Multi-effect VST Plugins

Elevate Bundle

Mastering with a Brain

Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master.

Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.

Elevate utilizes 26 critical filter bands modeled from the human ear. Each of the bands are spaced to give maximum control over how the sound hits your eardrum. Draw curves, solo bands and manipulate the transient attack for each individual band to bring out particular instruments such as kick or snare drums.

Adaptive Technology

Elevate uses artificial intelligence algorithms to make it easy for you to get the best sounds, but you can still get under the hood for as much precise control as you desire. This includes giving you control over the tonal balance and transients inside the final limiting stage. The adaptive algorithms reduce audible artefacts and the additional controls give you maximum flexibility with professional results.

Features

• Analyzes and alters the gain, speed and transients of each filter band in real time.
• Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.
• Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce “pumping” and breathing artifacts and perceived distortion.
• Preserves or emphasizes fast transients to avoid squashing your mix.
• Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.
• Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.
• Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.
• Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.
• Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.
• Six different types of metering allow you to keep an eye on every aspect of your output audio.

EQuivocate

Powerful & Precise Human Ear EQ

Graphic EQ that uses filters which are modeled on the human ear.  Perfect for mixing and mastering, EQuivocate’s auditory filters and match EQ functionality make it incredibly powerful, simple to use, and natural sounding. Each of the 26 critical bands tickles a different part of your inner ear, making any combination of settings sound as natural as possible. Combining this with a linear-phase filter shape that reduces pre-echo makes EQuivocate an EQ with a difference you can hear. Includes a parametric EQ, compressor, gate, soft saturation, transformer emulation, micro pitch shift, and stereo delays.

Saturate

Saturate is the Spectral Clipper algorithm made popular in the Elevate Mastering Limiter. Saturate’s two controls belie a sophisticated signal processing engine which allows it to overdrive a signal without effecting the tonal balance no matter how hard you push it. Add up to 12 dB of clipping with a variable shape parameter which moves from a pleasant soft curve to full hard clipping. Additionally, the SHAPE control allows you to smoothly morph between hard clipping and the mathematically smoothest curve possible. Use Saturate to overdrive individual tracks or your entire mix.

Learn more about Saturate.

Punctuate

Based on the Transient Emphasis section of the award winning Elevate Mastering Limiter, Punctuate is a multi-band transient modulator based on the critical bands in the human ear. Punctuate’s intelligent algorithms allow you to control the transient emphasis or suppression of all 26 critical bands with just 4 controls. This makes for an incredibly powerful, but very easy to use transient modulator.

Learn more about Punctuate.

Maximum Energy Transitions

Create massive impacts & uplifters with one knob 

Inject life into flat loops 

If your transitions are lifeless (or nonexistent), turning to your ‘Risers’ folder and smacking on some samples is a surefire way to sound generic… but with BOOST, you can turn any audio track or buss into a new transition that meshes perfectly with the mix. 

What’s in there? 

• 60 versatile multi-effect modes 
• 200+ included presets 
• Loop control, intuitive Flip button, and Vari controls custom-tailored to each mode
• Available natively on Apple Silicon and in VST3, VST2, AAX, and AU formats

Amp Up the Tension

Bland choruses all suffer from the same ailment: there’s no drama. BOOST adds a natural ebb and flow to any track with a complex combination of effect modules and processing techniques you can subtly drop in within seconds. 

Plug into the grid 

Sync to your DAW’s grid and choose phrase lengths of 2, 4 or 8 measures, choose which beat hits max intensity and let it run; everything else is done for you. For total control, go manual and freely automate the Finisher knob position in your DAW. 

Spark your creativity

Create perfectly synced swells, downlifters, impacts and more in moments without diving under the hood — BOOST tracks the playhead position of your DAW so that no matter where you start from, the effect will always hit the same bars at the same time.

Hit turbo charge

Listen to how BOOST shoots a massive rush into the demo tracks.

Features

• Loop – Set your loop length or freehand the whole thing — you have complete control over the dramatic arc of everything you make. 
• More Drama – Crank it up for MORE of everything, or turn it negative to filter the dry signal into oblivion and print only the BOOSTed signal. 
• Juice it up – Give your transitions new life and download the fully featured demo for 30 days free!

Cutting-Edge Separation, Sampling, Remixing & Song Creation Software

Cutting-edge remix software that splits full-mix stereo MP3s, WAVs and most mainstream file formats into voice, drums, bass, keyboard, guitar, sound effects and other layers.

Export straight to WAV stems to add to your DJ set or to perform or practise over, or use DeepRemix‘s powerful remix software tools to take your music to the next level, copying and pasting parts between tracks and much more!

Remove Vocals. Extract Stems. Create Music.

Audio is stored in Hit’n’Mix’s revolutionary Rip format, a step up from waveforms, enabling full control over all aspects of sound.

For example, you can mix your favorite parts together and have fun experimenting with different tempos, effects, pitches, scales, time-stretching, stereo panning (even on mono tracks), volume, and EQ. You can even create loops and edit them during playback to create new music in real-time.

Copy and paste parts from one track to another, automatically fitting the new tempo.

Apply powerful built-in live effects ranging from Reverse to Delay to Vibrato. Add Harmony to thicken out a vocal, Shift Formant to change the characteristics or apply a Low/High Pass filter for a different atmosphere.

For real inspiration, apply the Randomize effect, set a loop playing and DeepRemix will automatically create variations of the audio in what we call a Ripple. You can play back, edit and copy & paste audio from a Ripple to your working Rip, or even loop and edit it real-time to create further Ripples.

Changing a song’s musical scale

To help getting the right notes & chords, you can set the musical scale or key of the track – or click Detect and let RipX work it out for you. Notes will snap to the pitches that are part of the scale as you change their pitch by clicking and dragging up/down.

Turn on Auto Pitch To Scale and RipX automatically fits notes to the scale, whilst keeping it sounding natural.

The Randomize effect means you can set up a loop and hear sections of music played back in different scales – find the one that you like best.

Remix software with the right mood

Drop your own background image (PNG or JPEG) onto the rip to set the mood when creating music.

