Multi-effect VST Plugins

Beef Up Your Sound

Beef is a multi-effect audio plugin with one sole purpose, to make your tracks sound BEEFY. It brings all the effects you need to create powerful sounds into one efficient and easy to use window.

Beef was originally built to focus on creating the fattest basses and drums as possible. If you’re tired of folder-diving through 808 samples and want to sculpt your own hard-hitting basses with ease, then look no further.

Beyond its original aim, Beef will make anything sound massive, even the most feeble audio. From guitars to vocals and from synths to foley, flex your proverbial biceps and BEEF THEM UP.

Features

• Multi-stage 4-band EQ to sculpt your sound before and after saturation.
• Rate modulation using filtered noise to enhance and engrain tracks with noisy textures.
• Charge sounds with 6 selectable saturation algorithms.
• Decimate your audio in a dedicated crush section.
• Further shaping options using the transient shaper.
• Carve transients by using the shaper.
• Blend your BEEF with an all-important mix control.

Preset Mode

Tweaking parameters not your thing? You just want a great and immediate sound? Enjoy Beef’s built-in “Preset Mode” which removes everything except the mix control for ease of trying presets. When in this mode, the mix control will not change so that you can find and compare your perfect sound from a selection of 124 presets.

85 of these are artist presets from some of Caelum Audio’s favourite content creators and friends: Ali Ahmet from The Beat Community, Ave Mcree, Gavinski’s Tutorials, Jamie Mallender, Nu-Trix The Synth Guy, The GarageBand Guide, The REAPER blog and Venus Theory.

Blue Cat’s Late Replies is a powerful delay and multi effects plug-in that can be indefinitely extended by hosting third party VST, VST3 or AU plug-ins anywhere in the signal path.

With its unique topology, the plug-in is a full-featured delay machine with unlimited powers: both the 8 taps pattern module and the two nested feedback loops include plug-in slotsthat can host built-in effects or third party plug-ins.

So it’s not just about delays! The plug-in includes 25 built-in effects to further manipulate the delay lines: modulation effects, EQ and filters, dynamics processors, pitch and frequency shifters, wave shaper…

With the integrated ducker and its side chain input, ducking delays or reverbs has never been so easy.

Blue Cat’s Late Replies is delivered with hundreds of presets producing many kinds of audio effects: classic delays, rhythmic or melodic patterns, reverbs, vintage echoes, shimmer effects, sci-fi sounds and more.

Main Features

• Powerful delay with built-in effects and third party plug-ins support.
• 8 taps pattern section with integrated mixer and plug-ins slots.
• 2 feedback loops with crossfeed and plug-ins slots.
• 25 built-in effects: EQ, filters, pitch & frequency shifter, delays, modulation effects, compressor, gate, bit crusher, wave shaper and more.
• Supports third party VST, VST3 and Audio Unit plug-ins, with latency compensation.
• Tempo/Host Synchronization.
• Global stereo spread control.
• Several hundreds of fully editable presets.
• Integrated ducking, with internal and external side chain.
• Comprehensive visual feedback with detailed impulse response display.
• Protect your ears with the included feedback and output brickwall limiters.
• No latency.

New features and improvements in Late Replies 1.5:

• New dual user interface: browse and quick-edit presets with the new easy mode, or create your own delays and reverb with the full editor.
• Up to 8 times more processing power with the new multicore engine that can process each reply on a separate core.
• New echoes and ping pong delay presets with effects.
• New DSP workload meter that displays the DSP activity and CPU load.
• Added MIDI control support (MIDI CC messages) for Next and Previous
• Preset commands, with MIDI learn.
• Reduced time to load Late Replies or any built-in plug-in.
• Multiple DSP performance improvements.
• Level meters and spectrum analyzers are not updated anymore when the user interface is closed, reducing CPU usage.
• Reduced the number of threads used by the plug-in.
• Improved global and preset settings window loading time on Windows.
• Added ability to select the plug-in to load when a shell plug-in file is dragged and dropped onto a slot.
• Full unicode support.
• Preset files can now be dropped onto the preset LCD area to be loaded.
• Smoother loops Freeze when quickly switched from 0 to 100%.

Compatibility:

• Native Apple Silicon (M1 processor) support.
• Dropped 32-bit support on Mac.
• Now requires MacOS 10.9 and newer.

Fixes:

• Fixed host loop end value not properly passed to hosted plug-ins, for the VST2 version.
• Fixed several crashes upon load for multiple third party plug-ins (mostly VST3).
• Fixed MIDI control for hosted plug-ins not always working when fed with silence.
• Fixed VST3 (and sometimes VST) version freezing Ableton Live upon save on Windows.
• Fixed harmonizer and Pitch Shifter built-in plug-ins that did not always flush their buffer upon bypass (short sounds could be heard when getting out of bypass)

For wild jet-plane flanging and deep, lush phasing.

What is LiquidShaper?

Dive deep into sound design! LiquidShaper gives you wild jet-plane flanging and deep, lush phasing in one multiband Shaper effect.

With easily editable LFOs, design any movement you can imagine — from soothing stereo sweeps to monstrous robotic comb filter FX.

Running inside Cableguys’ ShaperBox 3 effects plugin, use LiquidShaper on its own or with other Shapers — they all work in exactly the same way, stacking up to create elaborate, multilayered effects that’ll make your productions stand out.

Future Flanger

Based on ultra-short delays, Flanger mode gives you everything from awesome jet-plane swooshes to gritty robotic comb-filtering.

