Filter VST Plugins

Tape MELLO-FI is an easy-to-use plugin that brings instant chill atmosphere and vintage tape-aged warmth to any sound.

Use its straightforward preamp, modulation and filter/output sections to sprinkle sublime lo-fi vibes over any sounds.

Beauty in Imperfection

Take any beat, sound, or project, and instantly inject beautiful nostalgic flavor and endless vibes.

Pitchy flutters, subtle distortion, warm saturation, velvety smooth filtered sounds; Tape MELLO-FI captures the uniquely imperfect behavior of tape in perfect detail, distilled into a single plugin that you’ll always come back to.

One stop lo-fi toolkit: With a simple interface that’s straight out of a classic studio, Tape MELLO-FI provides all your lo-fi needs within seconds, from subtle analog fatness to dizzy pitch flutters. Lush, fat, and crunchy, all-in-one.

Vibes for any instrument: Whether you want to make your keys & pads shine, give your vocals depth, or saturate your whole mix vintage-style, Tape MELLO-FI delivers. Use it on any track or project and let the chill commence.

Retro tape warmth: Tape MELLO-FI isn’t just a one-trick lo-fi pony. Use its vintage preamp, built-in low-pass & high-pass filters, and subtle tape noise to breathe old-school life and magic studio mojo into your projects.

Reel Enhancements: This vintage-flavor plugin has been tailored to modern producers’ needs. From gritty distortion, to instant-response tape behavior, to the super-satisfying stereo widener, this tape machine is right up to speed.

More than an authentic tape plugin

Tape used to be the default way to record audio, degrading with every playback in a way that’s become synonymous with its sound.

Now producers, beat-makers, and sound designers actively search for that crunchy, noisy, imperfect sound to give their production character and attitude. With Tape MELLO-FI, that search is over.

Inspired by iconic tape-based instruments that truly pioneered ‘that’ sound, this plugin is expertly-engineered to not just sound like tape; it behaves like tape too. From the uncanny wows and flutters, to a tape wheel that you can actually click on and interact with, Tape MELLO-FI gives you the bold, unmistakably aged character of a worn out magnetic tape right in your DAW.

Features

• Authentic tape emulator & lo-fi effect based on Mellotron V’s vintage sound & behavior
• Includes classic tape controls like Noise, Flutter, Wow, Wear, and Mechanics
• Introduces useful features like Distortion and Boost
• Interactive tape wheel with tempo-synchronized Tape Stop feature and optional Instant Tape Catch-up
• 12dB low-pass and high-pass filter section
• Enhanced Stereo Width feature introduces offsets to Wow & Flutter from left to right for an extra-wide sound
• Curated 25-preset library for instant-access to retro & lo-fi effects
• Apple M1 compatible

A monster of a channel strip you’ll use everywhere.
The Amplified Instrument Processor is a complete suite of tools designed to help you sculpt the ultimate guitar, bass or keyboard tone.

But the AIP is much more than that.

Its power and versatility make it an excellent processor for virtually any audio task. The AIP can work wonders on vocals, acoustic instruments, pianos, group buses and even across the whole mix.

Parametric Equalization

The AIP has 4 bands of fully parametric EQ based on German Klangfilm tube equalizers of the 1950’s. This EQ combines digital precision and flexibility with analog quirkiness and unpredictability.

• Up to 36dB of boost and cut using gain scaling.
• Independently switchable high-pass and low-pass filtering.
• Switchable response: modern active or vintage passive EQ curve types.
• Circuit age modeling: dial in analog anomalies to simulate aging components.
• Channel Variance: 16 different channels variations model the slight imperfections of vintage handmade equipment.

Proprietary Signal Processing

This is the Secret Mojo Sauce of the AIP. Forget about swapping in preamp plugins. Change characteristics of the AIP by switching between different response modeling and adjusting a slew rate emulation.

• Tube response modeling provides a warm, round tone that’s perfect for bass and male voices.
• Tape response modeling gives your signal low end push and high end sparkle. Great for heavy electric guitars, kicks and snares.
• Solid State response modeling emulates the midrange forward sound of 70’s consoles like those made out in California by companies… that we can’t name… Great for making things in your face.

VCA Compressor

The AIP’s VCA Compressor emulation is based on the classic dbx 202 VCA integrated circuit. This compressor is great for guitars, but smooth and musical enough to work with vocals.

• Full control of all parameters: threshold, ratio, attack, release and makeup gain.
• Switchable position in the signal path — place it pre or post EQ.
• Adjustable nulling – control the amount of color and crunch when the compressor is hit hard.

Frequency Dependent Gain Reduction
The AIP has yet another compressor on it; this one designed to work on selected ranges of frequencies below 600Hz. Clean up the bottom end of chugging guitars, tame resonant bass notes, knock out chestiness on vocals or take the ring out of a kick drum.

