Synth VST Plugins

Hattricks is a VST for trap that you subconsciously know you need badly, and you’ll realize it once you see how it works!

Hattricks is a vst for trap hi hats creation that makes the process smooth, easy and proficient.

Main Features:

• 12 Rhythm divisions
• 2 5 Articulations
• 2 Octaves of keys retuning the sample  
• 898 Samples including:
• 853 Hi hat samples
• 20 Snare samples
• 5 Kick samples
• 5 Shaker samples
• 15 Tonal samples
• Possibility to upload samples
• Dice button for choosing random sample   
• Tuning and fine tuning sliders
• Low pass/hi pass filter
• Start/end sample markers
• AHD envelope
• Zoom with three types of controls
• Mono/poly modes
• Patterns display
• Pitch and modwheel for additional modulation

In technical terms it is a sampler and a sequencer with rhythm divisions assigned to keys.

In practice you just press a key and it plays a pre programmed looped rhythm division, for example you press D3 and it plays 1/4 notes, E3 plays 1/8 notes and so on up to those 1/128 rolls that are on the brink of one’s perception. Of course it has triplets too!

All that lets you record those otherwise unplayable hi hat parts in real time, or if you’d rather program them, getting a groove will only require a few clicks and not a hundred.

Imagine how much of your time and creative energy it will save you!

If you decide that you want to change the sound after laying down the part you can choose a sample from Hattricks’ huge library, or drag a favorite sample of your own. If then you feel the need to refine it you can change its length, retune it, filter it with a low pass and high pass filters and adjust its attack, decay and release times.

No VST for trap hi hats would be comprehensive if it couldn’t let you retune selected parts of your sequence and let you make those characteristic tuned rolls.

You can do it in two ways:

By using a pitch wheel, or if you want some precisie tuning by using a keyboard. The keys from C1 upwards would retune the sound’s pitch upwards in half steps when pressed, and consequently the keys from C1 downwards would retune the sound’s pitch down in half steps.

But what if you loaded a snare sample into Hattricks? Then you would turn it into a vst for trap snare drum rolls! Then apart from the Divisions section the Articulations section becomes handy, since it has a pre programmed drum rudiments such as flam, drag, ruff, buzz and roll coming in two speeds and allowing for nice and quick drum fills creation.

And what if you loaded a tonal sample into Hattricks?!?
Well, then you would turn the plugin into a sort of vst for trap melodies with which you first make a rhythm sequence and then can play with the notes’ pitch.

And what will happen if you’ll load a kick sample into Hattricks?!?!
In such circumstances you’ll enter a highway to hell by changing it from a vst for trap hi-hats into a vst for making a heavy metal bass drum passages, but hey, isn’t that a bit over the edge?

Enjoy our plugin, you can use it for Trap, RNB, Pop, EDM, or for any genre you want, including Heavy Metal, if that’s what you fancy!

With the Hattricks you will receive a huge library of 853 hi hats samples and 45 bonus drum samples which overall gives you almost 900 top-quality sounds ready to use and create!

Hybrid 3.0 is the next generation in synthesis.

This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities.

The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.

Please Note: It is not a hardware synth

Main Features:

• Six-oscillator subtractive and wavetable virtual synthesizer with 1200+ inspiring presets
• Includes 200+ all-new sounds and 1000+ refreshed patches from Hybrid 2.0
• Comprised of two simultaneous parts, each loaded with 3 oscillators and a sub-oscillator, filters, LFOs, envelopes, and effects for creating complex patches
• All-new Doubling controls for quickly thickening and widening patches
• Revamped step sequencers allow you to link steps together for rhythmic variation, syncopation, and advanced modulation patterns
• All-new Oscillator Restart for punchy bass sounds, runs, and sequences
• Dual series or parallel filters with vintage Voltage Controlled Filter modes for retro synth sounds
• Flexible modulation options with 8 LFOs including Pump for the pumping-and-breathing effect
• Comprehensive editing parameters for the ultimate in sound tweakability
• Sample-accurate synthesis for super-fast envelopes and high-definition sound
• Performance-driven features, including modulation matrices and multiple step sequencers for maximum playability
• Available in VST and AAX plugin formats for both 32- and 64-bit operating systems and in AU for 64-bit operating systems

1200+ Built-In Sounds

Hybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more.

Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you’re prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches.

Plus, the simple patch browser makes it easy to find the preset you’re looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.

High-Definition Oscillators

With three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable.

Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.

Dual Filtering and Saturation Modes

Hybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the ’70s and ’80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.

Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.

To add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.

LFOs

Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, “drift,” and sample-and-hold modulation.

Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound. Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.

Envelope Editors

Use the four envelope editors to easily sculpt the filter, amplitude, and any two other modulation envelopes. Adjust velocity, attack, decay, and key tracking, and then type in the envelope rate.

Hype Algorithm

New to Hybrid 3.0 is Hype, a quick way of enhancing the low- or high- end of any patch. Beef up wobbles, basses, and kick-drum sounds with deep, sub-bass by adjusting the Hype Low parameter, or turn up Hype High to polish off the high end with shimmer and sparkle; the latter sounds great on pads, strings, brass, and percussive sounds.

Doubling

Hybrid 3.0 offers a new way of making your patches sound enormous. Two Doubling knobs, one for each part, are built into the Common tab for additional widening and thickening. Turn up the Doubling knobs to full for a dramatic response or mix it in subtly for a slight thickening effect.

Performance-Oriented Features

Whether you use it in the studio or in a live situation, Hybrid 3.0 is built to perform. Use the step sequencers for arpeggiation or phrase generation. Set the modulation matrix to easily map modulations from sources to destinations. And set up “morph” groups to modify sounds on the fly, from the interface or a MIDI controller.

Step Sequencers

Hybrid 3.0’s onboard 16-step sequencers have been revamped for more programming and sequencing flexibility. Now, steps can be linked together to vary sequencer rhythm, manipulate note dynamics, and create advanced modulation patterns.

Like before, both step sequencers can function as a composition tool or an extra modulation source, making it easy to create patches that move and evolve. You can set note values, velocity, and modulation, and then pick from nine playback options to use the sequencer as a step sequence, arpeggiator, or MIDI phrase generator. Plus, you can even import your own MIDI phrases for complete customization.

Modulation Matrices

Hybrid 3.0 also offers flexible and easy-to-use modulation matrices with 16 assignable modulation sources and more than 20 destinations each. Assign modulations to an oscillator or filter. Hybrid 3.0 allows multiple assignments of sources and destinations, all with adjustable intensities.

Morph Groups

With Hybrid 3.0, you can assign any rotary control or fader on the plugin’s interface to one of the four “morph” groups. Assign pan, filter, or amplifier envelopes to a morph group to alter sounds from your controller while recording or playing live. Each morph group can control several parameters simultaneously. You, in turn, can control morph groups from the dials on the interface or from a MIDI controller.

Effects

Hybrid 3.0 provides two insert effect sends per part, each with more than 40 effect types, so you can quickly change the sound of a part. A separate master effects section lets you select reverb, delay, and chorus effects to enhance — or warp — any of the sounds at the patch level. Easily adjust effect parameters and sync effects to a chosen tempo.

Seamless DAW Integration

Hybrid 3.0 is available in VST and AAX plugin formats for both 32- and 64-bit operating systems and in AU for 64-bit operating systems. With its rich set of analog and digital sounds and a large array of adjustable parameters, Hybrid 3.0 gives musicians, arrangers, composers, and sound designers the qualities and character of a unique hardware synthesizer with the convenience and flexibility of an integrated plugin.

The Combination Of Best Opportunities In Software & Hardware Synthesizers

Spire is a polyphonic software synthesizer that combines powerful sound engine modulation and flexible architecture, and a graphical interface provides unparalleled usability. Spire is the embodiment of the best opportunities, within software and hardware synthesizers.

Oscillator Features:

• 4x multimode polymorphing oscillators
• Classic, Noise, FM, AMSync, SawPWM

Unique Unison Engine Features:

• 9x unison voices on each oscillator
• Spread unison voices by chords and octaves
• Capable of imitating different types of unisons like supersaw and hypersaw

Filter Features:

• 2x multimode filters with analogue and digital types of filtering
• Perfecto, Infecto, Acido, Scorpio, Combo

 FX Processor Features:

• Shaper/Decimator
• PhaserVowel
• Chorus/Flanger
• Delay
• Reverb  

Modulation Features:

• 4x Macro’s, 4x Envelopes, 4x LFOs with morphing shapes,
• 15x Matrix slots each equipped with 2x sources and 4x targets

2x Steppers, Arpeggiator

• Surprisingly user-friendly and fun to use!

Make Your Sounds Fatter

• With X­-Comp (Multiband Compressor) and 3-band EQ

Stunning Presets

• Over 800 factory presets including complex arpeggios and bass sequences,
• a versatile assortment of leads, exhilarating pads, plucks, drums and FXs

Important Note: Cherry Audio Voltage Modular is required in order to use this software.