Fluid Phaser

With up to 16 stages, for fluid, bubbling phasing. From soft and gentle to thick, lush and resonant.

Waveforms that you design

Get amazing modulations and design wild patterns in seconds with a drawable LFO for the Centre and Feedback parameters. Sync it to your song, trigger with MIDI, or even with audio transients.

Follows Any Rhythm

Trigger your flanging and phasing patterns in any rhythm at all using MIDI. Or use powerful new audio triggering that tightly tracks the rhythm of drums, loops, instruments – even full mixes.

Reacts to dynamics

Analogue-like Envelope Followers give you funky talking phasers and gritty reactive flanging that tightly tracks the dynamics of any signal.

Multiband Power

Put a phaser on the bass and a flanger on the tops! All 3 bands get their own LFOs and Envelope Followers.

Mighty Modes

Get more sonic options! Flip the feedback polarity for rich or hollow flanging, peaked or notched phasing.

Go Wide!

Expand your stereo field with a funky Stereo parameter that offsets the Centre frequency in each speaker.

Runs in Shaperbox 3!

LiquidShaper runs in Cableguys’ acclaimed ShaperBox 3 effects plugin. Use it on its own, or combine it with up to 8 more Shapers for multilayered effects. Buy LiquidShaper on its own — or save 70% and get all 9 Shapers with ShaperBox 3 Bundle.

ANALOG PROCESSOR

Analog Pro brings life to your digital audio by simulating the way Analog hardware such as tape machines, valves and vinyl turntables warm up and saturate your audio.

We recreated the imperfections of playing back audio from a Tape or a turntable via the Wow and Flutter controls.

Analog Pro has a variety of user adjustable controls including:

• Noise Level
• Noise Type
• Impulse Type
• Impulse Mix
• Emphasis
• Stereo
• Lowcut
• Highcut
• Wow
• Flutter
• Amount

Giving plenty of scope for the user to adjust the sound to their liking.

Analog Pro sounds great on real instruments such as pianos and brass and can really make your instruments stand out in your mix, sounding like they are being played back from a Tape or Turntable.

Analog Pro comes with an easy to use and resizable interface, use the Amount knob to control how much Analog Pro affects the signal.

THIS PRODUCT IS NOT COMPATIBLE WITH PRO TOOLS

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation.

It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

This unique effect has been ported directly from the award-winning H9 Harmonizer. All of the H9 presets have been converted to work with the plug-in and have been included, as well as newly created factory and artist presets. Now you can use all the delays, reverbs, chorus and modulation effects that guitarists and synth players have grown to love. Best of all, The Ribbon has been optimized for live use with your favorite DAW.

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.
• Speed up or slow down the rhythmic space between taps using the Spread knob.
• Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms.
• Control the stereo image of taps to alternate between hard-panned and mono.
• Sync the Length and/or Chop LFO speed to the DAW session.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta control on the fly.

A Brief History of UltraTap

It all started in 1982 with the world’s first rack mount programmable audio processor, the Eventide SP2016, where a flexible 64 tap delay debuted as part of its Factory Program suite. By the late 80’s UltraTap had migrated to the legendary H3000 Harmonizer effects processor and then to the DSP4000 and H8000. Thanks to advances in technology, we were able to include UltraTap in a portable compact form factor, the H9 Harmonizer stompbox. And now UltraTap has come back to the studio via your DAW and FOH environment, where it all began 35 years ago!

Enter the FX Matrix!
Looperator chops up your audio and turns it into something new. In the process, you can dispose of the classics like Filters and Reverbs, but also trippy Loop and Vinyl manipulations.

Looperator makes you sound as if you worked on your track for hours and hours and really all it took was a click of a button.

MAIN FEATURES

• 16-Step Sample Slicer
• Looper with Reverse Mode
• Time Stretch & Talkbox Filter
• Recall presets with MIDI notes
• Independent Control for left/right Channel
• Unlimited Undo/Redo
• Intelligent Random
• 5 Parameters per effect and step

Plug in and let Loose!

Looperator unites two concepts: you can re-arrange the material with the Slicer and place effects with surgical precision. Right from the start, we aimed at a tool that is easy to handle and produces favourable results.

The preset tools make creating of rolls, loops and stutter edits, that can be fiddly to build in a DAW, a matter of a few mouse clicks.

And when inspiration has left the room, the smart random algorithms with detailed programming options will generate sequences with a high chance of sounding balanced and useable.

Extensive MIDI Integration & Modest on your CPU
Looperator can be triggered in sync with the DAW’s transport controls, or via notes from a MIDI track. In a classic DJ setup, it syncs with your DJ software.

You can assign complete effect sequences to MIDI notes – this way you can trigger individual patterns. This gives you plenty of flexibility when it comes to applying magic to audio signals in a live environment.

Find a boring drum loop! In under a minute, you’ll have something sounding not only completely different, but truly compelling.

It’s undemanding on your resources, so running a number of instances and incorporating the results into a broader project is a truly effortless process.

The Beauty of Under-the-Hood Editing Power
Despite its simple interface, Looperator is a surprisingly deep plug-in if you really dig in.

Each effect holds its individual parameters (5 settings), each of which can be controlled by one of 20 selectable and adjustable envelope shapes, a simple automation-ready parameter dial, an envelope follower, or a randomiser.

Much of the time, you won’t need to go any further than the ready-made steps, but when you do, the four user-defined steps per track give you full and precise control of vital effect parameters on a per-step basis.

When it comes to animating lively sequences on a detailed level, the possibilities are literally endless.