Insufferable Midrange Filter
Overdubs and doubling can lead to a nasty build-up in the presence range. This specialized notch filter takes care of the annoying 2kHz “whistle” of electric guitars, vocal sibilance, excessive cymbal hash, and finger squeaks or pick noise from acoustic instruments.

Stereo Widening
Unlike many stereo widening processors, the AIP’s stereo widening algorithm lets you spread things out across the sound stage without sacrificing the solidity of the center. Wrap reverb and ambience around listeners, enhance the movement and sweep of keyboard pads, and put them dual guitar parts at opposite sides of the stage, and then some.

Real Time Analyzer
The AIP’s RTA shows you the frequency response of your signal, and superimposes all of your EQ curves and Frequency Dependent Gain Reduction settings for fast, intuitive fine tuning.

Dynamic EQ

DeeQ lets you adjust the frequency, gain, and Q value of the filter dynamically, either from the incoming audio, or from an external sidechain. You can apply a pre-filter EQ to the detector to only respond to specific frequencies, letting you truly have control of the sound.

Sidechain Detection

Using sidechain detection you can dynamically sculpt your audio using another audio channel as the source. For example, you can automatically remove mid range frequencies when the vocal is playing, or remove the sub bass when the kick hits.

Mid/Side

With the addition of mid/side modes, you can dynamically adjust the stereo spread of your audio. Make the bass mono when a kick plays, or widen the treble over a vocal take.

IN DETAIL

DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.

With DeeQ you can do everything from small adjustments like making room in the mix, to creative wah type effects.

ANALOG FILTER ADDICTION

With tons of classic filter models, unique advanced modulation options and convincing analog character, Action Filter is definately an addiction.

In Action Filter, there are two filters with 13 popular filter models for each one, advanced modulation options, sound engine with convincing analog character

MAIN FEATURES:

• NoiseAsh’s Magical, Fast & HD quality DSP Engine
• Two individual Multi Mode Filter Modules.
• For each filter module; 13 popular analog & digital filter models are all in one package
• Vintage analog stauration unit
• Moog Classic Low Pass Filter
• State Variable Low Pass Filter
• State Variable High Pass Filter
• State Variable Band Pass Filter
• State Variable Notch Filter
• Four pole Ladder Low Pass Filter
• One pole Ladder Low Pass Filter
• One pole Ladder High Pass Filter
• Biquad Low Pass Filter
• Biquad Low Pass High Resonance Filter
• Biquad High Pass Filter
• Allpass Filter
• Ring Mode Filter
• 2 individual Advanced Modulation Engines (7 modulation wave shapes – including saw, square, triangle, sine, randomizer, custom envelope wave forms and 32 bar step sequencer – sync/free modes) for each filter module.
• Simplified controls, lot’s of creative possibilities
• Resizable GUI
• Friend of CPU

ADVANCED MODULATION SYSTEM

There are three modulation sources: a custom shape envelope follower, the LFO with 5 waveforms, a 32-step sequencer and each modulation sources can be assigned in-sync or free-sync modes.

REAL ANALOG MODELS

Action Filter is designed to be flexible enough to fulfil your needs whenever you reach for any type of filter, with a user friendly interface and quick deeply customizable controls. There are two serial filters in the signal chain. You can blend this two filters with your modulation design and analog saturation to create classic or modern or amazing beyond time filter sound effects.

ALL IN ONE SOLUTION FOR YOUR FILTERING NEEDS

With creatively inspiring highly customisable controls; huge, smooth, sweety sweeps, massive screaming distorted sounds and much more analog & digital possibilities are in your hands.

Two Become One

At the heart of Supermodal are two powerful filter sections working in tandem. On the left of Supermodal’s interface users will find the Classic Filter, a zero-feedback state variable filter that can morph smoothly between lowpass, bandpass, and hipass filter modes with its ‘Type’ control. It features a fixed slope of 24 db per octave, evoking many well-known analog filters, and is capable of both sweet and chunky filter sounds with the help of a built-in saturation algorithm and input and output controls that allow users to drive it for a fat, musical sound.

To the right of the Classic Filter is Supermodal’s namesake Modal Filter. A ‘meta-filter’ made up of hundreds of resonant bandpass filters, the Modal Filter features 27 different carefully crafted resonation behaviors–or variants– that organize its numerous bands to emphasize various harmonics–known as partials–across the frequency spectrum. These variants are grouped into 9 filter models, which include ‘Vocal Formant,’ with its ‘Ah,’ ‘Ih,’ and ‘Oh’ variants; ‘Struck,’ with ‘Piano,’ ‘Vibraphone,’ and ‘Bell’ variants, ‘Waveform,’ with ‘Saw,’ ‘Square,’ and ‘Hypersquare’ variants, and more. This unique approach to filtering results in transformative sounds unlike anything possible with conventional filtering alone, while ‘Damping’ and ‘Partials’ control allow users to refine the sound of the filter to achieve their desired tonality.

