Kontakt Instrument VST Plugins

Echo Sound Works, the creators of the best selling KONTAKT library Sub Zero 808, is excited to bring you a brand new KONTAKT instrument called Echo Sound Works EVOXA.

It’s a multi-genre vocal chops engine for producers and DJ’s. Echo Sound Works EVOXA comes loaded with almost 1 gigabyte of samples making up 200 KONTAKT presets.  

We designed Echo Sound Works EVOXA for music producers looking for easily playable, fine tuned, inspiring vocal chops perfect for multiple genres of music including Future Bass, Trap, Deep House, Hip Hop, RnB, Chillout, Future House, Melbourne Bounce, Tropical House and so much more.

This library is truly one of a kind and its a lot of fun to play with. 

The KONTAKT instruments come with an easy to use custom interface that gives you all the control you need to seamlessly integrate any of the vocal chops into your productions.

Echo Sound Works EVOXA comes with a simple yet highly effective GUI interface for NI KONTAKT giving you complete control over:

• VOICING MODES These will determine playback mode like Monophonic, Legato and Polyphonic.
• WARP The Warp mode allows you to speed up or slow down the sample length. Perfect for getting the chops or individual notes to fit with your BPM.
• MODULATION This includes controls like Attack, Decay, Sustain and Release.
• PORTAMENTO This module gives you control over glide time and glide mode. Advanced options like note priority is available.
• REVERB We’ve included a reverb section to add depth to the vocal chops.
• UNISON ENGINE This will allow you to create wide unison leads out of any of the patches.

Echo Sound Works is proud to present Sub Zero 808 a multi genre 808 and sub bass library for producers and DJ’s. Sub Zero 808 comes with 185 Kontakt patches for 808’s, subs and basses.

We designed Sub Zero 808 for music producers looking for easily playable, fine tuned, deep 808’s perfect for multiple genres of music including Hip Hop, RnB, EDM, Trap, Dubstep, Future Bass and more! This library is one of the most production ready sub and 808 libraries on the market.

Check out the Sub Zero 808 walkthrough on YouTube to see an in depth look at the product.

The Kontakt instruments come with an easy to use custom interface that gives you all the control you need to create perfect sounding 808’s and sub basses for your productions.

You have complete control of Attack, Decay, Sustain and Release as well as Glide, Low Pass Filtering and High Pass Filtering. There’s even a unison control so you can turn 808’s into deep basses.

If you don’t use Kontakt, we’ve’ also included 100 WAV samples for all the 808’s that were created for the library. You can use these with any DAW or sampler.

Here’s everything that’s included:

• 102 808 Kontakt Patches
• 65 No Kicks Kontakt Patches
• 10 Clean Sub Bass Kontakt Patches
• 10 Future RnB Bass Kontakt Patches
• 100 808 WAV Samples Key Labeled
• 10 Future RnB Bass WAV Samples Labeled

A powerful compendium of sampled instruments, voices, ensembles, sound design and cinematic effects for Kontakt Player and NKS

Core Micro is a powerful compendium of sampled instruments, voices, ensembles, sound design and cinematic effects for Kontakt Player and NKS. It delivers the professional fidelity, playability and customization options you need, yet is fully optimized for efficiency, convenience and total ease-of-use. Core Micro is perfect for the seasoned composer who needs a wide variety of high-quality instruments at their fingertips for quick sketching and creative flow. The all-in-one design, intuitive controls and affordable price make this your ideal musical launching pad, whether you’re a pro or just starting out on your musical journey.

It includes a splendid selection of orchestral strings, symphonic choirs, solo vocalists, pianos, organs, synths, winds, tuned percussion, drums, video game SFX, cinematic effects, stingers, atmospheres and ambiences.

Create your own custom blends with 4 independent modular layers, assignable parameters, arpeggiation sequencing with scale/key locking, freely-assignable LFO and filters and a complete DSP effects rack. It’s easy to build entire arrangements in any musical genre with Core Micro. Whether you are a composer, producer, songwriter, student, teacher, working on the road with a laptop or discovering new sounds in your home studio, Core Micro is designed to unleash your creativity.

The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.

The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!

Features

• A collection of Choirs, Strings, Brass, Winds, Solo Vocals, Keys, Tuned/Untuned Percussion, Ambiences, SFX
• 2 Master Kontakt Player .nki instrument presets
• 56 Custom sound-designed Snapshots
• 24-bit, 48 kHz Stereo Lossless NCW Format.
• 2,629 stereo samples in locked .ncw format
• 4.8 GB Installed (9 GB Uncompressed)
• Made for the free Kontakt Player (version 6.2.2+), Komplete Kontrol, all S-
• Series Keyboards and NKS software and hardware by Native Instruments
• Works with the Kontakt “Libraries” browser and Native Access.

TRYPTICON is a collection of sounds for hi-tech and psytrance music.

TRYPTICON has 6 main segments:

• Sound
• Filter
• ENV
• Delay
• Chorus
• LFO

It has more than 100 sounds ready to use leads, sfx and more. Sounds are ready to use in your production, you don’t need to spend time to create sounds, just modulate and blast the track.

The sounds are dynamic, strong, powerful and it is very easy to work with.

TRYPTICON has 3 instruments:

• Machine Fx
• Roboticon Fx
• Robo Hits FX.

Machine Fx is a group of sounds and sfx with which you can easily play several different sounds in one piano roll and it is very good to make leads for your track with different sounds.

Roboticon FX is a group of sounds that sound like machines.

Robo Hits FX is group of hits with distortion sounds and vocals with distortion which remids on robots voises.

Inside of TRYPTICON is:

• 13 Leads
• 5 Keys
• 25 Machine FX
• 25 Roboticon FX
• 11 Rizers
• 24 Robo Hits FX

Includes a selection of bowed stringed instruments like Violin, Viola, Cello, Bass, but also bowed guitars and ethnic instruments , Woodwinds like Duduk, Kaval, Bamboo flutes, Ocarina and Gralla. Female voices.

