Synth VST Plugins

MPowerSynth is an extremely versatile synthesizer featuring the best sounding oscillators on the market, the most advanced distorting filters and a unique modular effects engine. It also features our smart randomization system providing endless inspiration!

1500+ High Quality Presets and Randomiser

MPowerSynth comes with over 1500 community designed presets, post-processed to get the highest possible quality. Each preset features at least 4 macro controls, automatically assigned to standard MIDI controllers such as modulation wheel or expression pedal. This means unexhaustible set of leads, pads, basses, effects and much more… And if you run out of inspiration or simply want something really new, our ground-breaking smart randomization engine will let you create literally infinite number of sounds.

Sounds Better than Both Analog & Digital

Almost all digital synthesizers on the market produce severe aliasing. Some try to fight it by oversampling, some ignore it, and others simply add some noise and tell you that this simulates analog synthesizers. Analog synthesizers on the other hand suffer from limited versatility, distortion induced by the imperfection of the analog components, and, of course, noise. MPowerSynth oscillators provide crystal clear sound free of any aliasing, distortion and other imperfections. But of course, if you want to make it less perfect, MPowerSynth gives you plenty of opportunities to do so. Don’t take our word for it – get the trial and check it yourself! If you don’t hear it, just use an analyzer, MAnalyzer is free :).

More than 100 Ultra Versatile Filters

MPowerSynth features extremely versatile double-distorting filters, two of them for each voice and any number of them in the FX section. Each provides an advanced input distortion and output saturation, and the filter itself is powered by its own envelope or you can control it using the powerful modulators. And you can choose from more than 100 different filters – from classic low/high/band-pass and shelves, to formant, comb, diffuser, polymorph filters and much more.

The Ultimate Modular FX Section

MPowerSynth features almost all of the top-class effects MeldaProduction is known for, in an easy-to-use modular environment. If you just want a great sounding rotary or chorus, it is 2 clicks away. But you can have literally any number of effects you want, connect them however you want, add feedback etc. The smart randomizer can generate the whole FX structures! And if you jump in manually, it really lets you unleash your creativity! So what effects you have at your disposal? Over 35, consisting of modulation effects, filters, distortion, dynamics and much more. And of course lots of building blocks, such as a crossover, feedback, mixer etc.

Extremely Versatile Modulators

All our creative plugins feature probably the most versatile modulators on the market, and MPowerSynth is no exception. Whenever you wish to bring life to the sound, it is just a few clicks away. You can modulate literally anything using LFO, envelope and random generator. Things like MIDI reset, sync, custom LFO and envelope shapes are certainly available…

Polyphonic Arpeggiator

MPowerSynth’s polyphonic arpeggiator is so versatile, that you may consider it cheating! It can follow your chords up, down, randomly, play all of the notes, specific interval, or any combination. Then you have shuffle, note length, multi-octave etc. You can change velocity, octave, length and even probability for each step. And the best part is, as always, the smart randomizer, which lets you generate complete arpeggiator settings, or just some sequences…get inspired!

New Standard in Audio Synthesis

MPowerSynth just gives you more than you are used to – custom glide shape, custom velocity curve, harmony voices, automatic output volume setup, safety limiter, up to 16x oversampling and much more… Whether you are focused on audio quality, maximum creativity or ease-of-use, MPowerSynth provides more. MPowerSynth is a new class of synthesizers focused on the future.

Features

The Most Advanced User Interface on the Market – Stylable, Resizable, GPU Accelerated

• Modern user interfaces must not only be easy and quick to use, but also versatile and the whole visual appearance should inspire you. MPowerSynth features the most advanced GUI engine on the market. It is still the first and only GUI engine, which is freely resizable and stylable. It also lets you choose between knobs, sliders or buttons, whichever you like the most.
• The plugin can look as an ancient vintage gear, if you are working on old-school rock music. Or as super-modern futuristic device if you are working on modern electronic music.
• If your display doesn’t have a high resolution, you can make the plugin smaller. If the fonts are too small, you can make the plugin bigger and save your eyes.
• All the graphics is accelerated using your GPU, graphical interface, providing ultimately quick response and keep your CPU focused on the audio.

Unique Visualisation Engine with Classic Meters and Time Graphs

• Your ears should always be the main judge, but a smart metering system can often be a huge help. MPowerSynth provides the most advanced metering system out there. The plugin can display the measurements of all relevant values using classic meters, or it can even show them in time using the time graphs. Everything is customisable as usual.

Modulators

• MPowerSynth provides 8 fully-featured modulators which can control any set of parameters including other modulators. Each modulator works as an LFO, level follower, midi/audio triggered ADSR enveloper, randomiser or pitch detector, or even a combination and can listen to the plugin’s side-chain.
• You can make the sound move in time, be less static and more interesting. You can make various parameters depend on the input (or the sidechain) level or even listen to the input pitch.

Adjustable Oscillator Shape Technology

• Every oscillator in MPowerSynth uses the most versatile oscillator algorithm on the market. It provides mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), a step-sequencer and several methods for algorithmic post-processing.
• It also provides a harmonic mode, which lets you control the harmonic content instead of oscillator shape. This is especially useful for high frequency oscillators.

