Filter VST Plugins

Zqueezer – Easy Squeezy

As producers, we’re all searching for that something special – a quick and easy way to transform sounds beyond their original forms and push them to the next level. Some of us achieve that by using complex plugin FX chains, or even by routing audio through outboard equipment. Zqueezer is a brand new way to inject a unique flavour into your synths, basslines and vocals. 

Now, this is a difficult plugin to explain – and honestly, you’re probably better skipping the science and just taking Zqueezer for a test drive to experience the twisted squelchy goodness that it has to offer. With monophonic source audio, Zqueezer can function as a kind of “adaptive filter”, squashing the sound with an emphasis on harmonics and a type of formant-shifting effect. For more complex types of polyphonic material, Zqueezer mangles the overtones, resulting in a more complex network of partial tones and intermodulations. Sounds wild, right? It is!

Overtone

This is where Zqueezer shines, with this control assigned to select and isolate the flageolet overtones of the signal. As the dial is pushed up, increasingly fierce results are heard with squeezed frequencies that rise in pitch. As this parameter is increased you’ll hear individual overtones and at extreme values, the pitch-shifting effect is similar to a band-pass filter but with far more complexity in the harmonics. Because the filter coefficients keep changing and are derived from the waveform of the sound itself, the filter constantly adapts to the audio. 

Gain

Although seemingly simple, this control boosts the “brilliance” of the signal. It corrects amplitude at the output, which is useful for higher fraction values. Think of this control as amplitude correction or normalization, as it’s very useful when balancing the source audio against the squeezed and squashed version of itself. 

Dry/Wet

For creative purposes, it’s useful to be able to mix the waveforms that Zqueezer creates with the original source audio. Use the dry/wet knob for this and conjure every kind of processing from subtle brightening to full-on mangled and harmonically distorted strangulation. 

Presets

With many included presets, it’s easy to find the perfect way to squeeze your audio. These factory options can be used on guitars, bass, drums, synths and vocals. The presets include everything from subtle transformations to full-on strangled mutations.

Features

• Squeezed filtering like you’ve never heard before
• Adaptive output derived from complex rendering
• Adjustable Overtone to isolate flageolet tones
• Dry/Wet dial
• Visual feedback
• Factory presets

FilterCult is an accurate simulation of the infamous and iconic transistor ladder analogue filter, meticulously preserving its original circuit topology, behaviour and quirks.

Moreover, the addition of circuit-bending modifications and the possibility to use supplementary nonlinear electronic components sensibly expand its sound sculpting possibilities.

As a master effect or as a single channel insert processor, FilterCult is capable of producing from smooth and gentle analogue filtering up to extremely aggressive coloration of any audio material.

At its heart, FilterCult consists in an accurate simulation of the infamous and iconic transistor ladder analogue filter

Meticulously preserving its original circuit topology, behaviour and quirks. Moreover, the addition of circuit-bending modifications and the possibility to use supplementary nonlinear electronic components sensibly expand its sound sculpting possibilities.

As a master effect or as a single channel insert processor, FilterCult is always the right choice in any music production scenario, producing from smooth and gentle analogue filtering up to extremely aggressive colorations of any audio material.

Features:

• Accurate physical modeling simulation achieved by the adoption of the Advanced Component Simulation (ACS) approach.
• Full 64-bit processing accuracy for every single aspect of the simulation.
• An all-in-one complete setup: transistor ladder analogue filter + modulation unit + signal router.
• FLT-TL22 Advanced Transistor Ladder Analogue Filter:
  • Accurate modeling of a transistor ladder analogue filter using the topology-preserving transform method.
  • Providing supplementary, creative circuit-bents of the original filter architecture.
  • Including multi-node circuit output for different filter response (4-pole, 3-pole, 2-pole, 1-pole).
  • Experimental high-pass mode output.
  • Extended cutoff frequency range (from 20 Hz up to 20 kHz) and self-oscillation (also in 1-pole mode).
• MOD-XG01 Multimode Modulator:
  • Accurate input signal detection (envelope follower) with sensitivity control (from 5 ms up to 2 sec).
  • Multi-waveform LFO generator with separate frequency (from 0.05 Hz up to 300 Hz), tempo-sync and phase-reset controls.
  • Envelope generator with attack and decay time controls (from 1 ms up to 10 sec).
  • Noise generator.
• PRM-EM44 Embedded Preamp / Mixer:
  • Multi-mode input signal router with gain control (from -inf dB up to +6 dB).
  • Final mixer section, with blend (dry / wet) and main volume (from -inf dB up to +6 dB) controls.
• Includes more than 20, multi-scenario factory presets.
• Support for sample rates from 44.1 kHz up to 192 kHz.
• Available in multi-size GUI resolutions.

