. Quickly choose a preset and adjust the intensity level with a single controller. Simple operation, impressive tone – the boost to your mix-for more creativity!

No matter if used for modulation, dynamics or colorations, nor if for experimentation, fast mixing, or adding the final touches: Choose a preset and adjust the intensity level with a single controller. Apply an effect, hear the result, get inspired – with the brand-new wizardFX Suite.

Dynamics

To calm the wild ups and downs of danceable sounds on one end, the other holds pulsing levels in check and smooths dynamic waves with a steady hand. wizardFX Dynamics are both yin and yang, working with naturally impulsive spikes and as equalization for different volume levels, depending on the desired sound.

wizardFX VolumeFormer

For pads that rise and fall rhythmically and basses that pulsate to the beat of the kick drum – that’s the wizardFX VolumeFormer is at work, providing gating and sidechaining without any complicated routing.

wizardFX Compressor

The wizardFX Compressor is designed to keep the dynamics in check without losing control. It adjusts loud and quiet passages and adds more punch to rhythm instruments.

wizardFX Limiter

In order to limit excessive level peaks, the wizardFX Limiter cuts off the peaks of an audio signal almost inaudibly and losslessly to help achieve more loudness. This makes it ideal for mastering purposes in the last position in the signal chain.

wizardFX Gate

Reduce noise and ensure clear signals: The wizardFX Gate helps to keep noise at bay during vocal recordings and reduce cross-talk when recording with several microphones. Also perfect for creative stutter effects!

Coloration

More character, more color, more pressure! wizardFX has it all: Use the Tape Machine for analog warmth or fat overdrive. The Bitcrusher offers authentic lo-fi sounds and the Tube Distortion ranges from light oversaturation or punchy distortion. Tape Machine, Tube Distortion as well as Compressor and Gate are equipped with auto input gain: This warns if the input is too low or too high and can set the level to the optimal level in just one click.

wizardFX Tape Machine

Subtle variations in pitch give tape recordings their nostalgic charm. Additionally, tape saturation produces more overtones in louder signals, adding that extra drive.

wizardFX Bitcrusher

Looking for that authentic lo-fi sound? By reducing the bandwidth of the audio to lower sample and bit rates (e.g., 22 kHz and 8-bit), the wizardFX Bitcrusher is able to create distortion ranging from vibrant to aggressive.

wizardFX Tube Distortion

The sound of analog tube amps in the digital world: Tubes are not only warm, they also sound warm thanks to harmonious clipping. Well-suited for enhancing different instruments and vocals.

Modulation

The courage to change is always rewarded – modulated sounds ensure a strong impression and will attract attention. Accentuated with delays, luscious thanks to chorus and striking using flanger effects. Nicely wrapped in reverb, rounded out for the perfect mix. Faster than you would think, but prettier than expected: wizardFX modulation effects.

wizardFX Modern Reverb

Stay in your flow and instantly find the most important reverb settings – this is easier than ever with wizardFX Modern Reverb, which transforms your sound with lifelike space and atmosphere.

wizardFX Delay

The world’s most uncomplicated delay provides the flavors of space and time for any track. Thanks to practical presets, classic and creative echoes are ready at the click of a mouse when you need to speed up your mix.

wizardFX Chorus

More depth of sound is possible with wizardFX Chorus – all without any presets. The included textures provide width, depth and inspiration for each track.

wizardFX Flanger

If the modulated delayed signal is added to the original input signal, it will create meandering oscillations. Enhances melodies for haunting solos and dry harmony to moving canvases.

LOFI VIBES FROM A STRANGE DECADE

As kids of the 80s, we have always been drawn to the sound of slightly out-of-tune synths, warm tape saturation, gritty samples and grainy reverbs.

So we set out on a mission to capture the lofi spirit of our favorite decade — and bring it into a new decade.

Meet a complex algorithm with eight simple knobs. We named it ‘Super’ for its powers and ‘VHS’ for its sound.

FEATURES

A chain of six meticulously crafted ‘one-knob’ effects:

• STATIC — Static noise synthesizer
• HEAT — ‘Analog tape’ saturator
• SHAPE — Sample rate reducer
• MAGIC — Dark chorus FX
• DRIFT — Pitch fluctuation LFO
• WASH — ‘Bad hall’ reverb

Also including  an Internal/hidden EQ, bit-crusher and limiter.

THE TIME MACHINE THAT ISN’T A DELAY

We wanted this plugin to be like sending your sounds back in time, then re-discovering them on a worn-out VHS tape 30 years later. All with the click of a single button, right inside your DAW.

The result is six unique effects coming together in a versatile signal chain. Super VHS will add some lofi authenticity to whatever clean sound you run through it — from a subtle touch of character to extreme sonic twists that leave your head spinning. Each effect has just a single control, but multiple parameters under the hood, allowing you to find endless combinations to transform your synths, samples, guitars, drums, vocals and beyond.

EFFECTS OVERVIEW

• STATIC: A synthesized hum, generated by a pink noise oscillator mixed with a digital saw wave.
• HEAT: A warm sounding saturation algorithm inspired by ‘consumer-grade’ tape machines from the early 1980s.
• SHAPE: A sample rate reducer (with some extras) inspired by 1980s 8-bit samplers.
• MAGIC: A lush “Juno style” chorus — but modeled with a slightly darker and more detuned tone.
• DRIFT: An internal LFO creating unpredictable pitch and time fluctuations, ranging from ‘natural’ to ‘supernatural’.
• WASH: A grainy, unnatural sounding, hall reverb, inspired by digital rack effects from the VHS-era.
• MIX: Controls the over-all wet/dry balance.
• OUTPUT: Controls the global output.
• HIDDEN PROCESSING: High shelf EQ attenuation, bit-crusher, limiter.

WAIT, WHERE ARE THE PRESETS?