For Remixers

• Mix & match vocal, instrument, percussion and effects parts between different songs and layers, with revolutionary remix software.
• Create acapellas.
• Change tempo and apply/randomize effects and key.
• Extract and manipulate samples from within mixed and mastered stereo files.
• Remove drums, bass and vocals that might be in the way of other vocals, instruments or percussion, especially if the track wasn’t recorded as separate stems.
• Transform old mono recordings to stereo.

For DJs

• Export separated stems straight to WAVs to transfer onto a USB stick for mixing into a DJ set.
• Change tempo and apply/randomize effects and key.
• Mix & match vocal, instrument, percussion and effects parts between different songs and layers.
• Transform old mono recordings to stereo.

For Musicians

• Analyze and change tempo of existing music to help learn how to play.
• Create backing tracks to play along to.

For Arrangers, Transcribers & Music Publishers

• Extract and export parts as MIDI files to import into notation software.
• Analyze notes for transcription. If you have a customer who wants a score that sounds as similar to an existing recording as possible, RipX can expose the subtle nuances.
• Extract and delete vocal parts to create instrumentals from stereo masters for sync placement purposes, without needing to open a single, original multitrack DAW project.
• Alter the structure of stereo files by deleting, copying and pasting sections within rips, as well as creating new sections.

For Songwriters

• Experiment with music and samples to create new ideas and creations. For example, adjust tempo, effects, pitches, keys/scales and time stretch.
• Use Set Musical Scale to analyze the existing key and set new keys. The Auto Pitch To Scale and Randomize options further enable creative experimentation.

For Students & Educators

• Study compositions and performances of yourself or others. View the precise volume, timing and variation in pitch of each note over time and make subtle adjustments to hear the difference.
• Rip and separate MP3s and audio files into vocal, instrument and percussion parts, then view the individual notes of any part and practice against backing tracks.
• Create new versions of songs and compositions and import background images to match the feel of the music or for personalized inspiration.
• Experiment with new sounds and effects.
• Import samples or MIDI from existing works.
• Create minimalist compositions with real-time editing of loops, stored as Ripples.
• Experiment with polystylism and polytonality by applying different scales to selections of notes.

Polyverse Bundle Deal

The Polyverse Bundle Deal is a special discount for purchasing the entire collection of Polyverse’s plugins at once, delivering a collection of cutting-edge audio manipulation tools that offer unparalleled creative possibilities for music producers and audio engineers. Polyverse’s plugins are renowned for their innovative features, intuitive user interfaces, and high-quality sound processing capabilities, making them a go-to choice for professionals in the industry.

Whether you’re a music producer looking to push the boundaries of your creative output, or an audio engineer seeking new and innovative ways to enhance your mixes, the Polyverse Bundle Deal is an exceptional value that can help take your creations to the next level.

Manipulator is a one-of-a-kind transformer for vocal processing that allows you to alter the timbre and pitch of your audio in new and exciting ways.

Next, is I Wish, a unique pitch freezing plugin that takes any sound, instantly freezes its time and pitch which can then be manipulated and modulated to your liking.

Comet is an unmissable reverb plugin that allows you to create breathtaking textures and living spaces whilst maintaining unmatched versatility.

Supermodal is a cutting-edge modal filter, designed to help you carve, sculpt, and modulate your sound.

Lastly, we have Gatekeeper, an excellent volume modulation unit that is capable of sample-fast transitions and equipped with a unique variable smoothing algorithm.

Manipultor

Through unique granular algorithms, Manipulator can dramatically alter the timbre and pitch of monophonic audio in new and unexplored ways. From subtly imposing pitch and harmonization, to a full-on sonic mangle that will leave you with a totally new sound, Manipulator is as versatile as it is creativity-inducing.

• Bend and sculpt your sounds into new ones
• Alter timbre and pitch of vocals and instruments
• 10 Different effects with endless combinations
• Change melodies of existing performances
• Create harmonies with up to 4 polyphonic voices
• Extensive modulation capabilities
• Real-time processing for live performance
• Supports VST / AU / AAX plug-in formats

NEAR-ENDLESS MANIPULATION Equipped with 10 different effects including pitch processing, formant, harmonics, sound smearing, pseudo stereo and more, Manipulator can take a normal vocal and transform it into a complex, entrancing new sound. Other monophonic and rhythmic sources work particularly well with Manipulator. Alter Pitch in Real Time Like I Wish, Manipulator allows users to accept midi data in real time, allowing pitch shifting to be controlled on the fly via midi controller. Didn’t like the vocal melody in a take? Play it the way you hear it! Manipulator transposes pitch seamlessly and adds a unique texture to incoming audio. Manipulator supports up to 4 polyphonic voices when used with a midi input.

I Wish

I Wish is a pitch freezer plug-in. It allows you to take any sound – a vocal recording, a drum beat or even noise, and instantly freeze it in time and pitch. The pitch-frozen audio can then be manipulated and modulated to create highly musical mind bending effects and sounds that have never been heard before!

• The only pitch freezer plug-in on the market.
• Modulate pitch and formant.
• Real-time polyphonic Wavetable synthesizer.
• Pitch based micro-editing on the fly.
• Produce extremely controlled stutter effects.
• Create attention grabbing ear candies.
• Endless creative possibilities.
• Supports VST / AU / AAX plug-in formats
• I Wish has received a more robust protection scheme, and can now be authenticated in host DAW applications via license key file.

SO WHAT EXACTLY DOES THIS PLUG-IN DO?

When you hit a note on your midi keyboard, the plugin creates a tiny loop, at the wavelength of that note. I Wish allows you to freeze your audio in any pitch you like. There are various uses for this plug-in such as creating robotic voice effects, pitched stutter effects, musical drum beats, mind bending ear candies – the possibilities are endless! It can even be used as a polyphonic synthesizer, with real-time wavetable oscillators! This essentially allows you to make music from noise. I Wish is the only plug-in that allows pitch based micro-editing on the fly. Since the result is heavily dependent on the audio and MIDI you feed the plug-in, it will always be highly personalized and unique to you.