The different categories include natural instruments samples, granulised, ambient, designed and spacey sounds.

• 2 Main Sound sources, plus Trails sound sources
• 205 + 20 Multisampled Sound Sources
• Over 22GB, NCW – over 8500 samples
• Volume, Pan, Octave and Semitones Shift, High pass and Low pass filters, Attack and release controls per sound source
• Master Shine, Saturation, Chorus, 2 delays, Lo-fi, Convolution reverb
• New Crystals Generator with Pitch, Grains and Cloud functions
• Intelligent Randomiser engine, with undo history
• Categorised browser
• Undo and redo randomisation up to 1000 undo levels
• Undo level counter to jump to a desired undo level
• Single, Dual and Random Map mode
• Pan Control: Widen and Random
• Twin step sequencer, with live recording mode, auto save and auto recall
• 8 editable twin or single sequences per patch
• Permanent random sequences generation
• Temporary random notes generation for user controlled “improvisation”
• Keycontrol with Major and minor scales available
• Selectable playing percentage for Trails layer
• Velocity control for Trails layer

Fully customisable

 Even though the Randomisation engine plays a big part in Aerkord, for the most creative producers, Aerkord still offers the possibility to create patches from scratch, with multiple ways of choosing sound sources, including a categorised Sound Browser, which works hand in hand with the randomisation engine to create sounds which are “just right”. 

On-the-Fly Reverseable sounds

 Following the success of Sequi2r’s family reverseable sounds feature, Aerkord gives the option to reverse sounds on the fly and to adjust the length of each reversed sound with the mod wheel. 

3 Play modes

 In Aerkord you can select whether you want to play both sound sources at once (Single map Mode), one per key zone (Dual Map Mode) or let it happen randomly (Random Map Mode), creating interesting changing textures. This both while you are in Normal Mode or Step Sequencer Mode. The keyboard zone can be defined by the user. 

Creative Convolutions

 Unique reverb convolutions add to the picture to contribute in a creative way to the sound creation; reverbs that not only add space but define the final sound too. 

Twin Step Sequencer 

Aerkord features not one, but 2 step simultaneous sequencers with 8 memory slots. You can change sequence on the fly like in Sequi2r via keyswitch, but with Aerkord you’ll have double the fun. Also, you can record your sequences by playing, not by drawing, pretty much like in Sequi2r, but Aerkord’s process is even faster and simpler. Add to this Permanent random generated sequences and Temporary random sequence at the tip of a “keyswitch”, to spice up some stale repetitive phrases. 

Split personality 

You can perform one sequence per sound source (Twin Seq on) in Dual Map Mode, or have both sound sound sources playing simultaneously (Single Map) both sequences. Or you can run one sequence only (Twin Seq off) with both sound playing at once (Single Map), or one sound per define-able keyboard zone in Dual Map Mode.

Step & Master Effects

Add movement and filtering to pads and sequences with four step sequenceable effects: Filter Cut off and Resonance, Distortion & Formant Filter Add finishing touches to your sound with Convolution Reverb, two delays, Chorus, Shine, and Lo-Fi effects.

Spice up your Sequences

Generate random sequences and “improvise” temporary sequences at the tip of a “keyswitch”, to spice up some stale repetitive phrases.

Export your sequences as Midi

The Randomisers Series 1.2 includes a System page which gives acces to the Midi Drag & Drop feature. Generate sequences performances, export them on to you DAW and edit them or assign third parties sounds to them.

Arpeggiator fun

Arpeggiate short sounds or trigger sequences with the arpeggiator (yes you can!). Play sequencers and arpeggiator in serial or parallel with 2 different sounds.

KLASSIK 106 is a virtual analogue synthesizer.

KLASSIK 106’s is the first Juno-106 Kontakt library developed with the new Kontakt’s wavetable engine.

Synth Engine

KLASSIK 106 Synth engine, replicates the famous 80’s 106 in all it’s aspects plus a modern touch:

• 3 waveforms (PWM, Saw, Sub), plus a user access to the waveforms mixer, and a graphic visualizer that displays the square waveform Pulse Width.
• The classic 106 Arpeggiator is now tempo-synced!
• The LFO can be easily switched from Free to tempo-sync.
• The famous on-board Chorus 1 and 2

5 Classic Effects

in KLASSIK 106, alongside the iconic Synth 106 , you have access to an FX chain containing 5 effects, emulating vintage effect units:

• Tape Delay 201
• Spring Reverb
• Equalizer 611
• G-Compressor
• Tube Overdrive

Features

• Wavetable based Synth engine
• Built-in Arpeggiator
• 5 Virtual vintage effect units
• 22 Presets
• User Manual

Brought by SoundIron and designed for film & game composers/sound-designers, this collection includes a full selection of chromatic articulations, melodic phrases and exquisitely sound-designed cinematic effects, pads and atmospheric elements.

The lead vocal content is intuitively playable and the phrases and effects are easy to use in any project, making this library an ideal source of inspiration that’s perfect for nearly any music or video production need that comes your way. It all combines into a complete, efficient and deeply-refined toolbox that comes fully equipped with our flexible and full-featured user interface.

Mimi’s otherworldly vocal style effortlessly fuses ambient, dream pop, EDM, and cinematic vocal styles. This library includes 4,413 samples, exploring the two extremes of her creative style: Light and Shadow.

The chromatic content features sustain, staccato and true legato chromatic articulations for the Ah, Ee, Mm and Oo vowels. It also includes 1,295 live tempo-synching melodic phrases conveniently organized by mood, key and tempo.