The Classic Filter and Modal Filter are arranged in parallel, combining their outputs for more full-range filtering effects. A ‘Blend’ knob crossfades between them, allowing users to dial in their perfect balance between the two filters’ effects. Supermodal also features a Dry/Wet mix slider, enabling subtler effects that retain some characteristics of the original audio source.

POWERFUL FILTER | MODERN SOUND

Polyverse Supermodal is a powerful filter with a modern sound that will make your music resonate. It remodels ordinary tracks utilizing its powerful Modal filter that emulates sonic characteristics modeled from a wide range resonating bodies. Combined with a parallel state-variable filter and expansive modulation system, a single audio signal can be manipulated into a wide array of frequencies to create shimmering cinematic soundscapes, pulsating rhythms, pads with harmonic motion, or anything else you can dream up.

FEATURES

• Modal filter capable of seamless morphing between modes
• 27 Modes ranging from musical to mangled
• 24dB per-octave slope state-variable filter
• Blend between SVF and Modal filter
• Drive SVF filter input and Modal filter output
• Self-resonate when resonance is boosted past 100
• Control partials to completely eliminate high or low frequencies
• Shape modal tails with decay and damping controls
• Modulate any parameter with fast, intuitive modulation sources
• Cross modulate between 4 modulation slots

27 SOUND MODELING MODES

The Modal Filter utilizes hundreds of surgically precise bandpass filters to model the resonant bodies of various instruments, objects, waveforms, and more. We created 9 models, each with 3 variations for a total of 27 modes including a range of flangers, phasers, vocal filters, physical and even mathematical modeled resonators. With decay, dampening and partial settings, Supermodal provides fine-tuned control to either subtly or dramatically fashion these unique sonic characteristics into your sound palette.

SHOW STOPPING MANIPULATION

The glamor of Supermodal is fully unveiled when combining its powerful filters with its robust modulation system. The 4 modulation slots offer 6 modulation sources including – Meta knob, ADSR, Envelope follower, Sequencer, MIDI/CV triggers, and Randomizer. You can also cross modulate between slots to create even more intense modulation. Both the State-Variable filter and Modal filter operate in stereo allowing you to modulate the left and right signal independently, together, or separate to deliver awe-inspiring stereo effects. Virtually all parameters in Supermodal can receive modulation.

SVF FILTER WITH FAT NON LINEAR DRIVE

Supermodal’s classic State-Variable filter smoothly blends between high-pass, band-pass and low-pass while working in parallel with the Modal filter. The SVF filter uses a 24dB per-octave slope that is familiar to many classic analog synthesizers, with the ability to boost its resonance to self-resonate. It can be further driven with the Drive feature to add warmth and thicken the signal. Crossfade between the state-variable and Modal filter with its Blend slider for seamless morphing.

Erupting with Character and Vintage Quality

FabFilter is proud to announce Volcano 3, the latest version of its award-winning filter plugin. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering.

Beautiful New Interface and Improved Workflow

FabFilter has redesigned Volcano 3 from the ground up to make it more intuitive and immediate, while at the same time introducing a wealth of new features, and dramatically improving visualization of audio and modulation signals. The new filter display speeds up workflow with the selection of multiple filters at once and presents a unified response curve with stereo separation, as well as a high-resolution spectrum display. 

Characterful New Filters

The beating heart of Volcano is, of course, its bank of four analogue-modelled filters. Expanding on the already-established High-, Low- and Band-Pass types, Volcano 3 more than doubles the options with the addition of vintage-style Bell, High/Low Shelf, Notch and All-Pass modes. 

And Much More…

Beyond its stunning redesigned interface and versatile new filter types, Volcano 3 is erupting with useful new functional additions, refinements and tweaks. Many of these are to be found in the modulation section, such as adjustable Attack, Decay and Release curves for the Envelope Generator, a transient detection mode for the Envelope Follower, and the new Slider: a vertical-only variant on the XY Controller.

Features

• Fully redesigned, highly simplified interface, with an easier workflow, including a new design of modulation sources and floating slot panel.
• Vintage-sounding EQ-type filter shapes with the internal drive and non-linearities: bell, low/high shelf, notch and all-pass.
• Ultra-flexible filter routing, including per-channel and mid/side modes.
• Various interface sizes and full-screen mode.
• Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need.
• Drive setting per filter, adjusting the internal filter saturation, which allows for much more variety in sound and smoothness.
• Live modulation visualization for targets and sources.
• High-Quality option, enabling maximum internal oversampling for the best results.
• Level/Pan per filter, which is especially useful when using parallel filter routings.
• 6 dB/oct filter slope option.
• Stereo and mono plugins available.
• Undo, redo and A/B switch features.
• Carefully designed and curated factory presets, plus support for earlier Timeless presets.
• Large interactive filter display with optional piano display.
• Interactive MIDI Learn.
• Extensive help file with interactive help hints.
• Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats.

