Preamps

• +25 dB for dynamic or passive ribbon microphones
• To be used in conjunction with a microphone amplifier with standard phantom power on mixers/preamplifiers/audio interfaces with mic input
• Requires phantom power
• 2 x XLR input and output
• Metal casing
• Band for fixing to microphone stand included

• Based on the well-known Class A amplifier
• Legendary Neve sound
• trafosym i/os
• Size: 19" / 1 RU

• Based on the 1073
• Hand-wound Carnhill transformers
• Completely discreet, three-stage microphone preamp
• Amplification: 80 dB microphone and 50 dB line
• -20 dB pad
• LO-Z for switching the input impedance from 1200 to 300 Ohm
• HP filter at 80 Hz
• Connections: XLR Microphone input
• XLR line input
• XLR line output
• Instrument input: 6.3 mm jack
• Switchable 48V phantom power
• External power supply included
• Build: 19" / 1 RU

• For live and broadcast applications
• Enables signal transmission over long cable lengths up to 3000 m
• For dynamic and condenser microphones
• Extremely low-noise Class A JFet amplifier
• 25 dB gain
• XLR 3-pole female to XLR 3-pole male
• Lets phantom power go to the microphone
• Protection against over-voltage
• Protection against reverse polarity

• Two "retro channels" with dual stage saturation - HMX & IRON
• Two JFET DI inputs
• High-quality 118 dB Burr Brown A/D converter
• XLR/ Jack combined sockets
• Microphone Gain: 0 - 70 dB
• -15 dB Pad per channel
• Sample rate: 44.1 - 96 kHz
• 48 V Phantom power for all inputs
• Word clock input
• ADAT Out with SMUX
• Analogue outputs via DB25
• Aluminum buttons
• Fanless, built-in universal power supply (90-264 V)
• 19"/ 1 U
• Robust metal chassis
• Dimensions (W x D x H): 483 x 286.5 x 44 mm
• Weight: 4.5 kg
• Incl. license for extensive Audient ARC download software package (license after product registration); the download package contains products from the following companies: Eventide, Steinberg, LANDR and Producertech - Audient is responsible for the validity and scope of the software package.

• All-rounder for detailed pictures, e.g. Vocals, drums, guitar etc.
• Clear and full of sound
• Channels 1 and 2 with additional DI input
• Switchable 48 V phantom power per channel
• Maximum input level Mic In: +1 dBu / DI In: +18 dBu
• Frequency range: 10 Hz - 30 kHz
• Gain Mic In: 0 to 65 dB / DI In: +14 to 65 dB
• Infinitely variable
• Switchable pad Mic In: -10 dB / DI In: -13 dB
• Switchable phase reversal
• THD + N Mic In: 0.027% / DI In: 0.11% (+ 40dB Gain, +4 dBu Output)
• ON Mic In: -108 dB / DI In: -82 dB
• Input impedance Mic In: 6 kOhm / DI In: 1.1 Mohm (unbalanced)
• Maximum output level: +26 dBu
• Output impedance: 600 Ohms
• Inputs: 4x XLR (balanced), 2x jack (balanced)
• Outputs: 4x XLR and jack (balanced)
• Power supply: 24 VAC external
• Format: 19" / 1 HE
• Depth: 195 mm
• Weight: 2.8 kg

Avid Pro Tools Carbon Pre; eight-channel preamplifier with additional 16 digital inputs and outputs in ADAT format; especially suitable as an AVB extension of an exisiting Avid Pro Tools Carbon interface; up to two Carbon Pre can be operated in combination with one Carbon base unit; integrated control through Pro Tools software; can also be used as a conventional preamp / converter combination together with older Pro Tools HD systems as well as other interfaces; audio resolution up to 32-bit/192kHz; inputs: 8x combo input (XLR/jack, balanced) with Variable Z (input 5-8), dynamic range: 126 dB (A-weighted), THD+N: – 105 dB (0,00056 %), frequency range: 20 Hz bis 20 kHz, ± 0,1 dB, EIN: –129 dB (A-weighted); 8x line input (25-pin D-sub, balanced), dynamic range: 125 dB (A-weighted), THD+N: -106 dB (0,0005 %), frequency range: 20 Hz bis 20 kHz, ± 0,1 dB; 2x Variable Z instrument input on front (6.3mm jack, unbalanced), dynamic range: 125 dB (A-weighted), THD+N: -103 dB (0,0007 %), frequency range: 20 Hz bis 20 kHz, ± 0,1 dB; outputs: 8x line output (25-pin D-sub, balanced), dynamic range: 120dB (A-weighted), THD+N: -110dB (0.0003%), frequency range: 20Hz - 20kHz, ±0.1dB, Word Clock In/Out, included in delivery: Power cord, Ethernet cable, rack screws, rubber feet

• Optical compressor
• Variable attack and release
• Ratio of 1.5:1 to 10:1
• Equaliser band filter with 12 frequencies
• Adjustable gain from +20 dB to +70 dB
• Phantom Power
• Low cut filter

