Multi-effect VST Plugins

Beef Up Your Sound

Beef is a multi-effect audio plugin with one sole purpose, to make your tracks sound BEEFY. It brings all the effects you need to create powerful sounds into one efficient and easy to use window.

Beef was originally built to focus on creating the fattest basses and drums as possible. If you’re tired of folder-diving through 808 samples and want to sculpt your own hard-hitting basses with ease, then look no further.

Beyond its original aim, Beef will make anything sound massive, even the most feeble audio. From guitars to vocals and from synths to foley, flex your proverbial biceps and BEEF THEM UP.

Features

• Multi-stage 4-band EQ to sculpt your sound before and after saturation.
• Rate modulation using filtered noise to enhance and engrain tracks with noisy textures.
• Charge sounds with 6 selectable saturation algorithms.
• Decimate your audio in a dedicated crush section.
• Further shaping options using the transient shaper.
• Carve transients by using the shaper.
• Blend your BEEF with an all-important mix control.

Preset Mode

Tweaking parameters not your thing? You just want a great and immediate sound? Enjoy Beef’s built-in “Preset Mode” which removes everything except the mix control for ease of trying presets. When in this mode, the mix control will not change so that you can find and compare your perfect sound from a selection of 124 presets.

85 of these are artist presets from some of Caelum Audio’s favourite content creators and friends: Ali Ahmet from The Beat Community, Ave Mcree, Gavinski’s Tutorials, Jamie Mallender, Nu-Trix The Synth Guy, The GarageBand Guide, The REAPER blog and Venus Theory.

LFOTool is an FX utility plug-in. It empowers music producers to create tremolo, auto-pan, trance-gate, side-chain compressor simulation, and dubstep-type wobble effects with minimal effort.

MIDI Compatible
LFOTool will process incoming audio as well as generate a MIDI message stream for controlling other instruments.

Endless LFO Power
This unique plug-in also allows users to sculpt custom LFO curves and shapes and comes equipped with dozens of presets to achieve desired results quickly.

Fast and easy to use
Consistent with other products in Xfer Records’ software lineup, LFOTool is coded entirely in C++ in order to minimize the CPU load during operation.

MAIN FEATURES

• LFO with customizable point+tension-curve editor, 12 graphs in a preset (switchable via MIDI notes or automation)
• Up to 4 graphs simultaneously (Cutoff/Reso/Pan)
• Graph preset shapes from a drop-down menu, able to save your own
• Both macOS and Windows versions included
• 2+64 bit VST, AudioUnit, and AAX support
• Can optionally send MIDI CC out to control other softsynths, effects, or external hardware which responds to MIDI CC messages.
• BPM (with optional swing) or Hz LFO rate control
• Sample-accurate sync
• Dozens of presets included

KR-Space is a modular multi-effect plug-in which can produce a multitude of different types of effects

From traditional echoes and reverbs, to very complex soundscapes, modulation and filtering effects, resonating echoes and reflections, saturation effects and other types of unusual effects.

To achieve this wide range of effect creation KR-Space uses a proprietary design and a flexible modular architecture where the different available modules can be switched on and off or routed in various combinations allowing more flexibility in effect design.

The modular architecture also allows more efficient CPU utilization since only the modules that are switched on contribute to the CPU overhead.

KR-Space introduces the Animated Object Space Emulator (AOSE) where the user has control over a number of spherical objects which are placed in the virtual environment and affect the sound output in a multitude of ways. These objects have various user controlled characteristics like size, resonance, oscillation frequency, reflection characteristics, etc. and can be animated (moved) in the virtual environment affecting the sound output.

Additionally, the main reverberation engine features separate damping controls for early and late reflections allowing more detail filtering control, thus expanding the total range of available effects. It also introduces KResearch’s Asymmetric Reflection Scheme for more realistic reverb and echoes creation.

Features

Animated Object Space Emulator (AOSE) Module:

• Proprietary Design/DSP engine for unique effect creation.
• Object Frequency and Frequency Variation controls.
• Object Size and Size Variation controls.
• Object Resonance and Resonance Variation controls.
• Object Size LFO Oscillation with amplitude controls.
• Object Distance positioning with Variation controls.
• Object Animation speed and traveling distance controls.
• Object inter-reflection feedback control.
• Room reflections control.
• Reflection Asymmetry control.
• Low Pass Filter (LPF).
• Limiter/Saturator with threshold control.
• Output Level control.
• Output Dry/Wet mix control.

Space (Reverberation) Module:

• Switch-able Pre-Delay sub-module with Delay time and stereo Balance controls.
• Switch-able Early Reflections sub-module with room Size, stereo Balance, Diffusion, Asymmetry and independent Damping adjustable filter controls.
• Switch-able Late Reflections sub-module with room Size, stereo Balance, Diffusion, Asymmetry, independent Damping adjustable filters, Decay.

Modulation Frequency and Amplitude controls:

• Master Equalizer (Low / High) +/-12db controls.
• Early / Late Reflections Mix control.
• Dry / Wet mix control.
• Output Level control.

MODULAR CHANNEL STRIP

Space Strip is a multi-effect plugin featuring 6 modules: Contour, Vibe, Slapback, Ambience, Ensemble, and Stereo.

The modules can be arranged in any combination by simple drag-n-drop. Space Strip will add depth and space to your sounds, especially synth and keyboards.

The plugin is optimized to be lightweight on the CPU.

6 MODULES

• Contour – 2-band EQ
• Vibe – stereo vibrato
• Slapback – short echo module
• Ambience – short reverb module
• Ensemble – multi-voices chorus
• Stereo -stereo manipulation

DRAG AND DROP

You can customize your channel strip with a simple drag-and-drop.

By default, all modules (except the Master module) can be moved and re-arranged to create different signal flows.

The Shape Of The Air

Experience a world of sonic textures with the dual granular engine of the Cloudmax Texture Resonator. Equipped with multiple effect modules that can turn any sound source into a soft, lush soundscape or ethereal sound effect in no time.