TrackPlug is our most popular plug-in, an all-in-one channel strip which features a 10-band EQ, brickwall filters, spectrum analyzer, dual multi-mode compressors, gate/expander, extensive sidechain options, and a peak limiter.

It also boasts Wave Arts’ outstanding sound quality and impressive CPU efficiency.

TrackPlug’s interface has been meticulously designed for visual clarity and ease of use. For example, the EQ interface lets you add a new EQ band by double-clicking, then you drag the control point to change frequency and height, right-click (shift-click on Mac) to change width. Right-clicking on a meter or display axis gives a popup menu of display ranges. Right-click a knob drag to get fine tune adjustment, double-click a knob to revert to default value. And so on.

FEATURES

• 10 bands of professional, 64-bit EQ
• EQ band types: parametric, low/high shelf, analog low/high shelf, resonant low/high shelf, low-pass, band-pass, high-pass, or notch filter
• Brickwall lowpass/highpass filter section
• Third-octave spectrum analysis display
• Dual multi-mode compressors and a gate
• Clean, vintage, peak, and RMS dynamics modes
• Sidechain EQ support on each dynamics section
• External sidechain support (VST3, AU, AAX)
• Adjustable lookahead delays
• Peak limiter
• Comprehensive metering
• Master preset manager and preset manager per section
• Over 60 master presets, 30 compressor presets, 60 EQ presets, 10 gate presets
• Latency compensation, latency matching when bypassed
• Fully automatable
• Up to 192K support
• Mono or stereo

Our preset manager lets you A/B compare two different presets or undo the last change. TrackPlug also features preset managers per section so for example you can quickly combine an EQ preset with a compressor preset. Super handy.

Like all Wave Arts’ plugs, TrackPlug only consumes CPU for features that are enabled, so if you just need a few bands of EQ and some compression, TrackPlug has a negligible CPU load. Even with everything turned on, TrackPlug is very light on CPU. We’ve had users report using over 100 TrackPlugs in a single project.

The applications for TrackPlug are virtually endless: shape the tone of an instrument, fix sonic problems, bring dynamics under control, clean up noise problems, add some punch or vintage warmth to a track, de-ess a vocal track, and much more… The outstanding user interface puts the power of TrackPlug under your control.

Are you looking for an 808 VST Plugin? If Yes, Then You Can End Your Search Now!

Thenatan presents a Fire 808 VST. We like to call X-EIGHT 808  With over +1000 Bangin’ 808s and Sub Bass Presets and after market Expansions.

X-EIGHT 808 VST was created with Trap and Hip Hop production in mind but the contents can be suited to other genres such as Drum and Bass, Dubstep, House, Down tempo, Electro, Nu Disco and Future RnB and also others.

When working on a track using X-EIGHT 808 – you can play out your bassline, then go back and click next to switch through the 808 Presets until you find the perfect 808 for the track you are working on.

Each patch is pitched correctly to your keys. So if you hit C1 – you’ll get an 808 pitched perfectly to C. This means you can Save time, and make your workflow so much faster.

In This FIRE 808 VST You Get:

• Over +1000 Bangin’ 808s and Sub Bass Presets .

• All Presets processed, EQ’d, compressed and transient shaped perfectly.