Dynamics and Depth
The processing chain runs from top to bottom and you can alter the order of the six lanes by a simple vertical drag–and–drop.

If for example, the Slicer is below FX1, then the results of FX1 will be included in the slices as you sequence them—after which they’ll be filtered, looped and processed through FX2 and the envelopes.

Each effect module has an individual dry/wet and the global mix control boasts 6 different setups.

All UI elements put the spotlight on the task at hand and directly respond to every user action with visual feedback.

Take a Peek at the Manual, or Don’t…

Don’t overthink it! Looperator allows unlimited undo steps. This security encourages experimentation. Silence your critical voice, paint some patterns, and when it sounds good, save the preset.

Features and logic will become apparent through use and you’ll hear for yourself that Looperator’s output of new ideas from the first moment is intoxicating.

From subtle enhancements to spectacular effect pyrotechnics: Looperator’s expressive potential quickly approaches the character of an instrument.

Sounds & Presets

Rearrange your groove..!

Looperator comes with over 300 presets, ready to instantly transform your sounds. The factory library is categorised, making it easy to tell at a glance what sort of sonic role each set of patches is best suited to.

Endless Creativity

Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job.

Features

• 6 saturation algorithms with hysteresis, asymmetry and remanence.
• 21 selectable impulse responses from 11 different tape machines.
• 12 different noise samples.
• Versatile wow and flutter module.
• Realistic sounding tape delay.
• Hugely creative, hugely fun tool.

Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module.

The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with:

• Tape
• Digital
• Rectify
• Half-Rectify
• Sine
• Smooth

Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound.

Caelum Audio’s collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.

Noise is a huge part of the real tape sound and builds texture within any vibe you’re making. Tape Pro uses real sampled noise and can add anything from the rolling heads of a tape delay to the subtle hiss of a top of the range mastering tape machine. The noise types included are the same as listed above in the response module.

The wobbles and fluctuations of tape can be used to create wonderful modulations. Tape Pro’s Wow recreates the low-speed fluctuations of tape speed, while Flutter recreates the high-speed fluctuations. The rate of the wow can even be synchronised to your DAW – it can do things real tape machines can’t.

Part of the inspiration for creating Tape Pro came from a tape delay machine that sat in the Caelum Audio studio. Caelum Audio wanted the genuine tape delay sound anywhere they went, without having to transport, set up and wire in the hardware unit. Because of this, a huge amount of effort went into getting Tape Pro’s delay module right.

The hardware unit is no longer needed, it has been fully replaced by Tape Pro.

Lo-Fi • Vinyl • Excitement • Ambience • Groove

NoiseShaper gives you the secret sauce for lo-fi beats and exciting mixes: noise! Imagine trap melodies crackling like vintage vinyl. EDM synths that fill the speakers with high-end electricity. Drums sizzling with classic console hiss. Pianos submerged in bubbling water. Cassette house grooves, retro gear hum, broken digital textures, organic field recordings… and so much more.

Explore an expansive world of noise with mix-ready noise sources by BT, Cyclick, and InsideInfo. Layer them onto any sound in just one click – with built-in dynamic control, NoiseShaper reacts to your music, for noise that breathes with every beat. Running inside Cableguys’ ShaperBox 2 plugin, use NoiseShaper on its own or combine with other Shapers for elaborate, multilayered effects.

MAIN FEATURES

An expansive world of noise

Explore an exciting world of noise with a production-ready library crafted by BT, Cyclick and InsideInfo. Get classic synth noise, vinyl crackles, tape hiss, broken textures, organic recordings, and more.

Dynamic and alive

Forget boring static noise with no dynamics – in NoiseShaper, the noise breathes with every beat. Follow mode adds rhythmically synced sizzle. Duck mode fills the gaps with lo-fi textures.

LFO’s that you design

With Cableguys’ famous LFO drawing tools, it’s easy to target specific mix elements – for instance, add noise to just the snare in a loop. You can even design your own rhythmic noise patterns.

Runs in ShaperBox 2

NoiseShaper runs inside Cableguys’ acclaimed ShaperBox 2 effects plugin. Use it on its own, or combine with Drive, Time, Crush, Filter, Volume, Pan and Width Shapers.

Easy multiband control

Trigger the noise from up to three frequency bands. Add sizzle to just the hats in a loop, or enhance the kick drum by reacting only to bass frequencies, for example. Or go further: combine up to 3 separate noises with fully independent settings per band.

See your sound

Modulation can be hard to understand – but not with NoiseShaper. You always see exactly what’s happening with the big modulation trace, LFO graph, and spectrum view. All expandable, if needed.

Cableguys quality

Every noise is carefully mastered to balance perceived volume, dynamics, and frequency response across the entire library, so you can seek out the perfect noise without constantly tweaking the volume up and down.

