Synth VST Plugins

One Page Wonder

W.A Production have been wanting to create a synth like Babylon for years, after struggling with synths that overcomplicate programming with multiple windows and menus. Babylon keeps things sleek and simple with a one-page design, featuring all major parameters on a single interface page. Of course, a synth is only as good as it sounds and they’ve included hundreds of waveforms and presets to choose from. Babylon can turn its hand to any kind of instrumentation including different types of leads, basses, pads, organs, keys, FX and more. With powerful multi-voice oscillators, stereo unison & detuning, high quality filters, effects and an internal modulation matrix Babylon can stand with the big boys because it’s powerful, but perfectly formed.

Microtonal Tuning: Very unusual for a soft-synth, with Babylon you can tune every individual note to its own frequency and play quartertone and microtonal scales. These would not normally be able to be played in standard tuning and make for some extremely fun experimental harmonics.

Scale Helper: Babylon comes complete with 23 standard and 34 traditional scales and modes from the Middle East. You can choose a scale, a key and see the notes of the scale highlighted on the virtual keyboard. Microtonal tuning is also set up automatically. Using a modern synthesizer to play scales from all over the world has never been easier.

Presets: With 257 high-resolution waveforms, you’re sure to find the perfect starting point for your own sounds. Alongside many variants of the classic oscillator shapes, W.A Production have included formant, gritty, voice and instrument waveforms for maximum versatility. These can all be inverted and reversed (or both). Over 2300 preset sounds have been expertly programmed and are catalogued into themes within the onboard browser so you can easily find what you need in a hurry.

Effects: A full range of FX are included: Distortion, Bit rate and Sample Rate Reduction, Filter, Chorus, EQ, Delay and Reverb. These can be reordered by simply clicking and dragging, making for a logical approach to FX routing.

Unique Features

W.A Production could list all of the great features of Babylon, but instead, allow them to point out some aspects which they think are unique in the world of soft-synths. The filter section features not only standard controls but also 5 characterful poly effects: drive, distortion, saturation, crush and LoFi. There’s a dedicated Vibrato LFO with delay & attack settings for smooth vibrato transitions. Babylon has 12 different curve types for ADSR and Filter programming. Visual unison feedback shows the exact width and depth of your voicing and detuning choices. And did they mention the scales and microtuning? Oh yes, so they did.

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features

• One-page synth programming
• 257 high-resolution waveforms
• Over 2300 Preset sounds
• Scale & Microtonal features
• Filters & Effects
• Multi-voice Oscillation
• Modulation Matrix
• FM, RM & AM modulation
• Dedicated Vibrato LFO
• Skins and dual-size interface
• Full PDF Manual & Tutorial video

Dreams Brought to Life

Cherry Audio’s Dreamsynth is a tribute to the celebrated hybrid analog+digital synthesizers of the mid-to-late 1980s. The innovative design blends flexible dual-wave morphing oscillators, stereo filters, fully polyphonic analog strings, extensive and easy-to-use modulation, studio-quality effects, and MPE support, all in an elegant vintage-style synth interface.

An Era of Innovation

Dreamsynth draws its inspiration from renowned synths including the Ensoniq ESQ-1, the Kawai “K” series, and the Sequential Prophet VS. In the second half of the ’80s, music production was rapidly transitioning from analog to digital. These “hybrid” synthesizers bridged the gap, combining the precision and flexibility of sampled digital oscillators with the warmth of analog filters. The combination of digital and analog sound produced instruments with character and a unique sonic fingerprint that still resonates today.

A Dream Come True

With the magic of these vintage classics in mind, we set out to create Dreamsynth. Dreamsynth is a “What if…?” synthesizer incorporating the distinctive qualities of this remarkable era with the best features of modern software instruments to create a uniquely 21st-century hybrid.

Dreamsynth Features

• Three dual-waveform oscillators, amounting to six simultaneous virtual analog or PCM sample-based oscillators with up to 16 voices of polyphony
• Authentically modeled virtual analog waveforms and 430 looping, one-shot, and single-cycle waveforms
• Fully polyphonic 16-voice string synthesizer which can be layered and split across the keyboard independent of the primary synth
• OB-style 12 dB/octave multimode stereo filters
• Extensive and accessible modulation capabilities, with 20 mod sources and over 40 destinations, including effects
• Analog drift control for increased authenticity
• Three tempo-syncable LFOs
• Arpeggiator with tempo sync, independently assignable to the synth and string synth
• Fully modulatable effects include multiple distortion and sample-crushing options, a 12-stage phaser, chorus, flanger, rotary speaker effects, delay, and reverb, including our new “Galactic” reverb algorithm
• Polyphonic Aftertouch as a polyphonic modulation source
• Support for MIDI Polyphonic Expression (MPE)
• Highly optimized coding for optimal performance with ultra-low CPU load
• User-adjustable oversampling control
• Advanced one-click UI magnification
• Complete MIDI control and DAW automation for all controls
• Over 1100 presets created by a talented and diverse group of sound design veterans

INTRODUCING MODEL T – Spectral modeled 80s EP

A classic of the late 70’s and 80’s. We recreated a classic 80s EP by Spectral Modeling, offering the real sound and feel of the simplest electromechanical piano in the history in just 30MB.

Carefully crafted. Detailed recreation of every single mechanical noise and main timbre. No velocity swithching since is not sample-based. Available for Mac & Win, Standalone and Plug-in versions.

PRODUCT DETAILS

• Spectral modeled full range EP
• Included Drive and Reverb FXs -Sustain activation option. -Releases, mechanical noises and velocity controls.
• No layer switching (Smooth velocity curve).
• No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
• Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
• Win 32/64 bits and Mac VST/AU/Standalone versions included
• Just 30MB installed.
• No library installation required.
• No online activation required.

MODEL T SOUND

This was one of the most affordable and common eletromechanical piano produced in the late 70’s. Based on reeds, it generates a warm, bell-like but dark tone. It does not includes sustain pedal, due his simple mechanics and easily replaceable pieces. But we included the option to activate the sustain pedal on our modeled recreation.