• 24 bit 48kHz, HD Samples.

On Board Effects :

• ADSR Envelopes
• Reverb
• LFO Parameters
• Glide
• Amps Low & High
• Filter
• Fine Tune Pitch
• Volume

Valves is a vintage valve emulation plugin with multi-mode resonant filter and cabinet/EQ section

The valve section is modeled after classic vintage tubes, with added grit and custom gain control.

The filter section is modeled after a classic ladder filter (2-pole or 4-pole) with low pass, high pass, bandpass and notch modes.

The cabinet/EQ section features a selection of modeled cabinets with classic bass and treble EQ controls.

SPECIFICATIONS:

• Tube Overdrive
• 8 cabinets with Bass and Treble EQ
• State Variable Filter: LP, HP, BP, and Notch (2 or 4-pole)
• 16x Oversample
• 35 Presets
• Resizable Window
• Preset system with randomizer

WARM UP

With up to 16x oversampling, Valves can be used to add that authentic tube character to your tracks.

Using the built-in Cabinet/EQ section you can emulate several types of guitar amplifiers and further shape the overdrive sound.

The state variable filter features LowPass, HighPass, BandPass, and Notch modes. It can be used pre or post valve.

Control

MadMod takes modulation much further than your typical reactive filter, linking 6 different parameters to incoming audio, and each with its own custom scaling. This means you can cause the filter to fade in, skew higher, modulate more, flatten out, all at the same time and all scaled to incoming audio.

ADSR Versatility

Stagecraft has added a trigger mode which changes how the mods react to audio. Rather than tracking, in trigger mode the mods will kick in when the threshold is passed, but then go through a decay phase, and release only when the threshold is crossed again.

Display

As with all of our plugins, the displays we add are in-depth and powerful. Our design philosophy is that every knob should have a visible effect as well as audible, and that all graphs and images should be interactive.

Online Presets

Like all of Stagecraft’s plugins, you can browse presets in the plugin that have just been created by Stagecraft and their users worldwide. New and interesting presets are added every week.

MFilter is a specifically altered version of our MEqualizer with four global modulators which are able to provide effects such as wah-wah, sweeps, and more, but MFilter goes much further than you could ever imagine with standard effects.

Features

• Dual user interface – the plugin is not only extremely versatile, but also quick and easy-to-use thanks to 2 graphical user interfaces. First there is a simple default one with several predefined modes, but just a few controls, which lets you start quickly and easily without any knowledge. All you need to do is choose what you want and use a few knobs. And the plugins also has an advanced mode, which provides all the extreme features the plugin offers.
• Continuously adjustable oscillator shape – every oscillator in our plugins is defined by a mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), step-sequencer and several methods for algorithmic postprocessing. It is the most advanced approach for defining oscillator shapes. 
• 4 global modulators – in each instance you can have up to 4 fully-featured modulators that can modulate any set of parameters including other modulators! In this way you can make the sound move in time, be less static and more interesting. Each modulator works as LFO, follower, midi/audio triggered ADSR envelopes, a pitch detector or even a combination.
• 7 filter types for each band. – peak, low-shelf, high-shelf, low-pass, high-pass, band-pass, notch.
• Advanced editor and smooth visualization of resulting frequency response. All parameters are adjustable from the graph. No more searching in complicated band editors. Just click on a band and configure all of the parameters from filter type and gain to advanced features such as harmonics control. Everything with almost infinite precision if you need maximum control.
• Enable, Q, and Actual source level indication inside the shape graph.
• Integrated tube saturation gives the sound a great vintage analogue feel.
• Up to 8 channels surround processing – our plugins can handle not only mono and stereo signals, but also up to 8 channels of surround audio, making them ideal for audio production for movies, games etc.
• Full randomization – using a single button you can generate completely new settings. By clicking the button you can walk through the billions of possible settings and find the best one for you! And if that’s too much, you can just hold ctrl and MFilter will only slightly modify existing settings.
• Adjustable up-sampling 1x-16x to minimize aliasing and get an even clearer sound.
• Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
• Automatic synchronization to host tempo – every oscillator and modulator in the plugin can automatically synchronize to the host providing as natural a sound as possible while not offending other tracks.
• MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it. 
• Very fast, optimized for SSE and SSE2 processors.
• Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
• Fully Automatable.