A Symphony of DSPs

Inspired by famous shimmering, reverb, granular, and harmonizer units, Cloudmax seamlessly integrates 5 DSP modules into one unique plugin. These modules include a dual granular engine, reverb, tape emulation, filter, and EQ module, forming the pillars of your creative canvas.

Dual Granular Engine: The Heart of Texture

Enter the universe of textures with the dual granular engine. Shift the octave pitch of the two granular engines relative to each other to impart shimmering effects, emulate vintage string machines, or spawn an array of intricate, complex textures.

Algorithmic Reverb: Enter the blackhole

Add depth and dimension to your sounds with reverb. This module features a high-quality algorithmic reverb, a delay line, and subtle vintage tape pitch emulation. You can create environments ranging from the intimacy of a small room to cavernous spaces with up to 16 seconds of reverb tails.

Sound Shaping

Refine your sound with the built-in ladder low-pass and high-pass filters, as well as an additional low and high boost EQ. Tailor your textures to harmonize flawlessly within your mix.

Features

• 110+ Factory presets
• 5 studio-grade DSP modules: dual granular engine, reverb, tape emulation, filter, and EQ
• Streamlined, MIDI-learnable set of controls
• Easy-to-use GUI with 2 skins (light and dark)
• Smart Randomizer technology, including Random Texture and Random Reverb

Gong Amp takes an exciting experimental amplifier from the beginnings of electronic music to the plugin world of today.

In 1932, Maurice Martenot was looking for a way to make his groundbreaking proto-synthesizer “Ondes” audible beyond what could be archived with the horns and loudspeakers of the time. He developed a set of “diffuseurs”, of which the “Métallique” was one. Instead of a paper cone or horn, Martenot put a gong behind the amplifier circuitry. This seemingly simple idea resulted in resonances and brilliant overtones that excite audiences to this day.

In 2011, the French company Eowave took inspiration from Martenot’s invention and made their own version, the Resonator Metallik. When we heard what our friend, Berlin composer Hainbach, did with this rare and discontinued amplifier, we knew this sound needed to be available to more than a select few. So we made Gong Amp, our third collaboration with Hainbach since Motors and Wires.

Using a complex mixture of convolution processing, physical modeling, and feedback systems, we created an instrument that is true to the responsiveness of the original and even transcends it in terms of sound design possibilities.

The Metallik Resonator

Eowave built their fantastic version of Martenot’s invention from 2011 to 2018 on demand in small numbers. Much treasured by collectors, Hainbach got the last one made especially for him from the last parts in the shop at Eowave.

Mixer

You can choose from three recording positions: mono mic, stereo mics, and a unique “resonator” effect Hainbach designed. Try mono for a “documentary” perspective, stereo for beautiful ribbon mic width, and hear reverb feeding into reverb in “resonator” mode. Try upping the input overdrive for added overtones, and use the soft clip for output distortions.

Applications

Taking a page from the experimental percussionists’ handbook, you can add thick and thin chains to the Gong. The sympathetic rattling creates effects that range from a soft shimmer to clangorous noise.

The strength of the Métallique, its long ring, is also its weakness when playing fast: everything turns to mush. So we added a pillow that dampens the sound and makes Gong Amp “arpeggio-approved”.

Performance

Adjust the sound of Gong Amp to your playing style. Choose from two different gain settings on the gong with “Dynamic”. Add modulations for a slightly more psychedelic sound. Modulation adds liveliness as well as subtle stereo width as if the gong was swaying. It runs both pre-Gong and post-Gong, so leave this at low setting for purity and turn it up to tune in. Turn on “howl” to hear Gong Amp struggle beautifully when overloaded. Experiment with extreme pitch manipulations for cinematic effects.

Trip Mode

With Trip Mode, you can add automated crossfading between the three signal positions of mono, stereo and resonate. Use spread to adjust the rhythmic shift. From gentle drifts that last minutes to fast rotary effects, this is a sound designer’s dream.

Auto-Tune EFX+ is a versatile new vocal production tool, which combines the core features of Auto-Tune with the extensive Auto-EFX multi-effects rack, and Auto-Motion pitch-shifting melodic pattern generator.

For the producer, engineer, or musician looking for genuine real-time Auto-Tune pitch correction, Auto-Tune EFX+ provides a professional solution with low latency for live performance or tracking in the studio.  Fully adjustable Retune Speed and Humanize parameters let you fine-tune the desired effect for your tracks, from transparent pitch correction to the full Auto-Tune Effect.

And compatibility with Auto-Key (sold separately) means never having to worry about finding the key of your music before tuning. Auto-Key detects the key and scale and sends that information to Auto-Tune EFX+ with a single click.

New to Auto-Tune EFX+ is an extensive multi-effects rack that opens up a world of creative possibilities, from subtle enhancements to extreme vocal mutations and transformations. It includes six different effects modules, an XY Pad for real-time parameter control, and a library of multi-effects patches designed by industry leading producers, composers, and sound designers: Mike Dean, Jeff Rona, and Richard Devine.

MAIN FEATURES

Real-time, low latency Auto-Tune pitch correction with fully adjustable Retune Speed and Humanize parameters let you achieve everything from transparent pitch correction to the full Auto-Tune effect.

Auto-EFX multi-effects rack that includes six different effects modules and an XY Pad for real-time parameter control:

• Pitch and Throat: for real-time pitch and formant shifting
• Duet: for realistic doubling, with adjustable pitch and timing variation
• Vocode: for vintage analog vocoder emulations
• Tube Amp: for analog tube distortion modelling
• Mutate: for ring modulated audio mutation
• Filter: a high-pass filter for EQ and special effects

Library of Auto-EFX multi-effects patches designed by industry leading producers, composers, and sound designers such as: Mike Dean, Jeff Rona, and Richard Devine

Automatic Key and Scale Detection with Auto-Key (sold separately) – The Auto-Key plug-in automatically detects the key and scale of your music and sends that information to one or more instances of Auto-Tune EFX+. Auto-Key may also be used to simultaneously set the Key and Scale parameters of multiple instances of Auto-Tune EFX+, saving valuable time in the studio.

