Vocal Processing VST Plugins

Mix voiceovers instantly

If you are a video-maker, podcaster, or broadcaster or create audiobooks, you simply need to mix human voice with background music. That can be a time-consuming pain. Unless you use VoxDucker, which can automatically suppress the backing track in three different ways to get the most natural feeling in a blink of an eye. And it’s not just voice-overs you may need a mighty ducker for. Think about drums and bass. And more. Just value your time and mix with VoxDucker.

Fast and Flexible
VoxDucker has been extensively tested in multiple scenarios and pre-set so that in most cases, you only need to use the depth control to set the amount of ducking for perfect results. However, if you want to dig deeper, the plugin offers a huge amount of control for you to fine-tune the ducking.

How it works
Place VoxDucker on the track you wish to duck, this will typically be the backing music and route the voice into the plugin’s sidechain input (see your DAW docs for routing). VoxDucker will now listen to the voice tack and duck the music out of the way, keeping the main focus on the voice.

Multi-Mode
The plugin features three types of ducking to choose from, each offering varying levels of transparency, preserving more of the ducked signal by focusing the ducking on frequencies present in the sidechain signal. You can easily switch between them to find which mode is the perfect fit for your situation.

Visual Focus and Feedback
The plugin’s GUI is minimal yet informative, allowing you to focus on the most important controls. The extensive metering section gives you visual feedback on the amount of ducking and levels of the Input, Output and Sidechain signals.

Not only Voice
While VoxDucker is primarily designed to work excellently on voice-over and vocals, it can actually be used on any audio type. You can use it to duck bass when the kick sounds or duck rhythm guitar when the lead sounds, all using the selectable modes.

TrapTune by Soundevice Digital

Automatic tuner with a unique character

A perfect vocal track is the key element of almost every song. That’s where TrapTune steps forward. This mighty vocal effect can become the only tool you might need for it.

TrapTune is (not just) an automatic tuner which can give you everything from subtle pitch correction to the strong artificial Cher-effect. Combine it with a second voice harmony, doubler and special FX section to get a vocal track that really stands out.

Not just Hip-Hop
TrapTune is here for natural tuning, hard tuning, and also complex vocal effecting. The plugin is especially well suited to genres where hard-tuning is needed, such as Hip Hop, Trap, RnB, contemporary pop etc. But creativity should have no limits. Any style can benefit from TrapTune’s unique character.

Simply Tune-in
The core of the effect is the Tune-in section. For some, Hard Trap Tune may be the only knob they will use. Tune-in controls the intensity and speed of natural tuning and the intensity of HARD tuning as an effect. It also works with formants, voice transposing and key of the tuning.

Create harmony
The Second voice section adds to your vocal, well, another voice singing in unison. You can transpose it by semitones and switch octaves to lower or higher if desired.

Get bigger
Hit the Stereo voice switch to activate TrapTune’s doubler which does exactly what you would expect. The vocal gets bigger, wider and stronger immediately.

Get rusty and nasty
Traptune includes a distortion specially tuned for vocals. Controlled by two knobs only, this section can provide you with a great variety of distortion effects, from warm saturation to total mayhem.

Time and space
TrapTune would be incomplete without a chance to add delay and reverb effects. Beautiful plate reverb tuned for vocals is controlled by as few parameters as possible. And TrapTune’s delay has all the necessary parameters such as Feedback and Time.

Start with the presets
Scan through the vast number of presets (use the trial version) to hear the variety of unique sounds TrapTune can offer.

Use any part solo
Every section of TrapTune has a dedicated bypass switch, which allows you to use any part you need separately. May it be the Tune In section, Second Voice or the vocal focused FX sections. TrapTune will always adapt to your needs.

Combine with Voxessor
As TrapTune’s visual design indicates, TrapTune creates a perfect duet with Voxessor. While TrapTune takes care of the effect part, Voxessor does the hard „technical“ work and fulfils the voice’s essential needs.

Syllables That Shine

However hard you try, capturing a perfect vocal is an almost impossible task. Contending with plosives and pops, crackles and clicks, has driven many a producer to distraction.

The first hurdle is getting your dry vocal track as pristine as possible and fixing all those troublesome little audio imperfections. This is way before you can even think about compression or reverb.

Vocal Cleaner puts your vocals through a rinse cycle, subtly taming harsh sibilance and removing intermittent noise. With simple threshold sliders and Amount dials for easy operation, this should be the first plugin in your vocal effects chain, taking the pain out of that initial stage of vocal processing. So load it into your DAW and get ready to really clean up.

De-Noise

Applying an intelligent algorithm to the incoming audio, this process splits the signal into voice and noise and allows you to strip away the background hum, hiss and other extraneous noise. Experiment with the main fader and the Amount dial to reduce the noise to a manageable level without compromising the vocal quality.

De-Ess

Hissing mouth sounds created by “sss” and “shh” sounds are known as sibilance. These can be exaggerated by some microphones and result in a recording that sounds unbalanced and is difficult to listen to comfortably. The De-Es unit within Vocal Cleaner detects these harsh high frequency sounds and creates an intelligent and adaptable EQ curve, reducing the volume of these unwanted artefacts. 

Noise Gate

Setting a minimum threshold of amplitude, the Noise Gate clamps down on quiet sections of audio whilst letting louder parts through. This is ideal for cutting out breath sounds and room noise. Fine-tune the effect with the Amount dial to maintain a natural sound.

Bright, Natural & Dark

The signal algorithms are optimised for audio with different qualities, so you can click the B/N/D buttons to tailor the processing to your individual needs. Choose either Bright, for high frequency noise, dark for noise in the lower register or Natural for a balanced effect.

High / Low Filter & Presence

Using the high and low pass filter helps to roll-off unwanted hum and upper frequencies, balancing the audio in a comfortable centre-ground. The Presence control restores some of the definition with a combination of saturation, compression and EQ. 

Bright, Natural & Dark (B/N/D)

The signal algorithms are optimised for audio with different qualities, so you can click the B/N/D buttons to tailor the processing to your individual needs. Choose either Bright, for high frequency noise, dark for noise in the lower register or Natural for a balanced effect.