Comet

Introducing Comet – a reverb of unparalleled lushness and versatility. Envelop yourself in breathtaking textures of sheer beauty while creating living, breathing space in real time with Comet’s unique preset morphing capabilities. Experience trails of beauty that are pristine, dramatic, and one-of-a-kind.

DYNAMIC, FULLY AUTOMATABLE SPACES

FEATURES

• An unbelievably smooth and beautiful reverb
• Five interchangeable preset morphing slots
• Glide control to morph between parameters
• Pre Delay & Glide available in milliseconds and rhythmic subdivisions
• Lockable parameters for consistency between presets
• Uniquely rich and musical detune algorithm
• Saturation module from input gain for extra density
• MIDI and CV control for every parameter

TRAILS OF BEAUTY

Comet is designed to create beautiful trails of sound. It does not aspire to model the physics of a room. Instead, it captures the essence of a beautiful reverb. Once you hear it, you’ll fall in love.

Enhance your vocals, melodic instruments and drums alike, and add a special quality to your musical textures and sound effects.

REVOLUTIONARY PRESET MORPHING

Comet has 5 preset slots created to take advantage of its advanced morphing capabilities. Using variable gliding controls, you can smoothly transition or “morph” between up to 5 different settings/presets.

REVERB: REIMAGINED

While researching and developing various new prototypes, Comet was stumbled upon by the Polyverse development team. After an initial comparison with other popular and classic reverbs, it was decided that Comet’s algorithm was so unique and beautiful that we needed to share it with the world. Not only that, its versatile sound in all iterations inspired a degree of flexibility unheard of in other reverbs.

SuperModal

Two Become One

At the heart of Supermodal are two powerful filter sections working in tandem. On the left of Supermodal’s interface users will find the Classic Filter, a zero-feedback state variable filter that can morph smoothly between lowpass, bandpass, and hipass filter modes with its ‘Type’ control. It features a fixed slope of 24 db per octave, evoking many well-known analog filters, and is capable of both sweet and chunky filter sounds with the help of a built-in saturation algorithm and input and output controls that allow users to drive it for a fat, musical sound.

To the right of the Classic Filter is Supermodal’s namesake Modal Filter. A ‘meta-filter’ made up of hundreds of resonant bandpass filters, the Modal Filter features 27 different carefully crafted resonation behaviors–or variants– that organize its numerous bands to emphasize various harmonics–known as partials–across the frequency spectrum. These variants are grouped into 9 filter models, which include ‘Vocal Formant,’ with its ‘Ah,’ ‘Ih,’ and ‘Oh’ variants; ‘Struck,’ with ‘Piano,’ ‘Vibraphone,’ and ‘Bell’ variants, ‘Waveform,’ with ‘Saw,’ ‘Square,’ and ‘Hypersquare’ variants, and more. This unique approach to filtering results in transformative sounds unlike anything possible with conventional filtering alone, while ‘Damping’ and ‘Partials’ control allow users to refine the sound of the filter to achieve their desired tonality.

The Classic Filter and Modal Filter are arranged in parallel, combining their outputs for more full-range filtering effects. A ‘Blend’ knob crossfades between them, allowing users to dial in their perfect balance between the two filters’ effects. Supermodal also features a Dry/Wet mix slider, enabling subtler effects that retain some characteristics of the original audio source.

POWERFUL FILTER | MODERN SOUND

Polyverse Supermodal is a powerful filter with a modern sound that will make your music resonate. It remodels ordinary tracks utilizing its powerful Modal filter that emulates sonic characteristics modeled from a wide range resonating bodies. Combined with a parallel state-variable filter and expansive modulation system, a single audio signal can be manipulated into a wide array of frequencies to create shimmering cinematic soundscapes, pulsating rhythms, pads with harmonic motion, or anything else you can dream up.

FEATURES

• Modal filter capable of seamless morphing between modes
• 27 Modes ranging from musical to mangled
• 24dB per-octave slope state-variable filter
• Blend between SVF and Modal filter
• Drive SVF filter input and Modal filter output
• Self-resonate when resonance is boosted past 100
• Control partials to completely eliminate high or low frequencies
• Shape modal tails with decay and damping controls
• Modulate any parameter with fast, intuitive modulation sources
• Cross modulate between 4 modulation slots

27 SOUND MODELING MODES

The Modal Filter utilizes hundreds of surgically precise bandpass filters to model the resonant bodies of various instruments, objects, waveforms, and more. We created 9 models, each with 3 variations for a total of 27 modes including a range of flangers, phasers, vocal filters, physical and even mathematical modeled resonators. With decay, dampening and partial settings, Supermodal provides fine-tuned control to either subtly or dramatically fashion these unique sonic characteristics into your sound palette.

SHOW STOPPING MANIPULATION

The glamor of Supermodal is fully unveiled when combining its powerful filters with its robust modulation system. The 4 modulation slots offer 6 modulation sources including – Meta knob, ADSR, Envelope follower, Sequencer, MIDI/CV triggers, and Randomizer. You can also cross modulate between slots to create even more intense modulation. Both the State-Variable filter and Modal filter operate in stereo allowing you to modulate the left and right signal independently, together, or separate to deliver awe-inspiring stereo effects. Virtually all parameters in Supermodal can receive modulation.

SVF FILTER WITH FAT NON LINEAR DRIVE

Supermodal’s classic State-Variable filter smoothly blends between high-pass, band-pass and low-pass while working in parallel with the Modal filter. The SVF filter uses a 24dB per-octave slope that is familiar to many classic analog synthesizers, with the ability to boost its resonance to self-resonate. It can be further driven with the Drive feature to add warmth and thicken the signal. Crossfade between the state-variable and Modal filter with its Blend slider for seamless morphing.

The Creative Pitchbending Plugin.

Fluid pitch is an innovative next-generation Pitch bend system, which is not only free of existing constraints but a Revolutionary Leap Forward in Music expressions for all Musicians using any standard MIDI keyboard.

Fluid pitch introduces World’s First Scale-Locked-Pitch-Bend System powered by MIDI to MPE upscale engine. Now musicians no longer have to think about which scale or where they are using the pitch bend wheel, Fluid pitch always takes you to the right note!

