Multi-effect VST Plugins

AWE YOUR AUDIENCE WITH RISERS, BUILD-UPS, DROPS AND MORE.

Risers, build-ups, drops, breaks, downlifters, swells, sweeps, falls – it has never been so easy to hype your audience.

Forget samples, just turn the knob or let liftFX even do that for you, automatically, in beat sync at the length you need it to be.

INSTANT SATISFACTION, IN-DEPTH CONTROL

LiftFX is a completely new way to create stunning transitions and effects in the simplest and most convenient way.

KEY FEATURES

• Playable in real-time with instant auditive and visual feedback
• Any length, tempo, pitch range and root note possible
• Tempo sync or time (s) duration
• Control key parameters independently or automatically (+ reversed)
• Automation and modwheel (cc1) support for each parameter
• 275 nifty presets included
• Optional time lock and control lock to try different presets with current setting
• High cut and low cut filters, reverb and delay
• Lightweight plug-in, as it relies on synthesis

USE CASES

• Build captivating uplifters, downlifters, drops, rhythmic, percussive builds and more effects out of the box
• Any electronic genre such as EDM, Trap, Dubstep, Pop, Hip Hop, Drum’n’Bass, House, Techno, and more
• Cinematic and experimental sound design
• Beef up your synthesizers with tonal layers or harmonic overtones to achieve a fat, rich sound

RISE TO THE EMOTIONAL CENTER OF MUSIC AND SOUND

Build-Ups and risers are core parts of modern music and trailer productions. They’re essential as it is them who catch you and generate an unstoppable tension over time, crawling upwards from the stomach to the chest, culminating in an irrepressible peak that can move a whole stadium of people. LiftFX will help you achieve just that.

INSTANTLY AWESOME

Feel the power of liftFX at the first keystroke. Instead of spending hours on designing custom risers, allow liftFX to kickstart you right to the fun part: Playing and hearing firsthand the effect liftFX’s bold sound achieves while building, dropping, breaking or wildly flailing along to your track.

We’ve set the table – it’s up to you to polish the diamond and let your creativity bring the final picture together. Time to make some noise!

WHY NOT SAMPLES?

Dragging samples into your project might seem easy at first, but your mileage will vary drastically. Now you have to worry about syncing them to your track, tune them (which at best isn’t very fun and generally leaves hideous artifacts) as well as agonize over the fact that their individual components can’t be altered – other than adding destructive effects on top. LiftFX relies on real-time synthesis to generate impressive sonic builds on the fly.

Every of the above aspects is freely alterable with no more than a few clicks – all while remaining sharp, crystal-clear and flexible over insane lengths.

TURBINE TECHNOLOGY

LiftFX is built on the synthesis engine of our award winning TURBINE plug-in. While Turbine emulates turbojet sounds with unparalleled precision and authenticity, LiftFX takes the original concept further and pours all the experience and synthesis technology gathered since then into musical FX.

Like TURBINE, LiftFX doesn’t like to be limited to just one category. Take it for an experimental spin, abuse it and see what pops up. As we keep re-discovering our own plug-ins months down the line, we’re excited to see what you can come up with.

PLAYABLE IN REAL-TIME

LiftFX works as a generator plug-in or virtual instrument. Hit a any key and let the effect develop automatically or use your modwheel to control it live.

STACKED WITH UNIQUE PRESETS

LiftFX comes with a 275-strong package of inspired presets: Risers, downlifters – both tonal and noise-based and everything in between. Bass drops. Rhythmic and percussive builds. Basic and more complex designs. Bonus FX.

INSTANT VISUAL FEEDBACK

The intuitive interface gives you an instant idea of what’s happening. Don’t be fooled by its one-trick-pony appearance! Each of the four macros is automatable independently and lets you steer the complex processes happening under the hood.

ANY TIME, TEMPO AND TONAL RANGE

Quickly adapt your sound to any track or sequence you so desire. While LiftFX starts out in perfect sync to your DAW, really any pitch, duration or tempo is possible. Using timelock to the right, you can try out different presets while keeping the same length.

AI Empowerment. Audio Mastery.

Cutting-edge audio manipulation software that accurately isolates voice, drums, bass, sound effects, guitar, keyboard and other layers from full-mix stereo MP3s, WAVs and other file formats, using industry-leading AI source separation.