Auto-Motion melodic pattern generator lets you create new melodic patterns and hooks by automatically pitch-shifting your original vocal or instrumental tracks.  Auto-Motion features an extensive library of melodic patterns that intelligently adapt to match the key and tempo of your project.  Auto-Motion also includes three different Trigger Modes, so you can trigger patterns manually, toggle them on and off, or automatically trigger when an incoming pitch is detected.

Cycles & Spots return with another fine instrument for Chillout, Deep House, Synthwave to Techno productions. Introducing, Kontakt Synth Liquid.

Kontakt Synth Liquid comes with 125 ready to use presets for your productions. You’ll find basses, arpeggiators, chords, evolving pads, synths and effects, most of them are modulating over time as this is one of the special features of this synthesizer. 2 Wavetables can be used and 12 tempo-synced LFOs can modulate the wavetable characteristics and the given filter.

Further you can choose between 20 chords and also edit an arpeggiator to your likings.

Last but not least 5 excellent effects round up your sound designing possibilities.

• 1 Synth For NI Kontakt 6
• Wavetable Synthesis
• 12 Tempo-Synced LFOs
• Arpeggiator Module
• Chords Module
• 5 FX (Chorus, Stereo, Plate, Delay, Reverb)
• 125 Presets:
  • 25 Arp
  • 33 Bass
  • 24 Chord
  • 8 FX
  • 20 Pad
  • 15 Synth
• Walkthrough Video

• Full version NI Kontakt 6.0.2 (& higher) needed

Blue Cat’s Late Replies is a powerful delay and multi effects plug-in that can be indefinitely extended by hosting third party VST, VST3 or AU plug-ins anywhere in the signal path.

With its unique topology, the plug-in is a full-featured delay machine with unlimited powers: both the 8 taps pattern module and the two nested feedback loops include plug-in slotsthat can host built-in effects or third party plug-ins.

So it’s not just about delays! The plug-in includes 25 built-in effects to further manipulate the delay lines: modulation effects, EQ and filters, dynamics processors, pitch and frequency shifters, wave shaper…

With the integrated ducker and its side chain input, ducking delays or reverbs has never been so easy.

Blue Cat’s Late Replies is delivered with hundreds of presets producing many kinds of audio effects: classic delays, rhythmic or melodic patterns, reverbs, vintage echoes, shimmer effects, sci-fi sounds and more.

Main Features

• Powerful delay with built-in effects and third party plug-ins support.
• 8 taps pattern section with integrated mixer and plug-ins slots.
• 2 feedback loops with crossfeed and plug-ins slots.
• 25 built-in effects: EQ, filters, pitch & frequency shifter, delays, modulation effects, compressor, gate, bit crusher, wave shaper and more.
• Supports third party VST, VST3 and Audio Unit plug-ins, with latency compensation.
• Tempo/Host Synchronization.
• Global stereo spread control.
• Several hundreds of fully editable presets.
• Integrated ducking, with internal and external side chain.
• Comprehensive visual feedback with detailed impulse response display.
• Protect your ears with the included feedback and output brickwall limiters.
• No latency.

New features and improvements in Late Replies 1.5:

• New dual user interface: browse and quick-edit presets with the new easy mode, or create your own delays and reverb with the full editor.
• Up to 8 times more processing power with the new multicore engine that can process each reply on a separate core.
• New echoes and ping pong delay presets with effects.
• New DSP workload meter that displays the DSP activity and CPU load.
• Added MIDI control support (MIDI CC messages) for Next and Previous
• Preset commands, with MIDI learn.
• Reduced time to load Late Replies or any built-in plug-in.
• Multiple DSP performance improvements.
• Level meters and spectrum analyzers are not updated anymore when the user interface is closed, reducing CPU usage.
• Reduced the number of threads used by the plug-in.
• Improved global and preset settings window loading time on Windows.
• Added ability to select the plug-in to load when a shell plug-in file is dragged and dropped onto a slot.
• Full unicode support.
• Preset files can now be dropped onto the preset LCD area to be loaded.
• Smoother loops Freeze when quickly switched from 0 to 100%.

Compatibility:

• Native Apple Silicon (M1 processor) support.
• Dropped 32-bit support on Mac.
• Now requires MacOS 10.9 and newer.

Fixes:

• Fixed host loop end value not properly passed to hosted plug-ins, for the VST2 version.
• Fixed several crashes upon load for multiple third party plug-ins (mostly VST3).
• Fixed MIDI control for hosted plug-ins not always working when fed with silence.
• Fixed VST3 (and sometimes VST) version freezing Ableton Live upon save on Windows.
• Fixed harmonizer and Pitch Shifter built-in plug-ins that did not always flush their buffer upon bypass (short sounds could be heard when getting out of bypass)

For wild jet-plane flanging and deep, lush phasing.

What is LiquidShaper?

Dive deep into sound design! LiquidShaper gives you wild jet-plane flanging and deep, lush phasing in one multiband Shaper effect.

With easily editable LFOs, design any movement you can imagine — from soothing stereo sweeps to monstrous robotic comb filter FX.

Running inside Cableguys’ ShaperBox 3 effects plugin, use LiquidShaper on its own or with other Shapers — they all work in exactly the same way, stacking up to create elaborate, multilayered effects that’ll make your productions stand out.

Future Flanger

Based on ultra-short delays, Flanger mode gives you everything from awesome jet-plane swooshes to gritty robotic comb-filtering.

Fluid Phaser

With up to 16 stages, for fluid, bubbling phasing. From soft and gentle to thick, lush and resonant.

Waveforms that you design

Get amazing modulations and design wild patterns in seconds with a drawable LFO for the Centre and Feedback parameters. Sync it to your song, trigger with MIDI, or even with audio transients.