PSPaudioware’s 30 modules fall into two categories: classic effects modules based on our extensive experience in developing high quality bread and butter effects and processor plug-ins and exciting, creative modules that use algorithms from our flagship multi-effect plug-in PSP N2O (formerly PSP Nitro) as a starting point and take those effects to the next level. Every algorithm has been adapted, tailored, and expanded to take full advantage of the extraordinary possibilities offered by the modular format and flexibility of the Voltage system.

Modules included:

• PSP eFeMerizer – frequency modulator
• PSP nitroFormant – dual formant filter
• PSP nitroEnveloper – dual envelope follower
• PSP nitroLFO – LFO with a choice of ten waveform or derived waveform
• PSP nitroPhaser – phaser with up to 32 stage order
• PSP nitroLoFi – continuously variable bitcrusher with presets
• PSP nitroBQF – two parallel filters
• PSP nitroComb – two channel comb filter
• PSP nitroSVF – dial state-variable filters
• PSP nitroPitch – pitch shifter
• PSP nitroNoise – a unique noise generator
• PSP nitroADSR – an advanced envelope generator module
• PSP FreqShifter – an analog-like frequency shifter module
• PSP Spring – three classic spring reverb emulations
• PSP Plate – three classic plate reverb emulations
• PSP Space – three classic room reverb emulations
• PSP Delay – digital delay with tape modulation and pingpong features
• PSP Chorus – four voice stereo chorus

• PSP Flanger – stereo flanger with manual control
• PSP Rotary – an emulation of a classic mechanical modulation effect created by a rotating speakers’ horn and drum
• PSP VCACMP – classic VCA style compressor
• PSP GEQ10 – a classic ten-band graphic equalizer
• PSP PEQ6 – an analog-style parametric equalizer
• PSP PolyADSR – classic ADSR generator
• PSP PolyAmp – a polyphonic voltage controlled amplifier
• PSP PolyBoing – react resonantly on the rising or falling edges of the triggering signal
• PSP PolyEnveloper – a multi-stage envelope generator
• PSP PolyFilter – a fourth order ladder-type resonant filter
• PSP PolyFolder – a multi-stage (0 to 6) signal folder
• PSP PolyPatch – a polyphonic patch bay
• PSP PolyWobbler – controls random analog instabilities

Special Shifting Synth

Most digital synths out there offer easily accessible functions, pristine digital quality and precisely tuned tones. “Imperfect” aims to break that trend with wavering detuned oscillators, modulating effects and a whole host of other functions designed to put the analog fun back into synth programming.

The architecture behind Imperfect will be familiar to anyone who’s used a soft-synth before, with 5 powerful oscillators, envelopes, filters, LFOs and an arpeggiator. Where things start to get interesting is with the 3 special modulation sliders. Named “Wacky”, “Cracky” and “Shaky”, these functions introduce modulated effects, saturated harmonics and tuning inconsistencies. Make your pads sound authentically analog and keep your arpeggios moving by adjusting these sliders to create all sorts of circuit-bending scenarios. The modulations  don’t stop there; almost any of Imperfect’s parameters can be assigned to the constantly shifting dual X/Y pads and played live or programmed with MIDI automation.

5 Oscillator Modules

Mix 5 different oscillators to create the basis of your sound. Oscillators 1 and 2 can each be morphed between 4 different waveforms, then layer up a sampled waveform, sub-oscillator and noise profile. Ring and Frequency modulation can easily be dialled in, along with octave, detune and pulse width settings.

260 Waveforms or Load Your Own

Preset waveforms can be loaded into oscillator 3 and there are 260 different ones to choose from. If you still feel limited then don’t worry, just load your own WAV file into Imperfect and then use the processing power to transform it into a totally different sound.

Catch The Drift

Wacky, Cracky and Shaky sliders dictate the amount of analog-style processing that Imperfect performs. “Wacky” increases the amount of the 3 effects (phaser / chorus / delay) to push the tone into drifting and delayed space. “Cracky” pushes up the saturation level to introduce harmonics and dirty up the signal. “Shaky” modulates the tune from subtle detuning at low levels to full on pitch modulation when pushed harder.

Dual X/Y Modulation Pads

Not one, but two X/Y pads can be assigned to a total of four different parameters and then be automated or played live. 3 different performance modes are available to automatically twist your timbres into unrecognisable shapes.

Visual Feedback

The central scope accurately displays the waveform you’re creating, along with left and right channel output meters.

Full Synth Controls

All the functions you’d expect of a plugin synth are present and correct within Imperfect, including filter module, dual envelopes, two low frequency oscillators and an effects section. There’s no compromise to functionality or performance with Imperfect.