Bypass, Output & Master Mix

The bypass control is smoothed to be as click and pop free as possible for unhindered A/B testing when combined with the Output dial. Choose to mix the cleaned vocal signal with your original raw audio via the central Master Mix ratio control, allowing you to dial down the impact of heavier processing for parallel effects.

Visual Feedback

The live VU meters of the interface show exactly what’s happening to the signal as it travels through each stage of cleaning in real time. This allows for accurate monitoring at every step of the chain.

Presets

With many included presets, it’s easy to find the perfect starting point for almost any type of vocal. With specific presets for female vocals, male vocals, backing vocals and many other options, you can find useful initial settings for most types of voice.

Features

• Easy to use clean up for all sorts of vocals
• 3 processing stages
• De-noise, De-ess & Noise Gate
• Bright, Normal & Dark optimisation modes
• Presence control
• Low and high pass filter
• Pop & click free bypass
• Responsive & CPU friendly
• Factory presets
• Resizable user interface

ALL SOUNDS GOOD NOW

Vocal Finalizer is designed for holding “Vintage & Modern Characters – Simplicity – Wide Usability Range – Time Saving” properties together. Carefully crafted pieces are used in this combination to give everything you need to reach a final ready to mix vocal sound from a raw vocal track.

BALANCED & POLISHED

Vocals are the most important element of any song. Maybe that’s why a mixing engineer / producer wastes most of the time on vocal tracks to make the vocals sound as much as “perfect” and “sit-in-the-mix” possible. You don’t need to worry about that anymore. Get gorgeous results with ultra simple controls…

ALL IN ONE TOP FAMOUS CLASSIC VOCAL EFFECTS

You will find different variations of top 7 most popular vocal effects on a single unit with right settings and right amounts.

• Compression (3 types)
• DeEsser (Vocal Specific Dynamic EQ)
• Delay (4 types)
• Reverb (5 types)
• Doubler (3 types)
• Solid State, EQP1A and 31102 Classic Analog EQ Collection with 3 frequency band sections
• Stereo Wider effects

QUICK, SIMPLE & ELITE

Quickly combining the vocal processing settings for all musical genres is just a few clicks away. So because of getting the amazing sound very easily, you won’t believe what you hear. Your vocals will turn into real records just like in your dreams.

REAL ANALOG MODELS

If you’re looking for a true high quality “Analog Character”, quick and all in one vocal tone solution, “Vocal Finalizer” will definitely be your ”go to” vocal fx processor”. It will finalize your vocal track from “a raw track to professional record” with it’s magical processing power.

Product Specifications:

• NoiseAsh’s Magical, Fast, Analog Quality All in One DSP Engine
• Simplified controls, lot’s of creative possibilities
• 3 types of Vocal Specific Compressor/Limiter unit
• 4 types of Vocal Specific Tempo sync stereo delay unit with customizable section
• 5 types of Vocal Specific High Definiton Reverb unit
• 3 types of Vocal Specific Stereo Doubler – Chorus modulation unit
• Vocal Specific Body and Treble (Solid State, EQP1A and 31102 Classic Analog EQ models with 3 frequency band sections)
• Analog High Pass & Low Pass Filters
• DeEsser (Dynamic Eq) module
• Simplified Vocal Noise Gate
• Advanced Stereo Enhancer algorithm
• Resizable GUI with Vectoral GUI elements
• “Stereo” and “Mono to Stereo” Channel support

DUO – Automatic Vocal Doubler

The quickest, easiest way to create realistic vocal doubling.

Doubling is one of the best techniques for fattening up a lead vocal or giving it extra depth. And Duo is the easiest way to enhance vocals with a realistic doubled vocal part—automatically generated from your existing vocal.

In addition to programmable variation in pitch, timing and vibrato depth, Duo includes adjustable vocal timbre modeling, so you can create a doubled part that sounds like the same person as the lead vocalist—or like someone else entirely.

It also gives you independent control of the level and pan of the original and doubled voices, so you can craft the perfect stereo mix.

Just put Duo on your vocal track, and adjust the variation parameters and output controls to create exactly the doubling effect you’re looking for Instant doubling.

Clear & Wide

For decades, audio engineers have used a certain processing trick on vocals to help lacklustre mono vocals leap from stereo speakers. Now you can replicate that secret technique with one simple plugin. Vocal Splitter is a handy one-stop unit for turning mono vocals into thick, modern-sounding stereo. When we developed this plugin we went one stage further, including frequency and drive parameters to help your vocal performances stand out from the crowd. Of course, you can also this plugin on audio other than vocals… download the demo and give it a try.

Under The Hood

Feel free to skip this part if you like, but here’s what is going on under the hood: Vocal Splitter uses a combination of a phase-offset vibrato effect (that splits the left and right channel by asymmetrically detuning the channels)  and an asymmetrical rectification of the left and right signal (creating a better defined stereo image). Combining these two effects in one plugin is an especially effective way to create a defined stereo split vocal signal with minimal phasing.

Mix

The central mix dial sets the dry / wet ratio of the original source signal and added stereo signal. If you want to listen to the added stereo signal in solo mode or use the plugin on an effects bus, just press the Mute Source button, muting the source signal so that you only hear Vocal Splitter’s processed audio.

Speed & Depth

These dials work together to control the behaviour of the phase-offset vibrato effect that splits the left and right channels. The channels are asymmetrically detuned and these dials adjust that effect so that you can achieve any intensity of processing, from subtle thickening to full-on doubling.

Drive

The drive feature lets you control the intensity of the asymmetrical rectification of the left and right signal, creating a better defined stereo image. If that sounds technical, don’t worry. All you need to know is that pushed hard it provides a saturation-like effect and brings the stereo image back in towards the centre.

Filters

The high pass and low pass filters allow you to filter the added stereo signal, especially important if you want the effect to only apply to a specific frequency range and avoid unwanted phasing in the low end.

Bypass

The Vocal Splitter logo acts as a bypass control for the whole plugin, and is smoothed to be click and pop free for unhindered A/B testing.

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features:

• Create wide and modern vocals from a mono source
• Presets for one-click transformations
• Speed & Depth set the power of effect
• Drive dial to add grit and increase definition
• Mute Source button for using effect as a send
• Click-free bypass
• Minimal phasing
• Full PDF Manual & Tutorial video

New Features in version 2.1.0:

• Resizability
• Updated presets manager
• Updated license management
• Bug fixes

Voxpat Pro is a standalone software developed to create monster, other world creatures and robotic sounds for games, films, music & multimedia projects.