Easy & straightforward

Monofilter Elements is a streamlined version of our Monofilter plug-in, giving access to the same bass management technology, in a simplified package.

MAIN FEATURES

• Sum your bass to mono
• Sharpen, tighten and define low frequency information
• Optimise for louder playback
• Safely mix and master for vinyl
• Anchor your bass with ease, while maintaining the original character of the track.

Centring the bass where stereo FX are used.

Applying stereo effects to enliven or enrich a sound can work wonders in the mid and high frequencies, but often muddies up the bottom end. Using Monofilter Elements you can add stereo effects and still retain a solid centre in the bass frequencies, by reducing the width below the point at which stereo nature of the effect has ceased to make significant impact.

During Live Recording and Performance.

When working with live material, giving attention to taming the unpredictable and treating the PA with respect can bring real benefits. Using Monofilter Elements to ensure that the subs (and even the bass frequencies in general) are centred in the mix can help share the load between over worked amplifiers and speakers as well as providing a sharper level of clarity in the bottom end. Where a more subtle approach would be of benefit, Monofilter Elements can be used with individual problem instruments and groups (toms/laptop performers/DJ’s/keyboard players using global
delay etc.)

Distortion Filter

Distiller – a distortion filter from Diginoiz! Since gain of some early guitar amp was cranked up for the first time, distortion became an acknowledged tool for enhancing sound. And when a filter was added to an early subtractive synth, filtering became an indispensable way of carving timbre.

Distiller equally focuses on these two pillars of sound creation as it combines over dozen types of distortion and a wide selection of filters. What makes it special and modern is the possibility to blend between two types of distortion and the fact that both the filter cutoff and the blend between distortion types can be controlled by separate LFOs.

From removing unwanted frequencies to adding rich harmonics, from classic saturation to experimental wavetable distortion, from lo fi textures creation to contemporary bass sound design – Distiller does it all and much more!

Features

• 29 filter types including one pole and cascade filters, state variable classic filters (which add gain to the passband when slope gets steeper) and state variable precise filters (which don’t add gain to the passband when the slope gets steeper).
• Low-Pass and High-Pass: 6dB 1 Pole, 12dB Cascade, 12 and 24 SVF Classic, 12, 24, 36, and 48 SVF Precise. Band-Pass, Notch and All-Pass: 12 and 24 SVF Classic, 12, 24, 36, and 48 SVF Precise.
• 15 distortion types including Atan Saturation, Soft Distortion, Soft Clip, Hard Clip, Asym Quad, Exp Asym Dist, Exponential Dist, Sine Fold, Sine Power Fold, Sine Atan Fold, Triangle Fold, Voice, Current, Rectify and Bit Reduction.
• Mix knob allowing to set blend between two types of distortion.
• Changeable order of the effects – filter can be set pre or post distortion.
• Two separate LFOs controlling filter cutoff and distortion mix.
• 7 LFO shapes: sine, triangle, square, ramp up, ramp down, random line and S/H..
• In LFOs free mode integers and fractions are adjusted separately with the precision of 0.01 Hz allowing to set the rate accurately.
• In LFOs sync mode the multiplier and multiplicand are adjusted separately from 1 to 64 allowing to set a wide range of standard as well as odd rhythm divisions.
• Filter in bipolar mode covers the whole frequency range.
• Audio-rate modulation goes up to 200 Hz allowing to create extreme effects.
• Q adds up to 37.5 dB of gain.
• LFO modulated all-pass filter paired with distortion allowing to create crisp and sharp sounds or lo fi wobble and flutter.
• Additional output soft clip with adjustable threshold.
• Accurate spectrum view showing input signal and processing.
• Waveshaping and filter curves visuals.
• Resizable interface.
• Settings can be adjusted with the use of mouse, scroll wheel, keyboard arrows or by typing values and all parameters can be reset to default by mouse double-click making workflow convenient.
• Dry/Wet knob allowing for parallel processing.
• DC blocker/DC filter.
• Comes with 30 factory presets and 60 free loops named as the presets and showing the presets’ possible application.
• Bypass button on the interface (useful in some DAWs).
• Apple® M1® CPU supported natively.
• Made with user experience and ease of use in mind by experienced sound designers and music producers.
• More features to be added in updates!