Additionally, DeepAudio includes tools for producing even higher quality separated audio, such as the Harmonic Editor, Unpitched Sound Editor, and Noise Removal.

Experience unprecedented access to – and control over – the notes, harmonics, unpitched sound and other core components of audio, such as amplitude, frequency and phase. All in a powerful but easy-to-use click & drag interface.

Audioshop® Sound Manipulation Tools

• Powerfully, but easily, adjust pitch, time-stretch, copy and paste individual or groups of notes, sibilants and unpitched sounds.
• Edit Unpitched tool displays all unpitched sound spread over the entire Rip, from its top to its bottom. Click & drag to select a region of unpitched sound and edit it.
• Draw notes, drums and samples onto your rip with the Draw Sound tool.
• Use the Split tool to cut notes into sections for further editing.
• Piece together notes so you can edit as one, with the Join tool.
• Quickly change the instrument playing notes, say from vocal to guitar, using the Replace Sound tool.
• Clone characteristics such as pitch variation (e.g. vibrato), sound (timbre with volume) & panning from one note to another, for example to duplicate a real instrumentalist’s playing style, with the Clone tool.
• Make fine pitch adjustments and slides simply by clicking and dragging, with the Draw Pitch tool.
• Add fluctuations in pitch, formant, volume, and panning to notes, using the Apply Pattern tool.
• Blend together the pitch, formant, timbre, volume and/or stereo panning of notes by clicking & dragging over them, with the Smooth Region tool.

Harmonic Editor

This is no Spectrum Editor – these are the actual harmonics that describe the sound of a note, and Harmonic Editor allows complete control over them.

Perfect for removing noise, adjusting timbre and creating interesting new sounds.

Noise Removal

Quickly remove background or foreground noise from selected notes and unpitched sound.

Manipulate Audio With Even More Tools

DeepAudio editing features don’t stop there, including audio manipulation tools such as:

• Chord Creator
• Infinity Scale
• Inharmonicity and the Beat
• Panning
• Pitch and Volume Mappers.

DAW Integration

Most leading DAWs can open audio clips for editing with DeepAudio. RipLink plug-ins are installed so that it can be used from Pro Tools and DAWs that support VST3 & ARA2.

For other DAWs, such as Logic Pro X, it is possible to work directly with RipX by setting it as the external sample editor, or by using general audio import and export methods.

RipScripts – Create Your Own Powerful Tools

For the ultimate in audio manipulation, DeepAudio supports RipScripts written in the Python programming language, and even includes a special editor.

Not only can you create a tool with its own UI, RipScripts have access to and control over the core building blocks of sound, such as notes, harmonics, amplitude and frequency.

In fact, the Audioshop and Harmonic Editor features described above are RipScripts.

DeepRemix included!

Cutting-Edge Separation, Sampling, Remixing & Song Creation Software

Cutting-edge remix software that splits full-mix stereo MP3s, WAVs and most mainstream file formats into voice, drums, bass, keyboard, guitar, sound effects and other layers.

Export straight to WAV stems to add to your DJ set or to perform or practise over, or use DeepRemix‘s powerful remix software tools to take your music to the next level, copying and pasting parts between tracks and much more!

Remove Vocals. Extract Stems. Create Music.

Audio is stored in Hit’n’Mix’s revolutionary Rip format, a step up from waveforms, enabling full control over all aspects of sound.

Find out more about DeepRemix here. Available as an individual module.

Easily push your 808s to their limits and bring out the best of them. We carefully designed Thump from scratch to give your bass more character.

From hard hitting kicks to low filtered bass and drop- defining 808s, Thump is that secret sauce you need for all your beats.

Created by both AngelicVibes and Hyper Frequency, Thump is the perfect plugin that’ll help you mix and edit all your bass sounds.

Instead of using 10 different plugins and making everything complicated, you can use Thump and easily get the results you want.

It is a one of a kind plugin with a smooth workflow and amazing design.

Thump comes with all the essential features you need to mix and edit your bass and 808s. With these features, you’ll be able to turn your low end into the desired sound.

With distortion, lowpass, stereo, limiter, the powerful 3-band EQ and more, Thump will turn anything into a banger.

If you are not sure how to edit sounds, you can use the randomize button to help you get the sound you want.