MAIN FEATURES

• Trim, Mono and dual High/Low-Pass Filters to slot the noise into your mix.
• Noise Only mode for sound design or separate mixing of noise elements.
• Retina/HiDPI interface, resizable from 75% to 200%.
• Built-in help — hover over any control for description.
• Expandable LFO for detailed editing.
• Set LFO loop length in beats and bars, or Hertz.
• LFO loop length from 1/128 to 32 bars, with sample-accurate sync.
• Audio-rate modulation up to 5.24kHz for extreme sound design.
• Trigger LFO in any rhythm via MIDI.
• MIDI Trigger activity LED to aid setup.
• Trigger Smoothing to reduce clicks when switching/triggering Waves.
• LFO Smoothing parameter to remove clicks/pops, or for creative effect.
• 1-click Quick Presets for Vinyl, Cassette, and Beat Spice.
• Dedicated selection tool for multinode editing.
• 2x/3x button — double or triple patterns with a click.
• Selection skewing, for easily increasing intensity over time.
• Snap a single point, a selection, or each point within a selection.
• Flip/resize/move/randomize wave or selection.
• Draggable parameters to shift the entire wave up/down.
• Copy/paste waves between any Shapers.
• Unlimited undo/redo for LFO wave edits.
• Dozens of Wave Presets covering all common uses.
• 9 slots to store User Waves, saved with the patch.
• Switch User Waves via MIDI.
• Dry/wet mix for each band.
• Solo bands for easy setup.
• Large, precise oscilloscope view with Freeze option.
• Magnitude oscilloscope graph.
• Easy 1-slider editing of Envelope Follower.

Voxpat Pro is a standalone software developed to create monster, other world creatures and robotic sounds for games, films, music & multimedia projects.

But also for processing any kind of samples or musical instruments in many different ways. Procedural audio, audio synthesis, audio convolution, among other audio manipulation techniques are used to create multiple layers of sound using your own voice or pre- recorded audio files.

• Real-time audio processing.
• Up to 2 microphone inputs at same time.
• Multi Player Input. Process up to 3 audio files at same time.
• Process WAV, AIFF & Mp3 files.
• Instrument Input. Play any VST/AU virtual instrument.
• Process your input signal through 12 audio effects.
• Input Depending Mode. Activate effects based on the input level.
• Delays Section.
• Assignable LFO & LFO Rate Modulation.
• Master Fx Rack.
• Recording. Export each effect layer separately, including audio source.
• Batch Processing. Process & export a bunch of file within 1-click.
• Sample Processing. Process & export any audio file within 1-click.
• Rec Me Section. Record your voice for processing in just 2 clicks.
• Input & Output routing to DAW or audio editor.
• Control Voxpat Pro via your MIDI device.
• Includes 66 Presets & 154 Samples (Animal, Human & Foley Sounds).

What’s new in Voxpat Pro?

• Improved audio engine
• Redesigned audio player input section. Includes fade in settings, playback speed, pitch, normalizing, reverse playback and audio file length selector
  (process only the selected part of an audio sample). Play audio files using computer keyboard.
• Redesigned delays, input depending and LFO sections.
• New “Dark” effect.
• New “Bot 1” & “Bot 2” effects for creating robotic voices and sounds.
• Redesigned D-Pitch effect.
• Redesigned “S-Conv” effect. Includes fade in settings, playback speed, pitch, normalizing, reverse playback, audio file length selector (process only the
  selected part of an audio sample), master pitch, amplitude envelope and threshold (set the input level for triggering the sample convolution).
• Redesigned “S-Player” effect. Includes fade in settings, playback speed, pitch, normalizing, reverse playback, audio file length selector (process only the selected part of an audio sample), master pitch, amplitude envelope and threshold (set the input level for triggering the sample convolution). Play audio files using computer keyboard.
• Redesigned “Ring” effect. Features 3 ring modulators sections.
• 5-Band Parametric EQ on each effect.
• New built-in Dual Delay at master rack.
• New built-in Pitch Envelope at master rack.
• New built-in Chorus at master rack.
• New built-in Reverb at master rack.
• New built-in Overdrive Distortion at master rack.
• Redesigned plugins section at master rack. Up to 4 vst/au plugins.
• Redesigned Recording section. Now you can also export each effect layer and source file separately. Rec Me section allows you to quickly record your voice to use it as an audio file within Voxpat Pro.
• New convolution samples added. Includes 108 animal & action sounds.
• Run on the latest mac and windows os.
• Run native on new Apple silicon computers.

PSP N2O is a semi-modular multi-effect plug-in which offers unparalleled flexibility and total sound creation freedom.

The high-quality sound processing modules can be routed in any configuration, allowing for endless musical journeys.

While built upon the same basic concept as the much-loved PSP Nitro, PSP N2O brings new modules and extended modulation features, allowing you to explore completely new sonic territories. The plug-in engine has been rewritten and redesigned from scratch in order to improve the sound and take full advantage of the optimizations offered by modern CPUs.

The enhanced user interface improves the experience of both sound designers creating their own soundscapes as well as everyday users who aren’t as fond of looking under the hood.

Remember, don’t tell your neighbors about your experience. While legal in the US, many states have laws regulating the possession, sale and distribution of N2O – some reports say it is highly addictive!

Features:

• Up to four sound processing operators at a time: morphing resonant and formant filters, eq, delay, reverb, pitch-shifting, compressor/expanders, bitcrushing, distortion, full-wave rectifiers and more
• Up to four modulators at a time: LFO, envelope detector, and ADSR step sequencer
• Eight assignable knobs with quick MIDI learn options for convenient access to the most essential preset parameters
• Built-in limiter that uses algorithms from our well regarded PSP Xenon hi-definition mastering limiter
• Three displays, simplified modulation setup, keyboard and mouse wheel support for easy preset creation and tweaking
• Animated response plots
• Sidechain input
• Extensive optimization
• 192 factory presets
• Expandable architecture – new operators and modulator types to be added in future versions while preserving backward compatibility

Physion MK II – A New Dimension in Multi-FX

Sonic Control at an Atomic Level

Physion Mk II is a powerful, modern approach to multi-effects delivering a new dimension of sounds. It combines our best-in-class Transient/Tonal separation with world-class Eventide effects, opening the door to practical mixing solutions and creative applications. Featuring the improved Structural Split™ detection from SplitEQ and a streamlined workflow designed with producers, mixers, and sound designers in mind, Physion Mk II allows you to discover new sonic horizons and smarter solutions in no time.