But also for processing any kind of samples or musical instruments in many different ways. Procedural audio, audio synthesis, audio convolution, among other audio manipulation techniques are used to create multiple layers of sound using your own voice or pre- recorded audio files.

• Real-time audio processing.
• Up to 2 microphone inputs at same time.
• Multi Player Input. Process up to 3 audio files at same time.
• Process WAV, AIFF & Mp3 files.
• Instrument Input. Play any VST/AU virtual instrument.
• Process your input signal through 12 audio effects.
• Input Depending Mode. Activate effects based on the input level.
• Delays Section.
• Assignable LFO & LFO Rate Modulation.
• Master Fx Rack.
• Recording. Export each effect layer separately, including audio source.
• Batch Processing. Process & export a bunch of file within 1-click.
• Sample Processing. Process & export any audio file within 1-click.
• Rec Me Section. Record your voice for processing in just 2 clicks.
• Input & Output routing to DAW or audio editor.
• Control Voxpat Pro via your MIDI device.
• Includes 66 Presets & 154 Samples (Animal, Human & Foley Sounds).

What’s new in Voxpat Pro?

• Improved audio engine
• Redesigned audio player input section. Includes fade in settings, playback speed, pitch, normalizing, reverse playback and audio file length selector
  (process only the selected part of an audio sample). Play audio files using computer keyboard.
• Redesigned delays, input depending and LFO sections.
• New “Dark” effect.
• New “Bot 1” & “Bot 2” effects for creating robotic voices and sounds.
• Redesigned D-Pitch effect.
• Redesigned “S-Conv” effect. Includes fade in settings, playback speed, pitch, normalizing, reverse playback, audio file length selector (process only the
  selected part of an audio sample), master pitch, amplitude envelope and threshold (set the input level for triggering the sample convolution).
• Redesigned “S-Player” effect. Includes fade in settings, playback speed, pitch, normalizing, reverse playback, audio file length selector (process only the selected part of an audio sample), master pitch, amplitude envelope and threshold (set the input level for triggering the sample convolution). Play audio files using computer keyboard.
• Redesigned “Ring” effect. Features 3 ring modulators sections.
• 5-Band Parametric EQ on each effect.
• New built-in Dual Delay at master rack.
• New built-in Pitch Envelope at master rack.
• New built-in Chorus at master rack.
• New built-in Reverb at master rack.
• New built-in Overdrive Distortion at master rack.
• Redesigned plugins section at master rack. Up to 4 vst/au plugins.
• Redesigned Recording section. Now you can also export each effect layer and source file separately. Rec Me section allows you to quickly record your voice to use it as an audio file within Voxpat Pro.
• New convolution samples added. Includes 108 animal & action sounds.
• Run on the latest mac and windows os.
• Run native on new Apple silicon computers.

Dehumaniser 2 is a powerful vocal processing tool perfect for a range of vocal effects, from monsters to robots and many more. Utilising incoming live or pre-recorded signals, the software allows you to rapidly create seamlessly layered effects by using presets or dive right in to customization by linking virtual patch cords to interactive effects modules. Dehumaniser 2 features proprietary effects like Scrubbing Convolution and Spectral Shifting that deliver dramatic results and offer totally new avenues for creative design.

With 10 essential modules, and over 100 impactful presets, renowned sound designers have used Dehumaniser to bring other-worldly characters to life in blockbusters like Avengers: Age of Ultron, The Jungle Book, Far Cry 4, and Doom. This versatile tool eliminates the difficulty of setting up complex processing chains, and allows designers to jump right into the creative work. Dehumaniser is an all-in-one solution that puts vital vocal design features at your fingertips, making it the ideal plugin for use in film, TV, video games, live performance, and more.

This modular, node-based processor eliminates the time and expense traditionally required in creature sound design by opening-up jam-packed full of presets and pre-analyzed sound libraries. Work in real-time to design unique creatures, and save your workflow – down to each module, sample, and setting – making it perfect for localisation.

Perform live directly in your session

• Use Dehumaniser 2 in industry-standard DAWs including Pro Tools, Logic, Reaper, Live, Cubase and Digital Performer
• Run multiple instances of Dehumaniser 2 on different tracks or buses
• Automate hundreds of parameters for unprecedented control over your processing and workflow

Design complex processing systems quickly and easily for unique sound design

• Clearly see the layout of audio routings with our modular, node-based system
• Use up to two instances of each node; use multiple pitch shifters, granular processors, spectral or convolution processes or more in complex serial or parallel signal paths
• Create systems and settings which are truly performable

Jam-packed with inspiring presets and sounds to get you started

• Our factory library ships with over 100 thrilling presets and 133 high-quality animal recordings, including Tigers, Leopards, Pigs, Parrots and more
• Jump straight into creature design or create your own settings
• Trigger sample sounds based on amplitude, pitch or from a range of audio descriptors

Additional features

• Create dynamic effects that react to the input signal; create processing engaged by pitch or amplitude settings per node
• Select between peak level, RMS level, energy difference or pitch tracking to bring your signal to life
• Midi control, assign and recall
• Gate, EQ and Limiters per module (including input and output)
• Custom ‘drawer’ macro system per node
• Envelope-follow based on pitch or noise content as well as amplitude, per module in your custom system

Spread It Around

This is chorus on steroids. Taking inspiration from the thick and wet studio processing of the 1980’s, Orchid is your quick-fix way to solve the problem of thin and weedy audio. Fatten up synths, basses, guitars, vocals or drums and add depth, richness and harmonic structure. Whereas most other chorus plugins only double the signal, Orchid quadruples your audio with four-way chorus processing, taking your productions to the next level.

You’ll be familiar with the standard controls for speed and depth but Orchid pushes the envelope for what you should expect from a chorus plugin. Introducing new ways to process feedback with reverb, delay, shimmer, spread and filtering. Some of the changes are applied separately to each of the 4 chorus modules which pushes the sound into phase and comb-filtered territory.

So whether you want to bust out some authentic 80’s synth leads or add a new level of depth to more modern productions, Orchid should be your first choice for chorus processing. It handles basic effects with ease but really shines when the modules are pushed harder to produce head-scrambling audio.