SubBass Doctor 808

Treating the lowest frequencies is not an easy task. And in some listening environments, it is almost impossible. If you mix while travelling or your mixing room or your system is not 110% perfect, you should see the doctor. Namely SubBass Doctor 808.

KEY FEATURES

Your subs can be harmful

We all want the pumping subs that shake the body. But without the right treatment, they can get out of control. Although they are inaudible in some environments, wrongly mixed low frequencies can even destroy big PA systems.

Who needs the Doctor 808

You may want to mix while travelling, you may be producing a home studio. Your monitors do not deliver the lowest frequencies right or your room is perhaps not 100% acoustically treated. In all these cases you should search for the Doctor.

Get your cure

SubBass Doctor 808 is a safety net for all mentioned above. It filters the harmful frequencies and guards the lowest basses not to exceed the healthy limit.

Extra sub

As SubBass Doctor 808 steals something from the low end, it compensates the loss in healthy sub frequencies ensuring you don’t lose even a little bit of the sub-bass power.

Saturate

To accentuate the low frequencies and to add extra warmth SubBass Doctor 808 adds pleasant parallel saturation. This helps the sub-bass to set off and astonish the audience.

808, 5-string and double bass

As the name suggests SubBass Doctor 808 is mainly designed for synth bass and drums. But it is essential when mixing other instruments that reach really low – such as low-B five-string bass or double bass.

Hassle-free software protection

No iLok, no dongle nor internet access is required for activation. Our software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

64-bit audio quality at ANY sampling rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart bypass

The intelligent way our plugins manage bypassing ensures that you don’t get any click or harmful noises when automating the parameter.

Recreating a Legend: The H3000 Factory is a re-creation of several key algorithms from the H3000 Ultra-Harmonizer^® effects processor.

The plug-in provides a convenient modular interface to combine up to 18 effects blocks together in a practically limitless number of configurations.

It offers pairs of sweepable delays, pitch shifters, filters, mixers, amplitude modulators (or VCAs).

As well as an assortment of modulation sources including two low-frequency oscillators, envelope generators, and more.

Each of your custom effects can be easily manipulated in real-time or synchronized to a session.

All of this flexibility, with the sought-after sound of the H3000, brings you a great-sounding plug-in that’s as versatile as the original that inspired it.

Features:

• Over 450 presets including over 100 new artist presets and over 100 original presets from the H3000
• Available effects blocks include delays, amplitude modulators, envelope followers, pitch shifters, filters and low frequency oscillators.
• The Function Generator features nineteen waveshapes, a white noise generator, MIDI control and a sidechain input.
• All delays and LFOs can be locked to system tempo. Each delay can be looped and offers a low pass filter.
• The filters include selectable band pass, high pass, and low pass with variable Q, and can be swept and modulated without audible artifacts.

We’re happy to present the brand new Saucey Filter.

It combines two of our most used filter characteristics in one plug-in. On the one hand there is the Pre LP. It’s a very light sounding low pass filter. On the other hand there is the Main Filter.

It’s a combination between hi pass and low pass filter refined with a high resonance. Due to its preferences the Saucey Filter comes with only two knobs which let you tweak the filter sound you need in seconds.

The Saucey Filter stands out through its simplicity!

Saucey Filter Overview:

• Go-to filter for full mixes, loops and one shots
• Adds character to your track fast!
• Two different filter characteristics
• Easy to use!

Stereo Bass Utility

Lowtility 2 is a low-end filter and mid/side utility plugin. It lets you cleanly cut the low frequencies from your mix, and modify the stereo width of the low end.

Lowtility is a stereo tool designed to control the low end of your mix. It features a variable-slope low pass filter, along with a separate section for finely tuning the stereo width of the bass frequencies.

With the stereo meters, you can visualise how the left and right channels interact, making sure you don’t have any phase-cancellation issues.

MAIN FEATURES

Width Adjustment

Lowtility 2 lets you adjust the stereo signal of your low-end to clean up bass frequencies. Choose to reduce the width, or make it mono keeping either the mid-channel or one of the left and right channels.

Low Cut

Cut the low frequencies using a choice of 4 different filters, from a gentle 12dB roll-off, to a steep 48dB slice.

Stereo Meters

Lowtility 2 features both a Goniometer and a Correlation meter, visually displaying the phase and stereo information of your signal. The meters can be switched between the full band or just the low band.

Unique Filters, Easy Display

FabFilter Simplon is a simplified version of FabFilter Volcano 2 with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode.