Features

• Compressor
• Limiter
• 3band EQ
• Distortion
• Filters
• Stereo
• Randomizer

A Complete Sonic Universe

The Anthology XII plug-in bundle brings Eventide’s 50 years of pioneering audio technology directly to your DAW. Anthology XII has everything you need to take your sonic story to the next level by combining award-winning, groundbreaking, inspirational effects with the most essential music production staples of the last half-century! 

Anthology XII comes with 33 plug-ins designed to enhance, morph, mangle, pitch shift, re-shape, and define your sound. A comprehensive and creative toolkit for music producers, mixers, and artists alike, Anthology XII features Eventide’s revolutionary Structural Effects plug-ins, SplitEQ and Physion, which utilize transient/tonal splitting technology; the radical sound manipulation of Blackhole® and Undulator; authentic emulations of Eventide studio mainstays such as the iconic H910, H949 and H3000 Harmonizer®, Instant Phaser, Instant Flanger and Omnipressor®; and the legendary reverbs of the SP2016.  Also included are other one-of-a-kind tools like Tony Visconti’s Tverb, the powerful CrushStation® overdrive/distortion command center, and the unique Octavox eight-voice diatonic pitch shift Harmonizer.

MAIN FEATURES

• 33 Plug-in flagship collection delivers 50 years of Eventide effects to your DAW
• 4,500+ presets across all plugins, including artist presets
• Modernize your workflow using SplitEQ, a groundbreaking EQ with Transient/ Tonal splitting technology
• Authentic emulations of classic Eventide Harmonizers®, modulation effects, and more
• Lush spaces from the iconic Blackhole® and SP2016 Reverb among other dreamy and musical reverbs
• Thicken and layer sounds with signature pitch effects like Crystals, MicroPitch, and Octavox
• Create depth with unique delay multi-effects like UltraTap, Undulator, and H3000 Band Delays
• Sweeten tracks with the smooth sounds of TriceraChorus, Instant Phaser MkII, and Instant Flanger MkII
• Inject heft and grit with distortion multi-effects CrushStation® and MangledVerb
• Design sweepable transition effects with the H9 series plug-ins RIBBON slider
• Plenty of ways to morph, mangle, pitch-shift, reshape, and define your sound
• A comprehensive and creative toolkit for producers, mixers, and artists alike

Anthology XII adds 10 plugins to the previous Anthology bundle with 3 new reverbs, 3 new mod effects, 2 pitch effects, a cool distortion effect, and a next-generation EQ:

• SplitEQ — Groundbreaking EQ with transient/tonal splitting technology

• SP2016 Reverb —The legendary Room, Stereo Room, and Hi-Density Plate from the rackmount SP2016

• Spring — The dreamy flutters of the classic spring reverb 

• ShimmerVerb — Massive ethereal reverb with parallel pitch shifters

• TriceraChorus — Syrupy smooth Tri-Stereo chorus with MicroPitch & Psychedelic Swirl

• CrushStation® —Distortion/Overdrive Command Central

• Rotary Mod — Whirly Leslie Cab Modulation

• Undulator —Magical H3000 Modulated Tremolo

• MicroPitch —Iconic H3000 Dual Voice Pitch Shift + Delay

• Crystals —Signature reverse pitch shift/delay effect

NEW IN ANTHOLOGY XII

SplitEQ

SplitEQ is a groundbreaking EQ that offers a new approach to corrective and creative audio equalization. It excels at Enhancing, Repairing, Rebalancing, and Widening any musical source or audio signal. SplitEQ is both a surgical tool for fixing particularly nasty problems and a creative tool that opens up exciting new musical possibilities. More than just an EQ—It’s a new and better tool.

SP2016 Reverb

The SP2016 was the first programmable studio rack processor. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual EPROM chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski.  The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.

Spring

Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond. Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! 

ShimmerVerb

ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, “shimmer.” Oftentimes, producers would achieve the effect by using Eventide pitch-shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire.

Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambience to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network. 

TriceraChorus

TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s, particularly the Dyno-My-Piano. It pairs rich BBD style tri-chorusing with another signature Eventide effect: micro-pitch detuning. This effect can be used to thicken the sound and widen the stereo field by detuning the left and right signals and pan them opposite directions.

The combination of these effects makes it easy to create syrupy, smooth, and deep modulations on synths, strings, vocals, guitar, bass, and more. TriceraChorus is a great way to add richness and spatial depth to your sounds.

CrushStation

CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac or PC. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.