Please welcome a collaboration. Red Sounds x Channel Robot. Over a year in development.

We recorded vocal samples for 5 years and combined them with a powerful tool.

Modern Vox Engine – The Plugin.

FEATURES

• 196 PRESETS
• 140 SOUNDS
• BRAND NEW GRANULAR ENGINE
• 5 REPLACEABLE EFFECT SLOTS
• INTUITIVE MAIN SCREEN CONTROLS
• IT WILL FIT ANY MODERN GENRE
• WIN AND MAC

The majority of samples were recorded to a cassette tape by professional singers. This is not the same as adding cassette noise afterwords. You can feel that Lo-Fi warmth right out of the box.

Create vocal melodies and motives, deep cassette choir chords, fat vocal leads in seconds!

Or you can layer these sounds with your favorite synths for making unique lead sounds.

IMPROVE AND SPICE UP YOUR MUSIC INSTANTLY.

BUILT-IN EFFECTS:

• Reverb
• Delay
• Chorus
• Phaser
• WaveShaper
• Compressor
• Saturator
• EQ

Simple to edit on the fly, but powerful to go deeper.

Every control and feature is carefully chosen.

GRANULAR ENGINE.

A unique granular engine will let you create your own sounds. This tool is really powerful and handy, especially for cinematic sound. Create vocal textures. Combine then with the built-in effects for the perfect sound.

FILTERS.

Use high-pass and low-pass filters to shape your sound on the fly.

These controls are also on the main screen for quick access.

Probably you will only need a cutoff frequency most of the time, but if you want to go deeper there is full control over filters.

GENRES.

Modern Vox Engine will let you stand out from the crowd with a cassette Lo-Fi feeling.

Great tool for making tracks sound like a record. Especially good for:

• LO-FI
• HIP-HOP
• EDM
• DEEP HOUSE
• TRAP
• POP
• FUTURE BASS

“The Modern Vox Engine is a very special plugin that I believe every producer needs in their toolbox. All of the sound offerings have a warm, vintage like soothing quality to them. Furthermore if you dive a little deeper under the hood, you can find yourself in the Stratosphere pretty quickly! Killer work Redsounds!”

Jake Morelli – guitar player and producer ( Ed Sheeran, Bruno Mars, The Jonas Brothers and many more…)

Combining hum removal, buzz removal, brickwall filtering, and spectrum analysis into one easy to use plug-in, MR Hum is the perfect tool to clean up recordings with any sort of hum or nasty buzz.

The hum removal section works by applying a set of notch filters spaced at multiples of the fundamental hum frequency, usually 60 Hz or 50 Hz.

You select the fundamental frequency, the number of harmonics you want to eliminate (up to 10), and the width of the notches (the default works fine). There are presets for the usual cases of 60 Hz hum and 50 Hz hum. You can also select any fundamental frequency continuously from 20 to 200 Hz. Sometimes it’s necessary to use a slightly different frequency in cases where the hum has been recorded on analog tape and played back on a different machine, which will cause the hum frequency to change.

The high resolution spectrum display makes it easy to see the hum frequency and the number of harmonics that are required. The spectrum display can run before processing, to see the input signal spectrum, or after processing, to see the output signal spectrum. The monitor feature allows you to hear the signal being removed, offering another way to set the parameters.