FabFilter Simplon

Originally developed for FabFilter One, Simplon’s filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible.

Simplon’s filters sound raw but never cheap or ‘digital’, even at full resonance.

Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

In combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.

Tweak the filters with Simplon’s large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.

And of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.

MAIN FEATURES

• Sixteen different distortion styles, from subtle saturation to heavy guitar amps and bit crushing
• Multiband processing (up to 6 bands)
• Per-band drive, mix, feedback, dynamics, tone and level controls
• Per-band solo and mute options
• Optional HQ mode (8x oversampling)
• Mid/side processing
• Interactive multiband display
• Easy-to-use interface, using our innovative what-you-use-is-what-you-see concept
• Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need
• GPU-powered graphics acceleration
• Normal and wide interface layouts, with an option to show or hide the modulation section at the bottom
• Easy drag-and-drop modulation with 50-slot modulation matrix
• Over 150 presets
• Modulation source signal visualization
• Interactive MIDI Learn
• Unique per-component presets
• Smart Parameter Interpolation
• Extensive help file with interactive help hints
• Undo, redo and A/B switch features
• Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)

Urei 565 Filter Set

The EQ65 is a recreation of a classic audio surgical tool, the Urei 565 filter set, used by generations of engineers to de-emphasize or completely eliminate selected frequencies in an audio recording. Its two-band notch/band pass filter set allows you to quickly find a selected frequency to boost or cut. Target frequencies also may be attenuated in gradations by using the notch filters in conjunction with the depth controls.

Features

• Emulation of the analog Urei 565 filter set
• Powerful 36 dB/octave High Pass and Low Pass filters
• Two switchable Notch/ Band Pass filters
• Use Band Pass to identify unwanted frequencies, then switch to Notch to cut them with very narrow Q settings
• In/Out switch and indicator
• Several instrument and special effect presets

MR Click combines click and crackle filtering for cleanup of phonograph recordings or other impulsive contamination.

MR Click has separate processors for clicks and crackles because of the different nature of the contaminants.

We use the term “click” to mean a large disturbance, such as caused by a phonograph scratch or a splice in a digital signal.

The click processor automatically detects clicks and reconstructs the audio signal in the neighborhood of the click to eliminate it.

We use the term “crackle” to mean the high frequency scratchiness you get from dust or wear in the grooves of a phonograph.

The crackle processor automatically detects crackle and eliminates it by smoothing the signal in the neighborhood of the crackle event. The crackle processor also contains an onset detector that will inhibit de-crackling the onset of events like snare hits or cymbal crashes.

MR Click has a scrolling time display that shows all the click and crackle events detected, so you can easily adjust the detection thresholds. There is also a monitor feature to hear the removed clicks and crackles.

MAIN FEATURES

• Separate algorithms optimized for click and crackle processing
• Sophisticated detection algorithms for clicks and crackle focus processing on contaminating events
• Onset detection allows crackle processing to bypass onset events, keeping attacks bright
• Monitoring feature for hearing eliminated clicks and crackle
• Comprehensive stereo display of signal level, clicks, crackle, and onset events
• Latency compensation via compatible hosts
• Up to 192 kHz sampling rate
• Mono or stereo

The Creative Motion Filter

Shape Your Sound.

Filterstep is a modern motion filter plugin which provides a great deal of potential for all kinds of intricate rhythmic movement.

It can give you incredibly complex and nuanced results based on various filter effect settings, and almost infinite possibilities for sonic exploration and movement randomization.

Filter. In Motion.

Introduce contemporary character to your music. Craft Compelling Textures with Simple and intuitive parameter controls.

Features

• VST/VST3/AU/AAX/Standalone
• Generate filter grooves in real-time
• Syncs to host tempo
• Wet/Dry mix control
• MIDI Controllable
• Infinity mode
• Quick load presets
• 64 & 32-bit compatible
• Instant/Tap bypass for live performance
• Quantization settings
• Motion selector
• Customizable sequence range
• Assign presets to quick-load section
• No two patterns will ever be the same

4 Extraordinary Filters in Each Band

With MCombMB you have up to six bands, each with up to 4 filters. You can have them in series, in parallel, or just mix it somehow. Each filter has an adjustable feedback with band pass and even a limiter! You can also invert phase in each channel to get quite some unique stereo width. And most of that is easily accessible using the easy-to-use graphical editor. And that is just a beginning…

Modulation Heaven

Love the sound of our plugins, but wish there were some way to quickly create motion in your sequences? Enter Melda modulation heaven. Modulate any parameter from our unique set of modulation sources, which includes LFOs, audio level followers, envelope generators, randomizer, and pitch detectors.