Rotary Mod

Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation. Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals. Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand. 

Undulator

Undulator is Eventide’s classic modulated tremolo effect from the iconic H3000 effects processor. This unique, rhythmic effect combines ethereal feedback and detuned echos, run through an AM / FM modulated tremolo. Whether used for manipulating samples or adding movement to strings, pads, guitars, and keys, Undulator is a muse for creative musicians. Add Undulator into your plug-ins collection for the most playable tremolo-style effect on your DAW or iOS device.

Undulator excels at evolving pads, sync’d chops, and time-lapsing dreamy soundscapes. Combined with a multi-tap delay and powerful tremolo, Undulator’s controls give any sound sustain and shape. This is perfect for transforming ordinary synths, keys, guitars, and even vocals into evolving pads, tempo-synced production elements, or ethereal and fluctuant delays. Simply put, Undulator can make shorter sounds into longer layered effects, and give sustaining sounds shape and rhythmic character.

MicroPitch

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on its legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micro pitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

Crystals

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic.

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Effects

Instant Phaser Mk II

Released in 1971, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades.

Reminisce back to a phaser with analog personality, smooth modulations, and inherent musicality. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal. This new emulation of the classic effect accomplishes the same legendary sound notably used on hits like Led Zeppelin’s “Kashmir” and “Presence”. The capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob.

Physion

Physion is the first plug-in to use Eventide’s ground-breaking Structural Effects technology – A new method for processing audio. It allows you to split a sound into its transient and tonal parts, independently manipulate them using Eventide’s world-class effects and then fuse them back together. With the ability to add effects and dynamic controls to the transient and tonal sections, you can produce a wide range of effects, from the subtle to the extreme.

H3000 Band Delays

Imagine if you could take any sound, separate it by frequency bands, change the filter type, and then individually process those bands with delays. The H3000 Band Delays plug-in is dereived from the H3000 Harmonizer® studio processor. This unique plug-in is capable of everything from standard delays and filtering, to stereo-widening and killer rhythmic effects.

Just feed it any instrument or vocal and instantly manipulate up to 8 voices by frequency, resonance, filter type, delay time, volume and panning. Then easily build complex movement using the H3000 Function Generator.

H3000 Factory

The H3000 Factory combines the pitch, delay, modulation, and filtering that made the original H3000 Ultra-Harmonizer a studio legend.

Octavox

Level up your composition skills with Octavox’s unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from Eventide’s flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity.

Quadravox

Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences. With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences.

Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values. Each of the four voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays.

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Reverb

Blackhole

Most reverbs are earth-bound and constrained by the physics of the real world. Eventide’s Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allows it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.

MangledVerb

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favorite DAW.

Tverb

Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb.

Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.

UltraReverb

9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available. 

Clockworks Legacy

Instant Flanger Mk II

Modeled on the original hardware unit from 1976, the Instant Flanger plug-in simulates the happy accidents of flanging sounds originally produced by interfering with physical tape machines. Its phase-reversed and variable-delay outputs, create a heavy stereo effect. With its simple controls, Instant Flanger allows you to instantly oscillate your tones and will add a new layer of movement to guitars, drums and synths.

By pressing multiple front panel “IN” buttons, Instant Flanger allows for multiple simultaneous control modes. Have the flange moving constantly with an LFO, while also spiked by the peaks from the envelope follower!

H910 Harmonizer®

The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.

A powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. Use the H910’s pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback.

H949 Harmonizer®

Building on the legacy of the H910 pitch shifter, the H949 was Eventide’s first de-glitched pitch-shifter. Produced from 1977 to 1984, it introduced MicroPitch which used a proprietary single sideband modulation technique for precise control of small pitch shifts. The H949 also offered unique flange, reverse and randomized pitch effects.

Popularized by Jimmy Page (as the only piece of digital gear to grace his rig) and cherished by Suzanne Ciani, the H949’s full feature set is recreated in this plug-in. From basic engineering and sound sculpting tasks to demonic space robot creations; H949 is built to inspire.

Omnipressor

Introduced in 1971, the Omnipressor® rack unit was widely used on hit records throughout the last four decades. One of Eventide’s first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.

Professional quality dynamic-modifier for gating, compression, limiting and expansion. The Omnipressor is even capable of reversing a sound’s envelope, making loud sounds quiet and quiet sounds loud. This plug-in is based on the original Eventide Omnipressor, introduced in 1971 and used on hit records throughout the last four decades.