Like our ‘I Heart NY’ parallel compressor, Super VHS isn’t designed for preset browsing. Instead, you have all the controls you need at your fingertips — allowing you to create the right sound for any purpose in a simple and intuitive way. The effect algorithms respond very differently to different sounds and instruments — so you never know where you’ll end up.

And a final word of warning: Super VHS is not a ‘one-size fits all’ kind of plugin.

Each effect will sound amazing on some things and totally destroy others (which may be exactly what you’re after!). More often than not, a little goes a long way.

Unleash Your Creativity

Introducing the H9 Plug-in Series Bundle, an iconic collection of powerful effects from the H9 Harmonizer®. Built for the modern producer, the H9 Plug-in Series Bundle has everything you need to reverberate, modulate, delay, crush, pitch shift and saturate your audio. Valued at over $1100 if purchased separately, this collection has some of the most sought-after Eventide effects. It’s a must-have toolkit for all producers, engineers, sound designers and musicians who want to add expressive effects to their sound.

All H9 Plug-in Series feature the groundbreaking RIBBON control, which lets you morph the effect between two different settings. This makes automation for sweeps, transitions, and effect throws much more gratifying and simplified. Use a MIDI keyboard and gain control of the Ribbon via the mod wheel for a tactile advantage. Additionally, many of the H9 Series plugins offer unique performance buttons, so be on the lookout for “Freeze”, “Flex”, “Swirl”, and the “Hot Switch.” 

CrushStation

Drive your Tone from Creamy Saturation to a Brutal Sonic Assault

CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac or PC. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.

MAIN FEATURES

• 35 PRESETS painstakingly tailored to cover all the bases.
• DRIVE from shallow subtle boost to deep overdrive distortion.
• GRIT and SUSTAIN push into fuzz territory.
• SAG was inspired by Eventide’s experience of the sound of dying analogue gear; the power rail sags and the amp starts sputtering, cutting out and sounding ‘broken’.
• MIX in higher and lower OCTAVES then turn up the DRIVE and SUSTAIN to crush them together to form massive new textures.
• GRIT for low-end, gritty, chugging sounds.
• 3-Band EQ to shape your tone.
• GATE your signal to tame an aggressive distortion output, or get aggressive with high threshold gating and dry MIX for parallel gated crunch.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• HOTSWITCH allows you to instantly switch between two different distinct settings within the same preset at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.

Crystals

Iconic H3000 Effect with Out-of-this-World Pitch, Delay & Reverb

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration. 

Built for Experimentation 

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Features

• Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up.
• Two independently adjustable delays, up to 4 seconds each, with their own individual feedback.
• Reverb with 100 seconds of decay.
• Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents).
• Smooth out delay grains by applying up to 4 seconds of delay for each voice.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• FLEX shifts both voices up one octave at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.
• Available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone App.

Play the Ribbon

The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.

Spring

The Classic Sound of a Spring Tank

Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond.

Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! The added tube-amp-style tremolo can be routed before or after the spring resulting in an unrivalled ability to craft your own unique reverb sound. Alter the intensity by changing the tremolo depth and adjust the tremolo rate in Hz, or note value when tempo-synced to your project.

Want more control of your tone? Spring has controls to independently manipulate the damping frequency for both the Low and High end. Get even more ring from your spring by adjusting the amount of metallic Resonance present in the High Damping frequency. Guitarists love the revered surfer vibe but all creative musicians will find that Spring makes any synthesizer, drum, or vocal stand out in a mix.

Features

• Artist presets by Matt Lange, Nick Hook, and Nu-Trix.
• Tempo Sync reverb decay to your DAW
• Craft original sounds by changing the number of springs and damping frequency
• Alter overall resonance by selecting the size of the spring tank 
• Tube-amp-style tremolo that can be routed pre- or post-reverb
• Create chorus-like effects by altering Modulation Level
• The Ribbon controller allows for dynamic modification of several knobs at once to easily morph between settings
• Programmable Hotswitch provides ability to jump instantly to an alternate sound at the push of a button
• Mac/Windows plug-in version works as VST, AU, AAX

Artist Presets

Spring Reverb was designed to give you extensive control, allowing you to craft your own signature sounds. The plug-in comes with a carefully curated set of presets that serve as a launch pad for your explorations including some by Eventide artists covering a wide range of musical styles.

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation.

It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

This unique effect has been ported directly from the award-winning H9 Harmonizer. All of the H9 presets have been converted to work with the plug-in and have been included, as well as newly created factory and artist presets. Now you can use all the delays, reverbs, chorus and modulation effects that guitarists and synth players have grown to love. Best of all, The Ribbon has been optimized for live use with your favorite DAW.

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.
• Speed up or slow down the rhythmic space between taps using the Spread knob.
• Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms.
• Control the stereo image of taps to alternate between hard-panned and mono.
• Sync the Length and/or Chop LFO speed to the DAW session.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta control on the fly.

A Brief History of UltraTap

It all started in 1982 with the world’s first rack mount programmable audio processor, the Eventide SP2016, where a flexible 64 tap delay debuted as part of its Factory Program suite. By the late 80’s UltraTap had migrated to the legendary H3000 Harmonizer effects processor and then to the DSP4000 and H8000. Thanks to advances in technology, we were able to include UltraTap in a portable compact form factor, the H9 Harmonizer stompbox. And now UltraTap has come back to the studio via your DAW and FOH environment, where it all began 35 years ago!

Blackhole – Extraterrestrial Reverb

Most reverbs are earth-bound and constrained by the physics of the real world. Our Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.

From the Extreme to the Sublime

While it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. Whether you’re at the event horizon or closer to home, Blackhole will inspire and amaze while its intuitive controls will allow you to add that special something to your tracks without a degree in rocket science. 

In short, Blackhole is destined to be one of those tools that you turn to time and again when reality just isn’t enough.

The Secret Weapon

This famed, massive reverberator first saw the light of day as an algorithm in our rackmount DSP4000 and remained a favorite in the rackmount H8000FW. For decades studio engineers considered Blackhole their “secret weapon.” More recently, it was ported to our Space stompbox and became the go-to ambient effect for guitar and keyboard layers. With each new version the reverb has been refined and enhanced.