MeldaProduction Goodies

You can also expect to find the standard MeldaProduction goodies: 16x upsampling, M/S, surround support as well as other channel modes, A-H presets for easy comparisons, and our easy to use integrated help system.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• 1-6 fully configurable independent bands
• 4 exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Sync interpolation
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

ANIMATE helps you inject life into your mixes in a precise, versatile and colourful way.

With four different movement modes, each with individual frequency assignments and mid/side functionality you’ll get your music jumping out of the speakers precisely how you want.

EXPAND

Expand mode allows you to dial in a pristinely clean sounding upward expansion. This increases the volume of signals over the threshold, giving your audio more dynamic range in a transparent way.

PUNCH

Punch mode enhances the transients of your audio to help them bite through the mix. Whether you want to subtly accentuate the high-frequency transients in the mid-channel of your master or bring out serious smack on an individual channel, Punch can handle the task.

IGNITE

Ignite mode allows you to dial in rich harmonic distortion in a dynamic way based on the input signal. Ignite can increase the perceived loudness, power and presence of a channel without the pumping effects of a compressor.

GROW

Grow mode lets you increase the width of the selected frequencies using a psychoacoustic precedence effect. Grow can be applied in a dynamic way meaning only the signal surpassing the threshold is widened. This along with the frequency selection gives you a new realm of movement to inject into your music.

More Features:

• Filter to isolate processed frequencies
• Mid/Side, Left & Right Functionality
• Sharp retina display
• Easy to set up. Gives you total control with a user friendly interface. Interactive tool tips can also be activated for even more information.

Changes in 1.1

• Offline Activation.
• Separate mode activation (you can buy Expand, Punch, Ignite & Grow individually).
• Loads of new presets.
• Clearer error diagnosis for the user.
• Level-match slider a neutral colour to show that it applies to all modes.
• Bug Fixes.

The filter allows you to isolate which frequencies are processed. The frequencies of the signal will glow giving you a better idea of where to set the bands. The filters have a 24dB/octave slope and are combined with an innovative solution to dramatically minimise phase distortion.

The effects in ANIMATE will most likely increase the volume of your audio. The output slider has a level matching pointer to help you adjust the output gain to match the original perceived loudness of your audio before it passed through ANIMATE’s effects. So, when you bypass ANIMATE you can confidently determine whether your settings have a positive or negative impact on your sound.

Robotic voices, singing synthesizers, morphing between multiple audio materials. That’s MVocoder, a vocoder with ultimate audio quality and extreme range of features as usual.

As Versatile As It Could Be

MVocoder is a true analog filter based vocoder, which supports up to 100 bands, up to order-10 filters, band matrix, band distribution and resonance graphs, morphing and other special vocoding modes plus much more. Optimized to be easy to use, but incredibly versatile for those who want to be really creative.

Multichannel Vocoding

Instead of having an integrated synth, MVocoder uses an external side-chain, so you can feed in any source and let the plugin do its magic. And of course, you can have up to 8 surround channels.

Modulation Heaven

Looking for a little extra variation in your sound? Look no further than our extensive modulation options. Modulate any parameter from sources such as an LFO, audio level follower, envelope generator, randomize, or pitch detector. Your sound will never be static again.

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Smart randomisation
• Automatic gain compensation (AGC)
• Safety limiter
• Adjustable up-sampling 1x-16x
• MIDI controllers with MIDI learn
• Very fast, optimised for SSE/SSE2/SSE3 processors
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

This Bundle Contains These Plugins:

• Shaperbox 3
• Curve 2
• FilterShaper 3
• Halftime
• MidiShaper

Including Shaperbox3, with all-new versions of NINE powerful Cableguys effects:

• TimeShaper 3
• VolumeShaper 7
• FilterShaper Core 3
• PanShaper 4
• WidthShaper 3
• Crushshaper 2
• DriveShaper 2
• NoiseShaper 2
• LiquidShaper

Curve 2

For Experimentation & Detailed Tweaking

Curve 2 is a software synthesizer with an irresistible waveform editor, huge sound library and slick interface. Ideal for both experimentation and detailed tweaking at an excellent sound quality.

Feed Curve’s oscillators, LFOs and envelopes with custom waveforms. For anything rhythmic from wobbles to FX loops and evolving pads. For broad oscillator timbres from deep basses to shrill, aggressive snarls.

A huge library will get you started, with quality presets by well-known preset designers such as Michael Kastrup, Pluginguru, Myagi, Xenos Soundworks, Soundsdivine, and hidden pearls from the Curve community.

Curve 2 provides completely new possibilities for experimentation and detailed tweaking, with a simple to use, immediate, slick interface.