Multiparameters

• MPowerSynth lets you control multiple parameters using a single so-called multiparameter. This may not only come handy for automation for example, but the multiparameters are very smart units and you can use them to smartly morph between banks of settings for example. All in the name of creativity!System Requirements

Smart Randomisation

• Being creative is sometimes complicated and one often needs an inspiration. By clicking a single button you can walk through the billions of possible settings and find the best one for you. The smart randomisation algorithm wisely selects good sounding combinations of parameters. It can even randomise modulators for you. And if that’s too much, you can just hold ctrl and MPowerSynth will just slightly modify existing settings.

Automatic Gain Compensation (AGC)

• Most plugins change loudness of the output audio, which makes browsing presets inconvenient, not mentioning randomisation. MPowerSynth includes automatic gain compensation, which quickly adapts to current settings and ensures the output sounds as loud as the input. This even protects you from thinking that something sounds better in cases it is just louder.

Safety Limiter

• Some plugins can intensely increase gain when exposed to specific audio materials. MPowerSynth provides a safety brick wall limiter, which ensures the output stays below 0dB and prevents your equipment and your ears from potential danger automatically.

Sync Interpolation

• MPowerSynth implements the most advanced interpolation technology to provide the best audio quality.

Adjustable Up-Sampling 1x-16x

• Digital audio provides very superior audio quality compared to ancient analog gear, but there are problems too. The main problem is the aliasing, which may be noticeable, when using nonlinear processes such as compression or saturation. MPowerSynth includes both minimum-phase and high-quality linear-phase upsampling algorithms, which avoids the aliasing.

Synchronisation to Host Tempo

• Every oscillator and modulator in the plugin can automatically synchronise to the host. But it can be out-of-sync if you want of course.

MIDI Controllers with MIDI Learn

• MPowerSynth contains a powerful MIDI processor, which listen to MIDI controllers and MIDI keyboard and control any parameters realtime.

64-bit Processing and an Unlimited Sampling Rate

• MPowerSynth provides the maximum audio quality you can get. It uses 64-bit audio processing and can handle any sampling rate. It does not make much sense to go over 192kHz, but if you think it is a good idea, the plugin can do that.

Extremely Fast, Optimised for Newest AVX Capable Processors

• Computers are now extremely fast, but the algorithms are more complex and projects bigger, so we still need to use the processing power with care. MPowerSynth uses the fastest algorithms, takes advantage of the newest processor capabilities, lets your GPU handle the graphics, and shares the resources with other MeldaProduction plugins. The plugin is among the fastest on the market, yet it provides the best possible audio quality.

Global Preset Management and Online Preset Exchange

• MPowerSynth presets are carefully stored in a system database and you can quickly access them from any project in any host. The plugin can automatically share your presets and download presets of other users from our servers. We are building a community and you can be a part of it!

Supports VST, VST3, AU and AAX Interfaces on Windows & Mac, both 32-bit and 64-bit

• MPowerSynth supports all major hosts on both platforms. Check system requirements for information about compatibility and installation.

No Dongle nor Internet Access is Required for Activation

• How many times did you forget your USB dongle? We are an honest company and expect the same from our customers. Our software uses licence files to activate your software. And the licences are to-person, so you can use it on all your computers as long as you are the user.

A versatile, morphable polyphonic synthesizer

Syndt is a high-quality polyphonic synthesizer with a lot of possibilities. The oscillator waveform can be morphed between pure sine to pure square and supports altering of pulse width. Both the shape and pulse width can be modulated by two independent LFOs.

With fine-tuned low pass and high pass filters combined with a separate filter attack setting, (optionally based on velocity) this synth can create some raw and interesting sounds.

The additional LFO can be shaped exactly as the oscillator, and optionally controls filters, gain, and pitch (using a modulation wheel or just automatically). This LFO can be synchronized to an AUv3 host.

Globally there’s a nice stereo chorus, ping pong stereo delay (that also can sync to an AUv3 host’s BPM), and EQ.

• 1. Oscillator – This XY Pad sets the wave shape. X-axis: pulse width (pure sine to the left, short pulse width to the right). Y-axis: morphs between pure sine and square.
• 2. Mini LFO:s & Filters – These sliders affect the oscillator’s values. These LFOs only output pure sinewaves. If the NOTE ON SYNC is ticked, the LFO will be reset on a new note. If not, it will keep ongoing. HP & LP Filters with separate resonance control.
• 3. LFO – A powerful LFO that can affect filters, gain & pitch.
• 4. ADSR – Controls the Attack time, Decay time, Sustain Level and Release time of the voice.
• 5. Special effect – A very competent delay section, a chorus, EQ & more.