Also we recreated mechanics sound, very present in every sound. (Controlable individually on our instrument)

AN 80S CLASSIC

Late in the 70’s was launched a simple yet powerful electromechanical piano. Manufactured betwen 1977 and 1982, this classic electr-mechanical piano was one of the simplest EPs in the history. Based on reeds, ands sticky pads, the it offers a “Reed” like sound but with a much more present mechanical noises due the proximity of the mechanics to the keyboard itself. It does not offers a sustain pedal or volume/tone controls. Despite this his tone makes extremely effect-friendly as many of the vintage EPs

WHAT EXACTLY IS SPECTRAL MODELING?

Every sound in nature can be decomposed into simple sine waves. From a bird tweet to a trumpet note. Spectral modeling is the process of analyzing and creating a sound by stacking simple sine waves.

According to Julius O. Smith (Standford) Spectral modeling provides a sound representation much closer to the perception of sound by the brain because your ear and brain are in fact spectral decoders.

Amazing, warm analog sound

DRC is a powerful virtual analog polyphonic synthesizer that recreates the characteristic sound of an analog synthesizer providing a minimal but powerful set of parameters, for limited but incredible sonic capabilities.

With the cloud preset sync technology, DRC enables you to sync patches across devices effortlessly. With this powerful feature, you can seamlessly start the creative process on one device and continue on another.

Powerful and portable: DRC uses the exact same synthesis engine on all platforms for a consistent, high-quality sound

Vintage sound, modern design: With a clean, minimal design focused on accessibility, the intuitive interface allows you to concentrate on creativity and control of your sound

Sound design, anytime: With cloud sync functionality, you can seamlessly shift your workflow between devices, for sound design on the go. Take your creations outside of the studio, or start a new sound on your mobile then move it to your DAW

Lush effects processing: Transforming simple waveforms into rich, lush soundscapes bursting with harmonics, effects processing is the sonic source of DRC’s soul

Includes 6 soundbanks with more than 600 presets: ‘Factory’, ‘Factory Expansion’, ‘Sounds From Outer Space’, ‘Iconic Sounds Vol. 1’ and ‘Iconic Sounds Vol. 2’, ‘Iconic Sounds Vol. 3’ and ‘Constellations Toolkit’

Features

• Up to 8 voices
• Two main oscillators, one sub-oscillator and one noise source
• Detune, sync and ring modulation
• 4 pole self-resonant low pass Ladder Filter
• 2 pole multi-mode filter (LP, HP, BD, NOTCH)
• 2 LFOs and 2 analog modeled envelope generators
• Stereo Tape Delay with time modulation
• Lush Stereo Reverb with modulation and self-growing decay
• True stereo, analog modelled multi mode chorus
• Arpeggiator with 4 modes, tempo sync and hold function
• Sync to external MIDI clock
• MIDI clock out
• Audiobus Compatible
• Ableton Link Compatible
• Lifetime Free Updates
• Up to 5 computers per license

Multiphonics CV-2 – Modular Synthesizer

Dive Deep Into Sound
A playground for the exploration of sound and synthesis.

Dive into the mind-bending world of modular synthesis with Multiphonics CV-2, a brand new space for exploration, experimentation, creation, learning, and fun.

Multiphonics CV-2 is a powerful platform for assembling and playing patches. With a simple and straightforward interface, Multiphonics is a fast and efficient creation tool for musicians and sound designers.

It is also a great learning environment for newcomers. At the core of Multiphonics is a comprehensive library of modules, from the basics to unique and sophisticated originals, and a vast and inspiring library of patches crafted by top sound designers.

Key features of Multiphonics CV-2 include:

• Straightforward interface
• Easy synchronization in a DAW
• Direct access to MIDI control and expression signals
• High-level control with Macro parameters
• Plenty of modulation options
• Library of top-notch modules
• Vast library of patches by renowned artists
• Thorough documentation and tutorial series
• Standalone and plug-in version

The AAS Sound and Feel
At the core of Multiphonics is a comprehensive library of first-class modules, designed to work together in an optimal manner for a coherent and consistent patching experience. Behind their simple look the modules pack features which the power user will appreciate: plenty of modulation options, audio rate modulation, curated defaults, feedback loops, etc.—all delivered with musicality and the sound quality AAS is renowned for.

A Wild Sonic Journey
Explore new territories with this eclectic collection of patches created by top sound designers. From simple essential patches to the most delirious ones, each preset features carefully chosen macros and documentation. This collection was assembled to provide a confortable starting point for the novice, and an endless source of inspiration and wonderment for the creative musician and sound designer.

Synthesis Made Simple

Creativity shouldn’t be complicated. Craft totally unique sounds and finish more songs with Circle².

Circle² is the new major update to Future Audio Workshop’s flagship software synthesizer, Circle. Since its release in 2009, Circle has achieved cult status, becoming a key tool in the arsenal of both seminal underground and pop hitmakers such as Hudson Mohawke, Arca, David Guetta and Deadmau5. The 2015 update incorporates several new features, modules and effects, extending the spectrum of sounds that can be composed. Circle² also features a completely redesigned user interface, providing a forward-thinking interpretation of Circle’s esteemed user-centred design approach.

Usability is at the heart of the design of Circle². With the affordance of the power of modern computer processors, many software synthesizers have become progressively more complex and difficult to use. The aim of Circle is to step aside from this path and to instead focus on placing flow and intuitiveness at the core of the music-making process. Rather than burying a deluge of synthesis parameters in submenus and external windows, Circle² encourages experimentation by presenting parameters in an accessible and intuitive manner.

The unique Circle² interface enables a level of experimentation that would be unachievable via a more typical, convoluted interface; allowing the user to focus on creativity rather than technicalities. This design philosophy sets Circle² apart in the synthesizer landscape and provides the foundation for the development of the next generation. Instead of designing Circle² to graphically replicate its analog predecessors, Future Audio Workshop have been working alongside Berlin-based designer Lars Hammerschmidt to bring Circle² firmly into the 21st century through the use of a contemporary design language that looks more to the future than the past. The goal was to construct an even flatter design with brighter, more distinct colors than was seen in Circle.