Physion Mk II’s factory library comes loaded with over 500 presets, offering sounds you won’t find anywhere else. The preset library is organized into easy-to-navigate categories, so whet her you’re looking for a little color, a quick fix, some extra spaciousness, or a deep transformation, you’ll find great options quickly

MAIN FEATURES

• NEW Polyphonic pitch shifting algorithm based on Eventide’s new SIFT technology
• NEW Reverse Delays with gating, ping – pong, and crystals modes
• NEW Side Chain input for dynamics processors
• NEW State-of-the-art Filters, taken directly from SplitEQ
• NEW Resizable GUI with scrolling waveform display and easy – to – use layout – no menu diving required!
• World-class, Hand-tuned Eventide effects for the Transient & Tonal streams
• Process Transient and Tonal Effects separately using Eventide’s Improved Structur al Split™ technology
• Control Transient and Tonal Output levels
• Control the Underlying Split for fine – tuning and experimentation
• Comprehensive Presets Library includes 500+ presets
• A/B Comparison and Undo/Redo make it easy to explore ideas without losing w here you started
• Three Color Schemes: Normal, Dark, and Colorblind Accessible

Classic Effects, Remixed

For over 50 years, Eventide has pushed the boundaries of audio effects — from the H910 Harmonizer® to the H3000 to SplitEQ. Building on this legacy, we painstakingly hand-tuned each effect for Transient or Tonal material and included new effects like polyphonic pitch shifting and reverse delays with gating, ping – pong, and crystals modes.

Plus, you also get our best-in-class splitting technology with thoughtful, easy-to-use controls.

Transient Effects

• Delay
• Tap Delay
• Dynamics
• Phaser
• Reverb
• Gate+EQ
• Reverse Delay

Tonal Effects

• Delay
• Dynamics
• Pitch
• Chorus
• Reverb
• Tremolo
• EQ
• Reverse Delay

Where Your Mix Lives

Bob Clearmountain’s Personalized FX Signal Flow

For decades, engineers, producers, and musicians have marvelled at Bob Clearmountain’s mixes. Recordings by iconic artists like David Bowie, Chic, Roxy Music, The Rolling Stones, Bruce Springsteen, Bryan Adams, INXS, and so many more, are prime examples of how Clearmountain’s work elevated the role of “the mixer” to that of an essential creative partner in the process of making records. Clearmountain’s ability to build a soundscape and atmosphere where voices and instruments seem to effortlessly live in an intimate space but all blend together seamlessly set new standards for mixing. And, his artistry and passion to reveal the true character of the song and highlight the emotion of the music, gets to the heart of what inspired the song from its inception.

While this is a craft honed over a career of many experiences, accomplishments and hit records, there are secrets that can be shared and Clearmountain’s Domain offers one of Bob’s most refined and important techniques in a simple and streamlined plugin.

Apogee’s Clearmountain’s Domain plugin reproduces Bob Clearmountain’s personalized FX signal chain for creating the cohesive spaces, expansive dimensions, and rich atmospheres where his mixes live. Classic presets help you to recreate the sonic environment of your favourite Clearmountain mixes. Advanced views reveal Clearmountain’s decades of expertise and empower you to create your own musical mix domain.

Clearmountain’s Hardware FX Workflows Made Accessible in your DAW

Over decades of mixing hit songs, Clearmountain has developed a complex and personalized hardware FX signal chain for creating imaginary soundscapes where musical elements each have their own space and dimension but remain cohesive to the whole. This FX signal chain, developed over decades, involves an entire studio’s worth of hardware gear – live echo chambers, delays, harmonizers, de-essers, EQs and a large format SSL analog mixing console. And lots of patch cords…so many patch cords! Reproducing this complicated interconnection of hardware using individual plugins in a DAW proved to be almost impossible. With Clearmountain’s Domain, it’s refreshingly simple to achieve Bob’s results with a mere click on a preset.

Classic Presets Make it Easy to Access Iconic Clearmountain Sounds and Create your Own

Thanks to the Clearmountain Classic presets, you don’t need an engineering degree to get started – instead, start with the awe-inspiring sounds you know and love from your favourite Clearmountain mix! 

Bob has carefully created each preset based on specific instruments and processing from his extensive catalogue of timeless hit mixes. Looking to nail the Bowie “Let’s Dance” guitar and vocal delay or the Springsteen “Born in the USA” snare sound? Simply load the presets!

Home

It’s easy to get started with Clearmountain’s Domain from the Home page – trim the Input level, then scroll through the Clearmountain-designed presets until you’ve found the ideal domain for your mix.

Sidebar Signal Flow

If you need to tweak a preset, navigate through Advanced views from the Sidebar signal flow diagram. Click anywhere in the diagram to navigate to the specific settings and controls for that part of the signal flow.

Input

“Pre-conditioning” the audio before sending it to reverb and delay is an important aspect of the plugin’s unique character. De-essing and 3-band EQ based on Clearmountain’s original hardware devices are included in this view.

Delay

You’ll find all the settings you expect – and a few you don’t – for configuring the stereo delays. Set delay time according to session tempo or tap tempo; link Spin (feedback) for both sides and alter its routing; EQ each side independently; add Blur (saturation) for a crunchy, lo-fi sound.