Speed, Depth, Feedback & Spread

These familiar parameters are the first steps of your chorus adventure. However, instead of just doubling the signal as most other chorus processors do, Orchid duplicates the audio 4 times for maximum depth and thickness. Set up the Speed and Depth of the processing and then dial in Feedback to determine the amount of signal fed back into the input, changing the character and intensity of the effect. Then use the Spread control to smear the sound across the stereo field for brain-bending imaging.

Shimmer & Space

This special Shimmer effect adds up to two octaves above the original audio, generating harmonics and sparkly top end with a slow phasing effect. Use this for brightening the sound and drawing attention to the upper frequencies.
The Space dial adds a little (or a lot) of reverb to each individual chorus effect, gluing them together simultaneously.

Delay & Filter

Delay the processing by up to 100 milliseconds, useful for carving out a space between the original audio and the chorus signal. The high and low pass Filter dials help to define the processed audio, very handy if you only need some bass grunt or top-end sheen.

Mix, Mute Source, Bypass, Input & Output

Choose to combine the chorus signal with your original raw audio via the central Mix ratio control, allowing you to dial down the chorus ratio for parallel processing effects. The bypass control is smoothed to be as click and pop free as possible for unhindered A/B testing when combined with the Input and Output volume sliders. In addition, you can hit the Mute Source button to hear just the processed sound – very useful for monitoring and special effects.

Visual Feedback

The live visual meter at the centre of the interface shows exactly what’s happening to the signal as it travels through each module in real time. This allows for accurate monitoring at every step of the chain.

Presets

With many included presets, it’s easy to find the perfect starting point for your own chorus exploits. Categorised into distinct instrumentation, these factory options can be used on guitars, bass, drums, synths and vocals. The presets include everything from subtle thickening to more full-on transformation effects.There’s also a range of special FX presets, mimicking comb-filtering and phase processing.

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

Features:

• Chorus on steroids
• 4-way chorus processing
• Multiple additional parameters
• Delay, Filtering & Reverb
• Harmonic generation via Shimmer dial
• Visual feedback
• Pop & click free bypass
• Responsive & CPU friendly
• Factory presets
• Full PDF Manual & Tutorial video

New Features in version 2.0.0:

• Resizability
• Updated presets manager
• Updated license management
• Bug fixes

Through unique granular algorithms, Manipulator can dramatically alter the timbre and pitch of monophonic audio in new and unexplored ways. From subtly imposing pitch and harmonization, to a full-on sonic mangle that will leave you with a totally new sound, Manipulator is as versatile as it is creativity-inducing.

• Bend and sculpt your sounds into new ones
• Alter timbre and pitch of vocals and instruments
• 10 Different effects with endless combinations
• Change melodies of existing performances
• Create harmonies with up to 4 polyphonic voices
• Extensive modulation capabilities
• Real-time processing for live performance
• Supports VST / AU / AAX plug-in formats

NEAR-ENDLESS MANIPULATION Equipped with 10 different effects including pitch processing, formant, harmonics, sound smearing, pseudo stereo and more, Manipulator can take a normal vocal and transform it into a complex, entrancing new sound. Other monophonic and rhythmic sources work particularly well with Manipulator. Alter Pitch in Real Time Like I Wish, Manipulator allows users to accept midi data in real time, allowing pitch shifting to be controlled on the fly via midi controller. Didn’t like the vocal melody in a take? Play it the way you hear it! Manipulator transposes pitch seamlessly and adds a unique texture to incoming audio. Manipulator supports up to 4 polyphonic voices when used with a midi input.

The Industry Standard for Pitch Correction and Vocal Effects – Optimized for Real-Time Tracking and Live Performance

Auto-Tune Artist (formerly Auto-Tune Live) is designed to meet the demanding needs of working musicians, producers, and live sound engineers. It includes all of the advanced real-time pitch correction features of Auto-Tune Pro and is optimized for low latency performance on stage or in the studio.

Auto-Tune Artist is also packed with powerful new features and enhancements, starting with a sleek new interface, redesigned for ease-of-use and optimal workflow. Antares have added Basic and Advanced Views so you can find the tools you need, when you need them.

They’ve also added Flex-Tune for more natural and transparent pitch correction, Classic Mode for the “Auto-Tune 5 sound,” and Transpose for real-time pitch shifting. Compatibility with the Auto-Key plug-in (sold separately) means never having to worry about finding the key of your music before tuning. Auto-Key detects the key and scale and sends that information to Auto-Tune Artist with a single click.

Auto-Tune Artist also features Humanize to preserve subtle pitch variations on sustained notes, automatic Formant Correction, adjustable Throat Modeling, real-time MIDI Control, and advanced Vibrato Controls.

MAIN FEATURES

Pitch Correction and the Auto-Tune Effect

Auto-Tune Artist offers the transparent and natural-sounding pitch correction required for professional quality audio production and the classic effects that have become a staple of top-charting hits.

Use Flex-Tune and Humanize to bring a vocal perfectly into tune without sacrificing the soul of the performance, or crank the Retune Speed for the legendary Auto-Tune Effect.

Classic Mode

Classic Mode is the return of the celebrated “Auto-Tune 5 sound.” As Antares have added new features to Auto-Tune, the algorithm has evolved, and its sonic qualities have undergone subtle changes, with each Auto-Tune version having its own slightly different character.

Over the years, the sound of Auto-Tune 5 has developed a strong following among pro audio engineers, musicians and producers. After repeated requests from the professional music-making community, Antares have made the sound of Auto-Tune 5 easily accessible via Classic Mode in Auto-Tune Artist

Streamlined User Interface

Auto-Tune Artist features a sleek, all-new interface, redesigned for ease-of-use and optimal production workflow, with two unique screen views. Basic View gives you convenient access to the most popular Auto-Tune features, and Advanced View unlocks the powerful MIDI, scale editing and vibrato tools.

Auto-Key Compatibility

Auto-Tune Artist is fully compatible with the Auto-Key plug-in. Auto-Key is designed to save you countless hours in the studio by automatically detecting the key and scale of your music, and sending that information to Auto-Tune Artist with a single click.

Even if you already know the key and scale of your tracks, Auto-Key will streamline your workflow by allowing you to conveniently set the Key and Scale parameters for all of your Auto-Tune plugins within the project simultaneously.