Everything In One Window

• Fast and streamlined workflow while sound designing
• Forget messy submenus, multiple windows, and hidden controls
• Create unique sounds with minimal effort

Modulation Made Simple

• Free yourself from the clunky modulation matrix
• Simply drag and drop color-coded circles
• Quickly create dynamic sounds full of motion

VPS: A New Kind Of Synthesis

• Create harmonically rich tones that morph over time
• Great for evolving leads, gritty basses, ethereal pads and contorted sounds
• Only available in Circle²

Based on state-of-the-art digital synthesis research, the brand new VPS (vector phase shaping synthesis) oscillator is one of the most exciting new features of Circle². The new oscillator utilizes a cutting-edge synthesis technique introduced by researchers at the Aalto University School of Electrical Engineering and The National University of Ireland, and further developed for its implementation in Circle² via an academic collaboration with Future Audio Workshop. 

The VPS oscillator works by glueing together a pair of sine waves with specified frequencies. Via its two parameters – which control the frequencies of the sine waves and the location at which they are glued – the VPS oscillator provides direct control of the waveform’s intricate harmonics. Experimentation throughout the oscillator development process has led to a range of results; from dirty Reese style bass patches to ethereal pads and gritty lead lines. Modulating the parameters can produce a wide range of effects, either used subtly to give gentle movement, or used harshly to twist and contort a synth into oblivion. We’re excited to hear what synthesis results users can achieve using the new oscillator.

The Sounds You Want When You Want Them

• Quickly browse over 300 patches with our Smart Browser
• Curate a library of your Favorite Patches to access them instantly
• New patch packs from expert sound designers added regularly

Ready To Perform With NKS

• Works with Maschine & Komplete Kontrol
• Meticulously mapped for every patch
• Need a refill? All our patch packs are mapped too!

Fully Re-Written Audio Engine

Circle² provides several enhancements to Circle’s instantly recognizable and critically acclaimed sound engine, helping to ensure that Circle² sounds better than ever before. Furthermore, on top of Circle’s existing modules, Circle² also comes with new Bucket Delay and Tube Distortion effects that bring a vintage flavour to its sounds. This gives Circle² a new total of 15 inbuilt sound modifiers / effects.

Fully Retina Display Ready

Circle²’s interface is fully retina display ready. Brings a vibrancy and clarity that is unseen in other software instruments. An interface for 2015.

Design Sounds Visually

Simply move the color-coded circles around the interface to start creating your own unique sounds. Preview a connection by hovering a circle beneath a knob. Explore sound in an intuitive way.

Redesigned Interface, Improved Workflows

Taking the key concepts of the first version, we have improved the workflow and user experience in Circle². Find the required sounds effortlessly using our new preset browsers.

Sound Sources

• 4 x Analog oscillator
• 4 x Wavetable oscillator
• 4 x VPS oscillator
• 1 x Noise Source
• 1 x Feedback

Modifiers:

• 1 x Mixer
• 2 x Mouth Filter
• 2 x Fuzz Distortion
• 2 x Overdrive
• 2 x Parametric EQ
• 2 x Crusher
• 1 x Analog Modeled Filter
• 1 x Dual Analog Modeled Filter
• 1 x VCA

Modulators:

• 5 x Wavetable LFO
• 5 x ADSR Envelope
• 5 x Step Sequencer

Effects:

• 3 x Analog Phaser
• 3 x Reverb
• 3 x Double Echo
• 3 x Ping Pong Echo
• 3 x Chorus
• 3 x Panner
• 3 x Analog Modeled Bucket Delay
• 3 x Analog Modeled Tube Distortion

Module List

• Sound Sources – Analog Oscillator, Wavetable Oscillator, VPS Oscillator, Noise, Feedback
• Dedicated Modulators – ADSR Envelope, LFO, Sequencer, Arpeggiator
• Sound Modifiers – Mixer, Mouth Filter, Fuzz Distortion, Overdrive, Parametric EQ, Shelving EQ, Phaser Filter, Crusher, Ring Modulator, Filter, Dual Filter, VCA
• Master Effects – Phaser, Reverb, Echo, Double Echo, Ping Pong Echo, Chorus, Panner, Bucket Delay, Tube Distortion

Features

• Native Instruments NKS Support for Machine and Komplete Kontrol, with individually mapped presets for easy control of the most musically interesting parameters
• Midi Note arpeggiator with swing and DAW timing sync
• Randomize preset
• 32 Voice polyphony
• Visual Midi learn with advanced range adjustment
• 110 wavetable oscillator shapes included with the ability to import your own wavetables using an app
• Ships with 300+ patches; more patch packs are available in our store
• Drag and drop modulation system
• OSC control on Mac OS
• True analog modeled oscillators, filters and effects
• 16 wavetable LFO shapes
• 16 step sequencer, with note output functionality

Below are some of the artists and labels we are currently working with or who use Circle2 in their music:

• Arca
• Hudson Mohawke
• Richard Devine
• Rustie
• Mark Pritchard
• Mike Huckaby
• Jimmy Edgar
• Efdemin
• Monty Luke
• Deadmau5
• David Guetta
• Sandy Vee
• John Tejada

‘Infinit Audio’ and Candy Audio Presents Sweet Spot VSTI a brand new modern Pop / RNB virtual instrument.

Sweet Spot VSTI comes with 66 HQ Default Presets + and very unique effect feature called sweet. sweet will bring you a very unique sound every time you turn the knob. get creative and find that perfect sweet spot.

Sweet Spot VSTI comes with a fully custom collection of effects such as ADHSR , Stretch , poly/mono function , Chorus , Reverb , Delay , and Sweet.

You can fully customize and make your own unique presets presets and banks in sweets spots preset browser.

Product Details:

• 66 High Quality Instruments
  • Bells
  • Keys
  • Leads
  • Pads
  • Plucks
  • Synths

The MS Synth Experience, Supercharged

PS-20 is an ultra-realistic, polyphonic, hot-rodded tribute to Korg’s renowned MS-20.