We’ve now perfected the galactic sounds of the Blackhole reverb in native plug-in form. With the Blackhole plug-in, any instrument in your DAW can warp acoustic space and time.

MAIN FEATURES

• Incredibly easy to use with over 50 presets; many created by Eventide artists
• Ability to create extremely musical effects useful for highlighting key instruments
• Supernatural settings for abstract spatial effects and drones
• Subtle settings for ambient washes and track higlighting
• Unique “Gravity” control reverses the arrow of time by inverting the reverb’s decay
• Kill Switch mutes the input so you only hear the reverb. This makes for some incredible effects when automated
• Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
• Fully flexible mono and stereo options. Bring new realms of stereo imaging to mono instruments
• Innovative Ribbon and Hot Switch allow for changing any combination of parameters simultaneously
• Full support for the Native Instruments NKS Effects system.

Presets Make it Easy

Blackhole was designed to give you extensive control, allowing you to craft your own signature sounds. Included with Blackhole is a carefully curated set of 50 presets that serve as a launch pad for your explorations. These presets cover spaces as small as a room and as large as space itself. 

Blackhole Plug-in Presets

Factory Presets

• Biggest Reverb Ever
• Dreamscape
• Drum Filter Toolbox
• H8000 Blackhole
• Quasar Trails
• Spaghettification

From Space Pedal

• Blackhole
• Darkmatter
• Nebula
• Neutrino
• Pulsar

Artist Presets

Flood & Alan Moulder

• Fishhole

John Agnello

•  Hey Honey

Jonsi & Alex from Sigur Ros

• Sigur Ros

Vernon Reid

• Dogstar
• Transfigured
• Vortex
• Centaurus
• Starcrater

Richard Devine

• Train Tracks
• Artic
• Automate
• Boxed In
• CargoShip
• Cathedral
• Circular Hall
• CombChamber
• Complete Drone
• DarkenHall
• DecayDrop
• Distantz
• Dome Ceilings
• Double Tap
• Drum Ringer
• EchoVerb
• Jumble Snares
• Metalizer
• MoveMeDelay
• Oil Drum
• Plexor
• PongSpace
• RacketDelay
• Reflex Tile
• Ring Decay
• Slushy
• Spectral Mesh
• Spiral Verb
• Stairway Delay
• Varse
• VoraxDecay

MicroPitch

Dual Voice Pitch-Shifter + Special FX

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it’s legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

And, like all H9 series plug-ins, MicroPitch is designed to ‘play’. The RIBBON lets you sweep the effect between two completely different settings. Turn your sweetening shift into a delay-throw and back, or change your delays from dark to bright for transitional effects. Use the Ribbon to add a bit of ‘life’ while you’re mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile control of this intuitive performance macro.

Play it Live

The plug-in has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. It also promises much more tweak-ability than simple pitch shifting plugins. Tone, Modulation, and Feedback controls provide territory for ear-catching production techniques. Unleash the full range of MicroPitch’s parameters and you can discover rich repeating delays, thick modulations, and tempo-synced special effects.

MicroPitch’s Proud Legacy

Eventide originated the micropitch effect by accident in the early 1970s with the introduction of the world’s first digital audio effects box, the H910 Harmonizer®. The design of the H910 predates large (and medium) scale integrated circuits, including analogue-to-digital converters, sample rate standards and digital signal processing algorithms. The H910’s system clock was not crystal-based but instead used an LC (inductor/capacitor) oscillator circuit which proved to be just a tad unstable. As a result, the pitch ratio would wiggle about. Early owners of the H910, especially studios that could afford two, discovered that setting the pitch ratio on one H910 to ‘flicker’ between 0.99 and 1.00, while adjusting another to flicker 1.00 and 1.01, resulted in a rich spread stereo effect. 

Eventide’s second Harmonizer, the H949, introduced in the mid-1970s, ‘fixed’ the randomness of the H910 by incorporating a rock-steady crystal oscillator. The H949 provided a number of new features made possible by digital audio – reverse effects, de-glitching and “u PC” -thereby formally introducing this new effect into the pro audio lexicon. The H949 was also an early digital audio device, 100% DSP/CPU-free, predominately analogue, and, to achieve small, precise, deviations of pitch it employed using a radio technique called Single Side Band modulation. 

With the introduction of the DSP-based Eventide H3000 Harmonizer®, an enhanced version of the MicroPitch effect was developed and the effect became a ‘go-to’ tool for audio pros and artists worldwide. Today’s MicroPitch continues the long tradition of offering ever-expanding capabilities to this fundamental effect.

MAIN FEATURES

• Two voices of pitch shifting, one from unison to -50 cents, the other from unison to +50 cents, each with up to 2 seconds of delay.
• Classic stereo-spreading effect.
• Slapback effects using longer delay times.
• TONE for fine-tuning the voices to fit perfectly in your mix.
• PITCH MIX for layering the two voices by setting the balance between each shifted delay.
• MOD DEPTH and RATE for a chorusing effect on each voice.
• FEEDBACK for pitch dive/rise effects.
• Intuitive UI for ease of use.
• Tempo for synchronized and unique delay effects.
• Presets based on iconic uses of the MicroPitch effect.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.

Rotary Mod

Swirly Leslie Cab Modulation

Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation.

Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals.

Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand. 

MAIN FEATURES

• Change the speed of the rotor and horn independently and adjust the mix of the two to produce pulsing effects and special vibratos
• Add frequency modulation to the rotor and horn speed using secondary LFO with selectable modulation source
• Choose cabinet size (Standard or Giant) to alter the sweetness of your tone
• Craft the exact sound you need with included Hi-cut control
• Use Tap Tempo to sync effect to the BPM of your song
• Incredibly easy to use with included presets
• Innovative Ribbon control allows for changing any combination of parameters simultaneously
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant
• Available as an Audio Units AUv3 plug-in and Standalone app

Play it Live

Rotary Mod comes equipped with performance-ready features. Using the RIBBON is a quick and easy way to set up an evolving effect on the fly. With this intuitive performance macro at your disposal, you can achieve numerous unique and effective sounds.