Arpeggiator

Set Imperfect to Arp mode for up to 4 octave automatic arpeggiation. Rate can be synced to your host BPM at a variety of note intervals, or you can set it to free running. Latch or unlatch the arp function with the selector switch.

Global Parameters

Imperfect features all the standard global controls you’d expect from a quality synth plugin. Set the global tuning and glide timing. Choose mono or poly modes up to 16 voices.

Presets

Including hundreds of expertly programmed factory presets, Imperfect has an onboard browser where you can audition sounds prior to loading. You’re sure to find the perfect starting point for your own creations and they’re easy to save and recall.

Forgot about static synth sounds and venture into the world of valves and resistors with Imperfect’s vintage-sounding processing. Never look back, unless that’s the sound you want!

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features:

• Fully functioning synth with analog-style imperfections
• 5 Oscillator modules
• 3 Unique transformation parameters
• Hundreds of factory presets
• 260 Preset Waveforms & load your own samples
• Dual X/Y pads
• Filters & Effects
• Real-time waveform display
• Dual Envelopes & LFOs
• Full PDF Manual & Tutorial video

New Features in version 1.5.0 (June 11th):

• Protection scheme included / License key request
• Saturation algorithm updated
• Improved performance
• Improved stability
• Bug fixes
• Only 64 bit support Mac & PC

Acoustic Object Synthesizer

Chromaphone strikes in full dynamics with acoustic sharpness and precision.

Chromaphone 3 is a two-voice synthesizer based on eight physically modelled acoustic resonators. This versatile instrument provides a delightful mixture of real-life presence and distinctive timbres that can’t be found anywhere else.

Chromaphone 3 ships with 1000+ presets taking full advantage of its state-of-the-art acoustic object synthesis.

Features

• Two-part multitimbral, stacked or split
• Top-notch analogue modules and clever synth architecture
• Four performance macros per layer that respond to user-defined MIDI controls
• Factory library comprising more than a 1000 sounds by top sound designers
• Expansion packs

Home View

With macros mapped to key sound characteristics modulation, timbre, envelope, and effect—the Home view presents a distraction-free and laidback browsing and tweaking experience.

Two-Voice Multitimbral

Chromaphone 3 combines two independent timbres—stacked or split—to create performance-friendly, texture-full, and spacious sounds that are sure to make a good impression.

Browser

With Packs, Sounds, Categories, and Creators views, Chromaphone 3’s brand-new browser offers an efficient way to home in on the sounds you’re looking for.

Resonators

Chromaphone 3 proudly showcases eight physically modelled acoustic resonators. Mix and match strings, plates, drumheads, membranes, beams, bars, and tubes to reproduce real-life instruments or create original ones. At the turn of a few knobs, become an instrument maker, shaping metal, carving wood, and stretching skins.

Chromaphone is the first synthesizer to take into account the effect of coupling between resonators. A proprietary technology precisely models the bidirectional nature of the energy flow between the resonators and how they interact thereby capturing key acoustic behaviours of musical instruments.

Macros

Chromaphone 3 now boasts four performance macros per layer that respond to user-defined MIDI controls. Each and every sound features modulation, timbre, envelope, and effect morphing assignments that can be played in real-time for enhanced expressivity and sonic dimension.

Factory Library

Chromaphone 3 ships with a completely new factory library of 420 sounds created by top sound designers. Michel Basque, Christian Halten, Jerry Kovarsky, Christian Laffitte, Niall McCallum, Adam Pietruszko, Daniel Stawczyk, Sean Divine, and Venus Theory form an incredible team that made the most of the latest Chromaphone 3 features. It’s with great pride that AAS present these new signature sounds.

REMASTERED Chromaphone 2 Library

A long and fastidious process of fine-tuning went down in the AAS quarters. Each and every sound of the legacy Chromaphone 2 library went under the eyes of the AAS team members.

They now boast a consistent gain-stage, unity-gain effects, better dynamics, and compelling real-time sound transformation assignments to take advantage of the new features of Chromaphone 3. That’s an extra 676 solid sounds in your hands.

IMPROVED Microtonal tunings via Scala scale files
Chromaphone 3 now supports the Scala scale file format as well as reference note frequency tuning for microtonal music-making.

EXPANDED Multi-Effects Module
Chromaphone 3’s multi-effects module now sports reverb, equalizer, compressor, tremolo, and guitar amplifier processors for even more completeness. Furthermore, the five effect slots can be re-arranged in any order.

Compatible with Chromaphone 2 sounds
Simply copy Chromaphone 2 banks in Chromaphone 3’s packs folder to convert them.

PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds. An equally vast and exquisite factory content delivered by industry-standard sound designers Sounds of Revolution and CFA-Sound gets you started in no time. Synthesis & sampling shaking hands in one plugin PunchBOX easily brings together the best of the two worlds. The expressiveness of synthesized sounds next to the richness and complexity of samples end up delivering top-notch, never-heard and dancefloor-crushing kick sound. Each of the onboard samples is a little diamond in itself, crafted with professional experience, precious pieces of studio equipment, top-shelf instruments and vintage analog gear. The kick sound synthesizers, originating from highly acclaimed D16 emulations of classic Roland drum machines, were taken to the next level and customized to perfectly fit the purpose of PunchBOX. The very heart of PunchBOX is comprised of four sound generators, each of them standing for a key component of the final majestic kick sound. Factory settings were created to allow influencing the sound in a unique, intuitive and inspiring way. Vast quality factory content The best sound designers out there prepared an arsenal of 1100 samples and 800 presets suitable for pretty much all contemporary subgenres of electronic music. It’s never been easier to keep up or even exceed the most recent trends in music production and sound quality standard. Organized using the reknowned D16 tagging system makes browsing for the right (base) sound easy, efficient and smooth.

• Sound source
  • Up to 4 generators, operating in parallel, activated/deactivated independently
    • Click – Sample-based, produces Kick accent
    • Tops – Sample-based, produces e.g. hihats, percussion and noise
    • Tools – Sample-based, produces almost full Kicks without sub
    • Kick – Sample-based or Synth-based, produces the Kick’s body. 4 synthesis engines for Synth Mode to select from:
      • 909 Kick model
      • 808 Kick model
      • 606 Kick model
      • Sine wave based Kick model
  • Audio-to-effect send per generator
  • 1 voice of polyphony
  • Optional MIDI velocity sensitivity and pitch tracking
• Built-in effect rack
  • 5 high-quality algorithms operating in series, may be independently turned on/off and reordered by drag’n’drop
    • Equalizer
    • Bit Crusher
    • Distortion
    • Filter
    • Limiter
  • Controllable connection point in the effect chain for the generators’ direct output (Mixdown after)
• Samples and presets
  • Vast factory content designed by CFA-Sound and Sounds of Revolution
    • 800 presets
    • 1100 samples
    • Suitably tagged
  • Tag-based Preset and Sample browsers
    • Preview option
  • User may import own samples
  • 7 preset categories (hierarchically ordered)
    • Global / Master presets
    • 909 Synth engine
    • 808 Synth engine
    • 606 Synth engine
    • Sine Synth engine
    • Bitcrusher Effect
    • Distortion Effect
• MIDI Learn option
• Flexible Randomizer
• Direct Export function (export your final kick as WAV file)

Put on your shades and get on board the time machine, as Stratum will take you down the wormhole straight into the 1980s futuristic soundscapes.

By combining the fat, wide supersaw oscillators with the classic, rich sounding FM engine, we have brought synth technology of different eras together to give you THE SOUND of future-past.

Stratum will provide you with all you need to create tracks in a variety of retro-inspired genres, be it synthwave, retrowave, outrun, cinematic electronica, 8-bit chiptunes, you name it.

These timbres are gaining popularity fast and, if you want to keep up with the wave, check out Stratum. The instrument will also prove of great use in techno, trance, lo-fi hip-hop and EDM, bringing a blast from the past to spice up your tracks.

MAIN FEATURES:

• Supersaw FM Synthesizer with Noise and Sub Oscillator
• Individual arpeggiators for the Supersaw and FM synths
• Dynamic Filters including Low-Pass Filters with Resonance, Vocal Formant and Tube Distortion
• Unique XY Effects pad for additional bit crushing, dirty phasing, wah-wah and non-linear delay effects
• Simple but powerful Modulation Matrix featuring 4 LFOs and an 8-step sequencer
• Built in Reverb, Delay, Phaser, and Chorus effects

Stratum, a virtual instrument by Sonivox, is a rock-solid layering of a classic Supersaw synthesizer and a 4 operator FM synthesizer.

Originally made famous by the Roland JP-8000, the Supersaw waveform has made a strong comeback in the trance and hardcore genres due to its edgy sound, particularly in synth leads and synth basses.

Stratum takes this a step further by combining this classic waveform with a 4-operator FM synth, a noise generator and sub oscillator to produce a virtual instrument perfect for modern synthwave, vaporwave and retro electro productions like those found in the recent hit series “Stranger Things” and the movie “Synchronicity OST”.

Stratum also features two low-pass filters, a vocal formant filter, and a tube distortion circuit to further enhance your sounds, all controllable by a simple modulation matrix featuring 4 LFO’s with modwheel control and an 8-step sequencer called the Stepper.