Follows Any Rhythm

Trigger your flanging and phasing patterns in any rhythm at all using MIDI. Or use powerful new audio triggering that tightly tracks the rhythm of drums, loops, instruments – even full mixes.

Reacts to dynamics

Analogue-like Envelope Followers give you funky talking phasers and gritty reactive flanging that tightly tracks the dynamics of any signal.

Multiband Power

Put a phaser on the bass and a flanger on the tops! All 3 bands get their own LFOs and Envelope Followers.

Mighty Modes

Get more sonic options! Flip the feedback polarity for rich or hollow flanging, peaked or notched phasing.

Go Wide!

Expand your stereo field with a funky Stereo parameter that offsets the Centre frequency in each speaker.

Runs in Shaperbox 3!

LiquidShaper runs in Cableguys’ acclaimed ShaperBox 3 effects plugin. Use it on its own, or combine it with up to 8 more Shapers for multilayered effects. Buy LiquidShaper on its own — or save 70% and get all 9 Shapers with ShaperBox 3 Bundle.

Endless Creativity

Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job.

Features

• 6 saturation algorithms with hysteresis, asymmetry and remanence.
• 21 selectable impulse responses from 11 different tape machines.
• 12 different noise samples.
• Versatile wow and flutter module.
• Realistic sounding tape delay.
• Hugely creative, hugely fun tool.

Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module.

The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with:

• Tape
• Digital
• Rectify
• Half-Rectify
• Sine
• Smooth

Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound.

Caelum Audio’s collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.

Noise is a huge part of the real tape sound and builds texture within any vibe you’re making. Tape Pro uses real sampled noise and can add anything from the rolling heads of a tape delay to the subtle hiss of a top of the range mastering tape machine. The noise types included are the same as listed above in the response module.

The wobbles and fluctuations of tape can be used to create wonderful modulations. Tape Pro’s Wow recreates the low-speed fluctuations of tape speed, while Flutter recreates the high-speed fluctuations. The rate of the wow can even be synchronised to your DAW – it can do things real tape machines can’t.

Part of the inspiration for creating Tape Pro came from a tape delay machine that sat in the Caelum Audio studio. Caelum Audio wanted the genuine tape delay sound anywhere they went, without having to transport, set up and wire in the hardware unit. Because of this, a huge amount of effort went into getting Tape Pro’s delay module right.

The hardware unit is no longer needed, it has been fully replaced by Tape Pro.

Enter the FX Matrix!
Looperator chops up your audio and turns it into something new. In the process, you can dispose of the classics like Filters and Reverbs, but also trippy Loop and Vinyl manipulations.

Looperator makes you sound as if you worked on your track for hours and hours and really all it took was a click of a button.

MAIN FEATURES

• 16-Step Sample Slicer
• Looper with Reverse Mode
• Time Stretch & Talkbox Filter
• Recall presets with MIDI notes
• Independent Control for left/right Channel
• Unlimited Undo/Redo
• Intelligent Random
• 5 Parameters per effect and step

Plug in and let Loose!

Looperator unites two concepts: you can re-arrange the material with the Slicer and place effects with surgical precision. Right from the start, we aimed at a tool that is easy to handle and produces favourable results.

The preset tools make creating of rolls, loops and stutter edits, that can be fiddly to build in a DAW, a matter of a few mouse clicks.

And when inspiration has left the room, the smart random algorithms with detailed programming options will generate sequences with a high chance of sounding balanced and useable.

Extensive MIDI Integration & Modest on your CPU
Looperator can be triggered in sync with the DAW’s transport controls, or via notes from a MIDI track. In a classic DJ setup, it syncs with your DJ software.

You can assign complete effect sequences to MIDI notes – this way you can trigger individual patterns. This gives you plenty of flexibility when it comes to applying magic to audio signals in a live environment.

Find a boring drum loop! In under a minute, you’ll have something sounding not only completely different, but truly compelling.

It’s undemanding on your resources, so running a number of instances and incorporating the results into a broader project is a truly effortless process.

The Beauty of Under-the-Hood Editing Power
Despite its simple interface, Looperator is a surprisingly deep plug-in if you really dig in.

Each effect holds its individual parameters (5 settings), each of which can be controlled by one of 20 selectable and adjustable envelope shapes, a simple automation-ready parameter dial, an envelope follower, or a randomiser.

Much of the time, you won’t need to go any further than the ready-made steps, but when you do, the four user-defined steps per track give you full and precise control of vital effect parameters on a per-step basis.

When it comes to animating lively sequences on a detailed level, the possibilities are literally endless.

Dynamics and Depth
The processing chain runs from top to bottom and you can alter the order of the six lanes by a simple vertical drag–and–drop.

If for example, the Slicer is below FX1, then the results of FX1 will be included in the slices as you sequence them—after which they’ll be filtered, looped and processed through FX2 and the envelopes.

Each effect module has an individual dry/wet and the global mix control boasts 6 different setups.

All UI elements put the spotlight on the task at hand and directly respond to every user action with visual feedback.

Take a Peek at the Manual, or Don’t…

Don’t overthink it! Looperator allows unlimited undo steps. This security encourages experimentation. Silence your critical voice, paint some patterns, and when it sounds good, save the preset.

Features and logic will become apparent through use and you’ll hear for yourself that Looperator’s output of new ideas from the first moment is intoxicating.

From subtle enhancements to spectacular effect pyrotechnics: Looperator’s expressive potential quickly approaches the character of an instrument.

Sounds & Presets

Rearrange your groove..!

Looperator comes with over 300 presets, ready to instantly transform your sounds. The factory library is categorised, making it easy to tell at a glance what sort of sonic role each set of patches is best suited to.

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation.

It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

MAIN FEATURES

This unique effect has been ported directly from the award-winning H9 Harmonizer. All of the H9 presets have been converted to work with the plug-in and have been included, as well as newly created factory and artist presets. Now you can use all the delays, reverbs, chorus and modulation effects that guitarists and synth players have grown to love. Best of all, The Ribbon has been optimized for live use with your favorite DAW.

• Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more.
• Manipulate effects in realtime using The Ribbon to transition seamlessly between two settings of any combination of controls.
• Using the innovative Slurm control, smear taps together or modulate them to create truly unique reverbs.
• Create drastic changes in effect and sound by assigning the HotSwitch to an alternate version of the current settings.
• Use up to 64 taps to create simple repeats or morph delays into chorus and reverb.
• Speed up or slow down the rhythmic space between taps using the Spread knob.
• Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms.
• Control the stereo image of taps to alternate between hard-panned and mono.
• Sync the Length and/or Chop LFO speed to the DAW session.
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant.
• Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta control on the fly.

A Brief History of UltraTap

It all started in 1982 with the world’s first rack mount programmable audio processor, the Eventide SP2016, where a flexible 64 tap delay debuted as part of its Factory Program suite. By the late 80’s UltraTap had migrated to the legendary H3000 Harmonizer effects processor and then to the DSP4000 and H8000. Thanks to advances in technology, we were able to include UltraTap in a portable compact form factor, the H9 Harmonizer stompbox. And now UltraTap has come back to the studio via your DAW and FOH environment, where it all began 35 years ago!

ANALOG PROCESSOR

Analog Pro brings life to your digital audio by simulating the way Analog hardware such as tape machines, valves and vinyl turntables warm up and saturate your audio.

We recreated the imperfections of playing back audio from a Tape or a turntable via the Wow and Flutter controls.

Analog Pro has a variety of user adjustable controls including:

• Noise Level
• Noise Type
• Impulse Type
• Impulse Mix
• Emphasis
• Stereo
• Lowcut
• Highcut
• Wow
• Flutter
• Amount

Giving plenty of scope for the user to adjust the sound to their liking.

Analog Pro sounds great on real instruments such as pianos and brass and can really make your instruments stand out in your mix, sounding like they are being played back from a Tape or Turntable.

Analog Pro comes with an easy to use and resizable interface, use the Amount knob to control how much Analog Pro affects the signal.

THIS PRODUCT IS NOT COMPATIBLE WITH PRO TOOLS

A curated suite of 30 essential audio production plugins

Guided by Arturia’s decades of passion for sound exploration, FX Collection 4 represents a massive upgrade to Arturia’s acclaimed suite of production plugins with:

• 30 effects
• Over 1000 presets
• Enhanced controls & interfaces
• An array of compatibility & accessibility features

A curated suite of creative audio effects for modern music makers,FX Collection 4 goes beyond mixing and mastering to incorporate effects into the creative workflow like never before.

What’s new in FX Collection 4?

4 new products

• Rotary CLS-222: An enhanced version of the classic Leslie speaker effect.
• Dist COLDFIRE: Dual-engine distortion built for every flavor of crunchy, destructive sound design.
• Filter MS-20: The powerful & edgy sound of the sought-after KORG filter.
• Rev LX-24: The reverb that defined ‘80s sound, with lush long decays for use with any sound.

Product & performance updates

• Bus FORCE adds overdrive gain compensation.
• Efx FRAGMENTS gets 40 new presets and an updated modulation workflow.
• Rev LX-24 can now be resized for more compact screen presence.
• Bus FORCE and Rev SPRING-636 now both have oversampling quality options.
• Upgraded accessibility features, with real-time text-to-speech feedback.
• NKS VST3 and Mac M1 AAX support.
• A number of bug fixes & optimizations.

FX Collection 4 now includes 30 titles, including distortion, modulation, granular, mix bus, compression, delay, reverb, preamps, and filters.

• From vintage to modern: FX Collection 4 combines classic studio emulations with brand new & experimental effects.
• Over 1000 factory presets
• In-app tutorials: learn every effect and parameter in detail to get the most out of any sound.
• The slickest workflow: enjoy intuitive preset browsing, low-latency performance, and streamlined GUIs to make your
  production process easier than ever.
• Compatibility: Full NKS VST3 support, compatible with Apple M1, processors
• Accessibility: Real-time text-to-speech feedback on presets, parameters, and values for visually-impaired users.
• Hi-res 4K interfaces

New in Version 4

Rotary CLS-222: An enhanced version of the classic Leslie speaker effect.

The Dynacord CLS-222 is hailed as the finest Leslie/Rotary Speaker simulation device ever created. Introduced in 1982 and manufactured until 2003. It perfectly reproduces the iconic Leslie sound, infusing life and movement into any source.

New Features

• Valve PreAmp for added warmth and richness (Adds to the Leslie tone)
• Expanded Stereo width.
• Adjustable bass and treble rotor speeds with extended ranges, along with sync mode.
• Visualizer provides real-time feedback on the sound movement.
• Distance controls for emphasizing the rotor shape.
• Includes two new distance shapes

Dist Colfire

Dual-engine distortion built for every flavor of crunchy, destructive sound design.

Dist COLDFIRE is a dual-engine distortion effect that goes from rich tube saturation to unrestrained sonic destruction in a few clicks. Combine analog & digital algorithms with deep modulation and customization, and unlock near-infinite distortion possibilities for your sound.

Main Features

• Two distortion engines
• 11 distortion algorithms
• Hidden Advanced control panel for in-depth sound design
• 5 routing options: Serial, Parallel, Stereo, Mid/Side,
• Band Split
• Routing balance slider
• Feedback module
• Over 150 presets built-in
• A/B comparison
• Oversampling

Filter MS20

The powerful & edgy sound of the sought-after KORG filter

Filter MS-20 is a stereo filter and distortion effect modeled on the infamously abrasive MS-20 synthesizer. Pump destructive crunch, roaring filter sweeps, and ultra-fat stereo depth into your mixes with an audio plugin that’ll make anything sound massive.