Important Note: Auto-Key is sold separately and is not included with Auto-Tune Artist.

Natural Vocal Pitch Editing Plug-in

Powerful, easy to use and exceptionally transparent, RePitch sets a new standard for vocal pitch editing tools. Instantly snap vocal tracks to any scale or make forensic pitch, timing or vibrato changes in seconds. You can even connect RePitch to VocAlign Ultra for simultaneous tuning of multiple vocal layers, saving hours of manual work.

Tuning You Can’t Hear

RePitch meets the challenge of getting perfectly tuned vocals that don’t sound processed or doctored, so flaws and imperfections can be removed without compromising the feel or vibe of the performance.

Powered by Synchro Arts’ advanced musical note detection technology, RePitch’s instant automatic pitch correction can be applied in seconds and then for more detailed editing, just fire up the suite of manual tools for fine tuning and tweaking.

A completely unique feature, RePitch uses their SynchroLink technology to connect to their alignment plugin VocAlign Ultra, so any pitch and timing changes can be instantly transferred to multiple doubles in real time saving hours of editing. 

Developed with the uncompromising input of Grammy-winning producers and engineers from all over the world, RePitch makes vocal pitch and timing correction quicker, easier and more transparent than ever before.

Features

• Enhanced musical pitch analysis
• Powerful suite of intuitive pitch and time editing tools
• Easy automatic or detailed manual correction options
• Edit pitch, sibilance and breathes separately
• Formant Shifting
• Scale Detection
• Fully Resizable GUI Window
• SynchroLink enabled for connectivity with VocAlign Ultra (Supported DAWs Only)
• Two activations included with each licence
• All iLok Copy Protection options supported (no iLok USB dongle needed)
• Full ARA2 (Audio Random Access) support for enhanced workflow with compatible DAWs

The World’s #1 Audio Alignment Plugin

The industry-standard plugin for aligning audio, VocAlign Project 5 takes two separate vocal performances and effortlessly aligns their timing in seconds. Don’t waste your time manually tightening vocals, VocAlign saves hours of tedious editing so you can focus on what’s important, being creative and hitting deadlines.

Get Tight Vocals Fast

Whatever the musical genre, VocAlign is the must-have plugin for working with stacked vocals, bringing your performances together so they sound clean and focused. Also if you’re working in audio post-production VocAlign is an essential tool for ADR, enabling dialogue to be instantly replaced.

Using VocAlign with your DAW is simple. Just capture a ‘Guide’ signal with the right timing, capture a ‘Dub’ signal to be aligned to the guide, VocAlign performs the alignment and a new aligned Dub is generated and returned to your DAW.

Latest Audio Alignment Technology

VocAlign Project 5 boasts Synchro Arts very latest alignment algorithms from their award-winning flagship software, Revoice Pro. This means you can align longer and more complex vocal sections in seconds with unprecedented accuracy and ease, potentially saving hours of your time that can be spent on more creative tasks.

Tightness Control

For complete creative freedom, VocAlign Project 5 features a new tightness control so you decide how much alignment you want to apply to your vocals. If super-tight isn’t sounding right, then just loosen the setting in VocAlign Project 5 and more of the original double or harmony performance will be retained for a more natural result.

Smart Align

VocAlign Project 5 features an all-new SmartAlign control so you can line up your vocals, without having to do anything!

Alignment Presets

Not sure which alignment settings to use? That’s no problem, VocAlign Project 5 includes a variety of carefully designed and well labelled presets covering all the most common alignment scenarios, just make your choice and start aligning. You can also tweak and create your own presets which can be saved to use again in the future.

Enhanced Waveform Displays

To enable fast and easy visual inspection of alignment results, Synchro Arts has added a new display in VocAlign Project 5. The new waveform view shows your audio just how it would appear in your DAW and allows easy comparison between your guide and output signals.

Fully Resizable GUI

Synchro Arts understands your screen real estate is valuable so once you have decided on your settings, VocAlign Project 5 can be reduced to down to a compact size just showing the key controls for operation. With a completely resizable GUI, VocAlign Project 5 can be as big or as small as you need to be, depending on which controls you need to see.

Full ARA2 Integration With Compatible DAWs

ARA or Audio Random Access is a revolutionary audio plug-in extension that enables unprecedented instant communication between ARA-enabled plug-ins and DAWs. The huge time-saving benefit for VocAlign users is that real-time audio capture is no longer necessary as audio files can be instantly captured, updated and returned to your DAW.

Features

• Instantly Match Timing of Two or More Signals.
• Great for Vocals, Instruments and Sound Effects.
• Includes the Revoice Pro Alignment Algorithm.
• Tightness Control.
• SmartAlign Intelligent Processing.
• Align Mulitple Tracks (ARA2 Hosts Only).
• Alignment Presets.
• Enhanced Waveform Display.
• Two activations are included with each license.
• All iLok Copy Protection options supported (no iLok USB dongle needed).
• Full ARA2 (Audio Random Access) support for enhanced workflow with compatible DAWs.

Intelligent and Transparent

Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don’t worry, FabFilter Pro-DS comes to the rescue!

Accurate Detection

With its highly intelligent ‘Single Vocal’ detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.

When using the ‘Allround’ mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes. Try it out yourself!

Everything You Need

FabFilter Pro-DS offers everything you need to get the best result possible, presented in a simple and easy-to-use interface. Wide band or linear-phase split band processing, an optional look-ahead of up to 15 ms, adjustable stereo linking with optional mid-only or side-only processing, up to four times linear-phase oversampling… it’s all there.

FabFilter Goodies

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an excellent help file with interactive help hints, SSE optimization and much more!