Try intensifying modulation depth for guitar or synth leads, blending between the Horn and Rotor for transitions, or simply changing the speed when you need to call attention to a synth pad or keyboard track.

Desktop users can access the Ribbon with a MIDI mod wheel and play the effect into a production with tactile precision and human feel.

TriceraChorus

Classic Chorusing for the Modern Producer

TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s, particularly the Dyno-My-Piano. It pairs rich BBD style tri-chorusing with another signature Eventide effect: micro-pitch detuning. This effect can be used to thicken the sound and widen the stereo field by detuning the left and right signals and pan them opposite directions.

The combination of these effects makes it easy to create syrupy, smooth, and deep modulations on synths, strings, vocals, guitar, bass, and more. TriceraChorus is a great way to add richness and spatial depth to your sounds.
 
Explore the Depth

TriceraChorus has three chorus voices: Left, Center, and Right. A three-phase LFO modulates the delay times for these voices. This relation ensures that your modulation sounds always have interesting and pleasing movement across the stereo field.

For a classic chorus stompbox sound, set TriceraChorus to “Chorus” mode. If you need something with more complexity and depth, “Chorale” produces lush, swirling choruses inspired by classic rackmount tri-chorus units. For a more psychedelic aesthetic try out “Swirl.”

Performance Ready

TriceraChorus is designed for real time parameter manipulation, resulting in seamless and glitch-free parameter automation of any parameter. Use RIBBON to play or automate sweeps between different settings. Wielding this intuitive performance macro can be great for intensifying the depth of flange-like settings, changing the rate of modulation for transitional effects, or simply controlling the Mix parameters for momentary performance flourishes.

For added live benefit, jump immediately from one setting to another using HOTSWITCH. RIBBON and HOTSWITCH settings are saved per-preset providing great flexibility in exploring the range of possibilities with TriceraChorus.

Features

• Three voice, Bucket Brigade style stereo Tri-chorus.
• CHORUS Mode evokes the chorusing effect created by classic chorus stompboxes.
• CHORALE Mode produces lush, swirling choruses inspired by classic rackmount tri-chorus units.
• DEPTH controls the amount of modulation applied to the 3 voices from the LFO.
• DETUNE the left and right channels simultaneously by +/- 40 cents.
• DELAY sets the amount of delay for the chorusing effect; use it to thicken your signal, create a flange, or slap-back sound.
• SWIRL adds stereo frequency shifting for a psychedelic flange-like flavour.
• TONE for shaping the high and low end of your signal. Remove muddy low frequencies or roll of high frequencies for a darker sound.
• RIBBON lets you sweep the effect between two different settings.
• Available for Mac and PC as VST, AAX, and AU plug-in.

MangledVerb

Good Verb Gone Bad

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favourite DAW.

MangledVerb starts with a variable pre-delay which feeds a stereo reverb into a complex distortion effect. Sonically it can range from the light friction of a bow scraping a cello string to the mayhem of a caged beast being poked with a red hot flounder.

Tweak it Live

Like all the H9 Signature Series plug-ins, MangledVerb excels in live situations. The Ribbon is an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them. The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls brings you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

• Create out-of-this-world soundscapes by increasing the Size and Overdrive.
• Use it as Mono-In/Mono-Out, Mono-In/Stereo-Out or Stereo-In/Stereo-Out for ultimate flexibility.
• Smoothly move from Softclip distortion to Overdrive for ripping transitions.
• Use the Wobble control to create spooky detuning effects.
• Use The Ribbon control to easily manipulate multiple parameters in a live situation.
• Program the HotSwitch to instantly change multiple parameters at once.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta-control on the fly.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.

MangledVerb Artist Presets

MangledVerb includes over 180 presets from the H9 and artists like:

• Aaron Nevezie
• Chris Carter
• Christian Cassan
• Count
• Danny Gomez
• Drew of the Drew
• Headsnack
• Joel Hamilton Jordi Martinez
• Kerry Leva
• Lawson White
• Mikail Graham
• Richard Devine
• Symbion Project
• Vernon Reid

A Brief History of MangledVerb

MangledVerb started life as a popular effect algorithm in Eventide’s rack-mount Eclipse and is one of the key algorithms included in our Space and H9 stompboxes. The plug-in version has been optimized for anyone working ‘in the box’ and presets can be shared between Space, the H9 and the MangledVerb plug-in.

ShimmerVerb

Move Towards the Light

ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, “shimmer.” Oftentimes, producers would achieve the effect by using Eventide pitch-shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire.

Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambiance to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network. 

ShimmerVerb shines via its playable, performance-based parameters. THE RIBBON is an easy to program performance macro allowing users to morph between two settings with one control. Desktop users can plug in a MIDI keyboard and gain tactile command over this function via the modulation wheel. Ribbon mappings are great for Feedback swells, moving the Pitch knobs, or changing the Size for a massive detuning result.

ShimmerVerb also boasts a HOTSWITCH for calling up another state of parameters inside the same preset. Use this for changing octaves, turning off/on the pitch shifters, or simply turning the Mix up or down while crafting your performance. Finally, the FREEZE button allows you to make smeared textures out of single voices, full pads, or percussive elements resulting in metallic “shimmers.”

MAIN FEATURES

• Unique reverb plug-in with parallel pitch-shifters on the reverb tail.
• Easily pitch with perfect fourths, fifths, and octaves.
• MicroPitch tuning available around perfect intervals.
• Four octaves of pitch shifting (from two octaves down to two octaves up).
• Delay pitched signals up to one second or sync them to your DAW’s tempo.
• FEEDBACK determines how much delayed signal is fed back into the input of the reverb.
• Low, Mid, and High cross-over network determines which frequencies are fed back.
• FREEZE holds the current state of the reverb in a smeared texture.
• The RIBBON allows for real-time modification of several parameters at once.
• HOTSWITCH allows for instant switching between two sets of parameters within one preset.