First and foremost, PS-20’s dual highpass/lowpass filters super accurately recreate the MS-20’s famous raunchy sound in all of its squelchy, screaming glory. In addition to its unique filters, the MS-20’s other signature feature is its modular-style patch panel.

We’ve reconfigured the patch panel from the original instrument, adding many desired in and out patch points for all oscillators, filters, and VCAs, correcting the confusing terminology of the original, and throwing in a few extras that greatly expand its usability.

Every part of the instrument has been “souped up” with killer features, including 16-note polyphony, a unique three-layer, eight-step sequencer with flexible CV outs, and integrated effects, including a beastly distortion, modulation echo with stereo spread, and a lush digital reverb with fantastic spring and plate emulations.

The PS-20 truly is one of the most quirky and unique instruments we’ve released.

Between its sometimes unpredictable filter behavior, and the tremendous flexibility of its patch panel and sequencer, the possibilities are endless, and the creative “happy accident” quotient of PS-20 is simply off the charts!

PS-20 Synthesizer Features:

• Super-accurate modeling of classic MS-style highpass and lowpass filters
• Up to 16-voice polyphony with random voice panning available
• Over 300 Presets
• Three-channel, eight-step sequencer with 1/2-step quantizer and tempo sync
• Single-key chord memory mode
• Expanded and simplified full-function patch panel
• Advanced, next-generation patch panel cabling system from Voltage Modular
• External Signal Processor section with normalled sidechain input
• Virtual instrument and effect plug-in versions included
• Tempo-syncable modulation generator
• Unison detune for massive lead and bass sounds
• MPE support
• Four user-selectable interface color themes
• Distortion, studio-quality reverb, and mod echo with tempo sync effects
• Full MIDI control and DAW automation for all controls
• PS-20 is available in AU, VST, VST3, AAX, and standalone formats.

Check out the different variations in PS-20 color below:

ArcSyn is a synthesizer instrument plug-in based on typical analogue synthesizer architecture, i.e., a “virtual analogue” synthesizer.

Unlike many virtual analogues, it doesn’t try and emulate a particular ‘real’ synthesizer, nor does it use 90% of your computer’s CPU time to emulate a filter which can be cloned on a 2″ (5 cm) square PCB with $5 worth of components 🙂 Instead, it takes the “road less well traveled” and explores some unusual avenues of analogue (and digital) synthesis—the sort of capabilities you might find on a well-stocked modular synthesizer, including: unusual waveforms, dividers, logic functions, frequency shifters and so on. ArcSyn also introduces the concept of LFO wave sequencing, allowing extremely complex modulation patterns.

ArcSyn is laid out approximately like a MiniMoog, so it shouldn’t be too difficult to start editing programs and creating interesting sounds, although if you take the time to work out how the LFOs and modulation matrix operate, you’ll be able to create much more complex programs. There’s also a RANDOM button which you can click at any time if you want some instant (not necessarily musical!) inspiration.

• No samples—all oscillator waveforms are generated from scratch.

• Many unique waveforms including Sub-harmonics, Bit-Noise and FM Crossfade.

• Unique LFOs feature wave sequencing and hundreds of unusual waveforms including many random types.

• Powerful, self-oscillating filters based on the Oberheim Matrix 12.

• Many unusual filter types like Frequency Shifter, Scramble and Multi-Alias.

• Smooth, natural sound quality throughout—Oscillators and filters are 4X oversampled, all audio processing is done in 64-bit arithmetic and control signals are updated at 5500Hz or higher.

• Comes with over 450 programs.

• MIDI controller learn.

• Easy program organisation—rearrange programs and folders using your computer’s file system.

You only need to buy one licence for ArcSyn to run multiple versions as they all use the same licence code.

Mac OS X 10.6 (Snow Leopard) or newer.

The OPL is a digital sound synthesis chip developed by Yamaha in the mid 1980s. Among other products, it was used in sound cards for PC, including the Ad Lib card and early Sound Blaster series.

Overview
This instrument provides an emulated OPL sound chip. It provides all features of the OPL2, and some features of the OPL3.

What’s an OPL?

At a technical level: the emulator has channels comprised of 2 oscillators each. Each pair of oscillators is usually combined via phase modulation (basically frequency modulation).

Each oscillator can produce one of eight waveforms (sine, half sine, absolute sine, quarter sine, alternating sine, camel sine, square, logarithmic sawtooth), and has an ADSR envelope controlling its amplitude. The unusual waveforms give it a characteristic sound.

How do I use it?

Each instance of the plugin emulates an entire OPL chip, but with this plugin, essentially you are just working with two operators: the carrier and modulator.

SBI Files

SBI files are an instrument file format developed by Creative Labs back in the day for the Sound Blaster. Essentially they work as presets for this plugin. Just drag and drop them into the plugin window!

Percussion

Percussion mode is now supported! This mode is not very well documented, even in the original Yamaha documentation. Also, some much more detailed notes on percussion mode based on experimentation with real hardware!

• Bass drum: Uses both operators. Essentially just doubles output amplitude?
• Snare: Uses carrier settings. Abs-sine waveform recommended.
• Tom: Uses modulator settings. Sine waveform recommended.
• Cymbal: Uses carrier settings. Half-sine recommended.
• Hi-hat: Uses modulator settings. Half-sine recommended.
• Detailed Percussion Map here

Sweet & Edgy Drums – Beats to Write Hits To

KANDY is a bleeding-edge virtual beatmaker, employing extremely processed samples and state-of-the-art sound design for the top of the billboard charts. Easily create beats for the entire bandwidth of modern A-list pop music!

What’s in there?

• 20 styles, 50 presets
• 10 drum kits, 460 patterns
• MIDI Drag and Drop
• Special control: Sweetness algorithm

Punchy, yet sensual

One thing A-list pop artists have in common is an emphasis on beats. The beat is often the central element carrying and defining the song, and while the rhythms are coming from a wide range of genre backgrounds, they all share certain qualities!