Instant Phase Mk II

Modeled on the original hardware unit from the early 1970s, the Instant Phaser plug-in simulates one of the first dedicated electronic effects units ever made. Producers and engineers put it to use on countless hit records to create stereo images from a single source and create swept comb filter effects similar to – yet distinct from – tape flanging. The Instant Phaser employed a series of eight, FET-based, carefully tuned analog all-pass filters which delivered lush phasing while preserving the original tone.

Utilities

EChannel

EChannel is a powerful audio engineering channel strip that includes a routable gate, a powerful parametric EQ, a versatile compressor and an output transformer simulation. EChannel is optimized for efficiency and delivers legendary Eventide effects on multiple tracks at once, without sacrificing sound quality or taxing your CPU. 

EQ 45

Eventide’s EQ45 is a faithful recreation of the Urei 545 equalizer. Its streamlined, easy to use interface features a four-band parametric EQ with high and low cut Butterworth filters, width and gain controls for each frequency band, and an overload protection mechanism.

EQ 65

Eventide’s EQ65 is a faithful recreation of the utilitarian studio tool, the Urei 565 Filter Set. This two-band notch/bandpass filter set allows you to quickly find a selected frequency and perform a boost or cut of the signal. It’s a precision tool that allows you to surgically de-emphasize or completely eliminate selected frequencies in an audio recording.

Precision Time Align

Precision Time Align is a high precision sub-sample delay that can slide a track forward or backwards in time. It will help you get perfectly synchronized double-tracked recordings completely eliminating timing anomalies and phase issues from your mix, especially on multi-miked drums, vocals and instruments.

UltraChannel

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance but is also the most versatile channel strip available due to Eventide’s exclusive FlexiPath™ routing, which allows processors to be ordered based on the desired workflow.

Infinite Instant Inspiration – Boldly going where no audio effect has gone before.

Inspiration & Creative Control

Finisher is a new concept of audio plugin, designed to deliver the power and flexibility of a full rack of audio processors and effects with the instant gratification that UJAM products are famous for. With version 1.1.0 of Finisher NEO, you get 50 new presets and two new variation knobs.

What’s in There?

• Pro-grade audio effect plug-in
• 80 presets + 50 new v1.1.0 presets 
• 27 algorithms from granular pitch to multi-band distortion
• 50 multi-effect modes: complex multi-effect chains made by pro sound designers
• Uber-easy operation via macro variation knobs

Futuristic FX

NEO stands for the forward-thinking and bold exploration of new frontiers, that’s exactly what this plug-in is about. It’s the first of its kind in the world, and a sheer endless source of inspiration for modern, epic, action-packed and thrilling audio effects.

Features at a Glance

Finisher NEO comes with 50 carefully sound-designed effect configurations built from 27 different algorithms – from Grain Pitch to Multiband Distortion, from simple Stereo Delays to Convolution. Three macro knobs give you full control without the hassle. Tweak or automate the Effect knob for musically stunning sonic shifts, and adjust Variation and Ambience to make every effect your own.

Keep it Simple and Focus on your Music

UJAM helps you focus on the only important thing: Your music! The interface is kept extremely simple to inspire sound design but without the headaches. There is no complicated setup, no tons of knobs and buttons. So, without a learning curve or sound designer knowledge, it is great for musicians, producers, and even podcasters. You just flip through the ready-made Modes (scripted and automated multi-effect chains under the hood) and enjoy the most straight-forward and delightful sound-design process ever.

Enjoy being freed from the pressure to know what’s going on. Trust your ears to be inspired – and make your tracks more beautiful, interesting, bigger, tougher, or change them entirely – while your focus remains on your music. 

The Ultimate Audio-Mangler

Keep it simple! Turnado comes with 8 knobs, each firing up an effect and varying it with their dial. It invites play and experimentation with one or several effects.

Customize 24 effects in expert mode. If you want it even more compact: in Dictator Mode, you can control all 8 effects simultaneously with a single fader.

Remix Digital Audio

Re-Interpret Existing Material

Describing Turnado as a multi-effects processor perhaps doesn’t capture the essence of what it’s about. You can use reverb and delay in a subtle way – but what makes it very different from a conventional multi-effects unit is the combination of effects types available and its real-time control options.