Features

• 70+ professionally made presets
• XY pad based oscillator and LFO (PWM on the X-axis and morphs between sine and square on the Y-axis)
• Independent mini-LFO (sine only) for each axis of the oscillator XY-pad.
• LP / HP filter with resonance
• LP Filter can be velocity-sensitive
• LP Filter has an optional attack time
• LFO can affect LP filter, HP filter, gain level, and pitch
• LFO has an optional attack time
• LFO can be synchronized with an AUv3 host (AUv3 mode only!)
• Ping pong delay
• Stereo Chorus
• Three-band EQ
• Legato mode with glide speed parameter
• Pitch bend range

Euphoria: Chords, arpeggios, risers and leads

Usynth Euphoria makes it faster than ever to create raging and lyrical EDM lead synths alike, without filtering through tons of context menus, waveforms and shaping tools that are far too complicated for you to fully use. Melodic dubstep, electro, chillhop, anything is fair game!

What you get:

• 100 Synth presets
• 100 Finisher presets
• 30 Sequencer presets
• 100 Global presets

Endless sonic expressions

Pick and choose global presets in the UJAM App and send them into your instance of Usynth in your DAW. Get inspired for your next song by Usynth presets you don’t own yet, or experience genre fluidity by jumping through presets of all Usynths you own. The UJAM App is at the heart of your sound, offering a new way of making music.

Quality

Under the hood, Usynth is a very complex synthesizer. Each instance consists of 2 individual layers per voice, with Virtual Analog, Wavetable, FM and Multisample Synthesis, Multi-mode Filter, 5-stage envelopes, LFOs, 12-way modulation matrix and much much more. But why would you care!

Simplicity

Usynth doesn’t require you to know how a synthesizer works in order to find and create inspiring new sounds. Intuitively tweak to your heart’s content. Think Instagram filters, or think steering wheel and two pedals – that’s how you operate Usynth.

Buy Usynth today

It’s time for you to have a synth that greases the wheels! Get the Usynth Bundle or pick your genre title.

Hattricks is a VST for trap that you subconsciously know you need badly, and you’ll realize it once you see how it works!

Hattricks is a vst for trap hi hats creation that makes the process smooth, easy and proficient.

Main Features:

• 12 Rhythm divisions
• 2 5 Articulations
• 2 Octaves of keys retuning the sample  
• 898 Samples including:
• 853 Hi hat samples
• 20 Snare samples
• 5 Kick samples
• 5 Shaker samples
• 15 Tonal samples
• Possibility to upload samples
• Dice button for choosing random sample   
• Tuning and fine tuning sliders
• Low pass/hi pass filter
• Start/end sample markers
• AHD envelope
• Zoom with three types of controls
• Mono/poly modes
• Patterns display
• Pitch and modwheel for additional modulation

In technical terms it is a sampler and a sequencer with rhythm divisions assigned to keys.

In practice you just press a key and it plays a pre programmed looped rhythm division, for example you press D3 and it plays 1/4 notes, E3 plays 1/8 notes and so on up to those 1/128 rolls that are on the brink of one’s perception. Of course it has triplets too!

All that lets you record those otherwise unplayable hi hat parts in real time, or if you’d rather program them, getting a groove will only require a few clicks and not a hundred.

Imagine how much of your time and creative energy it will save you!

If you decide that you want to change the sound after laying down the part you can choose a sample from Hattricks’ huge library, or drag a favorite sample of your own. If then you feel the need to refine it you can change its length, retune it, filter it with a low pass and high pass filters and adjust its attack, decay and release times.

No VST for trap hi hats would be comprehensive if it couldn’t let you retune selected parts of your sequence and let you make those characteristic tuned rolls.

You can do it in two ways:

By using a pitch wheel, or if you want some precisie tuning by using a keyboard. The keys from C1 upwards would retune the sound’s pitch upwards in half steps when pressed, and consequently the keys from C1 downwards would retune the sound’s pitch down in half steps.

But what if you loaded a snare sample into Hattricks? Then you would turn it into a vst for trap snare drum rolls! Then apart from the Divisions section the Articulations section becomes handy, since it has a pre programmed drum rudiments such as flam, drag, ruff, buzz and roll coming in two speeds and allowing for nice and quick drum fills creation.

And what if you loaded a tonal sample into Hattricks?!?
Well, then you would turn the plugin into a sort of vst for trap melodies with which you first make a rhythm sequence and then can play with the notes’ pitch.

And what will happen if you’ll load a kick sample into Hattricks?!?!
In such circumstances you’ll enter a highway to hell by changing it from a vst for trap hi-hats into a vst for making a heavy metal bass drum passages, but hey, isn’t that a bit over the edge?

Enjoy our plugin, you can use it for Trap, RNB, Pop, EDM, or for any genre you want, including Heavy Metal, if that’s what you fancy!

With the Hattricks you will receive a huge library of 853 hi hats samples and 45 bonus drum samples which overall gives you almost 900 top-quality sounds ready to use and create!

PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds. An equally vast and exquisite factory content delivered by industry-standard sound designers Sounds of Revolution and CFA-Sound gets you started in no time. Synthesis & sampling shaking hands in one plugin PunchBOX easily brings together the best of the two worlds. The expressiveness of synthesized sounds next to the richness and complexity of samples end up delivering top-notch, never-heard and dancefloor-crushing kick sound. Each of the onboard samples is a little diamond in itself, crafted with professional experience, precious pieces of studio equipment, top-shelf instruments and vintage analog gear. The kick sound synthesizers, originating from highly acclaimed D16 emulations of classic Roland drum machines, were taken to the next level and customized to perfectly fit the purpose of PunchBOX. The very heart of PunchBOX is comprised of four sound generators, each of them standing for a key component of the final majestic kick sound. Factory settings were created to allow influencing the sound in a unique, intuitive and inspiring way. Vast quality factory content The best sound designers out there prepared an arsenal of 1100 samples and 800 presets suitable for pretty much all contemporary subgenres of electronic music. It’s never been easier to keep up or even exceed the most recent trends in music production and sound quality standard. Organized using the reknowned D16 tagging system makes browsing for the right (base) sound easy, efficient and smooth.

• Sound source
  • Up to 4 generators, operating in parallel, activated/deactivated independently
    • Click – Sample-based, produces Kick accent
    • Tops – Sample-based, produces e.g. hihats, percussion and noise
    • Tools – Sample-based, produces almost full Kicks without sub
    • Kick – Sample-based or Synth-based, produces the Kick’s body. 4 synthesis engines for Synth Mode to select from:
      • 909 Kick model
      • 808 Kick model
      • 606 Kick model
      • Sine wave based Kick model
  • Audio-to-effect send per generator
  • 1 voice of polyphony
  • Optional MIDI velocity sensitivity and pitch tracking
• Built-in effect rack
  • 5 high-quality algorithms operating in series, may be independently turned on/off and reordered by drag’n’drop
    • Equalizer
    • Bit Crusher
    • Distortion
    • Filter
    • Limiter
  • Controllable connection point in the effect chain for the generators’ direct output (Mixdown after)
• Samples and presets
  • Vast factory content designed by CFA-Sound and Sounds of Revolution
    • 800 presets
    • 1100 samples
    • Suitably tagged
  • Tag-based Preset and Sample browsers
    • Preview option
  • User may import own samples
  • 7 preset categories (hierarchically ordered)
    • Global / Master presets
    • 909 Synth engine
    • 808 Synth engine
    • 606 Synth engine
    • Sine Synth engine
    • Bitcrusher Effect
    • Distortion Effect
• MIDI Learn option
• Flexible Randomizer
• Direct Export function (export your final kick as WAV file)

Special Shifting Synth

Most digital synths out there offer easily accessible functions, pristine digital quality and precisely tuned tones. “Imperfect” aims to break that trend with wavering detuned oscillators, modulating effects and a whole host of other functions designed to put the analog fun back into synth programming.

The architecture behind Imperfect will be familiar to anyone who’s used a soft-synth before, with 5 powerful oscillators, envelopes, filters, LFOs and an arpeggiator. Where things start to get interesting is with the 3 special modulation sliders. Named “Wacky”, “Cracky” and “Shaky”, these functions introduce modulated effects, saturated harmonics and tuning inconsistencies. Make your pads sound authentically analog and keep your arpeggios moving by adjusting these sliders to create all sorts of circuit-bending scenarios. The modulations  don’t stop there; almost any of Imperfect’s parameters can be assigned to the constantly shifting dual X/Y pads and played live or programmed with MIDI automation.

5 Oscillator Modules

Mix 5 different oscillators to create the basis of your sound. Oscillators 1 and 2 can each be morphed between 4 different waveforms, then layer up a sampled waveform, sub-oscillator and noise profile. Ring and Frequency modulation can easily be dialled in, along with octave, detune and pulse width settings.

260 Waveforms or Load Your Own

Preset waveforms can be loaded into oscillator 3 and there are 260 different ones to choose from. If you still feel limited then don’t worry, just load your own WAV file into Imperfect and then use the processing power to transform it into a totally different sound.

Catch The Drift

Wacky, Cracky and Shaky sliders dictate the amount of analog-style processing that Imperfect performs. “Wacky” increases the amount of the 3 effects (phaser / chorus / delay) to push the tone into drifting and delayed space. “Cracky” pushes up the saturation level to introduce harmonics and dirty up the signal. “Shaky” modulates the tune from subtle detuning at low levels to full on pitch modulation when pushed harder.

Dual X/Y Modulation Pads

Not one, but two X/Y pads can be assigned to a total of four different parameters and then be automated or played live. 3 different performance modes are available to automatically twist your timbres into unrecognisable shapes.

Visual Feedback

The central scope accurately displays the waveform you’re creating, along with left and right channel output meters.

Full Synth Controls

All the functions you’d expect of a plugin synth are present and correct within Imperfect, including filter module, dual envelopes, two low frequency oscillators and an effects section. There’s no compromise to functionality or performance with Imperfect.

Arpeggiator

Set Imperfect to Arp mode for up to 4 octave automatic arpeggiation. Rate can be synced to your host BPM at a variety of note intervals, or you can set it to free running. Latch or unlatch the arp function with the selector switch.