For those who need to punish their sounds even further, Stratum includes a unique XY Pad which can mix in a Bit Crusher, Dirty Phaser, Wah Wah, and a Non-Linear Delay.

Arpeggiator enthusiasts will be happy to see not one, but TWO arpeggiators, one for the Supersaw synth and one for the FM synth. And too add the final polish to your sounds and tracks, Stratum includes built in Chorus, Phaser, Delay and Reverb effects.

You know all about these huge trap brass stabs. You hear them all over the place. Trap, Hip Hop, EDM, Future Bass… you name it.

Before, you had to look for them, cut them from some tracks then sample, or create them yourself… Not anymore because we got your Back!

Introducing to you Brass, a multi-Layered brass VST with gloriously thicc, tight, and authentic sounds, Whether you need deep and sinister horn stabs for your trap beat or a Pete Rock style trumpet hook, or lush sustained brass chords for some Rick Ross type music.

BRASS is an Inspiration machine With a clean, simple, and effective interface.

It comes packed with over 100 realistic-sounding trombones, trumpets, brass hits, sustained hits, and extras.
Just Drag the XyXy ◎ CIRCLE to Find a new blended sound of 4 Samplers, that will work well in all types of modern music production.

Bypass Layers, Change samples manually, Control the Attack & release, Stereo Widener, and Colorize Your Layered Brass Patches… all in one place!

Transpose your MiDi input, Change the up/Down of Pitch Bend, and Control the speed of the Tremolo effect that is assigned to Modwheel, Glide Time, and Velocity Sensitivity of your melodies, all is here!

The Mixer Page enables you to mix signals from different Layers.
Gain, Pan, Tune, Hp / Lp Filters, Reverse… also you can see The audio waveforms playing in the background!

Drive / Delay / Reverb / Paneer / BitCrusher / Equalizer / NY Compressor / Hp & Lp Filters gives you the flexibility to create unique-sounding Brass Patches.

Brass Features:

• 4 Samplers, Each with, filters, reverse, pan, Gain, and tuning.
• XyXy Pad let’s you browse and blend Layers quickly.
• Brass Comes with 100 X 4 realistic sounding trombones, trumpets, brass hits, sustained hits Samples & Extra.
• Built-in Effects ( Tremolo – Panner – Compressor – 3Band Eqializer – Reverb – Delay – Bit Crusher – Saturation – Lp/Hp Filters – Stereo Widener ).
• Glide, Velocity Control, ±24 Transpose Control.
• Highly Compressed Sample Library ( Brass 2 Is Only 100 M.b On Your Disk. )
• Fully resizable Vector / HD interface (up to 200%, Sharp and Smooth)
• Get inspired with Animations.
• Preset Browser system. ( 85 factory Presets & Shareable Patches )
• Mac & PC All Updates Compatible.
• And More…

Put Legendary Mellotron Sounds into Your Studio!

The GForce M-Tron Pro is a spot-on emulation of the legendary Mellotron®, the tape-based keyboard heard on recordings by such artists as The Beatles, Led Zepplin, Radiohead, Oasis, Trent Reznor, Trentemøller, AIR and Nils Frahm amongst many others.

M-Tron Pro offers a huge 3.5GB sound library with more than 200 tape banks, and it includes 19 of the first M-Tron tape banks, all remastered at the acclaimed Abbey Road Studios. You also get 45 new sample sets and more than 700+ specially created patches. For Mellotron sound with digital ease, you need GForce’s M-Tron Pro. 

PLEASE Note: AAX version is Mac compatible only.

From the flutes on the legendary introduction to The Beatles’ “Strawberry Fields Forever” to tracks from The Moody Blues, David Bowie, and The Rolling Stones to the modern sounds of The Flaming Lips, Nine Inch Nails, Modest Mouse, Muse, U2, Sigur Ros, and more, there’s no question that the sound of the Mellotron is a deep part of music history. Now, you can experience that tape-based playback sonic experience for yourself — and with 100%-digital convenience – with GForce’s M-Tron Pro.

Of its massive tape-bank library, M-Tron Pro gives you 45 brand-new tape banks not found on GForce’s original Mellotron. What’s more, 19 tapes from the M-Tron have been remastered at London’s legendary Abbey Road Studios for the ultimate in sound quality. In total, there are over 3.5GB of world-class samples.

In addition to its 200 tape banks, GForce’s M-Tron Pro boasts more than 700+ patches, many custom-designed by world-class recording artists and programmers, so you have instant access to a diverse sonic palette.