Main Features

• Emulated stereo analog filter and distortion effect
• Circuit-accurate modeling with exclusive TAE technology
• Resonant Low Pass, High Pass modes
• Master Cutoff for Band Pass-style functionality
• Stereo offset for widening filtered sounds
• Output Mix & Level controls
• Envelope Follower
• Function Generator

Rev LX-24

The reverb that defined 80’s sound, with lush long decays for use with any sound

Rev LX-24 is an enhanced virtual replica of a retro ambience box that defined reverb for a generation. Make your mixes bloom with real-feeling space, cave depth atmosphere, and subtly-sparkling texture in seconds with a vintage digital sound that refuses to get old.

Main Features

• Classic digital algorithmic reverb effect
• 8 perfectly-emulated algorithmic reverb effect
• Unique slider-based interface
• Emulated 12 & 24-bit converters for dark, warm sound
• Additional ‘Modern’converter mode for cleaner sound
• 100 presets for vocals, drools, guitars, synths and abstract sound design
•  A/B comparison

10 things to have fun with

• On Rotary CLS-222 –  Speed Control: Experience the magic of classic Leslie rotary sounds by seamlessly adjusting from slow to fast speeds.
• On Rotary CLS-222 – Visualizer: Dive into an engaging visual representation of your sound, adding depth to the overall experience. Additionally, customize the interaction between the two rotors, deciding whether they chase, oppose, or harmonize with each other.
• On Rotary CLS-222 – Distance: Take control over the circular motion of the rotary effect, amplifying its impact and even altering its direction. We’ve added 2 new shapes that push the edges of what a Leslie can do, unlocking fresh sonic possibilities.
• On Rev LX-24 – Algorithms: LX-24 has 8 algorithms, here you can change what room size or material the reverb is going through.
• On Rev LX-24 – Tremolo Reverb: Bring some rhythm to your reverb by adding the tremolo effect. Adjust the shape & amount to get some pumping reverb sounds.
• On Rev LX-24 – Reverb Control: Change the Distance, bass offset, crossover, and damping to further fine-tune your perfect reverb sound for your track
• On Dist Coldfire – Presets: Turn up the analog heat or shatter your sound with sub-zero digital crush, using one of the 150 specialized presets.
• On Dist Coldfire – Distortion: Pair up any of the 11 distortion types, from emulated tube heat to icy digital bit crush, customize your routine, sprinkle in some modulation, and forge sonic carnage that’s totally your own.
• On Filter MS-20 – Input filtering: Retain the depth of your lows or the harmonic detail in your highs by focusing your overdriven crunch on a specific frequency range.
• On Filter MS-20 – Routing:  Flip the behavior of your sound on its head by swapping the direction of the direction of the signal through Filter MS-20’s Routing switch.

BUS FX PLUGINS

Powerful, Unique, Distinct Modules and FX.

Bus Force

A powerful original parallel processor with 4 distinct modules: Filter, EQ, Compressor, and Saturation. Your new go-to mixing plugin.

Comp DIODE-609

Based on the iconic Neve™ stereo compressor and limiter with a distinctly characterful crunchy response – great for drums.

EQ SITRAL-295

A classic stereo EQ with gentle musical curves and warm transistor feel, based on the coveted ‘70s Siemens™ broadcast console.

MODULATION FX PLUGINS

Simple, Beautiful, Intuitive Modular FX Plugins

Chorus DIMENSION-D

Simple 4-mode operation for beautifully smooth stereo chorus in one click, with perfectly-emulated BBD warmth.

Flanger BL-20

A rare & unique studio gem that goes from faint stereo width to out-of-this-world compound modulation in no time.

Phase BI-TRON

An elusive dual phaser that oozes boutique guitar pedal charm, with two phasing circuits and advanced routing options.

Chorus JUN-6

Based on the classic Juno chorus for massive stereo richness, analog warmth, and subtle movement at the touch of a button.

COMPRESSORS

Control your dynamics with iconic FET, VCA, and vacuum tube outboard.

Comp FET-76

The most iconic studio compressor ever made, recreated as a software plugin. Perfect vocals and instruments every time.

Comp VCA-65

The ultimate rhythm section compressor, Comp VCA-65 is a perfectly recreated VCA compressor with a modern twist.

Comp TUBE-STA

A reimagining of the legendary vacuum-tube powered Gates® STA-Level, a secret weapon for bass and vocals since the 1950s.

DELAYS

Get creative with saturated tape, lo-fi BBD, and futuristic digital echo.

Delay TAPE-201

It came from outer space, but now it’s available in your DAW. Organic, tape saturated delay and reverb at its finest.

Delay MEMORY-BRIGADE

The iconic lo-fi delay that helped the greatest guitarists and producers achieve their unique tone is now available in your recording setup.

Delay ETERNITY

An exciting, original delay effect with integrated effects, and an inspiring variety of sounds. Arturia Delay Eternity is an innovative tool for the modern producer.

REVERBS

Create and experiment with smooth plates, vibrant springs, and digital reverbs.

Rev PLATE-140

No collection of effects is complete with a luxurious, rich, smooth plate. Rev PLATE-140 is the mother of all plate reverbs.

Rev INTENSITY

Lose yourself in a totally new type of reverb. Rev INTENSITY is an original Arturia effect for the 21st century.

Rev SPRING-636

Enhance any sound with a vibrant, slappy, squelchy spring reverb that sounds so real, you’d swear you could kick it yourself.

PREAMPS

The “secret weapon” sound of countless pro studios, now in your DAW.

1973-Pre

The iconic vintage sound of the world’s best studios, perfectly recreated for the modern producer.

TridA-Pre

One of the most prized, rare, and exclusive channel strips ever made has been reborn in your DAW.

V76-Pre

The sound that defined 60s pop music, rediscovered as a plugin for your virtual studio.

FILTERS

Use the defining tone-shaping control of the greatest synths on any sound source.

Mini-Filter

A plugin recreation of Dr Moog’s famous 24dB per octave low-pass ladder filter, updated with exciting new features for the modern music maker.