MAIN FEATURES

• Highly intelligent ‘Single Vocal’ detection, and classic ‘Allround’ detection
• Transparent program-dependent compression/limiting
• Adjustable Threshold, Range and detection HP and LP filtering settings
• Wide Band or linear-phase Split Band processing
• Optional look-ahead time up to 15 ms
• Freely adjustable stereo linking
• Optional mid-only or side-only processing
• Up to four times linear-phase oversampling
• Real-time de-essing display, clearly showing the affected parts of processed audio
• Side-chain input meter, making it easy to choose a good Threshold value
• Real-time spectrum analyzer built into the HP/LP filter controller
• GPU-powered graphics acceleration
• High-quality 64-bit internal processing
• Double-click text entry of parameter values
• Large and compact interface sizes
• Stereo and mono plug-ins available
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Smart Parameter Interpolation
• Sample-accurate automation of all parameters
• Extensive help file with interactive help hints

Lift Your Voice

For a vocal to really cut through the mix and ride other instruments, it’s usually a good idea to make sure it’s loud and proud. However, the dynamics of a vocalist’s performance can vary wildly, from softly sung verses to strident choruses. Despite a comprehensive vocal effects chain, with careful volume-riding and compression, you’ll often need a final limiter to clamp down on fluctuating dynamics or to smooth slower phrases.

W.A Production designed Vocal Limiter to be the last step in your vocal processing chain and as simple to use as possible.

It’s specifically developed to target the frequencies of vocal performances so is less affected by overly high or low-frequency content. With multiple speed modes and real-time VU meters, you can use your eyes and ears to find the perfect settings… or just flick through the included presets. With Vocal Limiter you can be sure that your vocals will sit comfortably in the mix and be heard loud and clear.

Threshold

You’ll probably already be familiar with the normal functions of a limiter; set the threshold to clamp down on levels above a certain amplitude. How quickly a signal recovers after this is dictated by the Speed button.

4 Release Speed Modes

Use the central button at the bottom of the interface to toggle the auto-release of the limiter to 4-speed settings. Depending on the performance of your vocalist, each of these settings will give a different effect. Use a slow speed for smoother performances such as ballads and acoustic songs, and fast speed for quicker changes, perfect for vocal chops and raps. Medium speed is suitable for most other kinds of vocal but feel free to experiment and discover the best settings for your particular style. Ultra Slow speed has also been included as a bonus; useful for synth parts and other types of audio that require a more gentle, transparent release setting.

Input & Output

Adjust the Input and Output faders to balance vocals recorded at different volumes and dynamics. These parameters are also useful when used in conjunction with the click and pop-free bypass button, for accurate A/Bing in context.

Visual Feedback

The live VU meters of the interface show exactly what’s happening to your audio signal in real-time. This allows for accurate monitoring at every step of the chain.

Presets

It’s easy to adjust the parameters of Vocal Limiter and since this is such a simple plugin, finding the right settings is so fast. Nevertheless, W.A Production have bundled some of the most useful combinations of settings as factory presets, easily accessible via either the browser or the arrows to the left and right of the interface preset section. Just click these for quick access to curated presets.

Features:

• Super simple vocal limiting
• 4 speed modes
• Input & Output gain sliders
• Real-time VU metering
• Pop & click free bypass
• Responsive & CPU friendly
• Factory presets
• Full PDF Manual & Tutorial video
• Resizable user interface

The Ultimate Pitch & Timing Toolbox

Used worldwide by top music producers and audio professionals, Revoice Pro 4 features Syncro Arts’ industry-standard audio alignment technology, an extensive suite of pitch adjustment tools and a premium doubler which combine to create a vocal, instrument and dialogue editing powerhouse.

With Revoice Pro, Synchro Arts offer a solution which delivers premium audio quality while being fast and easy to use, saving you hours of tedious editing time, ensuring the highest possible production values and helping to achieve your creative vision.

Key Features

• APT – Clone the timing, pitch, vibrato and level features of one audio track and use it on another.
• Warp – Manipulate the timing and pitch of your audio whilst maintaining the highest audio quality.
• Doubler – Instantly create natural-sounding mono and stereo double tracks.

Music Production using Revoice Pro 4

• Tighten the timing, pitch and vibrato of “stacked” lead and backing vocals or instrumental tracks.
• Create one or more realistic double tracks from a single input track.
• Manually adjust the pitch and timing of your tracks with an easy to use graphical interface.

Post Production using Revoice Pro 4

• Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Change the inflection in dialogue (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialogue editor.

Audio Performance Transfer (APT) Process

The APT Process transfers user-selected timing, pitch and level characteristics of a good “Guide” audio signal to one or more audio signals – automatically.

At the heart of Revoice Pro is Syncro Arts’ unique Audio Performance Transfer (APT) process, that allows the user to clone the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing, tuning and level.

Applications for the APT process include:

• Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.
• Dialogue replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Transfer a performance: Change the inflection in dialogue (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialogue editor’s voices.
• Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes

Description of the APT Processing

The user loads or transfers the Guide and Target (Dub) audio to be processed into the Revoice Pro program from DAWs or audio files. The Guide signal should have the “perfect” features: either timing, pitch or both.

However, if your Guide audio needs further time or pitch modifications, you can use Revoice Pro’s new built-in Warp function to quickly and transparently adjust the Guide’s (or lead harmony parts’) timing and pitch.

In Revoice Pro, you can insert APT function blocks wherever you want them in dedicated “tracks” under each audio track that show where the processing starts and stops. You also chose the initial settings.

The APT process first determines the timing relationship between key features of the Guide and Target (Dub) audio signals using state-of-the-art pattern recognition algorithms based partly on Synchro Arts’ VocALign technology.

User-selected Guide performance features are transferred to the Target audio to create a new Modified Target signal with the selected Guide features. Next, the APT process measures performance-related features (such as timing, pitch, vibrato and level) of both the “Guide” (which usually has certain preferred performance characteristics) and one or more Targets (Dub) signals.

The transfer process usually includes the timing alignment, so Guide features are incorporated at precisely the correct places along the Target. However, this is an option.

If satisfactory, the processed Dub(s) can be instantly transferred back to the DAW via a number of methods including Revoice Pro Link plug-ins, drag & drop or copy & paste.

Important Features of ATP

• The “tightness” of the transferred feature can be controlled to allow natural acceptable differences to pass through unchanged.
• Optional user-inserted “Protected Regions” allow selected sections of the Dub signals to be left unchanged in timing or pitch by the APT process.
• The automatic APT processing can be followed by (or replaced by) manual editing of the output features.
• APT Pitch (and other feature’s) processing settings can be made time-varying (automated).
• “Process-based” solo switching, via single keys, provides instant audition to compare inputs and outputs one or two signals at a time.
• The effects of any changes made to APT control panel parameters will be immediately visible (after rendering) in the displayed output graphics of pitch, level and waveform traces.
• Multiple Dub signals can use the same Guide and be efficiently processed at the same time.
• A comprehensive Preset system allows saving and reusing settings.