GForce M-Tron Pro offers up to 35 notes, each individually sampled. It also supports dual-layer and split-keyboard operation in addition to MIDI Learn. All of this functionality adds up to a wealth of control over its 29 parameters per layer, including ensemble and delay effects; lowpass, bandpass, and highpass filters; and tape-based effects, such as reverse and half speed. What’s more, M-Tron Pro can operate standalone, so it’s easy to quickly load it up on your laptop and perform with a MIDI controller onstage.

GForce M-Tron Pro Virtual Mellotron Plug-in Features:

• Emulation of vintage Mellotron
• 200 tape banks, including remasters and loops
• 700+ presets featuring acclaimed artist contributions
• New layer, split, synth, and editing features
• Standalone or plug-in operation
• Over 3.5GB of samples total
• Up to 35 notes, each individually sampled
• Dual-layer and split-keyboard operation
• Programmable MIDI CC response via MIDI Learn
• 29 parameters per layer, including synth parameters such as vintage-style ensemble and delay effects; lowpass, bandpass, and highpass resonant filter section; tape reverse; and tape half speed
• Dynamic keyboard control, including filter aftertouch
• Supports standalone, RTAS, AU, and VST on Mac/PC

For all the melodies you have in you

Speldosa is the result of a unique collaboration between Klevgrand and the Swedish artist Wintergatan/Martin Molin. Wintergatan has primarily worked in the physical world (the Marble Machine is probably the most astonishing example), while Klevgrand has performed its craft within the digital sphere. When these two worlds now meet, it results in a product that both visually and audibly inspires the creation of music that you didn’t know you had in you.

Speldosa (Swedish for “Music Box”) is the essence of the shared beliefs of Klevgrand and Wintergatan, and their fascination with minimalism. A simple melody played on a music box can contain an equal amount of emotional power as any symphonic work. There is something about the music box sound that never ceases to fascinate.

The instrument itself has been meticulously recorded by Wintergatan and transformed into a playable digital instrument plugin. It features four different models (Modern, Vintage, Antique, and Eternal = Reversed), two different Room models, and an algorithmic reverb.

Wintergatan on Speldosa

“I created the sound by sampling a music box using an acoustic guitar as resonance box. I chose the best samples and it was instant magic. The Music Box went on to become the sonic signature for my two bands, Detektivbyrån and Wintergatan, both recognised for their unique sound. The Speldosa has been the secret sauce in my music career and I hope other musicians finds it as useful as I have.

There is a special quality to this exact music box sound that lifts it above the novelty feeling of a toy and turns it into a real music instrument. It just sounds so good, that’s really it. And it is a sound that makes you write music instantly – the music comes from the sound itself.

During the collaboration with Klevgrand, when they sent me the first beta version of the plugin, I ended up playing around with the sound for three hours, losing track of time. I wrote three songs that day when I was scheduled to actually do something else. That’s what the sound does to me, and I think it will do the same for other

Anatomy

1. Four models: If you want a fresh music box, try the “Modern” model. For a music box that have lived, try “Vintage” or “Antique”. For a music box going backwards, use “Eternal”.
2. Get two rooms! For placing the music box in a spatial context.
3. Space out: When a room just isn’t enough.
4. Falling stars: Dreamy visualization of the played notes. Useful for enjoyment, if your volume is down or if your memory is short.

Features

• Four different instrument models
• Two different room simulations
• Algorithmic reverb
• Simple UI
• Carefully recorded samples by Wintergatan

Stops Hearts. Tops Charts.
The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology.

For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks.

Transitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects.

When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other – and that was before hitting “record”.

Features:

• Transition designer optimized for electronic music production, scoring, and remix work
• 3 editable oscillators; sweep, noise, and chord
• 3 LFOs; free-running, tempo-synced, and Pumper
• 23 filter types including multi-pole and phase shift
• 300 professionally designed, editable presets
• Randomizer generates patches at the click of a button
• Invert mode creates complementary patches by instantly changing transition direction
• Easy MIDI-Learn Mode; just click and twist to assign parameters to your favorite MIDI controller hardware
• Pumper effect creates pulsating movement
• Configurable delay and reverb with wet/dry processing; 4 reverb types
• Adjustable panning movements and master stereo width control
• 64-bit AU; 32- and 64-bit VST/AAX; Mac or Windows

A 3-for-All
Featuring the most powerful and musical virtual synthesis available, The Riser can be used to create classic transitions or effects never-before-heard by human ears. The core of The Riser’s mojo are three continuously variable oscillators; sweep, noise and chord. Each oscillator features a dedicated Filter send and graphical parameter depiction. 