Global Parameters

Imperfect features all the standard global controls you’d expect from a quality synth plugin. Set the global tuning and glide timing. Choose mono or poly modes up to 16 voices.

Presets

Including hundreds of expertly programmed factory presets, Imperfect has an onboard browser where you can audition sounds prior to loading. You’re sure to find the perfect starting point for your own creations and they’re easy to save and recall.

Forgot about static synth sounds and venture into the world of valves and resistors with Imperfect’s vintage-sounding processing. Never look back, unless that’s the sound you want!

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features:

• Fully functioning synth with analog-style imperfections
• 5 Oscillator modules
• 3 Unique transformation parameters
• Hundreds of factory presets
• 260 Preset Waveforms & load your own samples
• Dual X/Y pads
• Filters & Effects
• Real-time waveform display
• Dual Envelopes & LFOs
• Full PDF Manual & Tutorial video

New Features in version 1.5.0 (June 11th):

• Protection scheme included / License key request
• Saturation algorithm updated
• Improved performance
• Improved stability
• Bug fixes
• Only 64 bit support Mac & PC

Acoustic Object Synthesizer

Chromaphone strikes in full dynamics with acoustic sharpness and precision.

Chromaphone 3 is a two-voice synthesizer based on eight physically modelled acoustic resonators. This versatile instrument provides a delightful mixture of real-life presence and distinctive timbres that can’t be found anywhere else.

Chromaphone 3 ships with 1000+ presets taking full advantage of its state-of-the-art acoustic object synthesis.

Features

• Two-part multitimbral, stacked or split
• Top-notch analogue modules and clever synth architecture
• Four performance macros per layer that respond to user-defined MIDI controls
• Factory library comprising more than a 1000 sounds by top sound designers
• Expansion packs

Home View

With macros mapped to key sound characteristics modulation, timbre, envelope, and effect—the Home view presents a distraction-free and laidback browsing and tweaking experience.

Two-Voice Multitimbral

Chromaphone 3 combines two independent timbres—stacked or split—to create performance-friendly, texture-full, and spacious sounds that are sure to make a good impression.

Browser

With Packs, Sounds, Categories, and Creators views, Chromaphone 3’s brand-new browser offers an efficient way to home in on the sounds you’re looking for.

Resonators

Chromaphone 3 proudly showcases eight physically modelled acoustic resonators. Mix and match strings, plates, drumheads, membranes, beams, bars, and tubes to reproduce real-life instruments or create original ones. At the turn of a few knobs, become an instrument maker, shaping metal, carving wood, and stretching skins.

Chromaphone is the first synthesizer to take into account the effect of coupling between resonators. A proprietary technology precisely models the bidirectional nature of the energy flow between the resonators and how they interact thereby capturing key acoustic behaviours of musical instruments.

Macros

Chromaphone 3 now boasts four performance macros per layer that respond to user-defined MIDI controls. Each and every sound features modulation, timbre, envelope, and effect morphing assignments that can be played in real-time for enhanced expressivity and sonic dimension.

Factory Library

Chromaphone 3 ships with a completely new factory library of 420 sounds created by top sound designers. Michel Basque, Christian Halten, Jerry Kovarsky, Christian Laffitte, Niall McCallum, Adam Pietruszko, Daniel Stawczyk, Sean Divine, and Venus Theory form an incredible team that made the most of the latest Chromaphone 3 features. It’s with great pride that AAS present these new signature sounds.

REMASTERED Chromaphone 2 Library

A long and fastidious process of fine-tuning went down in the AAS quarters. Each and every sound of the legacy Chromaphone 2 library went under the eyes of the AAS team members.

They now boast a consistent gain-stage, unity-gain effects, better dynamics, and compelling real-time sound transformation assignments to take advantage of the new features of Chromaphone 3. That’s an extra 676 solid sounds in your hands.

IMPROVED Microtonal tunings via Scala scale files
Chromaphone 3 now supports the Scala scale file format as well as reference note frequency tuning for microtonal music-making.

EXPANDED Multi-Effects Module
Chromaphone 3’s multi-effects module now sports reverb, equalizer, compressor, tremolo, and guitar amplifier processors for even more completeness. Furthermore, the five effect slots can be re-arranged in any order.

Compatible with Chromaphone 2 sounds
Simply copy Chromaphone 2 banks in Chromaphone 3’s packs folder to convert them.

Put on your shades and get on board the time machine, as Stratum will take you down the wormhole straight into the 1980s futuristic soundscapes.

By combining the fat, wide supersaw oscillators with the classic, rich sounding FM engine, we have brought synth technology of different eras together to give you THE SOUND of future-past.

Stratum will provide you with all you need to create tracks in a variety of retro-inspired genres, be it synthwave, retrowave, outrun, cinematic electronica, 8-bit chiptunes, you name it.

These timbres are gaining popularity fast and, if you want to keep up with the wave, check out Stratum. The instrument will also prove of great use in techno, trance, lo-fi hip-hop and EDM, bringing a blast from the past to spice up your tracks.