Glossy Polish – Ready for the Big Stage

Contemporary pop beats are big, not to say huge, they cut through the mix with precision and force and they are very meticulously programmed and often extensively automated. Long gone are the days where a pop song could be carried by one or two static loops straight from a drum synthesizer!

Hybrid sounds – best of both worlds!

Listening to top-of-the-charts and pop music, it becomes quickly clear that there are many different genre influences. From broken dance rhythms to techno-inspired stompers, this music seems almost genre-fluid.

Adjust Sweetness

The proprietary Sweetness control shapes huge sounds with the help of multiband compression and a transient designer so the drums cut through the mix better.

For Chart Breakers

KANDY is the new title to UJAMs Beatmaker series, which makes producing outstanding beats for your music fast and easy. It instantly syncs to your DAW’s tempo, and you can play a near-infinite variety of beats.

Features at a Glance

KANDY features 12 kits with 16 drum instruments each. There are 20 Styles with 23 ready-made patterns each, for a total of 460 patterns. Plus: Easy access to all the effects you need to make punchy contemporary beats that will make – uhm actually – leave an impression.

Control Your Mix

KANDY’s clean and simple interface makes it easy to create your music without overthinking! Pick a Mix Preset and dial in its character to your desire.

Go Big or Go Home

It’s decision time! If you want to sound like the A-list pop artists, this is your key to their studio.

Simple Concept is an interactive and easy to use soft-synth powered by Krotos’ Concept synth engine, wrapped into a compact interface.

With a simple workflow and a user-friendly set of controls, Simple Concept lets you focus on your music.

Dial-in your sound quickly with our expertly pre-tuned controls and perform a range of basses, melodic leads, keys, pads, and FX.

Shape modulation and effects and choose from a diverse range of 80 presets. Use ‘Tweak It’ to instantly create endless preset variations with just a few clicks.

Simple Concept’s Oscilloscope gives you real-time visual feedback based on the master output of the plugin.

Effortless, quick, and controllable – Simple Concept allows you to focus on what’s most important: your music.

Get started using a range of 80 inspirational presets and create unlimited sounds in an instant.

Simple Interface, Infinite Sounds

• Effortless, quick, and controllable, Simple Concept lets you shape your own synth sounds without a steep learning curve.
• Create infinite preset variations with a single click using Tweak It, and create unique basses, leads, pads, keys, textures, and FX in an instant.
• Focus on the music and let your inspiration take shape quickly with Simple Concept’s user-friendly set of controls.

Shape your own unique basses, leads, pads, and FX from a range of flexible adaptable controls.

Create INFINITE preset variations with a few clicks using Tweak It. 

Explore a fast and streamlined workflow and interact with modulation and effects with a few controls to focus on your music.

The Synth Of ‘82… Reimagined For Your Future Hits

In 1982 something magical happened in the world of synths, a Japanese legend was born. It was one of the synths that defined the sound of the 1980s and was used on countless hits by artists such as The Eurythmics, Cyndi Lauper, and Aha. Now it’s loved more than ever and used on hits by acts like Charlie Puth, Tame Impala, and the Weeknd.

Sweet Dreams

Now AIR Music bring you something very special, the authentic sound of that 80s synth, meticulously recreated. But that’s just the start, they wanted to build on the legend and make it fit for modern music production workflows.So for those with qualified AKAI MPC/FORCE standalone versions, you get complete touch control of every parameter. You can really get your hands on this vintage classic and craft your future hits.

Take On Me

Of course you get all the analogue goodness of the original, their team are audio wizards and they have meticulously crafted the sound. It has the single DCO, a monster sub oscillator, the unparalleled VCF, and if you want it, lashings of THAT chorus!

They’ve offered two workflows; the original front panel design, plus an extended modern UI that gives you even more ways to tweak the sound. There’s some audio extras under the hood. The VCF includes saturation and drive and there’s also two DCO noise types; modern and vintage. There’s a second envelope, not found on the original, to help you further craft the perfect sound.In addition to the chorus, there’s a powerful delay, reverb, and EQ circuit.

Time After Time

In short, Jura gives you the best of both worlds – the classic sound of an ‘80s synth monster, coupled with some very cool modern workflow enhancements. Jura comes in several versions; a plugin for AU, VST, and AAX DAWs, and there’s the MPC/FORCE Standalone versions for the complete hardware experience of touch control.

Jura is the classic synth for a modern music production studio. The sound of yesterday, the features of tomorrow. The synth of ‘82… reimagined for your future hits.

Features

• Switchable between classic / expanded controls
• Oscillator section with pulse, saw, sub and noise waveforms
• Create classic pulse width modulation sounds using manual control, LFO or one of two envelope modulation sources
• Filter section including VCF section with cutoff, resonance, saturation and drive.
• Filter modulation via invertible envelope , LFO, keyboard and velocity tracking.
• High Pass Filter (HPF) filter control. VCA section with gate / envelope modes, plus velocity tracking
• Two ADSR envelopes
• BPM syncable LFO.
• 8 shapes including two random generators
• Speed, delay and ramp controls, re-sync and manually triggerable via LFO trigger button
• Classic Juno Chorus section.
• Delay section. Up to 2 seconds of delay. BPM syncable
• Comprehensive feedback and resonance section
• High pass, L/R ratio and width controls
• Reverb section.
• 3-band EQ section
• Analog character knob
• Detune-able unison and editable chord modes
• Modulation wheel and pitch-bend controls
• Glide controls
• Arpeggiator

HY-POLY is a Multi-FX Synth. It’s a subtractive type poly phonic synthesizer with midi effects and audio effects.

And many of synth and audio fx parameters can be modulated. You can create a wide variety of synth sound with these midi/audio fx and modulations.

HY-POLY features 3 unique Oscillator Modes, a Dual Multi-mode filter, as well as 24 Modulation Sources, 8 MIDI Effect Units and 25 Sublime Audio FX Units!