Pitch Shift / Reverb

Create subtle or outlandish sounds with up to an octave (+-) Delay Pitch Shift plus Random pitch modulation. Then send the perfect mix of direct, delay and pitched delay to any or all three reverbs. Now we’re deep in the Domain!

Mixer

Create the ideal mix of the five FX processes – delay, pitch-shifted delay, and Bob’s three personalized convolution reverbs, then set the blend between the dry and wet signal.

Features

• Clearmountain’s Personalized FX Signal Flow
  • Pre Delay/Reverb De-esser
  • Pre Delay/Reverb EQ
  • Stereo Delay with Spin Time Compensation
  • Delay Blur (Saturation)
  • Stereo Unison to Octave Pitch-Shift
  • Clearmountain Spaces Convolution Reverbs
  • FX Mixer
• Clearmountain’s Classic Presets
• Clearmountain Spaces, Convolution Reverbs
• Real-Time FX Visualizer

UniChannel

Inspiration in variety 

Having a vintage gear collection in the studio is nice and inspirational but unfortunately, it is also time-consuming and expensive. SounDevice Studio’s owner, Boris Carloff, knows this very well, as he has been collecting vintage gear for more than 20 years:

 “There is always something not working. From tubes to scratchy pots, from meters to noisy caps. And the units are so rare that you can hardly ever use them on multiple channels simultaneously.” To avoid these limitations, we were inspired to create a solution that included the best of these devices into one plugin.  The result is UniChannel.

UniChannel Key Features

Complete vintage studio

UniChannel delivers the warm analogue sound, but unlike its real hardware counterparts it can be connected to every channel of your mix. You can also change the components  with one click (instead of using a screwdriver or a patch bay). UniChannel has a preset for every occasion. And there are no aging and broken components to maintain! .

27+ plugins

UniChannel includes 3 preamp types, 3 kinds of EQ, and 3 compressor types. That makes a  total of 27 combinations, with a unique character for each of them. That’s 27 unique plugins in one!  Bypass the EQ or the Compressor and you will hear  that the sound variety is almost endless. Variety inspires.

VARM II

VARM II is technology based on knowledge of chaotic behaviour and randomness of the analogue world. Thanks to VARM II, each plugin instance acts slightly differently. VARM models randomness of the subtle differences of the values of the electrical parts – exactly as in the real electrical units and the real console channels. The result is the truest representation of the hardware units’ sound. 

The Germans

The full German Channel is amazing on the drum buss. It is  something like magic on voice, and we wouldn’t use anything else for jazzy styles or  ballad intimacy. German features a fifties-style tube preamp, sixties-style rare EQ, and very early fifties tube vari-mu compressor.

American Sound

The US eighties-style op amp preamp and the eighties-style EQ have mid punch, great for electric guitar or toms, and the US early fifties tube compressor is a fat monster which makes vocals silky with amazing colour.

Classic British

The Classic British channel brings you fat transformer colour for aggressive bass, kick drum, and rock attitude. It includes a British seventies-style transformer fat preamp, a seventies-style EQ, and a seventies-style diode bridge compressor.

Automatic Gain Compensation

Automatic gain compensation quickly adapts to current settings and ensures the output sounds as loud as the input. This even protects you from thinking that something sounds better in cases it is just louder.

MISHBY, little tape machine that couldn’t.

Twisted by forbidden science. Manipulated by the parasitic consciousness of a long forgotten terror.

It is a tape emulation disaster inspired by cheap cassette decks that nobody cared about, from companies that no longer exist.

Dare to explore its desynchronizing analog sections, glitching digital schemes, “cassette” “tape” “emulation”, whatever a “self-care” control is, at least one actual ghost and that’s just the start.

MAIN FEATURES:

MISHBY uses industry-participating vaporware technology in conjunction with the latest advancements in anti-user interface design to present the final face of analog vs digital destruction.

• Cheap cassette quality, noise, soft and harsh distortions
• Multi-band phase-desynced tape wow
• Self-Care
• Broken and destructive digital decode
• Band focused glitch with length and reset probability.
• Inspirational quotes and general life advice.

The Magical Movement Machine – Animate, morph, and re-groove your sounds

Surreal Transformations

With Finisher DYNAMO you embark on a journey through animated soundscapes and surreal vibes beyond the realm of the ordinary. Every Finisher FX plug-in is designed to deliver the power and flexibility of a full rack of audio processors and effects with the instant gratification that UJAM products are famous for.

Animate any sound!

• 50 versatile multi-effect modes
• 290+ presets pre-categorized to maximize workflow and productivity
• 5-pattern rhythm selector, tone control and 2 variable FX controls

Worlds of Sound

Finisher DYNAMO comes with 50 carefully designed audio effect configurations built from 27 different algorithms – from Step Filters to Multiband Distortion, from simple Delays to Convolution Reverb and many more!

The five categories of Modes in DYNAMO were programmed with specific use-cases in mind. Just pick a preset from a category and fine-tune to your delight…

• 1. REMIX – Designed to be used on full tracks and mixes for immediate remixing potential
• 2. SOLO – Optimized for use on basses and other single-voiced sounds
• 3. RHYTHM – Optimized for use on drums and percussion
• 4. SUSTAIN – Optimized for use on pads and sounds that are rhythmically static
• 5. VOCAL – Generate vocal chops and glitches from your own vocal tracks

The happy accident machine

There’s so much going on under the hood that it’s often hard to predict what will happen when you turn a knob in DYNAMO. A huge part of its appeal!

Pattern

DYNAMO is all about moving sounds – here you can select a rhythmical pattern that best suits your production.