Play any style of music with unparalleled ease and boost your confidence on stage, without the need to buy any new keyboard or going through a new learning curve.

Now Experience Fluid pitch bending, Polyphonic pitch bending, Access Mpe synths, Micro tune individual notes, and open new dimensions in creativity.

Scale Locked Pitch Bend System (SLPB)

Fluid pitch Introduces world’s first scale locked pitch bend system which can lock your keyboard’s pitch bend to any scale you want, giving you access to fluid pitch bending.

Realtime access to different pitch bend ranges

You can choose any range for your pitch bend wheel and change it in real time while performing.

MPE Upscale Technology

Upgrade your standard MIDI keyboard into an MPE (MIDI Polyphonic Expression) device and access MPE Synths without MPE hardware.

Polyphonic Pitch Bending

Introduce chord bending into your music powered by MPE Upscale Technology.

Microtuning

With Fluid Pitch, you can now tune any note in the scale up to 100 cents up or down giving you access to a whole new world of microtonal scales, melodies and harmonies. Access a new world of micro tuned scales in Indian ragas and Middle Eastern maqam’s.

Instantly enhance the functionality of your plug-ins and DAW with eleven different signal modification units. Explore new creative possibilities and quickly add missing features.

Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio.

With eleven single-process modules, SigMod contains many useful, creative functions which are unobtainable or otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.

Full List of Modules:

• Mid/Side
• Protect
• Mono
• Switch
• Delay
• Phase
• Trim
• DC offset
• Tap
• Mute/Solo
• Crossover

For Your Plugins

Add mid/side functionality to classic stereo compressor and EQ emulations, or get creative with mid/side delays, distortion and many other effects by inserting the mid/side encoder/decoder either side of any left/right plug-in instance.

Insert the Protect unit across your output bus and this safety module will automatically cut in to prevent bursts of noise or feedback howls due to system errors, saving both your nerves and your speakers.

Manual or auto reset options give you the level of protection you need.

Want to try some parallel processing? Drop in the Tap module and you are good to go. Use the Crossover module to split the highs from the lows to apply different effects to different frequency ranges – great for avoiding muddying up the low frequencies or getting creative with automation and sweep effects.

For Your Daw

Several of SigMod’s modules offer easy access to functionality which is either missing from certain DAWs, or at least complicated to access natively. Solo/mute or trim the left and right sides of a stereo signal independently, or easily flip the stereo image in one click. Quickly detect and correct DC offset to retain valuable headroom.

How does your mix sound in mono? Think about how many listeners will be using a phone or a DAB radio with one speaker – the Mono module switches your signal from stereo to mono in one click.

You can also check the phase relationship between your left and right channels with the Phase module.

Mic Mod EFX – Classic Microphone Modeler

Make the mics you own sound like the mics you wish you owned.

Mic Mod is the microphone modeling tool that makes the mics you own sound like the mics you wish you owned.

Instantly expand your mic locker with models of vintage mics from Neumann, AKG, and others, plus a wide selection of modern boutique mics.

Mic Mod includes precise digital models of over 100 legendary microphones. Just tell it what mic you’re using and what mic you want it to sound like.

Mic Mod not only reproduces all of the subtle sonic characteristics that make each microphone unique, it also gives you control of each mic’s specific options. Does the mic have a low cut filter? If so, it’s in the model. Close or far placement? Just dial in the proximity control. Each option results in the same sonic effect that it would have with the actual mic. For that final touch of perfection, you can even add some tube saturation.

Mic Mod gives you a huge virtual microphone collection that you can use for recording, mixing, and even in live performance to get the sound of mics you would never consider using on stage. It’s also a great tool for broadcast and podcasting applications.

MAIN FEATURES

Source Mic and Modeled Mic

• Simply select the mic you’re using (or used during your original recording) and the mic you want it to sound like.

Proximity

• Proximity Effect is a bass boost that results from placing a directional mic in close proximity to a signal source (e.g., a singer’s lips). With Mic Mod EFX’s Proximity controls, you can actually create the effects of different mic distances based on the specific physical properties of each individual modeled mic.

Low Cut Filter

• If your source mic has a low cut filter, enter its setting in the Source Mic Low Cut menu. If your selected modeled mic has a low cut filter, you can model the effects of any of its settings with the Modeled Mic Low Cut menu.

Pickup Pattern

• If your source mic has variable pickup patterns, enter the selected pattern in the Source Mic Pattern menu. If your selected modeled mic has variable pickup patterns, you can experiment with the effects of any of its patterns with the Modeled Mic Pattern menu.

Tube Saturation

• Based on the same technology as Antares’ famed WARM Tube Saturation Generator, the Tube Saturation control lets you give your track the warmth of a high-quality tube pre-amp.

Mic Mod EFX is available as a plug-in for RTAS (Mac & PC), VST (Mac & PC) and Audio Units. At a fraction of the cost of even a modestly lust-worthy mic.

Effects That Make All The Difference

ColorFX Suite offers a wide palette for assertive sound coloration. Tape Machine combines the pulsating dynamics of analog hardware with the precision of virtual sound control. Bitcrusher takes the concept of digital distortion to a new level, delivering more parameters for more excitement. Tube Distortion gives sound a singing quality that ranges from quiet and harmonic to fiery and crashing.

With signal routing that can be filtered and modulated, colorFX can be used flexibly – as subtle emulsifiers for masters and grouped signals, or to create a distinctive texture for individual tracks.

ColorFX Tape Machine

Tape saturation produces more overtones in louder signals and can even be pushed to distortion. Subtle variations in pitch give tape recordings more vibrancy.

Tape speed and tape head mechanism amplify selective frequencies in the bass range, creating greater warmth. colorFX Tape Machine combines the virtues of analog technology with digital efficiency and flexibility.

Ideal for the fine-tuning of sound and dynamics in mastering and for the colorful editing of individual instruments and vocals.

All colorFX include professional visualization aids for input and output such as peak level or RMS value.

ColorFX Bitcrusher

By reducing the resolution and bandwidth of audio with lower bit and sample rates (for instance 8-bit and 22kHz), colorFX Bitcrusher can create distortion ranging from aggressive to bright.