MAIN FEATURES:

• Supersaw FM Synthesizer with Noise and Sub Oscillator
• Individual arpeggiators for the Supersaw and FM synths
• Dynamic Filters including Low-Pass Filters with Resonance, Vocal Formant and Tube Distortion
• Unique XY Effects pad for additional bit crushing, dirty phasing, wah-wah and non-linear delay effects
• Simple but powerful Modulation Matrix featuring 4 LFOs and an 8-step sequencer
• Built in Reverb, Delay, Phaser, and Chorus effects

Stratum, a virtual instrument by Sonivox, is a rock-solid layering of a classic Supersaw synthesizer and a 4 operator FM synthesizer.

Originally made famous by the Roland JP-8000, the Supersaw waveform has made a strong comeback in the trance and hardcore genres due to its edgy sound, particularly in synth leads and synth basses.

Stratum takes this a step further by combining this classic waveform with a 4-operator FM synth, a noise generator and sub oscillator to produce a virtual instrument perfect for modern synthwave, vaporwave and retro electro productions like those found in the recent hit series “Stranger Things” and the movie “Synchronicity OST”.

Stratum also features two low-pass filters, a vocal formant filter, and a tube distortion circuit to further enhance your sounds, all controllable by a simple modulation matrix featuring 4 LFO’s with modwheel control and an 8-step sequencer called the Stepper.

For those who need to punish their sounds even further, Stratum includes a unique XY Pad which can mix in a Bit Crusher, Dirty Phaser, Wah Wah, and a Non-Linear Delay.

Arpeggiator enthusiasts will be happy to see not one, but TWO arpeggiators, one for the Supersaw synth and one for the FM synth. And too add the final polish to your sounds and tracks, Stratum includes built in Chorus, Phaser, Delay and Reverb effects.

You know all about these huge trap brass stabs. You hear them all over the place. Trap, Hip Hop, EDM, Future Bass… you name it.

Before, you had to look for them, cut them from some tracks then sample, or create them yourself… Not anymore because we got your Back!

Introducing to you Brass, a multi-Layered brass VST with gloriously thicc, tight, and authentic sounds, Whether you need deep and sinister horn stabs for your trap beat or a Pete Rock style trumpet hook, or lush sustained brass chords for some Rick Ross type music.

BRASS is an Inspiration machine With a clean, simple, and effective interface.

It comes packed with over 100 realistic-sounding trombones, trumpets, brass hits, sustained hits, and extras.
Just Drag the XyXy ◎ CIRCLE to Find a new blended sound of 4 Samplers, that will work well in all types of modern music production.

Bypass Layers, Change samples manually, Control the Attack & release, Stereo Widener, and Colorize Your Layered Brass Patches… all in one place!

Transpose your MiDi input, Change the up/Down of Pitch Bend, and Control the speed of the Tremolo effect that is assigned to Modwheel, Glide Time, and Velocity Sensitivity of your melodies, all is here!

The Mixer Page enables you to mix signals from different Layers.
Gain, Pan, Tune, Hp / Lp Filters, Reverse… also you can see The audio waveforms playing in the background!

Drive / Delay / Reverb / Paneer / BitCrusher / Equalizer / NY Compressor / Hp & Lp Filters gives you the flexibility to create unique-sounding Brass Patches.

Brass Features:

• 4 Samplers, Each with, filters, reverse, pan, Gain, and tuning.
• XyXy Pad let’s you browse and blend Layers quickly.
• Brass Comes with 100 X 4 realistic sounding trombones, trumpets, brass hits, sustained hits Samples & Extra.
• Built-in Effects ( Tremolo – Panner – Compressor – 3Band Eqializer – Reverb – Delay – Bit Crusher – Saturation – Lp/Hp Filters – Stereo Widener ).
• Glide, Velocity Control, ±24 Transpose Control.
• Highly Compressed Sample Library ( Brass 2 Is Only 100 M.b On Your Disk. )
• Fully resizable Vector / HD interface (up to 200%, Sharp and Smooth)
• Get inspired with Animations.
• Preset Browser system. ( 85 factory Presets & Shareable Patches )
• Mac & PC All Updates Compatible.
• And More…

Put Legendary Mellotron Sounds into Your Studio!

The GForce M-Tron Pro is a spot-on emulation of the legendary Mellotron®, the tape-based keyboard heard on recordings by such artists as The Beatles, Led Zepplin, Radiohead, Oasis, Trent Reznor, Trentemøller, AIR and Nils Frahm amongst many others.

M-Tron Pro offers a huge 3.5GB sound library with more than 200 tape banks, and it includes 19 of the first M-Tron tape banks, all remastered at the acclaimed Abbey Road Studios. You also get 45 new sample sets and more than 700+ specially created patches. For Mellotron sound with digital ease, you need GForce’s M-Tron Pro. 

PLEASE Note: AAX version is Mac compatible only.