Undulator

Magical Modulated Tremolo

Undulator is Eventide’s classic modulated tremolo effect from the iconic H3000 effects processor. This unique, rhythmic effect combines ethereal feedback and detuned echos, run through an AM / FM modulated tremolo. Whether used for manipulating samples or adding movement to strings, pads, guitars, and keys, Undulator is a muse for creative musicians. Add Undulator into your plug-ins collection for the most playable tremolo-style effect on your DAW or iOS device.

MAIN FEATURES

• Turn up the MIX to increase the dry/effect ratio
• Utilize multiple modulation waveform shapes and sources to alter the rhythmic feel
• Subtly finesse detuning of delays by using SPREAD
• Add FEEDBACK to accentuate delays or create infinite loops
• The Secondary LFO determines how fast the depth and speed modulation “wiggle” their targets
• Lock the tremolo to tempo using SYNC
• RETRIG at the top of the waveform for a more predictable effect
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice
• SLOW/FAST button toggles on a “Slow LFO” mode. Holding it down to “BRAKE” temporarily slows down the LFOs at a constant rate until released
• Update the tremolo speed in real-time using the TAP button
• Use MIDI to control the Ribbon (CC#1), Active/Bypass (CC#2), Slow/Fast (CC#3), or Tap (CC#4)
• Available for Mac and Windows as a VST, AAX, and AU plug-in

Iconic H3000 Effect with Out-of-this-World Pitch, Delay & Reverb

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration. 

Built for Experimentation 

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Features

• Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up.
• Two independently adjustable delays, up to 4 seconds each, with their own individual feedback.
• Reverb with 100 seconds of decay.
• Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents).
• Smooth out delay grains by applying up to 4 seconds of delay for each voice.
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
• FLEX shifts both voices up one octave at the push of a button.
• MIXLOCK keeps MIX control constant as you audition presets.
• Available for Mac and PC as VST, AAX, and AU plug-in.
• Available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone App.

Play the Ribbon

The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.

ENRAGE 1.4 – WHAT’S NEW?

In response to your feedback, we got enraged and absolutely massacred our entire audio engine! Upon hulking out and smashing it to smithereens, we came back with a plugin that’s got improved efficiency, accuracy, and performance.

Obviously, we’re kidding, but we do listen to all your feedback and consider everything in our updates. With your help, it went from being a pretty sweet plugin on the market to something truly extraordinary.

NEW DEVICE – TAME

Tame can dynamically detect any peaks in the frequency spectrum, allowing you to remove unwanted resonances or even isolate them. Try it with the side-chain option!

NEW MOD SOURCES – SMOOTH & SPRING

Smooth is like a filter for modulation. When applied to other mod sources, it allows you to smooth things out and adjust the rise and fall times. Spring applies spring physics to your modulation to make your FX go boing.

MORE MACROS

We decided to get a little crazy and give you even more macro options. You can now assign up to 24 macro controls, so your sounds can get as complicated as your most enraged imagination.

SCALABLE UI

ENRAGE is now freely scalable. Resize it to perfectly match your screen size.

MORE PRESETS

We’ve added 60 new presets, making your preset pack have over 300 choices – a huge variety of starting off points to mangle your sounds. Search for “1.4” in the preset browser to explore them all.

BAND SPLITTER – LINEAR PHASE MODE

Better performance for better and more professional results. Eliminate phasing in the band splitter module to preserve the cleanest and most accurate signal

FOR SOUND DESIGNERS & MUSIC PRODUCERS – THE ONE EFFECT PLUG-IN TO RULE THEM ALL

EnRage is a highly addictive multi-modular FX processing tool that opens up unlimited possibilities in how you tweak and process your sounds. It will easily handle your daily FX plug-in needs but will also introduce you to a world of insanely wicked sound processing. EnRage is super responsive and extremely precise. To put it simple: EnRage will change the way you experience sounds.

CREATE YOUR OWN EFFECTS WITH ENRAGE!

EnRage is an FX processing plug-in with more than 50 different devices waiting for you to chain them together and send your audio signal on a thrilling digital journey. Always remain in full control by modifying a multitude of parameters or let go and get inspired by EnRage’s more than 200 presets.

KEY FEATURES

• Create your own effects
• Over 50 different devices
• 12 different mod sources
• Over 300 factory presets
• Save and share user presets

ENRAGE IS A GIGANTIC TOOL BOX PACKED WITH UNLIMITED POSSIBILITIES

Unlimited options. A wide range of devices. Extraordinary mod sources. The only barrier is your imagination. Combine any effects, create routing chains as simple or complicated as you need. Choose from over 40 devices, click and drag them into the rack, and change the parameters. EnRage’s modularity allows interacting and interwoven effect structures that cannot be achieved with typical serial effect chains. Expand the possibilities by simply dragging and dropping macro assignments to take further control.

DEVICE CONTROLS

• STEREO IN/OUT
• DELAY
• DISTORTION
• MODULATION
• GENERATOR
• PITCH
• FILTER
• IMAGING
• REVERB
• ANALYZER
• GAIN & DYNAMICS

12 MODULATION SOURCES

A MOD SOURCE alters your sound by changing values over time. You can connect MOD SOURCES to DEVICE controls and even to other MOD SOURCE controls. When you apply modulation to the controls they change their value according to the shape of the modulation signal.

• Smooth (New)
• Spring (New)
• Curve
• ADSR
• Envelope Follower
• LFO
• Mapping
• Delay
• Transient Follower
• Change Analyzer
• Pitch Tracker
• Formula

300+ PRESETS

EnRage comes packed with over 300 factory presets, ready to twist, mangle, and madden your sounds. Load them, tweak them, create your own and share them with your friends.