Main Features:

• 3 Oscillator Modes
• Dual Multi-mode Filters
• Drag & drop modulation assignment
• 24 Modulation Sources
• 8 Midi Effect Units
• 25 Audio Effect Units
• MIDI Learn
• Preset Browser
• Resizable Interface

HY-POLY offers a collection of great MIDI FX designed to give you control over your sounds.

8 MIDI FX:

• Octave
• Transpose
• Harmonizer
• Scale
• Velocity
• Note Chance
• Note Echo FX
• Arpeggiator

Interested in one of the many Audio FX provided with HY-POLY? Look no further. This plugin has covered all the bases.

AUDIO FX:

• Simple Delay
• Reverse Delay
• Mod Delay
• Grain Delay
• Lofi Delay
• SVF
• Formant Filter
• 3Band EQ
• Comb Filter
• Dual Comb Filter effect
• Chorus
• Flanger
• Phaser
• Tremolo/Panner
• Frequency Shifter
• Gain Shifter
• Lofi
• Clipper
• Over Drive/ Distortion
• Compressor
• Gate
• Envelope Shaper
• Reverb
• Utility
• Oscilloscope

A World of Cinematic Inspiration

Jam-packed with 645 instruments, EastWest’s Forbidden Planet contains 54GB of analog samples that span the full gamut of genres. Powered by EW’s Opus engine, this soft synth boasts a revolutionary hybrid design that melds electronic synth layers with orchestral, world instruments, choral samples, sound effects, and more. What’s more, you can manipulate, process, and combine these cinematic-tinged sounds in an intuitive — and inspiring — way to craft a sonic palette with a decidedly futuristic character. And everything was meticulously captured with state-of-the-art studio gear, yielding you the fattest analog-flavored synth textures on the planet. Forbidden Planet is divided into multiple categories, such as Arpeggiator, Bass, Drones, FX, Leads, Pads, and Polysynths, arming you with everything you need to embark on the ultimate hybrid synth odyssey.

Provides intuitive sonic control

Despite its undeniable sonic flexibility, gaining control of Forbidden Planet is surprisingly intuitive. Its central X/Y pad makes crossfading between sound sources and filter settings a piece of cake — creating morphing hybrid sounds has never been easier! You can dynamically capture broad, but smooth, shifts in both timbre and frequency content. Move left or right to change the blend between two contrasting sources, gleaned from analog, acoustic, synthetic, and large-scale cinematic sounds. Moving vertically controls the soft synth’s filter frequency, which is ideal for creating sweeping gestures. Bending Forbidden Planet to your will is easy, and above all, it’s an inspiring creative experience.

Pop the hood for even more creative options

EastWest’s Forbidden Planet isn’t limited to an X/Y pad. If you pull up the plug-in’s filter section, you can take full control of the synth’s modulation depth. You can add an ADSR-style envelope onto the filter cutoff with the Mod Envelope, automating its movement with each note, while the Step LFO section generates a gated rhythm as the built-in step sequencer modulates the filter cutoff frequency. This, of course, leaves you free to grab hold of Forbidden Planet’s X/Y pad to build progressive textures and drones to set the tone of whatever atmosphere your imagination prompts you to create.

Contains an array of oft-used categories

To keep things intuitive, the instruments in Forbidden Planet are divided into multiple categories. Arpeggiator includes a dual arpeggio structure, enabling unique rhythmic combinations across both layers. Bass surpasses typical, run-of-the-mill analog bass emulations with layered FX pedal tones, contrasting crossfades, and gritty overtone. Drones are mechanical, organic, and environmental, supplying access to a vast universe of atmospheres. FX is a collection of effects derived from voices, acoustic instruments, and an entire stable of synthesized sources. Leads go way beyond pure sawtooth and square leads, providing you with a means of creating organic, adaptive leads that really pop. Pads employ Forbidden Planet’s X/Y pad to sculpt warm, ambient, or gritty pads, then morph between cinematic textures with zero effort. Polysynth is a collection of presets that don’t fit neatly into any one category.

Features

• Cinematic synth plug-in with 645 instruments
• Contains 54GB of analog samples that span the full gamut of genres
• Meticulously captured with state-of-the-art studio gear
• Powered by EW’s powerful Opus engine
• Melds electronic synth layers with orchestral, world instruments, choral samples, sound effects, and more
• Divided into multiple categories, such as Arpeggiator, Bass, Drones, FX, Leads, Pads, and Polysynths
• Central X/Y pad makes crossfading between sound sources and filter settings a piece of cake
• Pulling up the plug-in’s filter section allows you to take full control of the synth’s modulation depth and more
• Dual arpeggiators enable you to create staccato and legato patterns, with portamento and more

Get your party on

IDOL puts the bright and hyper-processed sound of K-Pop beats in your hands. Keep the good feels coming with clean and polished drum samples, making beats just like the ones in countless chart-topping Korean pop songs!

See what’s inside

• 20 styles, 50 presets
• 10 drum kits, 460 patterns
• MIDI Drag and Drop
• Special control: Juice algorithm

Attitude and shimmer

K-Pop is a very bright, polished genre, with thumping kicks and snares that pop. Its high end glisten and tight low end are carefully compressed to hit hard using influences from hip hop, R&B, American/Euro pop and traditional Korean instruments!

Make it shine

Take the precision and hyper-compression of pop music and dial it up to 11. Carefully trim the tail of every sample and keep the releases tight. Editing samples to get the perfect K-Pop sound can take hours — with IDOL, everything’s already done for you!

Endless new rhythms

K-Pop is influenced by rhythms from around the world, so it’s impossible to define it by only one sound. That’s why IDOL gives you 4-to-the-floor kicks, chaotic breakbeats, rolled trap hi hats and more — all with the same larger-than-life production style.

International hits

IDOL is streamlined to get you producing K-Pop beats in seconds, whether you use the presets as-is or tweak the MIDI grooves to create your own patterns. It instantly syncs to your DAW’s tempo, and you can quickly test different rhythms.

Juice it up

The proprietary Juice control punches up the lows and highs with multiband compression and EQ for a clean, dramatic sound, with a gentle stereo spread to neatly tie everything together and add some excitement.