Sweep – featuring volume, frequency and oscillator shape – dictates the direction and progression of the transition. Create rises, falls, stops, and swells with audible and visible feedback.

Providing volume, shape, and pitch controls, the Noise oscillator infuses texture into your transition. Start shaping to add grit, bite, hiss, punch, and more to the effect.

The Riser’s Chord oscillator introduces you to an uncharted creative continent. Use it to match The Riser’s sonic structure to your song’s key (or a contrasting one) and blend it to taste; it can be as musical as you want.

Three Low Frequency Oscillators (LFOs) provide additional modulation to your transition. A tempo-sync’d LFO works in harmony with the native song tempo in your DAW to increase the transition’s complexity.

The second LFO is free-running, meaning it has not ties to the native tempo.

Third, the Pumper effect modulates the synthesis with dynamics control in tandem with track tempo. This pulsating effect adds punch and movement to the transition, and features various time divisions and depth controls for adapting to or accentuating your track.

For those looking for turn-key transitions, our team of sound designers have constructed 300 fully editable presets across various types, bringing modern, useable transitions to your project.

Wide Compatibility
The Riser offers unequalled flexibility with your current production/composition setup. Available for Mac or PC and in AU, VST and AAX formats, it can operate as an instrument in nearly any DAW such as Logic Pro X, Cubase, Ableton Live, Sonar, Digital Performer, Reaper and more.

It does not require specialty sample players or proprietary software in order to be used in your DAW project – simply call it up when you need it, and use it. Further, you can map your favorite keyboard or controller to the virtual knobs and faders within your The Riser or most DAWs, offering seamless operation with your composition style.

Get effected
We put the essential effects for transition design into The Riser, for fast access to studio-grade audio manipulation heaven. A tempo-sync’d delay with time-division can slap or drench your transition with the subtlety of a feather – or sledgehammer. To add space to your patch, mix in one of 4 reverb types, all of which are completely adjustable to complement your track.

To really grab the listener, we incorporated Panning and Width controls, letting you master stereo positioning and intimacy. The Filter section features over 20 types, ranging from low-pass, high-pass, band-pass, multi-pole/pass combos, band reject, and phase shift.

When used in concert with The Riser’s LFOs and variable oscillators, you get standout results with signature flair.

Invert Your Thinking
Experimentation is the key to inspiration, and The Riser gives you a few additional tricks to unlock new sounds. A randomizer will randomly select values for the main parameters to give you that create spark.

The Invert mode will reverse the transition, letting you hear it with the direction switched. Rises become falls, swells become fades, and more. Tap the Swap button and those inversions will override your current setup, making it easy to create complementary patches and save them as presets along the way.

Like You’ve Never Experienced Before.
We understand the science behind the suspense and emotion that a great transition delivers. Until now, recreating the transition in your head has been a convoluted, manual process.

The Riser puts intuitive sound-shaping tools right where you need them so you can design effects that keep the listener on the edge of their seat.

The Cherry Audio CA2600 Synthesizer is a powerful, self-contained duophonic synthesizer inspired by the groundbreaking ARP 2600 synthesizer. Every aspect of the original, from the quirky oscillator waves to the powerful ladder filter, to the external audio input and preamp section was modelled with tremendous precision.

Though it features similar functionality, it’s been thoughtfully updated for increased flexibility – with semi-normalled patch cabling, integrated effects, and no hidden windows or menus in the audio path, CA2600 delivers an unprecedented hands-on, “everything right in front of you, right now!,” vintage synthesis experience like no other.

Wildly flexible, capable of chunky basses, cutting leads, super-creative external audio processing, absolutely insane effects, and so much more, we believe you’ll find CA2600 to be the finest 2600 emulation ever created.

MAIN FEATURES

• Every aspect precisely modelled in exact detail.
• 300+ of presets.
• Monophonic and duophonic voice modes.
• Vintage-correct multi-mode filter with 12db and 24db slope.
• Integrated, fully CV-controllable distortion, reverb, and delay with sync.
• Sidechain audio input for external signal processing.
• Flexible CV Routing.
• Multiple voice assign modes.
• Advanced patch cabling with unlimited mults per jack, “quick patch” for rapid multiple destination routing, and click and drag movement of multiple connections.
• Additional LFO with six waveforms and tempo sync.
• Voltage Processors section with additional VCA and a 1/2-step quantizer.
• Selectable blue, grey, or black/orange colour schemes.
• Full MIDI control.
• Full DAW automation for all controls.
• CA2600 is available in AU, VST, VST3, AAX, and standalone formats.

Selectable Color Schemes