Sound Features – Curve features aliasing-free oscillators with custom waveforms, noise generation and broad FM options. Waveform crossfades provide for changing timbres; a comprehensive unison mode delivers fat lead sounds, wide pads and massive sound. Drawable LFOs deliver everything from melodic and rhythmic patterns to dubstep wobbles and punishing bit-crushing effects. Flexible filter routing, a feature-rich mono mode plus legato and glide, are all designed for great depth of control.

Preset Library – Curve’s preset library is a shared online database, providing a constant source of inspirational sound. Public preset sharing allows an ever-increasing number of great presets, public preset voting will help you manage the vast number of sounds, all from within the plugin. Curve ships with an excerpt of this ever-growing sound library. Macro knobs let you explore vast sound variations quickly, for quick access to those parameters that define the core of a sound.

Elegant Interface – Curve shows you everything important at a glance, featuring high contrasts and a fresh colour scheme. Inbuilt MIDI assignment allows you to set up external MIDI controllers quickly.

The Curve Community – Since the first beta of Curve 1.0, the Curve community has steered the synthesizer’s future by submitting feature requests, comments and bug reports, and by sharing presets. Curve 2 is the result of our users submitting wishes and uploading great sounds.

FilterShaper 3

A Detailed, Interconnected Toolbox for Shaping Your Sound

FilterShaper 3 takes a giant leap into unconventional sound design with two powerful filters, freely editable modulation curves, and an immensely flexible modulation framework.

The new Sallen-Key type filters deliver a rich, warm, intricate sound. Create complex, shifting, interweaving effects. Apply subtle nuances or giant wobbles. From filter sweeps and stereo tremolo to surgically-precise filter control and multiband sidechain effects.

Experiment and Explore – Start with two filters, running in serial or in parallel, plus a set of simple controls. Then set things in motion: All main controls have their own modulation section with two flexible LFOs and one envelope follower each. For advanced effects editing, each LFO in turn has its own speed and intensity control — each with its own LFO and envelope follower. And all LFOs can be MIDI triggered. Visual feedback on each control and oscilloscope views on each LFO keep you focused. And a community-powered, ever-growing library of presets provides starting points and inspiration for your own sounds.

Total Precision Control – FilterShaper 3 excels at surgically precise control. For pinpoint tweaking of the modulation curve and a close-up oscilloscope view, open up the detail panel. Filter out a specific beat in a loop. Tame a booming kick. Or shape a tired sample into something lively and vibrant. You have two filters, 60 LFOs, and 50 envelope followers at your fingertips — a detailed, interconnected toolbox for shaping your sound.

Advanced Multiband Sidechain Effects – As well as pinpoint editing, pulsing rhythmic effects, and left-field, alien craziness, FilterShaper 3 can deliver flexible, precisely timed sidechain compression effects. For multiband sidechain, set up filter one to manage the lows and assign filter two to the highs. Duck out the bass when the kick hits, take out the highs to emphasize a snare — simply draw the curve for each as required. 

FilterShaper Core 2

28 Filter Types • Warm Sweeps • Rich Wobbles • Flexible LFOs

Experience all the richness, warmth and intricacy of a high-quality analogue filter with FilterShaper Core 2. Choose from warm Sallen-Key filters based on classic hardware designs, and Clean zero-delay feedback (ZDF) modes. Create amazing modulations and wild patterns in seconds with a drawable LFO and dynamic envelope follower on every band.

Features

• Redesigned interface with larger editing areas
• Retina/HiDPI support for crisper, clearer graphics
• Trigger Smoothing to reduce clicks when MIDI Triggering
• 1-click Quick Presets for Rhythm, Env. Follow and Build-up
• Dedicated selection tool for multinode editing
• 2x/3x button — double or triple patterns with a click
• Clean filters use zero-delay feedback design for more analogue-like response
• 8 Peak/Notch Phasers for giant swooshes
• Smoother, more accurate spectrum view
• Magnitude oscilloscope graph
• Clearer oscilloscope waveforms and smoother LFO editing

HalfTime

Instant Creative Half-Speed Effect

For Trap • EDM • Hip-Hop • Techno • House • And More

Enter a world of spaced-out, slowed-down sound with HalfTime, the only plugin 100% dedicated to half-speed effects, in use by Armin van Buuren, David Guetta, members of 808 Mafia, The Chemical Brothers and more.

HalfTime transforms any audio into a dark, downtempo version of itself, giving your tracks huge mood and atmosphere. Lead synths mutate into heavyweight EDM bass monsters. Plinky piano lines become haunting trap melodies. Percussion thickens, expanding to reveal new rhythmic possibilities.

Just add the plugin for an instant half-speed effect with zero set-up, or go in deep with powerful creative controls. HalfTime works on loops, virtual instruments or even live audio input, inspiring you in seconds.

The hands-on ‘Power’ button makes it easy to fit HalfTime into your tracks – create a rapid switch or sink in slowly with smooth fades up to 16 bars.