This library goes far beyond the realms of the “norm” with an extended collection of hand-crafted sound-designed atmospheric content created by Mimi herself, divided into angelic, mystical, haunting and horror sections that are perfect for adding dreamy soundscapes, unnerving stingers and otherworldly underscores.

Contents:

This library includes a full package of vital chromatic and melodic lead vocal articulations, featuring sustain, staccato, vocal SFX and true legato for (Ah, Ee, Mm and Oo).

It also includes a huge collections of captivating live phrases divided up by 100bpm and 140bpm tempos and the Ethereal Dreamscapes for both Light & Shadow categories. You can craft your own parts using the chromatic articulations and your midi keyboard, and shape, blend and sequence the live melodic phrases to fit your arrangements with our phrase-legato, step sequencer, speed-control and live waveform editing controls.

The phrases are intuitively organized by root tempo and key. However, tempo-syncing, time-stretching and pitch transposition controls give you complete freedom to customize any phrase.

Mimi also created a sweeping variety of mystical atmospheric effects, pads, drones, stingers, risers, swells, falls and clusters using her voice that are perfect for creating dramatic tension, dreamy aesthetics, lush soundscapes and surreal envonrments in films, video games. electronic music and more.

We recorded Mimi in a dry studio environment, using a high dynamic range, large-diaphragm Neumann studio microphone and Sound Devices preamps to get maximum detail, clarity, fidelity and clean dynamic range.

We’ve also included our comprehensive FX Rack, with compression, delay, filter, EQ, amp/speaker simulation and convolution reverb, featuring dozens of rooms, cathedrals and otherworldly fx to open endless possibilities.

Main Features:

• Ah, Ee, Mm, and Oo natural true legato
• Vowel Sustains, Staccatos and Vocal SFX.
• 100bpm and 140bpm tempos for both Light and Shadow phrase categories.
• Over a thousand melodic phrases in multiple keys, with pitch transposition, instant pattern sequencing, legato blending, tempo-synching/time-stretching, shaping and more.
• 300 ambient pads, effects and atmospheres.
• 871 ethereal vocal dreamscapes.
• Easy to navigate melodic phrases, organized intuitively by style, native tempo and root key.
• Fluid sequencer allows for per-step phrase start and end markers.
• Vocal Ambiences, Atmospheres and custom melodic pad instruments crafted directly from Mimi’s voice.
• Vocal performance breaths for added realism.
• Swell control allows real-time dynamic performance shaping.
• Full Multi-FX rack panel with Chorus, Compression, Distortion, Amp and Cab simulation, EQ, Delay and Reverb
• Our Reverb rack unit includes 25 unique creative FX convolutions and 45 excellent live rooms, studios, chambers, cathedrals, halls and other real-world environments, with flexible tone, size and mix controls.
• Fully automatable, with customizable key switch and GUI controls.
• Convenient real-time visual wave-form display.

Product Specs:

• 4.72 GB Installed (7.6 GB uncompressed)
• 4,413 Samples
• 8 master NKI instrument banks
• Sound-Designed FX and Ambient presets
• 24-bit, 48 kHz Stereo Lossless NCW Format.
• Made for the free Kontakt Player (version 6+), Komplete Kontrol, all S-Series Keyboards and NKS software and hardware by Native Instruments
• Works with the Kontakt “Libraries” browser and Native Access.

About Mimi Page

Mimi Page is a singer, songwriter, producer, and composer born and raised in Los Angeles, California.

Her dreamy, ethereal music and haunting, angelic vocals have been featured in a multitude of soundtracks and scores for film, television, and video games. Mimi’s music is a transformative and emotionally captivating experience and her unique sound is a catalyst for all who listen to go inward, self-reflect, and journey the expansiveness of their own imagination.

Mimi’s original music has been featured on Travel Channel’s “Ghost Adventures”, Fox’s “So You Think You Can Dance”, and NBC’s “America’s Got Talent”, to name a few.

As a composer, she’s provided original scores for the documentary features “The Demon House” and “The Trade”, along with numerous short films. She’s also composed original scores for the indie video games, “Ancient Frontier”, “She Dreams Elsewhere” and “The Lighthouse”.

As a vocalist, Mimi’s collaborated with Inon Zur on video game soundtracks “Dungeons & Dragons: Sword Coast Legends”, Ubisoft’s “Eagle Flight” and Bethesda’s “Fallout 4: Far Harbor”.

She’s collaborated with over 30 artists in the electronic music genre, including Bassnectar, Delerium, Conjure One, Seven Lions and Illenium. In addition to her professional music career, Mimi’s extremely passionate about sharing her knowledge through music education, working with UCLA and the ADIDAS Sound Lab as a mentor and artist development coach for Los Angeles high-school students.

Mimi’s goal as an artist is to inspire people to nurture their own unique voices and to use music as an outlet and tool for communication and self-expression. She believes that music is our universal language and has a profound ability to help heal and unify our world.

Stompbox is a set of 32 cinematic/hybrid drum and percussion kits for KONTAKT 6.4.2.

These kits are velocity-sensitive and are built with around 850 24-bit WAV files.

Stompbox features five distinct parts that can be triggered and mixed separately. Onboard effects like reverb, saturation and compression are also available.

MAIN FEATURES

• 32 Factory Kits (Up to 128 per instrument)
• 5 Distinct Sections (Sub, Mid, High, Snare & Perc)
• 5×32 Source Sounds
• Drive and Distortion
• Two high-quality reverb units
• Stereo-widening
• Filter control per section
• Kit Randomisation
• Easy browsing using Library Screen

Ambius Prime is a unique and powerful compendium of our Ambius atmospheric synthesis series, offering a vast selection of hand-crafted sound-designed pads, ambiences, leads, pulses and acoustic textures. This library is made for the free Kontakt Player and works with Komplete Kontrol and all S-Series hardware by Native Instruments Each sound has been carefully sculpted from organic source recordings by our creative team. We’ve captured a wide spectrum of instruments, voices, environments and objects to create thousands of distinctly compelling and nuanced sonic flavors.