8 Iconic Plug-ins

Rewind time with an iconic collection of Eventide studio classics

In 1971, in a New York City basement, Eventide Clockworks revolutionized the audio industry by creating the world’s first studio effects processor–the Instant Phaser and pro audio’s first digital device, the Digital Delay Line. Over the course of the following decade, Eventide would release the world’s first Harmonizer®, the H910, along with the other industry firsts: Omnipressor®, Instant Flanger, H949, and SP2016.

Now, producers and engineers can evoke the classic effects heard on countless records from the last 50 years with the Clockworks Bundle. Painstakingly modelling every aspect of these hardware units was neither quick nor easy but now the must-have sonic beauty of these classic boxes is available for use with your favourite DAW live or in the studio.

Instant Phaser Mk II

The Instant Phaser was the world’s first studio phaser and the first rack mount effects unit, period. Originally intended to make the painstaking task of tape flanging quick and easy, engineers and producers would use it for smooth, transparent modulation and pleasing stereo decorrelation. It used analogue all-pass filters to mimic the effect achieved by time delay resulting in a modulation effect all its own. Experience all of its analogue charm with the Instant Phaser Mk II plugin and add “Age” to taste.

Features

• Add Age for component drift and electrical leakage in your phaser.
• Offers three different flavours of phasing with the Mode switch: Shallow, Deep, and Wide.
• Utilize one of four distinct methods to control the phasing.
• Depth allows you to combine the phased signal with the dry signal.
• Added Side Chain function allows you to trigger the Envelope Follower from a separate source in the mix for inter-track mingling.
• Exercise total control of the Oscillator with Sync and Retrig controls.
• Use Feedback control for a more pronounced sound.
• Includes standard gain input and output.

Instant Flanger Mk II

The Instant Flanger utilized newfangled bucket brigade ICs for swept delay resulting in a ‘true’, time-based, emulation of tape flanging. Whereas the Instant Phaser offered several methods of controlling modulation, the Instant Flanger allowed engineers to combine these controls. The result, more control layers and less predictable sweeps. Explore vintage modulation sweetness with the Instant Flanger Mk II.

Features

• Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal.
• Three distinct flavours of flanging. Set the Mode switch for Shallow, Deep or Wide.
• Manual control allows you to control the ‘comb’ effect by turning the Big Knob.
• Oscillator drives the flanging at a user-defined rate.
• Envelope Follower drives the flanging based on the signal’s amplitude.
• Remote maps the flanging control to a mod wheel for tactile manipulation.
• Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer’s thumb was lifted from the tape reel flange.
• “Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling.
• Exercise total control of the Oscillator with Sync and Retrig.
• Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control.

Omnipressor

The Omnipressor, released in 1974, set the stage as the first dynamics effects processor, introducing the concepts of infinite compression, dynamic reversal, and side-chaining. The flexible nature makes the Omnipressor plugin a must-have, with options to control all aspects of dynamic modification.

Features

• Dynamics processing for creating otherworldly sounds.
• Gating, expansion, compression, limiting, and Dynamic Reversal.
• An intuitive interface makes it simple to operate with the use of a Function dial.

H910 Harmonizer

The H910 Harmonizer was the world’s first digital effects unit. With its unique combinations of pitch shifting, feedback, modulation and delay, it was a huge hit across studios worldwide. Thickening snares, guitars and vocals are H910’s bread and butter, but robot sounds and gritty octaves are just as easily dialed in. The bundle includes H910 Dual.

Features

• NEW Keyboard and MIDI mapping – The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time.
• NEW Envelope Follower – An envelope follower has also been implemented in this latest release. Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy.
• NEW OUT2 Delay Group – adds inspiring attributes to your sound.
• True analogue modelling of highly nonlinear electronics for faithful reproduction of the original H910’s juicyness and grit.
• Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback.
• Anti-Feedback modulates the pitch around unity for a subtle or wild effect.
• Optional “glitching” of original H910 hardware to create unpredictable sounds as it alters the pitch.
• Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.
• Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos.
• Create colourful, unique sound effects and drones through self-oscillation.
• Individually control delay outputs and dry/wet mix.
• Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant.

BONUS: H910 Dual

• H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds.
• H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios.
• H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.

SP2016 Reverb

In 1981, the SP2016 was released and was the world’s first programmable effects processor featuring ROM chips that “plugged in” under the hood making it possible to add new effects in the field. While it was not a Clockworks effects unit, the SP2016 earned its spot on this roster as it marks the opening chapter of modern Eventide effects processors, with the H9000 its current incarnation. The SP2016 Reverb plug-in includes modern and vintage versions of its signature Stereo Room, Room, and Hi-Density Plate.

Features

• Room – Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes.
• Stereo Room – Recreates the ambience of a large concert hall, with very clear, natural reverberation. It’s characteristically natural and shines on instruments where a natural sound is a desire – like vocals, drums, acoustic guitar, strings, and horns
• Hi-Density Plate – Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are.
• Control the structure of the reverb by fine-tuning the controls – including PreDelay, Decay, Position and Diffusion. The EQ section allows for simple high and low filtering of the reverb with adjustable filter ranges. The low filter can be used to cut OR boost at the specified frequency.
• Boasts a variety of artist presets including some by Dave Pensado, Richard Devine, Joe Chiccarelli, Sasha, George Massenberg, The Butcher Bros., Buda and Grandz, and more.

H949 Harmonizer

In 1977, Eventide released the H949, standing on the shoulders of the H910 as the second in Eventide’s family of Harmonizers. It introduced a formal micro pitch-shifting mode, which is a great sound for lead guitar virtuosos. It also had the first Reverse delays and introduced a Random pitch mode, which works great as an automatic double-track for guitars and vocals. And, the H949 conquered the ‘glitch’ by using advanced autocorrelation techniques. The bundle includes H949 Dual.