Doubler

The Doubler – instantly create natural-sounding mono and stereo double tracks for voice and instruments or, crank the parameters for more extreme modulation style effects on your tracks. A great time-saving process often referred to as ‘the secret weapon’ in modern vocal production.

Applications for Doubler

• Creating realistic double tracks from vocal or instrument recording when no double track is available.
• Create a wide range of special modulation effects.

Process Details

• Inputs can be mono or stereo signals.
• Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
• Provides controls for modifying timing variations, formants, and vibrato.
• Supports extreme parameter variations to create special effects.
• Comprehensive user Preset system.

Warp

Simple, fast adjustments with maximum quality- for voice and monophonic instruments.

In Revoice Pro 4, manual Pitch and Time Warping of audio are intuitive, making it easy to select and manipulate timing and pitch whilst providing the highest audio quality. The controls allow selection over any range and cursor tool changes to show what will move. Automatic snap to pitch option, plus play loops and undo functions make adjustments fast and easy.

Applications for Warp processes

• Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
• Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
• Manually adjusting the pitch and time of a solo vocal or any voice recording.
• If required, making minor adjustments to the features in the output of an APT process.
• Modifying signal levels.

A powerful advantage of keeping time and pitch adjustments within Revoice Pro 4 is that any additional time and/or pitch changes to Guide or Input tracks will be passed automatically into the outputs of all processes using these inputs. This means that dependant audio tracks will always be in time and in sync instantly.

Warp Processing Details

There are now three new methods for manual Timing and Pitch Warping audio in Revoice Pro. However, the tools available in all of these are operated similarly.

The quick-access cursor tool’s function changes simply by moving the cursor position around the note selection blocks. This way, pitch traces can be shifted, squeezed, tilted and even inverted instantly by dragging the note-box sides or corners. Time and level can be manipulated similarly and easily.

Moreover – there is a Correct Pitch function for a quick snap-to-grid process which will automatically adjust a large proportion of out-of-tune notes to more acceptable tunings. However, in any processing, the most important element is sound quality – which in Revoice Pro 4, remains natural and transparent for moderate changes.

For working with low or high pitched instruments or voices, the pitch processing ranges can be extended down to bass instrument ranges or up to flute ranges- to maintain the highest quality processing.

The Warp Region Process

• Adjustments are made to a single audio region in the same track as the input audio Region and the adjusted output is heard replacing the input audio.
• This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice-over parts.

The Warp Process

• Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track – i.e. not in the same track as the input audio.
• The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
• Revoice Pro 4 – Three Warp Points inserted and moved
• Three Warp Points inserted and moved

Warp Points

• Warp points can be used to time stretch the signal between two points.
• Vibrato Warp Points allow you to time-stretch or compress signals containing vibrato without modifying the vibrato rate.
• You can also use speed points to gradually change the rate of time stretch.

What’s new in Revoice Pro 4?

With the release of Revoice Pro 4, Synchro Arts have continued to push the boundaries of what a vocal production tool can achieve, with better sounding and more musically pleasing automatic alignment and vocal vibrato adjustment, even faster workflow utilising the cutting edge ARA2 protocol and iLok Cloud based authorisation with no USB dongle. These along with the over 70 other new features and improvements mean Revoice Pro 4 truly is the ultimate toolbox for timing and pitch adjustment.

VoxDoubler is presented as two separate Plug-Ins that focus on the two most common vocal doubling workflows.

Vocal performances lie at the very heart of a song. Doubling vocals is a really effective way of adding more contrast, drama and presence to the story of your song.

It’s therefore hard to imagine much of recorded popular music without the special quality that double-tracked vocals bring to a mix, either used over an entire track or just to help a chorus or key lyric connect with a listener.

MAIN FEATURES

• Generate believable double and triple vocal tracks to create width, depth or add thickness
• Humanise section to adjust the Timing and Pitch of the doubles relative to the original vocal
• Depth control to push the new doubled voices deeper into the mix
• Tone control to prevent sibilant doubles from becoming distracting, or to brighten those that are too muddy
• Track/Aux mode allows you to apply the effect in place or, for more advanced control, mix it in parallel on an aux return
• A more cost-effective alternative, both in terms of initial outlay and speed of use, than more complex and manual processes
• Engineered for vocals, but try it on instruments too!
• Hallmark Sonnox audio precision, transparency and reliability

Why VoxDoubler?

You want believable and natural sounding doubles but don’t have access to your vocalist, or the time required to:

• Record extra takes in order to comp doubles
• Transfer a lead take into an external editor, make copies of it and then manipulate the pitch and timing of them
• Maybe you like the speed of using a classic stereo imager, chorus or harmonising effect, but aren’t so happy with the rather unnatural artefacts that can often occur?

Enter VoxDoubler. Bespoke designed to give you the best of these two approaches; ease of use, real-time processing and results that sound as lifelike as if the doubled parts were actually multi-tracked.

Saving you time, money and maintaining your creative flow.

Widen

Generates two new mono voices and pans them to the left and right of the original vocal.

Great for:
Widening a mono performance, ranging from subtle enhancement to a stack of hard-panned voices

Or why not try:
Manually processing the new doubled voices separately, then mixing them back in parallel with the original

Thicken

Generates a new stereo doubled voice and overlaps it with the original vocal.

Great for thickening a:

• Mono performance, emulating the effect of singing the same part twice
• Stereo group of voices by doubling each voice

Voxpat is a standalone software developed to create high quality monster, other world creatures and robotic sounds for games, films, music, multimedia projects or for creating sound libraries in just a few minutes.

But also for processing any kind of samples or instruments in many different ways.

Procedural audio, audio synthesis, audio convolution, among other audio manipulation techniques are used to create multiple layers of sound using your own voice or pre-recorded audio files.

Includes samples and presets from respected sound designers as Frederic Devanlay, Stephan Schütze, Kate Finan, Russell Gorsky, José Tome & Saro Sahihi.

FEAR – BEAST – ROAR – BURST

Predesigned voice effects.