Parameters can be freely modulated, which keeps distortion dynamic and creates exciting variations in sound. Aliasing and quantize noise sound great here – not just for lo-fi fans. By carefully mixing distortion, colorFX Bitcrusher achieves concentrated and full sounds that are perfect for group and summed signals.

On the other hand, massive bit reductions let you send any track up in smoke and are just the thing for the perfect breakdown.

All colorFX include professional visualization for input and output from spectrometer to loudness meter.

ColorFX Tube Distortion

ColorFX Tube Distortion Tubes don’t just become warm: they create warm sounds too. This is produced by harmonic clipping at peak levels. These FX are well-suited for enhancing different instruments and vocals, and essential for that classic tube amp sound.

When used for mid-range distortion, color FX Tube Distortion delivers a range of expression that’s rich with nuance – for melodic and percussive instruments, vocals and even noise. Full overdrive supports harder musical styles, but also creates solo accents across genre boundaries.

All colorFX include professional visualization aids for input and output such as VU meter or as a waveform display.

Sounds that pack a real punch

From the soft sheen of analog patina to crunchy digital distortion, colorFX Suite offers the right texture for any track. Use the FX to weld together summed signals such as masters and grouped tracks or to give individual tracks a distinctive character.

Instant Old School Flavours – Rediscovering Glorious Tones

Do you ever play classic records and think “That. Sounds. GREAT! How do I get that 60s (or 70/80/90s) vibe in my track?” With Finisher RETRO, it’s easy. UJAM’s experts have done the hard work and captured the classic reverbs, delays, flangers, tubes, tape hiss and magic for you. Just load RETRO and go!

A Complex Web of Effects

RETRO is so much more than just one effect. Each of its modes is a web of up to 20 interconnected sound modules. It’s like having a huge pedalboard AND rack of studio gear with everything set just right.

• Like Instagram filters for your audio.
• 50 modes presented in decades, from 60-90s.
• 100 individual presets created from the modes.
• FINISHER and VARI knobs for fast, easy tweaking.

60s, 70s, 80s or 90s. You Pick!

Finisher RETRO’s models are presented in decades, from 60s, 70s, 80s or 90s. Each mode is carefully crafted by UJAM’s sound designers to give you an authentic snapshot of a great sound from that decade.

Tweak-o-Rama

Don’t worry, you’re never stuck with RETRO’s presets. The FINISHER and VARI knobs let you easily push each preset in different directions from “light and subtle hint” to “laying it on real thick!”

Features

• Super-Simple User Interface: Create your music without overthinking! Pick any inspiring preset and get to work instantly.
• UJAM’s infamous FINISHER knob: Presets have dozens of processors under the hood, but it’s all controlled with one glorious knob.
• Tweak to perfection: In addition to the FINISHER knob, you have four VARI knobs to tweak your sounds to perfection.

Bring back the Nostalgic Vibes of the old/retro days, and take your listeners to when all the ‘faults’ were a part of the songs.

Whether you’re heating up breaks, crafting broken beats, or looking to add more musical material to your beats, we’ve got the tool that’ll help you do it.

We are proud to introduce you to “Vybz”

A swiss army knife that includes everything about a modern or classic wet tone and it looks great while doing it.

With Vybz ultimate all-purpose effect modules, you can colorize your mixes and crank it back a few decades when snaps, crackles, and pops were a necessary part of the experience.

MAIN FEATURES

• You can layer textures onto your existing audio with the texture unit.
• Iii verb, designed for getting a very fast, powerful, and high-quality reverb sound. + convolution reverb.
• Get short slap, or infinity feedbacks with the echo unit, a tempo synced delay effect, with color control & chorus.
• Distort your signals using inbuilt analog-style distortions, or shape your sounds with vybz modern waveshaper.
• With time machine select the record’s year of your beat, from 1930 up until now, or feel the lo-fi magic with vhs & drop-out effects.
• Stereo enhancement, volume modulation / side chain, trance gate, tremolo / panner all available on motion module.
• Ii band, equalizer designed to correct or balance issues in the most important frequencies, the low and high end + dynamic eq.
• And plenty of presets to help you get to work right away.

Vybz Engine

What Can This Engine Do?

Texture
9 Unique & Professionally Recorded Noises / Textures. Easily Drag & Drop Your Noise Samples into The Texture Module + Duck / HP & LP Controls.

III Verb
3 Type Of Lush And Digitized Reverbs. With Freeze Mode ( “Freeze” button creates infinitely-continuous sustain reverb effect ) Mono / Stereo Controls, And HP & LP Knobs.

Convolution Reverb
Ultra-Fast Module With 30 High-Quality Ir Impulses. You Can Import Your Own Ir Samples Into The Module As Simple As Drag & Drop

Echo
Tempo Synced Delay With Feedback Knob. Color Knob to Control The Darkness or Brightness Of returned Audio Signals + Chorus Effect.

Damage
4 Types Of Special Warm & Gritty Algorithmic Distortions, And 1 Waveshaper With Table Control.

Reducer/ Bit Crusher
Lo-Fi Sample Rate Reducer & Bit-Crusher.

Time Machine
Modeled Eq Settings From Past to Present.

Drop-Out
A Random Audio-Muter With Mix / Sync & Freq Controls.

Motion
Widener / Synced Side Chainer With Table Control And Synced Panner With Mix Control + Real-Time Goniometer Visualizer.

II Band
A Very Transparent EQ, With High – Low, Freq, Gain, Q, And Curve Controls, + Real-Time Audio Visualizer.

Dynamic Eq
De-ess Your Vocals, Remove Bominess Or Harshness Of Your Frequencies, With In-Built One Band Dynamic Eq Compressor.

Real-World Simulations
Realistic emulation of different types of Speakers & Environments.