MR Hum contains a separate processor for buzz. Buzz is a periodic signal with frequency harmonics through the entire audible spectrum, which would require hundreds of notch filters to eliminate. The buzz algorithm uses a different approach which is far more efficient. Often buzz is a nasty case of hum, and hence is at 50 or 60 Hz, but sometime buzz is caused by a motor or some other kind of interference, hence the buzz processor allows any frequency from 20 to 200 Hz.

Finally MR Hum also provides brickwall filters to eliminate low or high frequency interference.

MAIN FEATURES

• Hum removal using from 1 to 10 harmonic notch filters
• Buzz removal
• Hum and Buzz frequencies continuously adjustable from 20 to 200 Hz
• Adjustable notch widths
• Brickwall filtering for rumble and hiss removal
• High resolution spectrum analysis display, pre or post processing
• All sections can be monitored to hear removed signal
• No latency
• Up to 192 kHz sampling rate
• Mono or stereo

MWobbler is a unique distorting filter originally designed to produce dubstep wobbling basses, but it turns out to be a great multipurpose filter for just about any audio material from rhythmic pads, rotary organs to drum driven basses… 2 Processors with Distortion and 98 Filters While traditional filters have a single filter from the traditional set of filters consisting of low-pass, high-pass, comb and a few more, MWobbler has 2 sets and each of them provides 98 impressive filter types (lp, hp, bp, br, eq, harmonics, scream, formant, comb, diffusion, polymorph…). LFO and Follower with Side-Chain Of course you can use the marvelous modulators the same way you do with other MeldaProduction plugins, but MWobbler makes things much easier and better sounding using its integrated LFO and level follower, which you can use together at the same time. The level follower has also a fully adjustable equalizer, so you can tune it to any part of the spectrum, and you can also use MWobbler’s side-chain input to control the filter by completely different audio material. Modulation Heaven Looking for a little extra variation in your sound? Look no further than our extensive modulation options. Modulate any parameter from sources such as an LFO, audio level follower, envelope generator, randomize, or pitch detector. Your sound will never be static again. Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Dual user interface, easy screen for beginners, edit screen for professionals
• Unique visualisation engine with classic meters and time graphs
• 4 exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• Tube saturation
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• Synchronisation to host tempo
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

PSPAudioWare stompFilter is a modulated-filter plug-in intended for use in production and mixing scenarios.

You’ll find LFO modulation, an envelope follower, and LFO randomization effects that mimic the imperfections of analog devices.

You can use LFO modulation on low-pass, high-pass, and band-pass filters. You can create auto-wah effects and vivid dynamic filtering.

Control the rate, frequency, and width of the effect with shiny purposeful controls. Time the LFO to your host DAW for tempo-synced effects, or make use of the frequency slider to create dramatic drops.

You can change the LFO waveform and apply soft saturation and limiting, if you so choose.

As this is an exceptionally expressive plug-in, PSPAudioWare has made sure it’s fully compatible with MIDI automation, so you can use your MIDI controller to automate effects within your mix.

Key Features

• LFO Modulator and Envelope Follower
• For Auto-Wah, Filter Sweeps, and Gain FX
• Randomization FX Similar to Analog
• Easy to Use Frequency Slider
• Fully Automatable via MIDI
• Sync LFO to Host Tempo
• Soft Saturation and Limiter
• Mac and Windows Operating Systems
• AU, VST, RTAS, and AAX Formats
• Requires iLok License Manager Software

Kick sustains became a techno standard and are tedious to create: sidechained reverb, low-end imaging, compression, eq, distortion… Rumble crafts them faster and better.

Rumble detects spurious frequencies in the low-end and chains several notch filters with specially crafted reverbs to treat them differently. These feedback reverbs can create rumbles ranging from very short to infinite.

The output is equalized, distorted and filtered again using a very steep band-pass filter.

All of those elements are customizable and allow to blend between a very rough and a very smooth rumble.

A broad range of controls are here to help you tailor the sound you need.