From the flutes on the legendary introduction to The Beatles’ “Strawberry Fields Forever” to tracks from The Moody Blues, David Bowie, and The Rolling Stones to the modern sounds of The Flaming Lips, Nine Inch Nails, Modest Mouse, Muse, U2, Sigur Ros, and more, there’s no question that the sound of the Mellotron is a deep part of music history. Now, you can experience that tape-based playback sonic experience for yourself — and with 100%-digital convenience – with GForce’s M-Tron Pro.

Of its massive tape-bank library, M-Tron Pro gives you 45 brand-new tape banks not found on GForce’s original Mellotron. What’s more, 19 tapes from the M-Tron have been remastered at London’s legendary Abbey Road Studios for the ultimate in sound quality. In total, there are over 3.5GB of world-class samples.

In addition to its 200 tape banks, GForce’s M-Tron Pro boasts more than 700+ patches, many custom-designed by world-class recording artists and programmers, so you have instant access to a diverse sonic palette.

GForce M-Tron Pro offers up to 35 notes, each individually sampled. It also supports dual-layer and split-keyboard operation in addition to MIDI Learn. All of this functionality adds up to a wealth of control over its 29 parameters per layer, including ensemble and delay effects; lowpass, bandpass, and highpass filters; and tape-based effects, such as reverse and half speed. What’s more, M-Tron Pro can operate standalone, so it’s easy to quickly load it up on your laptop and perform with a MIDI controller onstage.

GForce M-Tron Pro Virtual Mellotron Plug-in Features:

• Emulation of vintage Mellotron
• 200 tape banks, including remasters and loops
• 700+ presets featuring acclaimed artist contributions
• New layer, split, synth, and editing features
• Standalone or plug-in operation
• Over 3.5GB of samples total
• Up to 35 notes, each individually sampled
• Dual-layer and split-keyboard operation
• Programmable MIDI CC response via MIDI Learn
• 29 parameters per layer, including synth parameters such as vintage-style ensemble and delay effects; lowpass, bandpass, and highpass resonant filter section; tape reverse; and tape half speed
• Dynamic keyboard control, including filter aftertouch
• Supports standalone, RTAS, AU, and VST on Mac/PC

For all the melodies you have in you

Speldosa is the result of a unique collaboration between Klevgrand and the Swedish artist Wintergatan/Martin Molin. Wintergatan has primarily worked in the physical world (the Marble Machine is probably the most astonishing example), while Klevgrand has performed its craft within the digital sphere. When these two worlds now meet, it results in a product that both visually and audibly inspires the creation of music that you didn’t know you had in you.

Speldosa (Swedish for “Music Box”) is the essence of the shared beliefs of Klevgrand and Wintergatan, and their fascination with minimalism. A simple melody played on a music box can contain an equal amount of emotional power as any symphonic work. There is something about the music box sound that never ceases to fascinate.

The instrument itself has been meticulously recorded by Wintergatan and transformed into a playable digital instrument plugin. It features four different models (Modern, Vintage, Antique, and Eternal = Reversed), two different Room models, and an algorithmic reverb.

Wintergatan on Speldosa

“I created the sound by sampling a music box using an acoustic guitar as resonance box. I chose the best samples and it was instant magic. The Music Box went on to become the sonic signature for my two bands, Detektivbyrån and Wintergatan, both recognised for their unique sound. The Speldosa has been the secret sauce in my music career and I hope other musicians finds it as useful as I have.

There is a special quality to this exact music box sound that lifts it above the novelty feeling of a toy and turns it into a real music instrument. It just sounds so good, that’s really it. And it is a sound that makes you write music instantly – the music comes from the sound itself.

During the collaboration with Klevgrand, when they sent me the first beta version of the plugin, I ended up playing around with the sound for three hours, losing track of time. I wrote three songs that day when I was scheduled to actually do something else. That’s what the sound does to me, and I think it will do the same for other

Anatomy

1. Four models: If you want a fresh music box, try the “Modern” model. For a music box that have lived, try “Vintage” or “Antique”. For a music box going backwards, use “Eternal”.
2. Get two rooms! For placing the music box in a spatial context.
3. Space out: When a room just isn’t enough.
4. Falling stars: Dreamy visualization of the played notes. Useful for enjoyment, if your volume is down or if your memory is short.

Features

• Four different instrument models
• Two different room simulations
• Algorithmic reverb
• Simple UI
• Carefully recorded samples by Wintergatan

Stops Hearts. Tops Charts.
The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology.

For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks.

Transitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects.

When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other – and that was before hitting “record”.

Features:

• Transition designer optimized for electronic music production, scoring, and remix work
• 3 editable oscillators; sweep, noise, and chord
• 3 LFOs; free-running, tempo-synced, and Pumper
• 23 filter types including multi-pole and phase shift
• 300 professionally designed, editable presets
• Randomizer generates patches at the click of a button
• Invert mode creates complementary patches by instantly changing transition direction
• Easy MIDI-Learn Mode; just click and twist to assign parameters to your favorite MIDI controller hardware
• Pumper effect creates pulsating movement
• Configurable delay and reverb with wet/dry processing; 4 reverb types
• Adjustable panning movements and master stereo width control
• 64-bit AU; 32- and 64-bit VST/AAX; Mac or Windows

A 3-for-All
Featuring the most powerful and musical virtual synthesis available, The Riser can be used to create classic transitions or effects never-before-heard by human ears. The core of The Riser’s mojo are three continuously variable oscillators; sweep, noise and chord. Each oscillator features a dedicated Filter send and graphical parameter depiction. 