M12-Filter

The legendary analogue polysynth’s filter reworked as a superbly powerful, modern plugin for your DAW.

SEM-Filter

Tom Oberheim’s pioneering design, among the first ever self-contained analogue synthesizers, was home to one of the best-loved filters of all time. Now you can use it as cutting edge creative plugin for your DAW.

Physion MK II – A New Dimension in Multi-FX

Sonic Control at an Atomic Level

Physion Mk II is a powerful, modern approach to multi-effects delivering a new dimension of sounds. It combines our best-in-class Transient/Tonal separation with world-class Eventide effects, opening the door to practical mixing solutions and creative applications. Featuring the improved Structural Split™ detection from SplitEQ and a streamlined workflow designed with producers, mixers, and sound designers in mind, Physion Mk II allows you to discover new sonic horizons and smarter solutions in no time.

Physion Mk II’s factory library comes loaded with over 500 presets, offering sounds you won’t find anywhere else. The preset library is organized into easy-to-navigate categories, so whet her you’re looking for a little color, a quick fix, some extra spaciousness, or a deep transformation, you’ll find great options quickly

MAIN FEATURES

• NEW Polyphonic pitch shifting algorithm based on Eventide’s new SIFT technology
• NEW Reverse Delays with gating, ping – pong, and crystals modes
• NEW Side Chain input for dynamics processors
• NEW State-of-the-art Filters, taken directly from SplitEQ
• NEW Resizable GUI with scrolling waveform display and easy – to – use layout – no menu diving required!
• World-class, Hand-tuned Eventide effects for the Transient & Tonal streams
• Process Transient and Tonal Effects separately using Eventide’s Improved Structur al Split™ technology
• Control Transient and Tonal Output levels
• Control the Underlying Split for fine – tuning and experimentation
• Comprehensive Presets Library includes 500+ presets
• A/B Comparison and Undo/Redo make it easy to explore ideas without losing w here you started
• Three Color Schemes: Normal, Dark, and Colorblind Accessible

Classic Effects, Remixed

For over 50 years, Eventide has pushed the boundaries of audio effects — from the H910 Harmonizer® to the H3000 to SplitEQ. Building on this legacy, we painstakingly hand-tuned each effect for Transient or Tonal material and included new effects like polyphonic pitch shifting and reverse delays with gating, ping – pong, and crystals modes.

Plus, you also get our best-in-class splitting technology with thoughtful, easy-to-use controls.

Transient Effects

• Delay
• Tap Delay
• Dynamics
• Phaser
• Reverb
• Gate+EQ
• Reverse Delay

Tonal Effects

• Delay
• Dynamics
• Pitch
• Chorus
• Reverb
• Tremolo
• EQ
• Reverse Delay

Voxpat Pro is a standalone software developed to create monster, other world creatures and robotic sounds for games, films, music & multimedia projects.

But also for processing any kind of samples or musical instruments in many different ways. Procedural audio, audio synthesis, audio convolution, among other audio manipulation techniques are used to create multiple layers of sound using your own voice or pre- recorded audio files.

• Real-time audio processing.
• Up to 2 microphone inputs at same time.
• Multi Player Input. Process up to 3 audio files at same time.
• Process WAV, AIFF & Mp3 files.
• Instrument Input. Play any VST/AU virtual instrument.
• Process your input signal through 12 audio effects.
• Input Depending Mode. Activate effects based on the input level.
• Delays Section.
• Assignable LFO & LFO Rate Modulation.
• Master Fx Rack.
• Recording. Export each effect layer separately, including audio source.
• Batch Processing. Process & export a bunch of file within 1-click.
• Sample Processing. Process & export any audio file within 1-click.
• Rec Me Section. Record your voice for processing in just 2 clicks.
• Input & Output routing to DAW or audio editor.
• Control Voxpat Pro via your MIDI device.
• Includes 66 Presets & 154 Samples (Animal, Human & Foley Sounds).

What’s new in Voxpat Pro?

• Improved audio engine
• Redesigned audio player input section. Includes fade in settings, playback speed, pitch, normalizing, reverse playback and audio file length selector
  (process only the selected part of an audio sample). Play audio files using computer keyboard.
• Redesigned delays, input depending and LFO sections.
• New “Dark” effect.
• New “Bot 1” & “Bot 2” effects for creating robotic voices and sounds.
• Redesigned D-Pitch effect.
• Redesigned “S-Conv” effect. Includes fade in settings, playback speed, pitch, normalizing, reverse playback, audio file length selector (process only the
  selected part of an audio sample), master pitch, amplitude envelope and threshold (set the input level for triggering the sample convolution).
• Redesigned “S-Player” effect. Includes fade in settings, playback speed, pitch, normalizing, reverse playback, audio file length selector (process only the selected part of an audio sample), master pitch, amplitude envelope and threshold (set the input level for triggering the sample convolution). Play audio files using computer keyboard.
• Redesigned “Ring” effect. Features 3 ring modulators sections.
• 5-Band Parametric EQ on each effect.
• New built-in Dual Delay at master rack.
• New built-in Pitch Envelope at master rack.
• New built-in Chorus at master rack.
• New built-in Reverb at master rack.
• New built-in Overdrive Distortion at master rack.
• Redesigned plugins section at master rack. Up to 4 vst/au plugins.
• Redesigned Recording section. Now you can also export each effect layer and source file separately. Rec Me section allows you to quickly record your voice to use it as an audio file within Voxpat Pro.
• New convolution samples added. Includes 108 animal & action sounds.
• Run on the latest mac and windows os.
• Run native on new Apple silicon computers.

Lo-Fi • Vinyl • Excitement • Ambience • Groove

NoiseShaper gives you the secret sauce for lo-fi beats and exciting mixes: noise! Imagine trap melodies crackling like vintage vinyl. EDM synths that fill the speakers with high-end electricity. Drums sizzling with classic console hiss. Pianos submerged in bubbling water. Cassette house grooves, retro gear hum, broken digital textures, organic field recordings… and so much more.