Vari Knobs

The Variation Knobs adjust musically useful aspects of the current Mode – e.g. switch modulation rates, set EQ characteristics, change distortion curves and much more, often at the same time!

Some performances are almost perfect. Almost. The desired perfection can be achieved by using Autoformer. A tool that can act almost inaudibly as well as it can add great colour to your tracks.

Autoformer combines an analogue like pre-amp with automatic volume function and a gentle compressor. It is the right tool for your vocals or voice-overs. Improves drummers or bass-players performances.

Voice, Bass, Double Bass

Autoformer is an ideal companion for mixing both bass guitar and double bass performances. It is indispensable when creating vocal or voice-over tracks. But it can be also used to balance drum records.

The Preamp

Inspired by the Front DAW plugin BR/US/GE buttons in the preamp section represent three types of analogue circuits. BR represents classic fat British consoles, US stands for legendary punchy American style input. Switching to GE will give you velvet sounding colourful vintage German tube console.

Intelligent Volume Rider

Balance section is here to repair performance mistakes and volume dropouts. Its (inaudible) performance will make you feel like they were never there. The SEER parameter detects the ahead signal to decide if your material needs volume adjustment (made by LEVELLER).

Finish

Engage the fast modern compressor to soothe the dynamics of your track without changing your signal’s spectral character. No colour, just fix.

Bypass Any Section

Autofomer is very complex. But thanks to individual bypass switches in each section, if desired, you may use any part as a single effect. Use the automatic volume function only or just the pre-amp in combination with the compressor. Do exactly what you feel is needed.

Under Control

Five LED meters give you a perfect overview of what is going on in Autoformer’s signal chain. Every stage can be monitored so you tracks are perfectly under control.

Realistic 3D Yet Flexible GUI

Photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size – make it smaller to save the valuable screen space, or enlarge it to make it easier to use.

64-bit Audio Quality at ANY Sampling Rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart Bypass

The intelligent way our plugins manage bypassing ensures that you don’t get any click or harmful noises when automating the parameter.

Breathing Bit Crushing

Litbit is a simple little bit crusher with a fluid and organic-ly digital sound. It breathes and flows around your audio as it crunches and munches it into lofi goodness.

How is litbit different than the millions of other bit crushers? Litbit’s secret power is in its breathe knobs. Bit crushers are great effects – but often the sound can be too static or unmusical. With litbit, the breathe knobs allow the bit/sample rate reduction to follow the audio input. What results is a smooth and dynamic bit crushing effect that breathes along with your audio.

What else does it do?

Well, first of all – the breathing function doesn’t just need to follow its own audio – it can be sidechained to any other audio track – allowing for complex gestures or pulsating crushing effects that dynamically interact with other instruments.

Then of course, theres crinkle. Crinkle is essentially a jitter or randomize function, and it adds a bit of noisy chaos to the bit/sample rate reduction. The speed of the crinkle is controllable and can be set to mono or stereo – which at slow speeds adds a gorgeous stereo sparkle to your sound.

Not noisy enough? There’s a DC Offset button that realigns the signal and gets quiet sections to blow out and crunch a bit more.

Still not noisy enough? There’s an extra noise dial to add some stereo noise to your signal (pre-effect).

To round the whole thing off, we end with a traditional one knob lopass/hipass dj filter and a blown out saturator to help grime up the sound and blast it through your speakers.

The icing on this lofi cake is the gorgeous lissajous display, which draws your sound in real time so you can watch it crunch

From gating to glitching, repeating to scratching, all with stunning audio quality and up to 6 distinct bands, that’s MRhythmizerMB. A unique time manipulation effect that uses an integrated sequencer to control time, volume and filters. MMultiBandRhythmizer brings your music to life, say goodbye to boring audio performances!

36 Sequences for Each Time, Volume and Filter

The integrated sequencers will bring life into otherwise static performances. Switch between sequences using the controller you like the most, whether it is MIDI keyboard, MIDI pad-type controller, automation or you can even attach it to a modulator so that it switches automatically!

Multiband Scratching

We all know scratches, but with MRhythmizerMB you can scratch multiple bands using a simple slider, or you can use modulators and the plugin will do it automatically

Modulation Heaven

Does you music sound a little static? Well not anymore. You can modulate any parameter, and each modulator can work as an LFO, audio level follower, enveloper, randomizer and even pitch detector.

Features

• The most advanced user interface on the market – stylable, resizable, GPU accelerated
• Unique visualisation engine with classic meters and time graphs
• 4 exceptionally versatile modulators
• Adjustable oscillator shape technology
• 4 multiparameters
• M/S, single channel, up to 8 channels surround processing…
• Automatic gain compensation (AGC)
• Safety limiter
• Sinc interpolation
• Synchronization to host tempo
• MIDI controllers with MIDI learn
• Extremely fast, optimized for newest AVX capable processor
• Global preset management and online preset exchange
• Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
• No dongle nor internet access is required for activation
• Free-for-life updates

Two Become One

At the heart of Supermodal are two powerful filter sections working in tandem. On the left of Supermodal’s interface users will find the Classic Filter, a zero-feedback state variable filter that can morph smoothly between lowpass, bandpass, and hipass filter modes with its ‘Type’ control. It features a fixed slope of 24 db per octave, evoking many well-known analog filters, and is capable of both sweet and chunky filter sounds with the help of a built-in saturation algorithm and input and output controls that allow users to drive it for a fat, musical sound.