Sweep – featuring volume, frequency and oscillator shape – dictates the direction and progression of the transition. Create rises, falls, stops, and swells with audible and visible feedback.

Providing volume, shape, and pitch controls, the Noise oscillator infuses texture into your transition. Start shaping to add grit, bite, hiss, punch, and more to the effect.

The Riser’s Chord oscillator introduces you to an uncharted creative continent. Use it to match The Riser’s sonic structure to your song’s key (or a contrasting one) and blend it to taste; it can be as musical as you want.

Three Low Frequency Oscillators (LFOs) provide additional modulation to your transition. A tempo-sync’d LFO works in harmony with the native song tempo in your DAW to increase the transition’s complexity.

The second LFO is free-running, meaning it has not ties to the native tempo.

Third, the Pumper effect modulates the synthesis with dynamics control in tandem with track tempo. This pulsating effect adds punch and movement to the transition, and features various time divisions and depth controls for adapting to or accentuating your track.

For those looking for turn-key transitions, our team of sound designers have constructed 300 fully editable presets across various types, bringing modern, useable transitions to your project.

Wide Compatibility
The Riser offers unequalled flexibility with your current production/composition setup. Available for Mac or PC and in AU, VST and AAX formats, it can operate as an instrument in nearly any DAW such as Logic Pro X, Cubase, Ableton Live, Sonar, Digital Performer, Reaper and more.

It does not require specialty sample players or proprietary software in order to be used in your DAW project – simply call it up when you need it, and use it. Further, you can map your favorite keyboard or controller to the virtual knobs and faders within your The Riser or most DAWs, offering seamless operation with your composition style.

Get effected
We put the essential effects for transition design into The Riser, for fast access to studio-grade audio manipulation heaven. A tempo-sync’d delay with time-division can slap or drench your transition with the subtlety of a feather – or sledgehammer. To add space to your patch, mix in one of 4 reverb types, all of which are completely adjustable to complement your track.

To really grab the listener, we incorporated Panning and Width controls, letting you master stereo positioning and intimacy. The Filter section features over 20 types, ranging from low-pass, high-pass, band-pass, multi-pole/pass combos, band reject, and phase shift.

When used in concert with The Riser’s LFOs and variable oscillators, you get standout results with signature flair.

Invert Your Thinking
Experimentation is the key to inspiration, and The Riser gives you a few additional tricks to unlock new sounds. A randomizer will randomly select values for the main parameters to give you that create spark.

The Invert mode will reverse the transition, letting you hear it with the direction switched. Rises become falls, swells become fades, and more. Tap the Swap button and those inversions will override your current setup, making it easy to create complementary patches and save them as presets along the way.

Like You’ve Never Experienced Before.
We understand the science behind the suspense and emotion that a great transition delivers. Until now, recreating the transition in your head has been a convoluted, manual process.

The Riser puts intuitive sound-shaping tools right where you need them so you can design effects that keep the listener on the edge of their seat.

The Cherry Audio CA2600 Synthesizer is a powerful, self-contained duophonic synthesizer inspired by the groundbreaking ARP 2600 synthesizer. Every aspect of the original, from the quirky oscillator waves to the powerful ladder filter, to the external audio input and preamp section was modelled with tremendous precision.

Though it features similar functionality, it’s been thoughtfully updated for increased flexibility – with semi-normalled patch cabling, integrated effects, and no hidden windows or menus in the audio path, CA2600 delivers an unprecedented hands-on, “everything right in front of you, right now!,” vintage synthesis experience like no other.

Wildly flexible, capable of chunky basses, cutting leads, super-creative external audio processing, absolutely insane effects, and so much more, we believe you’ll find CA2600 to be the finest 2600 emulation ever created.

MAIN FEATURES

• Every aspect precisely modelled in exact detail.
• 300+ of presets.
• Monophonic and duophonic voice modes.
• Vintage-correct multi-mode filter with 12db and 24db slope.
• Integrated, fully CV-controllable distortion, reverb, and delay with sync.
• Sidechain audio input for external signal processing.
• Flexible CV Routing.
• Multiple voice assign modes.
• Advanced patch cabling with unlimited mults per jack, “quick patch” for rapid multiple destination routing, and click and drag movement of multiple connections.
• Additional LFO with six waveforms and tempo sync.
• Voltage Processors section with additional VCA and a 1/2-step quantizer.
• Selectable blue, grey, or black/orange colour schemes.
• Full MIDI control.
• Full DAW automation for all controls.
• CA2600 is available in AU, VST, VST3, AAX, and standalone formats.

Selectable Color Schemes