Semi-Modular Multi-Effect

W. A. Production are always looking for clever ways to add movement and excitement to your tracks. However, it’s tiresome to keep loading up the same effects chains again and again. This is why they have created SphereQuad as an easy and extremely flexible solution for bringing complex rhythmic movement, filter sweeps and stereo madness to your mixes.

The concept behind SphereQuad is a combination of stereo flanger, phaser and chorus effects fed into a stereo filter, combined with an onboard step sequencer that controls the filter. However, the execution of these effects is far more interesting as you can control the left and right filters independently to push sound around the stereo field. The flexible routing between the different modules can be quickly dialled in to create a huge variety of special effects.

Each of the Flanger, Phaser and Chorus modules has multiple parameters for adjusting the main characteristics. The modules can be activated individually, or mixed and routed in various combinations to create a wall of unusual effects. 

SphereQuad is incredibly useful for everything from adding to spacey synth leads to making bass lines wobble. W.A. Production have even dialled it in on full mixes to create DJ-style breakdowns with massive filter sweeps and extreme flanging. There’s no instrument W.A. Production hasn’t tried to transformed with SphereQuad and the effect is impressively huge every time. W. A. Production are real-life producers making creative plugins to help you achieve studio effects quickly and easily. Enjoy!

Features

• 64 Creative Presets for one-click transformations
• Stereo Flanger, Phaser & Chorus modules with multiple parameters
• Mixer & Output controls with Saturation module
• Flexible signal routing between all modules
• 16 Step Sequencer
• Independent left and right filter modules for true stereo manipulation
• Sync to BPM
• Real-time waveform display corresponding to the filter cutoff
• Full PDF Manual

The 16 Step Sequencer controls the filter cutoff and can be synced to the BPM of your track or be set to flow completely independently. Feed the signal from the Flanger, Phaser and Chorus into this sequencer for ultimate rhythmic modulation. 

Independent left and right channel filter shapes, speeds, ranges and types can be programmed to make the filtered sound fly around the stereo field, creating some mind-bending sequences at the click of a button. 

The real-time waveform display shows the effect of the filter cutoff, giving visual feedback on the stereo effect of SphereQuad. Meanwhile, the master output module provides a Dry / Wet control and Saturation dial for increasing the odd harmonics and the overall intensity of the output.

Over 60 presets to act as perfect jumping-off points for your own creative ideas. They are logically named by instrument group and effect making it easy to find the descriptive definition of a particular effect. 

Disarray is directly inspired from the KAOSS pads of a couple decades ago.

This simple controller allows you to manipulate multiple effects across and XY plane in startling and amazing ways. Perfect for slow builds, quick drops, effect riding, and soundscapes; this plugin gives you everything you need to truly control you effect chains live.

Unbelievable Control

Map any parameter to the XY space either radially or linearly. Control up to 8 parameters on up to 4 effects at once. Trigger and freeze effects to pop in and out with touch or to stay statically on while you manipulate them. Truly unprecedented control.

Host Any Plugin

In addition to the onboard effects (every Stagecraft effect is pre-loaded into Disarray), you can also use it as a host. This means that you can load your favorite effects and control them as well, even when running Disarray as a plugin itself. If there is a better way to control plugins over an XY space, we have not seen it.

Automation

Like all Stagecraft plugins, you can add internal quantization, mods, and automation to any parameter. Doing this adds another dimension to the controls, tracing out complex paths in the XY space with every touch.

Presets

Save presets and (optionally) share them with other Stagecraft users online.

Texturize is an inspiring creative tool that adapts to any audio and seamlessly layers dense textures over the original sound. Layer water splashes over hi hats. Add lo-fi vinyl crackle to your piano. Add paper rustling to a snare drum.

Transform any audio by choosing from over 200 original noise sources from retro recording devices, unique foley and organic rainfall, to modular synthesizers and electromagnetic drones. Shape the texture using envelope controls, sculpt the frequency content with high-quality filters, plus import and store your own samples for instant recall. Texturize is a simple and elegant solution to adding texture to any audio.

Transform
Texturize reacts to your audio in realtime, layering your original sound to breathe new life into it. Add rustling leaves to electronic drums to offer a more organic sound, layer reactive vinyl or cassette crackle over your piano for a lofi feel, or add white noise to your melody to help it cut through your mix.

Shape
As audio is passed through texturize, the reactive texture can be shaped around your audio using the plugins ‘rise’ and ‘fall’ controls. Slowly rise to peak volume and slowly fade out, or make it snap with fast rise and fall settings. You can even completely deactivate the shaping controls and solo the texture.

Sculpt
Precise parallel 24db lowpass and highpass filters are included for sculpting the noise sources around your audio. Perfect for reducing sub-harmonics, focusing on high-end crackle or adding depth. You can also adjust the pitch of the texture, perfect for tuning tonal textures to your input.

Texturize Features

• Adaptive envelope follower plugin (vst3/au) with rise and fall controls
• 200+ sounds included with built-in sounds browser
• Sample import with wav, mp3, flac, ogg and aiff formats supported + ‘user’ browser category
• Parallel 24db high-pass and low-pass filters
• Mute the input signal to solo the selected texture
• Deactivate the envelope follower to assist editing or to use texturize as a noise source
• Waveform view for editing start and end points
• Midi control and automation supported
• Plugin window resize functionality
• Native apple silicon support

Over 200 noise sources

We’ve designed a huge quantity of noisy sounds for you to get creative with. Choose from 6 categories – devices, electrowaves, foley, noise, synth fx and tonal.

Sample import

Import your own samples into the user category and recall them for later use in your projects. Import wav, mp3, flac, aiff and ogg formats.

Waveform edit

Sometimes you want to focus on one part of a sample. Easily edit the start and end points of any sample with the built-in waveform window.​

Quick access tools
Mute the audio input to create new and unique rhythmic ideas. Switch off the envelope to use texturize as a noise source or to help you fine-tune the texture to your liking.

Please welcome a collaboration. Red Sounds x Channel Robot. Over a year in development.