Everything you hear was built using only organic field and instrument recordings. In fact, no synthesizers were used in the creation of this library at all. And with our sophisticated Ouroboros modulation engine, you can weave sources together into stunningly dynamic, flexible and inspiring synth patches for any style or genre.

The main panel features an assignable XY Pad, quick modulator and filter routing menus and arpeggiator system to expand the already endless creative potential. Dive in to the Mod Panel and tweak and automate every parameter with total control over every detail, or just hit the Random button to instantly generate an infinite variety of new sound, parameter and dynamic modulator combinations. And fire up the FX rack panel and load your patch up with your choice of dozens of DSP effects, including convolution reverb with over 100 of our custom real-world and special FX spaces to perfect your sound.

Ambius Prime includes all of the content from Ambius 1: Transmissions and Ambius 2 Systematik, as well as the exclusive new Ambius 3: Expanse, a huge selection of over 1000 brand new sound sources that are only available here in Ambius Prime.

It’s the perfect atmospheric texture farm for film and game composers and sound designers, and an extraordinarily powerful synthesis engine for electronic music producers and synth junkies. 

A Deep User Interface

• Powerful Custom User Interface with CC and host automation support for all major DAWs and Komplete Kontrol hardware and software.
• X-Y Pad with that can be animated and assigned to layer mix routing and FX parameters.
• Each layer has its own primary controls for Volume, Attack, Release, Offset, Pitch, Pan, Modulation routing and Filter settings.
• The Mod Panel lets you create custom parameter routing and modulation chains for a full suite of layer and filter parameters, plus convenient Delay, Distortion, EQ and Convolution effects that can be controlled with the X-Y pad.
• Intelligent “Random” button instantly generates new presets for inspiration on the fly.
• Our FX Rack comes equipped with 18 powerful effect modules, each with configurable controls and customizable routing and chain saving/loading.
• 119 integrated custom convolution reverb IR samples in 10 distinct categories (Cathedral, Chamber, Large Room, Small Room, Hallways, Underground, Outdoors, Long FX and Short FX)

Product Specs

• Product Version 1.0
• 3,107 Samples
• 9.15 GB installed (12.2 GB wav source)
• 3 nki Kontakt instrument Banks
• Thousands of unique sound source presets, each one a unique and fully-playable ambient synth patch by itself.
• 100 Factory Master Presets, plus an intelligent randomizer to generate an endless variety of new presets instantly.
• 24 bit / 48kHz lossless compressed NCW samples
• Works with the free Kontakt Player (version 5.6.8+), Komplete Kontrol and all S-Series Keyboards

Huge Sounding Wavetable-based Atmospheres

Felicity delivers 300 wavetable based soundscapes, atmospheres and textures. It is powered by the new Kontakt 6 wavetable engine.

It features various hybrid sounds, acoustic and mixed waveforms, sizzling and sparkling pads as well as analogue-sounding leads.

Felicity comes with a motion knob, that lets you dial in the amount of wavetable position modulation. Furthermore, there is a gate knob that lets you blend in a rhythmic “trance gate” effect for any sound.

Felicity also comes with the new “Flair” effect that has resonating tuned delays and creates outstanding sounds. A production-quality reverb, as well as tape-saturation, is built-in also.

MAIN FEATURES

• 300 preset instruments
• Atmospheres, textures, leads, soundscapes, hybrid sounds
• Felicity is fully automatable
• Instantly useable and inspiring sounds right at your fingertips
• 100% royalty-free

Sandy Creek Organ captures the last gasps of life from this well-worn vintage Thomas Monticello organ.

Bequeathed to us by a friendly neighbor, this gem had a story to tell. It seems that in the downtime between service as a musical instrument, this particular organ also served as a home to countless little critters who left their mark all over the interior. There it sat in our old Sand Creek studio until we got it working just long enough to unlock some of its musical mysteries.

In order to capture all of the character of this vintage treasure, we recorded two microphone positions: up close and room. Sandy Creek Organ includes six different sustain types (two of which feature a rotating Leslie speaker), each with round robin and releases, as well as a variety of sound effects. As always we have included a selection of carefully crafted ambiences and creative FX presets to help jumpstart your creative juices. The actual Thomas Monticello we recorded may have reached its last stop, but it will live on forever as our Sandy Creek Organ.

Contents

Premium Marimba, Xylophone & Vibes. Effortless idiomatic writing.

The Instruments

Scoring Mallets includes 3 instruments – Marimba, Xylophone, and Vibraphone.

Recorded in a beautiful large scoring room, its primary use is for scoring applications, however, due to its full-featured mixer and microphone balance options, it fits virtually every musical style!

Marimba

Custom Marimba made by ‘Marimba One’. 5 Octaves with Basso resonators to enhance the fundamental pitch.

Xylophone

This Xylophone from Malletech features a robust tone and strong attack. The mallets we used extend the rich sound and offer a nice balance between warmth and punch.

Vibraphone

This Yamaha Vibraphone is very special. It has a very direct sound with a lot of dynamics. There is some nonlinearity of harmonics throughout the tonal and dynamic ranges that makes it sound detailed and grainy, which works well within a modern orchestral context.

Features & tech

Scoring Mallets offers an abundance of features all targeting seamless Composition and idiomatic writing that compliments modern scoring. The robust 38,000+ sample count along with up to 5 microphone perspectives translate to ultra authentic playability, while powerful features such as the Acoustic Positioner™ and numerous intuitive playing techniques extend this library to boast unparalleled quality.