Explore an expansive world of noise with mix-ready noise sources by BT, Cyclick, and InsideInfo. Layer them onto any sound in just one click – with built-in dynamic control, NoiseShaper reacts to your music, for noise that breathes with every beat. Running inside Cableguys’ ShaperBox 2 plugin, use NoiseShaper on its own or combine with other Shapers for elaborate, multilayered effects.

MAIN FEATURES

An expansive world of noise

Explore an exciting world of noise with a production-ready library crafted by BT, Cyclick and InsideInfo. Get classic synth noise, vinyl crackles, tape hiss, broken textures, organic recordings, and more.

Dynamic and alive

Forget boring static noise with no dynamics – in NoiseShaper, the noise breathes with every beat. Follow mode adds rhythmically synced sizzle. Duck mode fills the gaps with lo-fi textures.

LFO’s that you design

With Cableguys’ famous LFO drawing tools, it’s easy to target specific mix elements – for instance, add noise to just the snare in a loop. You can even design your own rhythmic noise patterns.

Runs in ShaperBox 2

NoiseShaper runs inside Cableguys’ acclaimed ShaperBox 2 effects plugin. Use it on its own, or combine with Drive, Time, Crush, Filter, Volume, Pan and Width Shapers.

Easy multiband control

Trigger the noise from up to three frequency bands. Add sizzle to just the hats in a loop, or enhance the kick drum by reacting only to bass frequencies, for example. Or go further: combine up to 3 separate noises with fully independent settings per band.

See your sound

Modulation can be hard to understand – but not with NoiseShaper. You always see exactly what’s happening with the big modulation trace, LFO graph, and spectrum view. All expandable, if needed.

Cableguys quality

Every noise is carefully mastered to balance perceived volume, dynamics, and frequency response across the entire library, so you can seek out the perfect noise without constantly tweaking the volume up and down.

MAIN FEATURES

• Trim, Mono and dual High/Low-Pass Filters to slot the noise into your mix.
• Noise Only mode for sound design or separate mixing of noise elements.
• Retina/HiDPI interface, resizable from 75% to 200%.
• Built-in help — hover over any control for description.
• Expandable LFO for detailed editing.
• Set LFO loop length in beats and bars, or Hertz.
• LFO loop length from 1/128 to 32 bars, with sample-accurate sync.
• Audio-rate modulation up to 5.24kHz for extreme sound design.
• Trigger LFO in any rhythm via MIDI.
• MIDI Trigger activity LED to aid setup.
• Trigger Smoothing to reduce clicks when switching/triggering Waves.
• LFO Smoothing parameter to remove clicks/pops, or for creative effect.
• 1-click Quick Presets for Vinyl, Cassette, and Beat Spice.
• Dedicated selection tool for multinode editing.
• 2x/3x button — double or triple patterns with a click.
• Selection skewing, for easily increasing intensity over time.
• Snap a single point, a selection, or each point within a selection.
• Flip/resize/move/randomize wave or selection.
• Draggable parameters to shift the entire wave up/down.
• Copy/paste waves between any Shapers.
• Unlimited undo/redo for LFO wave edits.
• Dozens of Wave Presets covering all common uses.
• 9 slots to store User Waves, saved with the patch.
• Switch User Waves via MIDI.
• Dry/wet mix for each band.
• Solo bands for easy setup.
• Large, precise oscilloscope view with Freeze option.
• Magnitude oscilloscope graph.
• Easy 1-slider editing of Envelope Follower.

MID/SIDE PROCESSING AND STEREO WIDENING

OSL Side Effects is a versatile audio plugin that allows the stereo field to be manipulated in both subtle and creative ways.

It separates a stereo signal into Mid and Side channels which can be independently equalized, compressed, saturated, boosted, attenuated and panned using an intuitive processing chain.

This makes it possible to alter the width of a mix in ways that would be impossible using conventional stereo processing techniques.

FEATURES

• 4 band Mid/Side EQ with interactive graph
• FFT spectrum analyser
• Mid/Side compressor with transfer curve graph
• Gain reduction meters
• Tape-style saturation
• Mid/Side stereo panning
• Input and output gain controls
• Stereo visualiser (goniometer)
• Phase meter
• Mid/Side and Left/Right output meters
• Oversampling up to 16x
• Preset system including 17 factory presets
• All parameters can be automated from the host DAW
• Light on CPU

PSP N2O is a semi-modular multi-effect plug-in which offers unparalleled flexibility and total sound creation freedom.

The high-quality sound processing modules can be routed in any configuration, allowing for endless musical journeys.

While built upon the same basic concept as the much-loved PSP Nitro, PSP N2O brings new modules and extended modulation features, allowing you to explore completely new sonic territories. The plug-in engine has been rewritten and redesigned from scratch in order to improve the sound and take full advantage of the optimizations offered by modern CPUs.

The enhanced user interface improves the experience of both sound designers creating their own soundscapes as well as everyday users who aren’t as fond of looking under the hood.

Remember, don’t tell your neighbors about your experience. While legal in the US, many states have laws regulating the possession, sale and distribution of N2O – some reports say it is highly addictive!

Features:

• Up to four sound processing operators at a time: morphing resonant and formant filters, eq, delay, reverb, pitch-shifting, compressor/expanders, bitcrushing, distortion, full-wave rectifiers and more
• Up to four modulators at a time: LFO, envelope detector, and ADSR step sequencer
• Eight assignable knobs with quick MIDI learn options for convenient access to the most essential preset parameters
• Built-in limiter that uses algorithms from our well regarded PSP Xenon hi-definition mastering limiter
• Three displays, simplified modulation setup, keyboard and mouse wheel support for easy preset creation and tweaking
• Animated response plots
• Sidechain input
• Extensive optimization
• 192 factory presets
• Expandable architecture – new operators and modulator types to be added in future versions while preserving backward compatibility