We recorded vocal samples for 5 years and combined them with a powerful tool.

Modern Vox Engine – The Plugin.

FEATURES

• 196 PRESETS
• 140 SOUNDS
• BRAND NEW GRANULAR ENGINE
• 5 REPLACEABLE EFFECT SLOTS
• INTUITIVE MAIN SCREEN CONTROLS
• IT WILL FIT ANY MODERN GENRE
• WIN AND MAC

The majority of samples were recorded to a cassette tape by professional singers. This is not the same as adding cassette noise afterwords. You can feel that Lo-Fi warmth right out of the box.

Create vocal melodies and motives, deep cassette choir chords, fat vocal leads in seconds!

Or you can layer these sounds with your favorite synths for making unique lead sounds.

IMPROVE AND SPICE UP YOUR MUSIC INSTANTLY.

BUILT-IN EFFECTS:

• Reverb
• Delay
• Chorus
• Phaser
• WaveShaper
• Compressor
• Saturator
• EQ

Simple to edit on the fly, but powerful to go deeper.

Every control and feature is carefully chosen.

GRANULAR ENGINE.

A unique granular engine will let you create your own sounds. This tool is really powerful and handy, especially for cinematic sound. Create vocal textures. Combine then with the built-in effects for the perfect sound.

FILTERS.

Use high-pass and low-pass filters to shape your sound on the fly.

These controls are also on the main screen for quick access.

Probably you will only need a cutoff frequency most of the time, but if you want to go deeper there is full control over filters.

GENRES.

Modern Vox Engine will let you stand out from the crowd with a cassette Lo-Fi feeling.

Great tool for making tracks sound like a record. Especially good for:

• LO-FI
• HIP-HOP
• EDM
• DEEP HOUSE
• TRAP
• POP
• FUTURE BASS

“The Modern Vox Engine is a very special plugin that I believe every producer needs in their toolbox. All of the sound offerings have a warm, vintage like soothing quality to them. Furthermore if you dive a little deeper under the hood, you can find yourself in the Stratosphere pretty quickly! Killer work Redsounds!”

Jake Morelli – guitar player and producer ( Ed Sheeran, Bruno Mars, The Jonas Brothers and many more…)

It’s a multi-band effect. The plugin split incoming into three frequency bands and process separately.

Each frequency band has 5 multi-effect units (22 effect type).

Main Features:

• 5 effect units per band + master effect
• 10 modulation units (LFO x4, Env Follower x2, Macro x4)
• Drag&drop for modulation assignment
• Drag&drop for fx re-order
• Randomizer
• Preset manager (each fx unit also have preset manager)

You can modulate effect parameters with modulation signal. There are 10 modulation sources available (LFO x4, Env Follower x2, Macro x4)

Signal Flow

Input signal will be split into 3 frequency band and go through 5 effect units then merge into single. After that the signal goes into a master section (master FX > EQ > Limiter).

You can modulate effect parameters with modulation signal. There are 10 modulation sources available (LFO x4, Env Follower x2, Macro x4)

Each effect unit is multi-effect type and 22 effect types are available per unit.

FX Types

• Delay (Simple, Ping Pong, Reverse, M-Tap)
• Hass
• SVF
• HP/LP
• Formant
• Comb
• Chorus
• Flanger
• Phaser
• Tremelo/Pan
• Frequency Shifter
• Pitch Shifter
• Lofi
• Overdrive
• Clipper
• Compressor
• Envelope Shaper
• Gate
• Reverb

DiscoDSP Bundle Contains:

• Bliss sampler
• Corona VA + WAVE synth + Sound Expansion
• Discovery Pro VA + WAVE synth + Sound Expansion
• Vertigo additive + WAVE / bitmap re-synthesizer synth + X-Wave Bank
• OB-Xd synthesizer
• OPL FM synthesizer
• Phantom PM / FM synthesizer
• Scope visualizer
• ThrillMe spectral enhancer + compressor + limiter effect

Bliss sampler
discoDSP “Bliss” is a simple but powerful sampler with some extremely creative features. This easy to use plugin lets you take any sound and mangle it beyond all recognition to create your own signature sound!

Corona VA + WAVE synth + Sound Expansion
Corona by discoDSP is a Virtual Instrument Audio Plugin. Corona features 3 VA + WAVE oscillators, 16 oscillator combine modes, 32 steps arpeggiator with MIDI out, 8 destination matrix modulations, distortion, delay and limiter effects and so much more.

Discovery Pro VA + WAVE synth + Sound Expansion
Discovery Pro is a 12 oscillator Virtual Analog Synthesizer featuring 4 layers, built-in arpeggiator, 12 filter types, panning modulation, stereo delay and gate effects, graphic envelope modulation and more.

Vertigo additive + WAVE / bitmap re-synthesizer synth + X-Wave Bank
Vertigo is an additive synthesizer featuring up to 256 oscillators, re-synthesis and morphing with very high sound quality and built-in effects.

OB-Xd synthesizer
OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways; a number of things were added or altered to the original design. OPL FM synthesizer discoDSP has introduced OPL, a software synth that emulates a digital sound synthesis chip developed by Yamaha in the mid 1980s that was used in sound cards for PC, including the Ad Lib card and early Sound Blaster series.

Phantom PM / FM synthesizer
Phantom by discoDSP is a Virtual Instrument Audio Plugin for Windows. It functions as a VST Plugin. Phantom is an eight voice, four operator, PM/FM synthesizer with the ability to import Yamaha DX100, DX27 and DX21 SysEx data.

Scope visualizer
Scope uses a two-axis graph to give a visual representation of a waveform over time, with the horizontal axis representing time and the vertical axis representing the amplitude.

ThrillMe spectral enhancer + compressor + limiter effect
ThrillMe is a 32-bit multi-effects processor divided into 3 parts: a Spectral Enhancer, Compressor and a Limiter. Please Note: This is 32-bit Windows VST ONLY. Not compatible with MAC OS.