• Dry Gain is the output volume of the original, untouched kick.
• Wet Gain is the output volume of the rumble. You can choose either to blend the kick and the sustain directly in Rumble or to output only the sustain in order to post-process it, for instance with sidechain.
• Rumble controls the length of the rumble sustain.
• Filter controls the amount of output band-pass filtering. A higher setting will result in a cleaner rumble while a lower setting will produce a gritty rumble.
• Drive controls the amount of distortion in the last processing stage. This distortion is only applied to the wet band-filtered signal, hence this knob will only be effective if the FILTER knob is not set to zero.

The Orb is a formant filter plugin which simulates the characteristics of the human voice.

Featuring a set of three band pass filters, The Orb can transform any sound into a vowel-like formant-filtered sound.

With the three LFOs you can modulate the Vowel, the Emphasis/Resonance of the formants, and the Drift, which can shift up or down the frequencies of each formant.

You can also create your own set of vowels by changing name and frequency for each vowel/formant.

Specifications

• Three Band Pass Filters (ZDF design)
• Vowel Sets: Male, Female, Child and Custom
• 3 LFOs (destinations: Vowel, Emphasis and Drift)
• Lightweight on CPU
• Preset system with randomizer
• Formats: VST, AU, and AAX (32/64bit)
• Platforms: OSX, Windows

Trusted by producers the world over, Monofilter grabs hold of your bass and roots it solidly within your mix. With its intuitive controls you can quickly anchor the power, while retaining the essential character and perceived spatial characteristics of the original sound. Monofilter defines the centre of your bass, so easily lost through stereo effects processing, synth sound generation, unwanted phase inconsistencies and live recording mic. bleed. Market-leading features give you really accurate control over stereo spread, transition and phase alignment, with precise visual feedback in a tactile interface that lets you grab the applied stereo envelope and manipulate it directly – without using abstract parameters and knobs. A solid foundation When solid or natural sounding bass is a requirement in your recording projects, Monofilter provides the foundation for real power and definition. The non-directional nature of low frequencies can often contribute to a perceived lack of clarity and focus in the mix. Adding stereo FX processing and using multiple mic. set-ups in the studio can introduce phase inconsistencies leading to ‘weak’, ‘hollow’ or ‘flat’ sounds. Monofilter lets you align and balance low frequencies with the minimum of effort, leaving you with the same sound, yet louder, more focussed and better defined. And with Monofilter you can be sure of great playback performance on systems with separate low-frequency handling, such as club PAs, live rigs, home cinema systems, HiFi, and 2.1 gaming systems. Applications

• Bringing definition to weak/hollow/flat bass
• Re-centering LF after stereo FX
• Correcting phase issues
• Sampling/restoring old masters
• Taking care for vinyl
• Psychoacoustic ‘Panning’ bass
• Making a frequency split
• Stereo spectrum analysis

28 Filter Modes – Warm Sweeps – Rich Wobbles – Easy LFO Editing

Experience all the richness, warmth and intricacy of a high-quality analogue filter with FilterShaper Core 3. Choose from warm Sallen-Key filters based on classic hardware designs, and Clean zero-delay feedback (ZDF) modes. Create amazing modulations and wild patterns in seconds with a drawable LFO and dynamic envelope follower on every band.

FilterShaper Core combines the great-sounding filter technology of the full FilterShaper 4 with a streamlined modulation system. Using the same acclaimed Sallen-Key filters as FilterShaper 4, you can expect all the richness, warmth and intricacy of a high-quality analogue filter.

Apply subtle nuances or giant wobbles. From filter sweeps to surgically-precise frequency control. Simply draw the exact LFO shape you need – our unique curve-editing tools make it fast and easy.

Running inside Cableguys’ exclusive new ShaperBox creative effects rack, you can stack up FilterShaper Core with other Cableguys Shapers to create elaborate, multilayered effects for your productions.

Key Features:

• 28 Filter Modes
• LFOS that you design
• Warm Sweeps
• Introducing Pens
• Rich Wobbles
• Easy LFO Editing
• Flexible Envelope Followers
• Multiband Filtering

This product is part of a greater collection of products. Check out ShaperBox 3 here.