Premium instruments – Detailed Scoring Sound

Scoring Mallets features premium custom instruments from Marimba One, Malletech and Yamaha. We chose custom Mallets that combine medium soft outer material with a harder more articulate core to bring out both warmth and resonance from the instruments.

The recording process in the scoring room results in a lot of flexibility of tone. We captured the instruments from 5 Microphone perspectives: Tight, Loose, Stage, and Wides/Surround.

The microphone placement was prepared in such a way to give maximum flexibility from intimate and a more ‘pop’ sound to authentic Cinematic tone with a lot of body, air, and spatial focus. Unique microphone arrays and placement were used in order to make our stage positioning engine possible!

Ultra idiomatic playback – From single notes to Ripple Rolls

Scoring Mallets makes effective use of its massive sample pool for a lot more than plenty of velocity layers, round robins and release samples. We have designed custom scripts for authentic Trills, Rolls, and Glissandi with complete control over tempo and humanization. You can apply Crescendo, time shifting, and velocity drifts all in real time if you wish.

With the built-in Step Sequencer you can design polyrhythmic and polyphonic Ostinati and change tonal structures on the fly by playing chords. With added features for time drifts and custom velocity maps you can create evocative loopable Ostinati and intricate polyphonic lines on the spot.

And finally, Scoring Mallets includes special 4-mallet playing techniques which bring authentic multi-mallet playing styles to the virtual instrument world. Choose between various types – Basic, Independent, and Ripple rolls – each with special scripting to replicate proper timing and velocity relationships between inner and outer mallets.

Acoustic Positioner™ – Truthful positioning around the stage

We have developed a totally new concept with instrument positioning. Unlike panning, instrument positioning is a spatial effect which relies on the acoustic properties of the recording space. Scoring Mallets was recorded in a beautiful scoring room and with our Acoustic Positioner you are now able to move instruments around the stage to better fit your production, especially when doing scoring and using a variety of instruments from different libraries.

Acoustic Positioner offers true positioning capabilities without relying on convolution and panning mock-ups. The engine is based on specific microphone arrays and placement that allowed us to create a comprehensive time and phase matrix that is entirely sample-based. There are no gimmicks and no simulation. You are actually moving the instrument around the stage smoothly with virtually no extra CPU usage!

Playback control – Complete control over timing and performance

We enhanced the playability using a logarithmic velocity sensitivity control that allows you to fit the velocity curve to any playing style. There are key performance controls that include Crescendo/Diminuendo and auto detection of Rolls, Trills, and Glissando. Playback can be controlled further utilizing adjustable time and velocity drifts.

Every performance nuance is easily controlled. The custom playback scripts infuse performances with a ‘human’ feel through a variety of built-in humanization algorithms.

THE HIGHLIGHTS

Scoring Mallets features 3 instruments – Marimba, Xylophone, and Vibraphone. Recorded in a beautiful large scoring room, its primary use is for scoring applications, however, using its full-featured mixer and proper microphone balance it excels in virtually every musical style!

Scoring Mallets offers an abundance of features all targeting seamless Composition and idiomatic writing that compliments modern scoring. The robust 38,000+ samples along with up to 5 microphone perspectives translate to ultra authentic and playable instruments. Additional powerful features such as the Acoustic Positioner™ and numerous intuitive playing techniques extend this library to boast unparalleled quality.

Premium Marimba, Xylophone, and Vibraphone

Recorded in a beautiful Scoring room and includes multi velocities, extreme dynamic range, round robin and release samples for ultra realistic playback.

Extremely Sampled

Features over 38,000 samples and up to 5 microphone perspectives – Tight, Center, Loose, Stage, and Wides/Surround. Custom scripts were designed to enhance each instrument with versatile articulations and enhanced playability. (14GB uncompressed).

Effortless idiomatic writing

With Scoring Mallets you can elegantly play single notes, Trills, Rolls, Glissandi, and for the first time, have dedicated access to 4-Mallet playing techniques. These options allow complete freedom of idiomatic writing without the use of pre-recorded loops.

Polyphonic Step Sequencer for Ostinati generation.

Design sequenced patterns and trigger them in realtime. Create up to 4-note polyphonic and polyrhythmic Ostinati with complete control over timing, tempo, and dynamics.

Acoustic Positioner ™

Place the instrument anywhere on the stage with HandHeldSound’s innovative Acoustic Positioner™. Unlike other positioners that rely on convolution or panning mockups, our positioner uses no artificial processing. It uses dynamic phase / time relationships, calibrated to replicate an authentic and smooth spatial positioning with minimal CPU usage!

Playability enhancements

Scoring Mallets includes a customized Logarithmic velocity control and extensive realtime performance, timing, and humanization options that ensure ultra realistic playback.

The first installment of Ecliptiq Audio’s brand new Hexa Series brings you a fine collection of heavily processed drums with two easy to use Kontakt Engines.

Armed with two straightforward kontakt engines, take control of the multisampled percussions with the trailer drum kit, or create complex loops in seconds with the rhythm designer.

The Rhythm designer engine features 250 percussion sounds with 8 velocity layers. Combine them freely in the 5 layer, 32 step sequencer custom made for Kontakt.

The engine comes with 150 snapshots to kickstart your productions.

The Rhythm Designer is equipped with flexible randomisation options: Change the layers, sequencers and sounds individually or all together.

With the dedicated FX sequencers, the engine also offers deep sound design options.

Main Features:

• Two Kontakt Engines with Randomization Options
• 250 percussion sounds each with 8 velocity layers (2000 samples altogether)
• 24 bit/48 kHz wav samples
• 490MB content
• 100% royalty-free

Total Number Of Files:

• 2000

Chordscape is an ambient infinite tape playback machine designed to create evolving modulated dark ambient soundscapes but can be used for all sorts of different sound design scenarios.