Three-speed ‘Modes’ give you classic half-speed, tight harmonies and shuffling swing rhythms, and drugged-out quad-time playback. Adjustable ‘Loop’ length allows multi-bar slow-downs, funky syncopations and totally new grooves.

Slow only the lows, mids or highs with the ‘Band’ split – generate deep bass movement, fatten midrange percussion, or flip your top-end on its head.

Features

• Instant setup: Add the plugin – get an instant half-speed effect with no further setup.
• Power button: Punch the large central button to activate the effect – automate in your DAW.
• Fade In/Out: Introduce the effect instantly, or fade in gradually, across up to 16 bars.
• 3-speed Modes: 2x for the classic “half-speed” effect. 1.5x for perfect fifth harmonies and triplet rhythms. 4x speed for drugged-out quad-time playback.
• Band Split: Half-speed just the bass, treble or midrange for trippy effects.
• Band Solo: Hear just the slowed frequency range – use it to hone the effect, as a filter, or to blend using the Mix control.
• Dry/Wet Mix: Blend the original and slowed audio.
• Loop Length: Set the Loop from 1/16 up to 8 bars – keep the original timing, stretch it to half speed, or create catchy new rhythms.
• Smooth: Preserve transient punch with ‘Percussive’ mode, and avoid clicks and pops on sustained material with ‘Sustain’ mode. Or push it to extremes with creative FX and Swell options.

MidiShaper

Bring The Flexibility Of Curve To Your Plugins & Hardware Synths

Powered by Curve’s unique modulations engine, MidiShaper brings Curve’s flexible yet powerful LFOs and envelopes to all your favourite synthesizers and effects.

Four LFOs and four envelope generators work together in a sophisticated modulations matrix that can be set up to output modulated pitch, mod-wheel, channel aftertouch or any MIDI control messages.

MidiShaper’s LFOs can run infinitely or be retriggered, synced to your DAW from a buzzy 1/128 to an expansive 32 bars, set to the played note, or run from 0.02 Hz up to the audible range and brain frequency. Like Curve, MidiShaper features completely editable waveforms for its LFOs.

If your plugin or DAW allows for MIDI control, you have a great tool at hand to create vivid, inspiring sounds and bring the flexibility of Curve to your favourite software plugins, hardware synthesizers, MIDI VJ tools, lighting consoles and 1980’s MIDI keyboards.

Routing MidiShaper – MidiShaper outputs MIDI data. Routing MidiShaper to external outboard equipment is simple to do via external MIDI ports.

Using MidiShaper to control software instruments and effects can be relatively simple as in Reaper and Ableton Live, can be complex with pitfalls as in Apple Logic, or might require some special tricks as in Sonar. It all depends on how well the DAW of your choice handles internal MIDI routings and automation. Also please note that not all plugins support automation of their parameters.

If you succeed, you’ll get super-flexible LFOs and envelopes added to your favourite hardware devices, to your sequencer’s controls and to your software synthesizers and effects.

Features

• Enhance Synths and Effects
• Powerful LFOs and Envelopes
• Breathe Life into Static Sound

PanShaper 3

Multiband Panner • Haas Imager • Stereo Rhythm Generator

PanShaper 3 takes stereo control to a new level. With a drawable panning LFO and envelope follower on every band, you can design evolving, fluid pan patterns and make precise stereo edits in seconds. Blend regular panning with psychoacoustic Haas panning and make your mixes fill the speakers like never before.

New Features

• Redesigned interface with larger editing areas
• Retina/HiDPI support for crisper, clearer graphics
• Trigger Smoothing to reduce clicks when MIDI Triggering
• Dedicated selection tool for multinode editing
• 2x/3x button — double or triple patterns with a click
• 1-click Quick Presets for Basic, Haas and Build-up
• Adjustable Haas range, from 0-40ms, from subtle to extreme
• Smoother, more accurate spectrum view
• Magnitude oscilloscope graph
• Clearer oscilloscope waveforms and smoother LFO editing

Additional Features

• Built-in help — hover over any control for description
• Expandable LFO for detailed editing
• Set LFO loop length in beats and bars, or Hertz
• LFO loop length from 1/128 to 32 bars, with sample-accurate sync
• Audio-rate modulation up to 5.24kHz for extreme sound design
• Trigger LFO in any rhythm via MIDI
• Flip/resize/move/randomize wave or selection
• Copy/paste waves between any Shapers
• Unlimited undo/redo for LFO wave edits
• 42 Wave Presets covering all common uses
• 9 slots to store User Waves, saved with the patch
• Switch User Waves via MIDI
• Multiple panning modes (Balance 0/3/4.5/6dB and Stereo Combined) for deep control.
• Dry/wet mix for each band
• Solo bands for easy setup
• Large, precise oscilloscope view with Freeze option