Engine Features

• Realistic emulation of different types of speakers with their acoustics and environments.
• Sidechain your returned reverb & delay signal, make that pumping feedback with ease!
• Oversample The Engine Up To 4X.
• Dark to bright Tone Control.
• Master Input / Output
• NY Compressor With an addictively punchy flavor.
• Preset Browser system ( Shareable Patches )
• Factory Presets For Vocals, Drums, Keys, and More…
• Undo / Redo
• Scalable All Vectoral interface. 50, 75, 100, 125, 150, 200.
• Automation” Automate Anything

Professional Audio Plugin

Air is the perfect tool to simulate distance through high-frequency attenuation. Use it on any DAW.

MAIN FEATURES

• Several Locations: Air already includes temperature and humidity settings from different locations around the globe, from Antarctica to Death Valley, but you are always able to enter your one custom.
• Perfect Result: Air is much more accurate than a simple low-pass filter, using scientifically measured frequency response values of air dampening.
• Frequency Response: With Air, you can see the actual frequency response that is being applied to the sound.
• Distance Attenuation: Control the volume over distance with the Distance Attenuation parameter.
• World Units: Do you prefer “meters” or “feet”? “Mph” or “km/h”? Full integration with Imperial and Metric units, for an easy and more welcoming workflow for everyone.
• Control Surfaces: Use control surfaces (such as AVID S6) to edit the plug-ins’ parameters.

Air for Music
Easily take away some presence of specific items within your projects. Let instruments breathe and mixes shine with this ready to go plugin.

Air for Sound Effects
A close-by object doesn’t sound like a faraway object. Quickly reinvent sound effects by adding depth and distance to your sounds. No need to record everything all over again.

Air for Mixing
With just one knob, it is possible to accurately simulate the distance of any sound. Air will apply the exact EQ and distance attenuation necessary to make audio assets perfectly resemble real-life sonic events.

Air for Automated Dialogue Replacement
The biggest challenge of ADR is making it sound as natural as if it was recorded on the original set. Air helps in achieving a natural-sounding distance effect, so that ADR never sounds misplaced again.

Uhbiquitous FX Bundle

Uhbik is our fine collection of effect plug-ins for the discerning audiophile. Each surround-capable effect comes wrapped in a beautiful, streamlined interface. The entire bundle of nine effects is available now at an unbeatable price…

Meet the Family…

Four of these units (D, F, P, T) are modulation effects that include an ultra-slow to ultra-fast low frequency oscillator. LFO rate can be set to an absolute value (in seconds or Hertz), synced to host tempo (then scaled by a constant!) or swept manually / automated…

Uhbik-A

Ambience / Reverb, a very unusual combination of early reflections with different plate algorithms.

While most of the other effects in the Uhbik family are geared towards the more synthetic, radical effects, Uhbik-A is the master of understatement. Great reverb is seldom conspicuous, but if itʼs not there, something is missing from the sound. With its independant control over high and low-frequency decays, diffusion and modulation, Uhbik-A delivers the kind of reverberations that can turn a flat sound into a warm space, or evoke the widest of landscapes!

Uhbik-D

Delay / echo with 5 ‘tape heads’, LFO or flutter modulation, low/high-cut filters, soft-clipping, per-tap feedback and multi-channel pan.

Imagine an echo that repeats every quarter note, although precise quarters are not part of the echo signal? Or ping-pong delay (no central tap) that applies the Haas effect for extra movement? Or 7.1 surround delays… Uhbik can do all this and more – once again, the simplicity of the GUI belies its power. Uhbik-D is the perfect playground for creative delays without the overt complexity of MFM2 (see there!)

Uhbik-F

Flanger, from through-zero tape flanging (dramatic jet-effect!) to classic stomp-box type chorus, with LFO modulation and feedback / resonance

Uhbik-F simulates two tape machines per audio channel, with recording and playback heads that can even occupy the same position if you want – impossible in the real world! Bass frequencies can bypass the effect (‘bass sanctuary’) to ensure LF-stability while the rest of the sound is swept around. Turn up the drive (2nd harmonic distortion), and your lead line will scorch its way through any mix!

Uhbik-G

Granular pitch-shifter / phase vocoder (via fast fourier analysis) delivers a wide range of dramatic contemporary effects. Whole grain goodness…

Effectively cuts audio material into snippets (‘grains’), then plays them back at a variable rate – even backwards. In the original tape devices, the radius of a rotating cylindrical tape-head determined grain size and the length of tape in contact with the cylinder determined the overlap between grains. But Uhbik-G is not bound by the physical limitations of rotating cylinders – you can make it huge or impossibly small!

Uhbik-P

Phaser set to stun, with up to 42 allpass filters in series delivering the deepest, richest phasing available. But is it an angel or a metal monster?

Again, bass frequencies can bypass the effect (‘bass sanctuary’) to ensure LF-stability. Again, resonance accentuates the comb filter effect, but unlike Uhbik-F the distance between peaks is kept fairly constant. As the signal is phase-shifted each time it is fed back, frequencies are created that were not present in the original signal – the main reason why Uhbik-P is also great for wild metallic effects!

Uhbik-Q

Equalizer, the perfect balance between simplicity and flexibility required a unique approach… Uhbik-Q is a revelation!

Maximum flexibility from a minimum of controls, low CPU without compromising transparency. Uhbik-Q combines freely tunable frequency bands (4-pole filters, not the usual 2-pole!) with presets for other options. Q-factors automatically adjust to gain, an optional ‘mid’ bell curve filter adjusts to the two main bands… judging by the simple GUI, you would never guess just how much this EQ can do!

Runciter

Filter with parallel lowpass, bandpass and highpass outputs, resonance, controllable input overdrive and brick-wall fuzz.

Filters were always dramatic sound-shaping tools, one reason why they’re still so popular. But users today expect more than a simple resonant lowpass, so here’s RUNCITER! For classic wah-wah, add low- and highpass together then control cutoff from a MIDI pedal. Or max out the resonance and drive the input from -48db to 48dB for a vast range of effects… instant glittering sweeps or absolute filter mayhem!

Uhbik-S

Frequency shifter / sideband filter with exceptional frequency response and low latency, can create anything from serene barber-pole waves to metallic FFF (full frequency freakout) effects!