Chordscape is now at Version 1.2 with many new features and snapshots included. Updates include:

• Start/stop playback using a key-switch (either colored Red or Green) at the bottom of the virtual keyboard. MIDI note 31
• The Mute key-switches have been assigned to key switches MIDI notes 24,26,28 & 29
• The range of re-pitch keys has been greatly expanded to now cover 4 octaves
• When using the sound browser Chordscape now immediately starts to play the selected sound, no longer waiting for you to close the browser. This way you can audition sounds whilst the sound browser is open
• Improved repitch engine
• Keyswitch assigned to the sequencer Start/Stop button
• Independent start/stop key switches for each sequencer track
• Sequencer presets now load from disk
• 55 additional sequencer presets included
• 200 brand new snapshots. Now includes a total of 441 snapshots!

Chordscape contains 8GB of sound designed content derived from acoustic instruments, natural recordings, sound design, outboard effects and synthesizers. Each sound has been carefully created from scratch to fit the engine and philosophy of the library by our good friend Erick McNerney.

There are 4 sound sources, an inbuilt browser system, 4 dedicated sequencers and multiple assignable effects

The unique feature of Chordscape is that it is designed to emulate a tape machine. Once you start the Chordscape engine running you can create movement by modulating and automating parameters as it plays. This gives incredibly unique evolving sounds that never stop!

A Four Layered Synthesis Engine & Sound-Design library built for Kontakt

Aevium is a powerfully unique collection of fierce lead synths and atmospheric pads, developed in partnership with the premier sound effects and Foley production house BOOM Library, sound designed by our team using only source sounds from their Birds Of Prey avian sound effect library as our point of origin. We love to challenge ourselves as sound designers here at Soundiron, seeking ever more exotic acoustic sources to explore and shape into musically compelling and intuitively playable virtual instruments.

Birds Of Prey is a comprehensive post-production sound effects library capturing the essence of owls, eagles, crows, hawks, falcons, vultures and other raptors, corvids and large birds of prey.

Perfect for creating natural wildlife soundscapes and character/creature sounds, it’s an essential tool for sound design and post-production for video games, film, television, video, advertising and more. Visit BOOM Library for more info about Birds Of Prey.

To build Aevium, we selected a wide variety of raw source sounds from Birds Of Prey and worked for months to warp, stretch, modulate, glitch, overdrive, and generally tear into to bits and bytes and re-synthesize them into a stunning sample-based virtual instrument library. We’ve hand-crafted 11GB of sound-designed content, with over 1800 samples. The preset browser tree makes it easy to explore and create! Everything is conveniently organized into a variety of helpful and efficiently searchable musical, textural and aesthetic categories.

The user interface is built on our popular Ouroboros ambient synthesis engine (Ambius Prime, Quadral), so the creative possibilities are truly limitless.

Whether you’re looking for classic punchy lead patches, warm fuzzy pads, dark drones, bubbling atmospherics, otherworldly textures or just pure flights of imagination, Aevium is your wing man!

The main user interface is built around four separate quadrants, an assignable XY Pad, quick modulator + filter routing menus, and arpeggiator system to expand your creative potential. Each layer has fully independent sound-shaping options including Attack, Release, Offset, Pitch and Pan. Every quadrant has its own individual filter with 39 built-in filter types, as well as modulators using a variety of sources: LFO, ADSR and Velocity with 5 selectable targets: Volume, Pitch, Pan, Filter Frequency, Filter Resonance.

The central XY Pad can be used in a variety of ways but defaults as volume control between the 4 layers.

Each axis can be customized to affect a different parameter and can be used to control filters or a select amount of FX options. Rhythmic motion can also be added to the XY Pad, automatically adjusting each axis in a tempo-syncable way. You can also limit the X and Y range to create new patterns and fluctuations in tone.

Specifications:

• One master NKI instrument bank in open Kontakt format
• Over 20 categories of sample based synth sustains, staccatos, basses, leads, and FX
• Over 400 factory presets: inspirational rocket fuel
• 4-Layer Morphing Engine with XY Pad Mixer and Randomize capabilities
• 1,810 stereo 24-bit 48kHz PCM Wav samples
• 11.2 GB Installed
• Custom Preset Import and Export, with intelligent random preset generator
• Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
• Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments

NORDISK KONTRABASS is a unique upright bass instrument designed for film composers and music producers looking for fresh and original sounds.

PLEASE NOTE: REQUIRES FULL VERSION OF KONTAKT

Superbly performed by a top creative player, Nordisk Kontrabass is great both as a fat, real-sounding upright bass and as a stand-alone compositional tool, capable of delivering beautiful and engaging string harmonies and textures, powerful rhythms and emotive melodies that will make your music stand out. 

It is influenced by the styles of composers and musicians who redefined film-scoring and contemporary music. References were Jóhann Jóhannson, Hildur Guðnadóttir, Max Richter, Arvo Pärt, most minimalistic music and contemporary European ECM-like improvised music.

The library features 100% playable, full range legato and pizzicato, lots of techniques and textures never sampled before and gives you tons of colour variations and articulations to set cinematic vibes in seconds. You can model new and surprising grooves by using the built-in arpeggiator or manipulate all the phrases and textures recorded for you to personalize them, changing the tempo, performing ritardando and accelerando in real-time, reversing, adding top-class effects and enter a new sound design realm by engaging the ICE knob.

Perfect for epic cues as well as intimate and fragile soundscapes to bring some of the most inspiring Scandinavian and European atmospheres into your compositions.