Features at a glance

• IDOL features 10 kits with 16 drum instruments each.
• There are 20 Styles with 23 ready-made patterns each, for a total of 460 patterns.
• Choose from 12 Mix settings and boost the Amount knob until you smack it the perfect amount!

Control your mix

IDOL’s clean and simple interface makes it easy to create polished K-Pop drums in moments. Pick a Mix Preset and tweak it until your drums sit perfectly in your mix.

MIDI drag and drop

Export IDOL’s MIDI loops into your DAW directly from the plugin’s on-screen keyboard, then edit them to your heart’s content.

Drums that sparkle

It’s time to make K-Pop hits like your favorite idols, and it all starts with your drums!

WHATS INSIDE?

• A virtual instrument for generating Hip Hop, Trap and Timbo riffs
• 91 innovative dual presets (182 instruments total)
• ThaLoops signature layering method for organic and analog feel
• A B musical phrases in the classic making beats on pads style
• Myriad of never heard before sound combinations

Modern Old Skool Sampler
Urban Vault sound library combines the character of the old school, crate-digging, dirty, damaged audio feel that beatmakers love from one-shot sample format with the modern layering method provided in SOLUTION sampler to get the powerful merged sound.

• Timbo, Chad Hugo Style Riff Sampler
• 91 innovative dual presets (182 instruments total)
• ThaLoops signature layering method for organic and analog feel

Animate Sound to Your Taste
Solution Urban Vault features a collection of 91 dual presets delicately crafted for the creation of authentic hip hop riffs. Add life to your beats by injecting organic and analog elements to your hooks with ThaLoops signature layering method. Solution Urban Vault integrates seamlessly with your favorite DAW and effects plugins enhancing your beat-making workflow.

Riffs, Hooks, and Melodies
Generate choppy riffs, catchy rhythmic hooks, or background rhythmic noises with dual presets designed for an easy question and answer type phrasing. Create call and response type of beats instantly.

What Is SkyDust?

SkyDust 3D is the first spatial synthesizer plugin in the world, which allows you to play a note and get instant 3D sound in any immersive format. It’s fantastic for stereo and exceptional in 3D.

Multiple Presets: No time to program a synth? No problem, simply use one of the hundreds of presets that are available.

Random Presets: Looking for happy accidents, or endless combinations? Use the dice to create random presets, for infinite sounds.

Sub-Presets: With sub-presets, you can save/load only parts of the synth, and reuse them a lot: sequences, pitch effects, FM settings, spatial movements…

Easy Preset Selection: Large preset buttons on the main panel, allowing you to easily pick the right preset under the pressure of live concerts.

Filter Presets: Sometimes is hard to find that preset that you like. Filter presets by artist or sound type, to find them more quickly.

Random Lock: With random presets, sometimes you simply want to change a part of it. Lock the modules that you want to keep unchanged.

Spatial: The fully integrated 3D engine allows you to create unbelievable sounds.

Spatial Sequencer: Imagine a Sequencer where you can pan each step note in 3D space… 3D arpeggios for everyone.

Spatial Envelope Generators: A note that starts at the back, attacks to the center, sustains in the right, and releases to the ceiling. All by using a EG with 3D render.

Spatial LFO: Notes moving everywhere, with azimuth and elevation controlled by LFOs.

Independent Oscillators: Each oscillator may have their own spatial settings, with independant starting positions and movements, for fantastic 3D sounds.

Movement Modifiers: Use movement modifiers, to obtain interesting movements in a fast way, from crazy rotations to smooth movements.

Divergence: Do you want all notes to start in the same spot, or should the synth create slight position variations between notes?

Dolby Atmos: SkyDust is able to output audio in multiple multichannel formats, from 5.1 to 9.1.6, perfect for your Dolby Atmos music.

Binaural: No immersive studio? Don’t worry, use the synth with 3D sound over Headphones, using Sound Particles’ Binaural engine.

Ambisonics: Do you use Ambisonics? Great, because SkyDust supports up to 6th order Ambisonics.

Special Panner: The Sound Particles team created a special 3D panner, that merges the advantages of sphere-based panners and cube-based panners.

3D Views: Multiple 3D views, for you to see what is happening in terms of space: 360º view, top view, rear view, sphere view, and more…

SOFA: Use the built-in HRTF datasets, or your custom SOFA file (with your HRTF profile), and you will have a great 3D experience with headphones.

Oscillators: Multiple oscillators and wave modifiers, to obtain fantastic sounds.

8 Oscillators: With 8 oscillators per voice, SkyDust will allow you to create rich and fantastic sounds, using subtractive, FM or hybrid approaches.

Polyphonic Synth: With up to 256 voices, the synth is able to play an huge number of notes. And if you need to past the limit, the synth will handle it gracefully.

Anti-Alias: With anti-alias technology, the synth will prevent the ugly artifacts typical of some digital synthesizers.

Waveforms & Noises: From traditional waves to crazy noises, pick the right waveform for your oscillators.

Waveform Modifiers: Use one of the multiple modifiers to create unique waveform sounds. Or link them with an LFO for even more interesting results.

Multiple EGs: Do you like ADSR’s for everything, or do you prefer more complicated ones (e.g., DAHDSR)?

Arpeggiator: A modern approach to the Arpeggiator and Sequencer.

Arpeggiator + Sequencer: The Arpeggiator and the Sequencer will allow you to create fantastic note sequences for your new music piece.

Step Keyboards: With a keyboard for each step of the sequencer, for you to stop thinking about semitones, and simply create fantastic music.

Polyphonic Sequencer: Yes, old synthesizers only had monophonic sequencers, but with a polyphonic sequencer the results can be even more interesting.

Parameter Sequences: Add parameters to the sequencer to create even richer sequences, changing their values through time.

Arpeggiator Modes: Pick one of the 7 arpeggiator modes, add extra octaves, and get great results.

Major / Minor chords: Wouldn’t be nice for the sequencer to adapt to major/minor chords? Force a scale for the sequence to know when to play which.