Movement in frequency shifters (no LFO required) is constantly downwards or upwards. In Uhbik-S, the barber-pole effect can even rise in one channel while falling in the other. Clever routines prevent otherwise inaudible sidebands from folding back into the audio range – Uhbik-S never compromises audio quality.

Uhbik-T

Tremolo – but if you think that just means ‘volume wobble’ you haven’t tried the mother of all tremolos yet: Uhbik-T!

Our tremolo unit Uhbik-T is a general-purpose ‘rhythmicizer’ featuring linear or exponential (with 3 different strengths) gain modulation. But there’s much more: You can morph between user-defined patterns in the 11 x 16 grid, apply rhythmic lowpass filtering, add vibrato or Haas-delay spatial effects. In either of the pattern modes, the LFO wave knob selects a position between 11 user-defined patterns, and the LFO scale knob determines precisely how ‘choppy’ the effect is… tremolo redefined!

The Creative Motion Filter

Shape Your Sound.

Filterstep is a modern motion filter plugin which provides a great deal of potential for all kinds of intricate rhythmic movement.

It can give you incredibly complex and nuanced results based on various filter effect settings, and almost infinite possibilities for sonic exploration and movement randomization.

Filter. In Motion.

Introduce contemporary character to your music. Craft Compelling Textures with Simple and intuitive parameter controls.

Features

• VST/VST3/AU/AAX/Standalone
• Generate filter grooves in real-time
• Syncs to host tempo
• Wet/Dry mix control
• MIDI Controllable
• Infinity mode
• Quick load presets
• 64 & 32-bit compatible
• Instant/Tap bypass for live performance
• Quantization settings
• Motion selector
• Customizable sequence range
• Assign presets to quick-load section
• No two patterns will ever be the same

Noises is an experimental instrument with a playful and inspiring interface, designed to bring a vast world of noise into your music and audio production.

Noises is the fourth plugin we developed together with German composer and “that guy with the sweaters“ Hainbach.

He crafted hundreds of recordings of rare vintage measurement and tape equipment, analog synths, strange field recordings, electro-acoustic and magnetic field experiments, and more in his lab to create this creative noise instrument with us.

It is designed to be fast and inspiring to use, with a big dial at its center inviting you to search for sounds and a sequencer to make them music. This results in a minimum of clicks for a maximum of sound.

Used subtly, it adds coherence to your tracks. Used creatively, this can be the basis for whole tracks. It is easy to create modern scores for film, games, and podcasts with it and a quick tool for sound design. If you need a break, put it on and relax to carefully curated noise sequences.

DJ Swivel’s First Premier Creative Tool for Dramatic Vocal Manipulation

The Sauce brings you all the essential ingredients you need to creatively transform your vocals in one simple plugin. Oh, and it sounds great on drums and instruments too. Find your flavour with The Sauce now!

Main Features

Flavour

Sculpt & shift the pitch and formant modulation of both mono and polyphonic audio in real-time. These effects are commonly used to manipulate vocals, giving that “vocal chop” sound heard in countless Pop, Dance, and Hip-Hop hits. But if you’re feeling adventurous try it on drums, you won’t be disappointed!

Sugar & Spice

Every sauce needs a little sugar and spice. Add your choice of harmonic saturation or overdrive distortion on the Spice knob, and chorus or flanger effects on the Sugar knob.

Squeeze / Smoke

Use these two parallel compressor options in Squeeze to tame or aggressively squeeze your input signal. These two compressor options can also be fed by a sidechain input.

With Smoke, add a little air with 3 different convolution reverb options, all modelled after some of DJ Swivel’s favourites from both past and present. A small room, a medium plate, or a large hall. This knob is treated as a mix knob allowing a 100% wet signal, enabling The Sauce to be used as an FX return.

Drip

Drip is a classic modern delay and echo modulation, with built-in high and low pass filters, along with a ping pong option. Simple, yet effective.

Multiband

The Sauce allows for all of the above effects to be processed both as a whole or individually across three user-definable multiband layers. This allows for endless possibilities of sounds and effects never heard before.

Additional Features

• Make your sounds wide with Spread, a natural-sounding stereo imager.
• Hi and Low pass output filters with resonance switches for a more musical filter sound.
• Output / Mix toggle allowing the main output knob to be used as both a volume gain stage and an FX mix.
• Save, store, and recall your own recipes (presets).
• A / B two different recipe options.
• GUI optimized for retina displays.
• Easy plugin authorization.
• Adjust the size of the plugin to fit your monitor.

HALO-2 FX

The HALO FX plug-in brings the pristine filters, customisable distortions, EQs, fx and modulations from the HALO virtual instrument directly into your plug-in effect chain. With a signal flow comprising of a triple multi filter complete with individual LFOs, four distortions including a customisable waveshaper and bit-crusher, a post distortion filter with LFO, a reverb, delay, phaser, chorus, limiter and a choice of two EQs HALO FX is the fastest way of dialling in experimental FX ever created.

Within only a few clicks you can add any or all of the processing available in HALO FX. The Random Preset Generator will create totally new, useable, interesting settings to shape your sounds in ways you never would otherwise. Via the extensive Preset collection you can easily access a range of finetuned settings, from intense distortions, huge reverbs, cavernous delays, rhythmic modulations and glitchy effects.

Filters Galore

Featuring a total of 4 filters, each with multiple filter modes, and each with their own LFO there is a world of creative possibilities at your fingertips in HALO FX. Creating movement in your sounds couldn’t be easier. Select between Low-Pass, High-Pass, Notch, Peak, BandPass and finally an all- pass Phase filter. With a further choice on a Tone EQ and Master parametric EQ the sonic shaping abilities in HALO FX are unparalleled in a single plugin. The Filter LFO clock will sync with your DAW enabling the LFO movements to be consistent when scrolling and rendering audio.

Push, Warm, Mangle, Crush or Destroy

With 4 distortion modes HALO FX provides an endless sonic palette to play with. Experiment with a choice of Warm Saturation, Amp style Drive, Customisable Waveshaping distortion, and Bitcrushing. The versatile Waveshaper allows complete control over the Waveshape, Bias, Gain and Rate Reduction, whilst also featuring a preset browser of it’s own to instantly select pre-made shapes from the HALO library or quickly saving your own for recall later and in other sessions.