Features

• 14000+ samples

Mic Options:

• Stereo MIC
• DI

Built-in Effects and Controllers:

• Arpeggiator
• Selection of 9 top-class reverbs
• Ice effect
• Delay
• Reverse
• Warp (real-time controllable time-stretch)
• Legato speed

Articulation and Preset List:

Melodic

• Full range Whales Legato and Phrases 
• Glissando Whales 
• Harmony of Whales 
• Harmony of Whales 2 
• Full range Pizzicato with 5 articulations/key switches (normal pizzicato, slides, harmonics, fret FX, Street Slap) 
• Double stops pizzicato 
• Thumb choked pizzicato 
• Weird pizzicato 
• Harmonics 
• Natural harmonics 
• Anjor 
• Dirty tremolo 

Textural

• Twisted pizzicato textures 
• Wood body percussions 
• Bow textures 
• Low Engines 
• Unusual Textures 
• Rises 
• Falls 
• Pizzicato drone 1 
• Pizzicato drone 2 
• Pizzicato drone 3 

Voices Of Rapture is our premier operatic solo vocal collection for Kontakt Player (VST, AU, AAX), featuring 4 outstanding singers covering the classical soprano, alto, tenor and bass ranges.

This complete solution includes fundamental chromatic articulations like true legato vowel sustains, single and multi-syllable staccatos and Latin chanting sustains, with individual solo and combined ensemble quartet presets.

It also comes packed with thousands of beautifully dynamic live performance phrases in various keys and tempos, with your choice of Pure Vowel, French, Latin and even Humming and Whistling categories. The Phrase presets are equipped with real-time step-sequencing, tempo control, phrase editing and other control features for maximum flexibility and intuitive playability.

You’ll also find dozens of uniquely creative sound-designed atmospheric synths, drones and soundscapes that we’ve re-synthesized from these voices. They’re perfect for underscoring, reinforcement and ambient arrangements. Along with our full FX rack panel, they offer you nearly endless creative possibilities.

Product Specifications

• Product Version 1.0
• 17,310 Samples
• 13 GB installed (17 GB wav source)
• 61 nki Kontakt instrument presets
• 24 bit / 48kHz losslessly compressed NCW samples
• Works with the free Kontakt Player (version 5.5.2+)

Together with Nichole Dechaine (Soprano), Kindra Scharich (Alto), Brian Thorsett (Tenor) and Joseph Trumbo (Bass), we captured a grand total of nearly 50 hours in our studio and carefully distilled it into this extraordinarily playable virtual instrument library for the Kontakt Player and Komplete Kontrol platforms. With a clean and simple interface, pristine fidelity and excellent vocal performances, Voices Of Rapture is your new go-to for classical and cinematic lead vocal arrangements.

Chromatic Elements

• True Legato Vowels: Ah and Oo core vowels for the ensemble, with additional options for some individual voices.
• Vowel Sustains: Classic pure vowel sustains, covering Ah, Eh, Ee, Mm, Oh and Oo sounds in softer piano and stronger forte dynamics.
• Latin “Poly-Sustains”: 12 Poly-syllabic sustaining liturgical Latin words and short chants with speed control and simulated legato.
• Vowel Staccatos: Classic pure short notes for Ah, Eh, Ee, Mm, Oh and Oo vowels in softer piano and stronger forte dynamics.
• Latin “Poly-Staccatos”: 23 Poly-syllabic short notes with round-robin, covering a wide variety of liturgical Latin words.
• Whispers, Breaths and other vocal sound effects for added realism and expanded sound design possibilities.
• 425 Atmospheric pads, ambiences, drones, sonic textures and evolving soundscapes hand-crafted from the raw vocal source. From smooth and celestial to brutally gritty and sinister, you have a huge range of choices that are perfect for layering, underscoring, sound design and electronic and hybrid music production.

Live Performance Phrase Elements

• A huge variety of over 3,200 natural melodic and dynamic passages in a variety of categories, tempos and root keys.
• Pure Vowel Phrases for Soprano, Alto, Tenor and Bass
• French Phrases for Soprano, Alto, Tenor and Bass
• Latin Phrases for Soprano, Alto, Tenor and Bass
• Whistled Phrases for Soprano, Alto & Bass
• Hummed Phrases for Tenor & Bass

User Interface

• Powerful Custom User Interface with CC and host automation support for all major DAWs and Komplete Kontrol hardware and software.
• Main performance parameters include features like Swell, Attack, Offset, Release, Legato, Vibrato, Auto-Panning, Phrase Cross-fading, Pitch Shifting, Tempo-Sync/Time-Stretch, Unused sample purging, Articulation Key-Switching and Pitch Shift key-switching.
• Ensemble presets include a mixer panel with separate solo/mute, volume, pan and key range controls for each vocalist.
• Our FX Rack comes equipped with 18 powerful effect modules, each with configurable controls and customizable routing and chain saving/loading.
• 119 integrated custom convolution IR samples in 10 distinct categories (Cathedral, Chamber, Large Room, Small Room, Hallways, Underground, Outdoors, Long FX and Short FX)

The Voices

Nichole Dechaine received her Bachelor of Music degree from the University of Redlands and her Master of Music and Doctor of Musical Arts degrees in vocal performance from the University of California, Santa Barbara. She has performed a variety of leading roles in opera and musical theater productions, and regularly appears as soloist with numerous choirs, orchestras, and ensembles in the US and abroad. She enjoys working with many composers performing their works and recording for film. In addition to performing Dr. Dechaine teaches private voice and music courses at Westmont College and Santa Barbara City College and maintains an active private voice studio.

Kindra Scharich studied voice and piano at Eastman School of Music and earned bachelor’s and master’s degrees in vocal performance at the University of Michigan. She also completed her post-graduate education at San Francisco Conservatory of Music. Kindra has pre-sented recitals for the American Composer’s Forum in Los Angeles, Lieder Alive, the Wagner Society Northern California Chapter, and the Yehudi Menuhin Seminar in San Francisco. In the world of opera, Ms. Scharich has sung over 25 roles in the lyric mezzo repertoire, most recently and to much acclaim as Minerva in West Edge Opera’s production of Monteverdi’s Il ritorno d’Ulisse in patria.