Frequency Modulation: Add modern FM synthesis and create amazing sounds.

FM Operators: Do you prefer subtractive, FM, or hybrid? Use the 8 oscilators as 8 FM operators, and add filters on top for hybrid results.

FM Matrix: Create custom connections between operators with the FM matrix – the sky is the limit!

Operator View: Check the connections between operators on the operator’s view, to make sure you are doing the right FM routing.

Filters: Subtractive synthesis, with independent filters, to obtain wonderful results.

Filters: If you like subtractive synthesis, use filters (with EGs and LFOs) to obtain the sound you are looking for.

Oscillator Filters: Each oscillator may have their own filter, controlled by their own EG and LFO, allowing you to create even better sounds.

Keyboard + Velocity Mapping: Do you want your filters to adapt to the keyboard notes and their velocity? No problem.

Pitch: Use new pitch effects, to create unique sounds.

Pitch EG + LFO: From smooth vibratos to crazy pitch variations, each oscillator may have their own EG and LFOs.

Pitch Convergence: Use random pitch values on the Pitch EG to obtain amazing pitch convergence results (and in 3D).

Random Behaviors: Pick one of the available random pitch behaviors, to obtain very interesting results, from horror to enlightment.

Effects / Mix: A Mixer and audio effects that helps you to shape the sound

Mixer: The mixer will be your friend: from Solo to focus on a single oscillator, to volumes to shape your sound, or simply to check levels.

FX’s: Use one of the 4 FX slots available to add effects like delay, reverb, EQ, bit-crusher, among others.

Dry/Wet: Control the dry/wet of each effect, to achieve the best results for your sound.

Matrix: The maximum flexibility for the ultimate power – anything is possible.

Matrix:Use the Matrix to use any parameter to control any parameter. Pitch-bend for elevation? LFO for resonance? Anything is possible.

Filter by (source/destination): A matrix list can grow fast. Use “Filter by” to show entries by either the source (MIDI, LFO, EG) or destination (Spatial, Pitch, FM, etc.)

Curve Editor: Use the curve editor, to obtain even more control over the parameters – sometimes, the best results require fine tuning.

Extras: Envelope Generators and LFO’s are never too many.

Extra EG’s: 8 extra envelope generators, to use with additional parameters of the synth. Maybe a single EG to rule them all.

Extra LFO’s: Additional 8 LFO’s, for you to play with more parameters. Maybe you want to add some extra noise LFO on top of a regular vibrato.

Curve Editor: Use the curve editor with the extra EG’s and LFO’s, to fine tune the desired sound.

Resizable Window: Feel free to resize your window, because the graphical interface will adapt: from extra small to extra large views.

XY Pads with Snap: Use 2 XY pads to control parameters easily. With snap (and snap time), the results will be even more interesting.

Mono / Legato: If you like monophonic synths, choose between “Mono” and “Legato”, and adjust the glide time that you desire.

Macros: With 4 macros available, it’s very easy to control multiple parameters at once. And “Macro A” it’s the easiest to reach.

Pitch / Spatial / Arp: Turn off pitch effects, spatial movements or arpeggiator. Sometimes, you simply want a good clean sound.

Virtual Keyboard: Sometimes, you don’t have a keyboard with you, but you simply want to play some synth sounds. Use the virtual keyboard and have fun!

If you’re looking to create Old School Hip Hop, Chill Hop, Lofi Hip Hop, or just need to add some warmth to any track that sounds just too digital, then the “Tape Piano Bundle” is the perfect choice for you.

This bundle contains:

• Tape Piano
• The Pianist (Expansion)

►TAPE PIANO

After two months of recording, editing, and programming, Thenatan proudly present “TAPE PIANO”.

If you’re looking to create Old School Hip Hop, Chill Hop, Lofi Hip Hop, Movie Soundtrack, Ambient and Electronica or just need to add some warmth to any track that sounds just too digital, then “Tape Piano” is the perfect choice.

With “Tape Piano” you will find over 58 dirty, vinyl and sometimes beautiful Piano Presets all lovingly mangled, re-sampled and processed through various analog outboard effects to nail that cool LoFi vibe.

We have hopefully succeeded in bringing you a collection of awesome Piano Sounds perfect for any producer of LoFi Hip Hop, Chill Hop, Ambient even Dnb and Electronica.

Main Features:

• 58 dirty, atmospheric and sometimes beautiful Piano Presets.
• All Presets processed, EQ’d, compressed and transient shaped perfectly.
• 5 HD Layers “Strings , Pads , Choir , Organ and Atmosphere”  
• 4 Textures “Hiss ,Vinyl ,8-Bit And HUM”
• Buit In Cassette Effects , Play And Stop
• Built in classic sounding reverb
• Built in flexible LFO controls
• Built in Hi & Lo pass filter
• Stereo Outputs For Each Layers
• Ultra low CPU usage [perfect if you own a  laptop / tablet / low spec PC/MAC]
• Ultra fast patch loading

►THE PIANIST – TAPE PIANO EXPANSION

We were very glad to see that Tape Piano was a huge success since the first day of launch.

But that did not stop us, we continued to bring new sounds to give you a complete experience when using Tape Piano.

So we’re pleased to introduce the “The Pianist” , an addition of +40 Dark Piano Presets that will bring Tape Piano to a new level of performance.

The Pianist for Tape Piano was created with one thing in mind – To provide you with a collection of top quality Piano Sounds that will inspire and complement your productions.

You’ll find a top notch collection of expertly sampled and processed sounds including Lofi Pianos, Grand Pianos, Saturated Pianos, Broken Pianos and many more.

The Pianist can be the perfect companion for any Lofi, Hip-Hop And Chill producer but it’s also a valuable resource for anyone producing Pop, Cinematic, and many other genres. Allowing you to instantly change the vibe and feel in a matter of seconds.

The Pianist expansion pack is a collection of presets that were designed to give you even more tonal colors to choose from.

The Pianist Features :

• +40 Dark, atmospheric and Piano Presets.
• All Presets processed, EQ’d, compressed and transient shaped perfectly.