Features

• 50 Fine Tuned Presets
• Custom Waveshaping Distortion
• Parametric Master EQ
• 3 Multi-mode Filters with Modulation
• Post Distortion Multi Filter + LFO
• Reverb, Delay, Phaser & Chorus FX
• Tone EQ for Easy EQ Shaping
• Master Peak Limiter
• Precision Analysers
• Random Preset Generation

‘Studio Trap’ is proud to present StudioX 2.0.

StudioX is an extremely versatile virtual workstation featuring (85) custom created High-Quality playable instruments in the styles of Trap, Hyperpop, Drill, Hip Hop, Rnb and more.

This update has completely brand new sounds and now features 90 high-quality presets in total instead of 70 presets that were included in the original version.

StudioX is inspired by artist and producers such as Lil Uzi Vert, Trippy Redd, Pop Smoke, Lil Baby, Gunna, Future, Rod Wave, 808 Mafia and many more.

StudioX Built in effects include:

• ADSR
• LFO Depth
• LFO rate
• LFO source
• Reverb
• Glide
• Tune
• Width
• Panning
• Cut off
• Voice mode
• Velocity
• Filter type
• Waveform
• Destination

These effects give you the ability to completely tweak and customize your sounds to your liking.

Product Details:

• 90 Presets in total
• 09 Instrument categories
• 13 Bells
• 10 Choirs
• 03 Guitars
• 12 Keys
• 10 Pads
• 10 Pianos
• 11 Plucks
• 04 Strings
• 12 Synths
• Windows 32Bit / 64 Bit Vst
• MacOS Vst3 / Au Mac
• Works in all Daws except Pro Tools
• 4.49GB of Content PC + Mac (Zipped)
• 5.80 GB of Content PC + Mac (Unzipped)

Undiscovered Gem

As music makers, we’re always looking for new ways to take our projects to the next level. We want to create sounds that are unique, original, and sonically stunning. Complex plugin chains and outboard equipment all have their place, but sometimes you just need a quick fix to add a unique flavour. OBSIDIAN is here to help your synths, bass lines, and vocals stand out from the crowd, achieving magical results in just a couple of clicks.

OBSIDIAN is a difficult beast to pin down and to explain – and honestly, you’re probably better skipping the science and just taking OBSIDIAN for a test run to experience the mind-melting modulation that it has to offer. The plugin is more like a creative instrument than a traditional audio device. Route any audio through OBSIDIAN and it will transform the nature and timbre of the sound in sometimes unexpected ways, adding colour with a secret-sauce FX matrix and spectral delay.

This is a truly creative plugin, for those who are looking for that special something to reshape their audio, without losing what made it unique in the first place. If you want to know more, here are the facts that drive this innovative effect:

Freq & Hype Matrix

The XY pad at the centre of OBSIDIAN is where the magic happens, with a central node that can be dragged or automated in your DAW to creatively move between different processing styles. FREQ controls the frequency and shape of the audio-rate modulation. HYPE sets the modulation depth and other special parameters. This secret combination of FX creates additional harmonics that add excitement and colour to your sounds. In essence, the incoming signal is modulated at a very high rate and then formant shifted, before being passed through a spectral delay line.

Creative Spectral Delay

The delay unit within OBSIDIAN is something rather beautiful. Containing controls for TIME, MODE and FEEDBACK, this module returns audio to the main matrix to create ever-shifting feedback. This is a delay with deceptively simple controls that has many creative uses; rhythmic effects, ambient textures, subtle vocal thickening and big-room synth echoes. Delay TIME can be changed, from 10ms – 2s to straight, triplet and dotted note partitions. Change the MODE time to freeplay, or sync to the BPM of your host project. Adjust FEEDBACK from 0-100% with precise control.

Randomization

When you’re stuck for ideas, or just want OBSIDIAN to suggest a magical metamorphosis, hit the central dice icon. The XY pad will be randomized, automatically choosing some stunning effects to shape your audio.

Mix

For creative purposes it’s useful to be able to mix the effected audio that OBSIDIAN produces with the original source audio. Use the Mix slider for this and conjure every kind of processing from subtle transformations, to full-on dub-style modulations that spin into infinity.

Presets

With many included presets, it’s easy to find the ideal way to modulate your music. These factory options can be used on guitars, bass, drums, synths, vocals and almost any kind of audio signal. The presets include everything from subtle transformations to full-on strangled mutations.

W. A. Production are real-life producersmaking creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features

• Your secret sauce for audio goodness
• Unexpected results with complex modulation
• Colour & Harmonic processing
• Randomization
• Creative Spectral Delay
• Mix slider
• Resizable Interface
• Pop & Click-free bypass
• AB Copy & Paste
• Factory presets
• Full PDF Manual & Tutorial video

Put a sophisticated polish on your productions

Wave Arts PowerSuite gives you five plug-ins that cover the essential aspects of tracking, sound design, mixing, and mastering.

• TrackPlug is a channel strip plug-in with 10-band EQ, gate, and dual compression.
• MasterVerb is a multi-algorithm reverb with 3D frequency plot, gate, and multiple early reflections.
• FinalPlug is a peak limiter/volume maximizer with auto release and noise shaping.
• MultiDynamics gives you powerful multiband dynamics with one to six bands, vintage/clean modes, and dual-crossover slope.
• Panorama takes you beyond the limitations of conventional stereo – without using a surround system.

Put a sophisticated polish on your productions with Wave Arts PowerSuite.

Power Suite consists of the following plug-ins:

• TrackPlug – the ultimate channel strip plug-in with 10-band EQ, gate, and dual compressor
• MasterVerb – multi-algorithm reverb with 3D frequency plot, gate, and multiple early reflections
• FinalPlug – professional peak limiter/volume maximizer with auto release and noise shaping
• MultiDynamics – powerful multiband dynamics with 1-6 bands, vintage/clean, and dual-crossover slope
• Panorama – 3D Sound Positioning lets you go beyond the limitations of conventional stereo (without using a surround system)