Brian Thorsett has been seen and heard in over 90 diverse operatic roles. His 2012-3 highlights include the title character in Rameau’s Pygmalion, Nemorino in L’Elisir d’Amore and Jupiter in Semele. As a concert singer, Brian retains a stylistically diversified repertoire of over 200 works, which has taken him to concert halls across the US and Europe. He is a graduate of San Francisco Opera’s Merola Program, Glimmerglass Opera’s Young American Artist program, American Bach Soloists Academy, the Britten-Pears Young Artist Programme at Aldeburgh, England and Music Academy of the West. When not singing, Brian is on faculty at Virginia Tech.

Joseph Trumbo is a young, upcoming operatic bass singer studying at Oberlin College and Conservatory in Ohio. Joseph was a featured soloist in our Mars Symphonic Men’s Choir, as part of the Soundiron Olympus Symphonic Choral Collection. He has also performed with the SF Choral Society, Volti, Quire Cleveland, and numerous other ensembles and choral groups.

Kontakt Player

This library has been licensed for use in the free Kontakt Player virtual instrument engine. It can be used in Kontakt Player or the full retail version of Kontakt (version 5.5.2 or later) and can be loaded as a VST, AU or AAX instrument plugin. You can add this product to the Kontakt “Libraries” browser. It requires online serial number registration through the Native Instruments Service Center app. This library is also fully compatible with the Komplete Kontrol software interface and all S-Series Keyboard Controllers by Native Instruments. Purchasing this library qualifies you for a great cross-grade discount toward the full unlocked version of Kontakt through Native Instruments!

Morphing Pads and Soundscapes

Pad Therapy is a Kontakt 6.4.2 instrument with 128 “morphing” pads and textures. These sounds are ideal for music production, movie scoring and video games. PAD THERAPY features nine sample-playback engines with 64 source waveforms each.

Each preset in Pad Therapy comes with three “states” (snapshots) that can be edited and played back in various orders and blended/morphed if wished.

It comes with effects like flanger, phaser and a production quality reverb as well as full randomization. On top of that, you can import your own WAV files into Pad Therapy via drag and drop.

MAIN FEATURES

• 128 Factory Presets.
• 3 different States within each Factory Preset.
• 4x 64 (256) Source WAV Sounds.
• 4 Engines (2x Grain, 1x Wavetable, 1x Timestretching).
• 2x 64-Step Modulation Tables.
• Control over Grain Flux, Speed, Detuning, Length and Sample Offset.
• State-Sequencer with 8 Steps and Morphing.
• Preset Randomization.
• Sound Randomization.
• Random Source Sound Selection while playing.
• Built-In Production-Quality Reverb.
• Flanger, Phaser and “Flair”-Effects.
• User Audio File import via Drag and Drop.

Soundtracks, Cinematic and Trailer music

Attractor is a comprehensive Kontakt library for the composers and producers of soundtracks, cinematic and trailer music. It is a wonderful inspiration and production tool. This sound pack includes all-new sound effects in multiple categories, such as hits, whooshes, drops, bends, alarms, tonal elements, pulses and much more.

Attractor library contains not only Kontakt instruments, but also uncompressed WAV samples to provide the best usability, whether you prefer to drag-and-drop sounds to your DAW or use Kontakt.

Features

On the keyboard in Attractor every blue key has a different sample on it. The last played key is colored in red. The green range marks the keys for pitching samples, and the default pitch key is C0, colored in violet.

At the top of the interface there is an internal mini-browser. To select a sound bank click on the button with its title. To see more banks included in the patch use the buttons with left and right arrows.

The middle section contains the main controllers and functions of sound adjustment. Attack and Release knobs manage the respective parameters of amplitude envelope. Velocity influence on volume is controlled with Velocity knob. Gate and Rate knobs adjust the settings of rhythmic sound interruption.

In Attractor you can instantly adapt samples to your host tempo. Enable TMPro mode and use Speed knob to do it. Also Attractor interface allows you to get all samples reversed and map the last played sample across 5 octaves with Wide Range function.

The effects section in Attractor has 6 slots. All effects are interchangeable, so you can build your own effect chain. To see the parameters of effect, click its title. To change the effect in the current slot, click its title again.

The waveform display contains a visual offset controller. Drag it across the waveform picture to set the needed sample start point.

Specifications

• Requires Kontakt Version Full 5.8
• 5 nkis (Effects, Drums, Melodic Elements, Pulses [stretched], Pulses [sliced])
• 1928 Samples (WAV format)
• Advanced Engine

Solo Strings Sample Library Bundle for Kontakt

Aria Sounds is very happy to bring you the LSS SOLO STRINGS. A sample library comprising of meticulously sampled solo violin, viola, cello and double bass instruments.

We have sampled these instruments in a large beautiful concert hall, with many microphones, making up four main, mixable mic perspectives:

• Close mono
• Close pair
• Mid room
• Far room

The difference in perspectives is huge, meaning you can create sounds ranging from a very dry and up close sound, to a singing, naturally reverberated distant violin – as well as many degrees between the two.

• The full version of Kontakt 4 or above is required to run this instrument.

Three legato modes were sampled – slurred, bowed and portamento.

These are easily switchable during use via keyswitches, and one exceptionally useful feature, which we are shocked to say we rarely see in string libraries, is the ability to change bow on the same note. Simply hold the note you want to change bow on, and press the low G keyswitch (see screenshot below).

Staccato and whole tone trills are also included, with the staccatos having 24 variations per note so as to never sound repetitive – also switchable via keyswitch.

Another feature included is the ability to alter the release sound when the final note is played and released. A soft release is a normal removal of the bow from the string, but through keyswitching, you can also select hard release, which triggers a hard release. This is the sound of a player ending the note with a sharp crescendo and quick accented lift of the bow.