To the right of the Classic Filter is Supermodal’s namesake Modal Filter. A ‘meta-filter’ made up of hundreds of resonant bandpass filters, the Modal Filter features 27 different carefully crafted resonation behaviors–or variants– that organize its numerous bands to emphasize various harmonics–known as partials–across the frequency spectrum. These variants are grouped into 9 filter models, which include ‘Vocal Formant,’ with its ‘Ah,’ ‘Ih,’ and ‘Oh’ variants; ‘Struck,’ with ‘Piano,’ ‘Vibraphone,’ and ‘Bell’ variants, ‘Waveform,’ with ‘Saw,’ ‘Square,’ and ‘Hypersquare’ variants, and more. This unique approach to filtering results in transformative sounds unlike anything possible with conventional filtering alone, while ‘Damping’ and ‘Partials’ control allow users to refine the sound of the filter to achieve their desired tonality.

The Classic Filter and Modal Filter are arranged in parallel, combining their outputs for more full-range filtering effects. A ‘Blend’ knob crossfades between them, allowing users to dial in their perfect balance between the two filters’ effects. Supermodal also features a Dry/Wet mix slider, enabling subtler effects that retain some characteristics of the original audio source.

POWERFUL FILTER | MODERN SOUND

Polyverse Supermodal is a powerful filter with a modern sound that will make your music resonate. It remodels ordinary tracks utilizing its powerful Modal filter that emulates sonic characteristics modeled from a wide range resonating bodies. Combined with a parallel state-variable filter and expansive modulation system, a single audio signal can be manipulated into a wide array of frequencies to create shimmering cinematic soundscapes, pulsating rhythms, pads with harmonic motion, or anything else you can dream up.

FEATURES

• Modal filter capable of seamless morphing between modes
• 27 Modes ranging from musical to mangled
• 24dB per-octave slope state-variable filter
• Blend between SVF and Modal filter
• Drive SVF filter input and Modal filter output
• Self-resonate when resonance is boosted past 100
• Control partials to completely eliminate high or low frequencies
• Shape modal tails with decay and damping controls
• Modulate any parameter with fast, intuitive modulation sources
• Cross modulate between 4 modulation slots

27 SOUND MODELING MODES

The Modal Filter utilizes hundreds of surgically precise bandpass filters to model the resonant bodies of various instruments, objects, waveforms, and more. We created 9 models, each with 3 variations for a total of 27 modes including a range of flangers, phasers, vocal filters, physical and even mathematical modeled resonators. With decay, dampening and partial settings, Supermodal provides fine-tuned control to either subtly or dramatically fashion these unique sonic characteristics into your sound palette.

SHOW STOPPING MANIPULATION

The glamor of Supermodal is fully unveiled when combining its powerful filters with its robust modulation system. The 4 modulation slots offer 6 modulation sources including – Meta knob, ADSR, Envelope follower, Sequencer, MIDI/CV triggers, and Randomizer. You can also cross modulate between slots to create even more intense modulation. Both the State-Variable filter and Modal filter operate in stereo allowing you to modulate the left and right signal independently, together, or separate to deliver awe-inspiring stereo effects. Virtually all parameters in Supermodal can receive modulation.

SVF FILTER WITH FAT NON LINEAR DRIVE

Supermodal’s classic State-Variable filter smoothly blends between high-pass, band-pass and low-pass while working in parallel with the Modal filter. The SVF filter uses a 24dB per-octave slope that is familiar to many classic analog synthesizers, with the ability to boost its resonance to self-resonate. It can be further driven with the Drive feature to add warmth and thicken the signal. Crossfade between the state-variable and Modal filter with its Blend slider for seamless morphing.

VAPOR DIMENSION – Vintage Modulation Colors

• Enhance your sounds with authentic vintage stereo wideners, phasers, chorus FX and more!
• With 20 modulation DSP algorithms
• Extremely easy-to-use interface with Smart Random Control

Colors from another dimension
Introducing Vapor Dimension, a studio-quality modulation plugin that adds rich, vintage colors and wideness to your synths, keys, pads, guitars, vocals and more! 20 built in DSP algorithms, easy on CPU and user-friendly interface.

Type and Modulation
Vapor Dimension has only two easy controls to inspire you and let you focus purely on the production. Open up and let the 20 new DSP algorithms do the rest under the hood. With Type, you can select from different sub-categories (from gentle to heavy), while Modulation lets you fine-tune and characterize your effect.

Inspired by Vintage Gear
Vapor Dimension instantly takes you back in time. Inspired by vintage chorus, phaser, and harmonizer hardware units, you can quickly add subtle, classic, lo-fi colors to your audio sources. Out of ideas? Choose from the artist presets and explore the different flavors!

Instant Variations
Need even more inspiration? Generate new variations with a push of a button! Vapor Dimension has equipped with our customers’ favorite Smart Random feature.

Vaporwave Mom. Lo-fi Dad.
The legacy version of this effect was released in 2019 for our flagship retrowave synth, Vapor Keys (Sunbaked Electric Pianos). Later, in 2022, we enhanced its DSP capabilities and added it to Lofi Keys synth. Finally, Vapor Dimension arrived as a standalone effect unit that can be used on any sound source.

Vapor Dimension Summary

• 17 Factory & Artist presets to get you started
• 20 Algorithms custom-made for this FX
• Streamlined interface with just 2 main controls
• Smart Random button on board for instant inspiration
• Dry/Wet and In-Out knobs for ease of use in mixing situation.
• Supports major DAWs, including Ableton Live, FL Studio, Logic Pro, Cubase, Reason, Studio One, BitWig, Reaper, etc.