• Ideal for vocals, drums, guitar etc.
• Mix of vintage sound and modern clarity
• Line and instrument input via jack sockets on the front, individually switchable for each channel
• IC-based input stage for modern transparent sound
• Output stage with Cinemag transformer
• Frequency range: 10 - 30,000 Hz
• Gain: 0 - 62dB continuously adjustable
• Switchable -10dB PAD
• Switchable phase reversal
• THD+N (@ +4dBu output): 0.0033% @ +10dBu gain; 0.0054% @ +24dBu gain, 0.027% @ +40dBu gain
• 2 Microphone inputs: XLR, balanced
• 2 Line/Hi-Z inputs: 6.3 mm jack
• 2 Outputs: 6.3 mm jack, balanced
• Headroom: 26 dB
• Phantom power: +48 V
• External 24VAC power supply
• Design: 1U at half rack width
• Mounted in standard 19-inch cases via attached rack ears
• Dimensions (L x W x H): 24 x 18 x 5 cm
• Weight: 1.9 kg

• Up to 71 dB gain
• Transformer bypass switch
• Two different discrete OpAmps: 1731 (Vintage) and 918 (Cleaner)
• Tone switch - switches the input impedance from 600 ohms to 150 ohms
• Hi-Z input sends the signal through the complete circuit
• Balanced outputs: XLR and 6.3 mm jack
• Insert: 6.3 mm jack
• 48V phantom power
• Format: 19"/ 1 HU

• Max. gain +76 dB
• +48V phantom power switchable
• PAD with -20dB attenuation
• Phase-rotation switch
• Mute switch
• Gain control
• Multi-colour signal status LED (green, yellow, red)
• Connections: Microphone input XLR, line output XLR
• Incl. external plug-in power supply 24V
• Design: Desktop

• Microphone / Instrument preamplifier
• Balanced / Unbalanced combi input (XLR / jack)
• Switchable phantom power for condenser microphones
• Level control for microphone input
• Headphone output
• Connection with Apple devices via 4-pin mini connector (analog)
• No battery required when used as instrument preamp
• 2x AA batteries required for microphone preamp and phantom power
• Two-track recording app from Tascam is available in the app store for free download
• Dimensions: 106 x 40 x 45 mm
• Weight: 87 g
• Compatible with: iPhone 3, iPhone 3GS, iPhone 4, iPod touch 1G, 2G, 3G, 4G, iPad 1G and 2G

• Based on the 1073
• Hand-wound Carnhill transformers
• Completely discreet, three-stage microphone preamp
• Amplification: 80 dB microphone and 50 dB line
• -20 dB pad
• LO-Z for switching the input impedance from 1200 to 300 Ohm
• HP filter at 80 Hz
• Completely discreet 3-band vintage EQ with induction coils
• Hi-Shelf filter at 12 kHz
• Mid-band, switchable between six operating frequencies and OFF
• Lo-shelf filter, switchable between four operating frequencies and OFF
• Coil-based high-pass filter, switchable between four operating frequencies and OFF
• Connections: XLR Microphone input
• XLR line input
• XLR line output
• Instrument input: 6.3 mm jack
• Switchable 48V phantom power
• External power supply unit included
• Build: 19" / 1 RU

• Class A tube preamp
• Compressor / expander / de-esser / gate
• 4-Band semiparametric EQ with cut / boost switching pre or post compressor switchable
• Frequency response: 12 - 100000 Hz analog
• Sampler data: 44.1 - 192 kHz
• Digital Connections: ADAT
• S / PDIF optical / coaxial
• AES / EBU and USB
• Word Clock I / O
• Analogue Connections: MIC / Line / Instrument-Input XLR-combo
• Input: 6.3 mm jack
• Balanced output XLR and 6.3 mm jack
• Mic-Preamp Out 6.3 mm jack
• VU meter
• Format: 19"/ 2U
• Dimensions (H x W x D): 88.9 x 483 x 233 mm
• Weight: 4.7 kg

• For dynamic and ribbon microphones
• Extremely low-noise Class A JFet amplifier
• 27 dB gain (@3 kOhm load)
• XLR 3-pin female to XLR 3-pin male
• 4 Coordinated JFets

Note: Requires 24 - 48 V phantom power and does NOT transfer phantom power to the microphone.

• The original circuit of the legendary UA 610 console with the same warm preamp sound
• Gain and Level controls for controlling the tube saturation
• 48V Phantom power
• Phase reverse
• Selectable input impedance
• Additional DI instrument input

• XLR 3-pin female to XLR 3-pin male
• Extremely low-noise hybrid JFet germanium amplifier
• 29 dB gain (@ 3 KOhm load)
• Frequency: 40 - 100,000 Hz
• 48 V phantom power required
• For dynamic and ribbon microphones

Note: Does not allow phantom power to pass through to the microphone

• Gain: +28 dB
• Ideal for tapes - or dynamic microphones with low output
• Class A FET transistors
• Low self-noise
• Enables long cable runs and reduces susceptibility to RF interference
• Gold-plated XLR contacts
• Robust all-metal housing

Note: requires 48V phantom power.

• Specially designed for acoustic guitars, but also very well suited for many other acoustic instruments
• Excellently suited in combination with the Pure pickups
• Special broadband center filter
• +/- 20 db bass
• Center and height controls
• Internal gain trimmer
• Frequency response: 10 - 30.000 Hz
• Bass control starts at 100 Hz
• Midrange filter from 1.5 kHz
• Altimeter controls at 10 kHz
• Input impedance: 1 MOhm
• Output impedance 10 kOhm
• Battery life: approx. 180 hours