NOISER

Process input signal through 2 noise signal convolution effects at same time. Each noise section generates a different kind of noise signal, which is used as the convolution carrier signal and modulated by the input signal. Noise A section generates pink noise, white noise, or a mix of both kinds of noise. Noise B section generates a noise signal based on FM synthesis.

MAMMAL

Procedural audio effect that generates a mammal sound depending on the selected settings. This mammal sound is used as the carrier signal for a convolution processing and is modulated by the input signal. Output clone mode allows generating a delayed copy of the processed audio output by adding a delay and creating a pitch-shifted decay effect by changing the pitch of this delayed output version.

SHIFTER

Process input signal through 6 pitch-shifting sections at same time. Input depending section allows selecting different activation/deactivation threshold level for each section, this way you can create more dynamic and realistic voices if sections are activated at different input level, higher or lower depending your configuration. Delay section allows adding a delay to any of the 6 pitch-shifting sections to create different voice decays.

SCONV | SAMPLE CONVOLUTION

Load any audio file from your computer to be convolved by the input signal. Up to 4 different samples to be used at same time as convolution carrier signals. Loop and reverse playback mode. Playback speed selector. Amplitude envelope designer. Pitch-shifting. Crossfader. Convolution mode. Samples folder integration. Drag & drop for faster user experience.

SPLAYER | SAMPLE PLAYER

Play any audio file from your computer. Load up to 4 different samples to be played at same time. Samples can be triggered by the input signal in 2 modes, as long as input is detected or always until the end of the sample length, Loop and reverse playback mode. Playback speed selector. Amplitude envelope designer. Pitch-shifting. Crossfader. Samples folder integration. Drag & drop for faster user experience.

PLUGIN MORPHING

Load any VST/AU instrument to be convolved by the input signal. Choose either a synthesizer or a sampler as the convolution carrier signal. Auto Key mode allows playing the selected virtual instrument without the need of using a midi keyboard.

SPECTRA

Process input signal through 2 spectral pitch-shifting sections at same time. Frequency Range section allows splitting input signal in 2 bands, the inner band containing the selecte audio frequency range and the outer band containing the frequency range above and below the inne frequency range. Both bands can be pitch shifted independently. Amplitude Range section allows selecting an audio frequency range depending the amplitude level range selected, from low to high amplitude level. This selected range will be pitch-shifted; the rest of the audio will be ignored. There are 2 range selectors available.

DPITCH

Process input signal through 2 different pitch-shifting sections at same time. Delay Pitch Shifter section creates delay loops of the incoming audio signal. Each loop introduces a selected amount of pitch-shifting in comparison with the previous loop. Feedback loop can be also processed by a HPF, LPF or a Peak filter. Changing the delay feedback level you can control the amount of loops generated; affecting the decay of the sound and creating interesting pitch-shifting & filtering changing effects. Dynamic Time-based Pitch Shifter section allows changing the pitch of the incoming audio signal continuously as far as input is detected, like a never-end pitch-shifting. Increasing or decreasing the pitch as fast/slow as you want.

RING

Process the input signal through to 2 single side-band ring modulators.

PLUGS

Process audio input through 2 VST/AU plugins. Serial and parallel plugin processing modes. Plugins audio output cross-morphing available in parallel mode.

MUTATOR – Extreme Voice Designer

A powerful tool for special vocal effects and post-production sound design.

Mutator provides a combination of sound design tools for creating unusual and otherworldly voices.

With high quality pitch shifting, throat modeling, ring modulator-based mutation, and a mind-bending tempo-synced alienize function, Mutator is the perfect tool for unique vocal effects, character design, and post-production sound design.

Mutators’s voice processing tools are divided into three sections.

• Voice Design
• Mutate
• Alienize

The voice design section lets you use our unique throat modeling and pitch shifting technologies to craft the basic characteristics of your voice.

The mutate section lets you transform and mangle that voice into a variety of strange creatures, with 24 different varieties of “mutation” created with pitch-tracking ring modulation.

Finally, the alienize section gives your vocal track the quality of an alien language by chopping it up into small segments and playing each segment in reverse.

You can even create your own unique language by varying the length of the speech segments, or syncing them to the tempo of your track.

Mic Mod EFX – Classic Microphone Modeler

Make the mics you own sound like the mics you wish you owned.

Mic Mod is the microphone modeling tool that makes the mics you own sound like the mics you wish you owned.

Instantly expand your mic locker with models of vintage mics from Neumann, AKG, and others, plus a wide selection of modern boutique mics.

Mic Mod includes precise digital models of over 100 legendary microphones. Just tell it what mic you’re using and what mic you want it to sound like.

Mic Mod not only reproduces all of the subtle sonic characteristics that make each microphone unique, it also gives you control of each mic’s specific options. Does the mic have a low cut filter? If so, it’s in the model. Close or far placement? Just dial in the proximity control. Each option results in the same sonic effect that it would have with the actual mic. For that final touch of perfection, you can even add some tube saturation.

Mic Mod gives you a huge virtual microphone collection that you can use for recording, mixing, and even in live performance to get the sound of mics you would never consider using on stage. It’s also a great tool for broadcast and podcasting applications.

MAIN FEATURES

Source Mic and Modeled Mic

• Simply select the mic you’re using (or used during your original recording) and the mic you want it to sound like.

Proximity

• Proximity Effect is a bass boost that results from placing a directional mic in close proximity to a signal source (e.g., a singer’s lips). With Mic Mod EFX’s Proximity controls, you can actually create the effects of different mic distances based on the specific physical properties of each individual modeled mic.

Low Cut Filter

• If your source mic has a low cut filter, enter its setting in the Source Mic Low Cut menu. If your selected modeled mic has a low cut filter, you can model the effects of any of its settings with the Modeled Mic Low Cut menu.

Pickup Pattern

• If your source mic has variable pickup patterns, enter the selected pattern in the Source Mic Pattern menu. If your selected modeled mic has variable pickup patterns, you can experiment with the effects of any of its patterns with the Modeled Mic Pattern menu.

Tube Saturation

• Based on the same technology as Antares’ famed WARM Tube Saturation Generator, the Tube Saturation control lets you give your track the warmth of a high-quality tube pre-amp.

Mic Mod EFX is available as a plug-in for RTAS (Mac & PC), VST (Mac & PC) and Audio Units. At a fraction of the cost of even a modestly lust-worthy mic.