The GUI is clutter free with bright and clean graphics. Open it up, and you’ll instantly understand the concept.

Turnado is rock solid and light on CPU, if you plan to use it in a live performance or, say, in a dozen instances simultaneously.

The World’s Most Controllable Effect

Maximum Transparency with as few Controls as Possible

As a plug-in in the studio or on stage, Turnado will prove as a surprisingly versatile tool while its operation is cast into a bare minimum of controls.

If you’re not an octopus, the “Dictator” is probably a feature of interest: this fader provides a unique way of controlling multiple knobs with just one slide. Here you can set up for each knob, when and how much to be rotated.

You can of course automate all controls in Turnado. Or, if you’re looking for a more natural approach, remote-control them via MIDI.

Turnado in the Beardytron 5000 mkII

Building Beardyman’s Ultimate Live-Production System

What Beardyman dreamt about doing couldn’t be done: Technology simply couldn’t keep up with his demands. To pull off his sets the way he wanted, he spent six years and $30,000 building a complex live setup: Beardytron 5000 mkII.

For Beardyman, the name of the game is being able to control things like high- and low-pass filtering, build-ups and drops, and muting and unmuting of channels in real-time with just two hands: “Without having Turnado, there would be literally no way for me to do it.”

A Wolf in Sheep’s Clothing

Turnado is Deep if you Choose to Dive Deeper

When you open up one of the effects’ edit panels, you quickly begin to realise how powerful Turnado really is. With the ability to tweak five different parameters, the degree of control available is staggering.

Each of these five knobs can be tied to the main-screen knob, which is what gives them the magic! If you want some hands-off automation as well, each slot has two LFOs/step sequencers and an envelope follower that can be used to modulate. These can be assigned to any effect parameter.

Dynamic Signal Flow

The Art of Routing

There are two options when it comes to routing the signal through the effects: going through each in series (from bank 1-8) or Dynamic Signal Flow mode, where it follows the order in which each effect is activated.

Setting up the order of effects is an art in itself – and the ability to swap effects by dragging one onto another allows you to quickly audition how a different order can have a drastic effect on the overall sound.

This can also be handy if, for example, you always want a reverb to come last in a chain regardless of when it’s active.

Sounds & Presets

Crafted for massive real-time audio Manipulation:

• With its instantaneous, one-knob, multi-parameter modulation features, Turnado will lay waste to the audio landscape. Giving you the power to crunch, chop, twist, mash and elevate your music to new levels, Turnado will have you creating wicked new sounds that will blow any crowd away.
• With instant access to eight effects and immediate control over key parameters, Turnado is guaranteed to cause devastation on the dance floor, shredding beats and crunking breaks to insane proportions.

MAIN FEATURES

• The Silver Bullet of Audio Manipulation
• 24 Effects in 8 Slots
• Classic: Delay, Reverb, Amplifier, Filter
• Hi-Tech: Modulation, Transformation, Loops & DJ
• Modulation via 2 LFOs & Step Sequencer
• Dynamic Signal Flow
• Dictator Mode
• Runs stable and low on CPU Load
• NKS support for Komplete Kontrol and Maschine

Maximum Energy Transitions

Create massive impacts & uplifters with one knob 

Inject life into flat loops 

If your transitions are lifeless (or nonexistent), turning to your ‘Risers’ folder and smacking on some samples is a surefire way to sound generic… but with BOOST, you can turn any audio track or buss into a new transition that meshes perfectly with the mix. 

What’s in there? 

• 60 versatile multi-effect modes 
• 200+ included presets 
• Loop control, intuitive Flip button, and Vari controls custom-tailored to each mode
• Available natively on Apple Silicon and in VST3, VST2, AAX, and AU formats

Amp Up the Tension

Bland choruses all suffer from the same ailment: there’s no drama. BOOST adds a natural ebb and flow to any track with a complex combination of effect modules and processing techniques you can subtly drop in within seconds. 

Plug into the grid 

Sync to your DAW’s grid and choose phrase lengths of 2, 4 or 8 measures, choose which beat hits max intensity and let it run; everything else is done for you. For total control, go manual and freely automate the Finisher knob position in your DAW. 

Spark your creativity

Create perfectly synced swells, downlifters, impacts and more in moments without diving under the hood — BOOST tracks the playhead position of your DAW so that no matter where you start from, the effect will always hit the same bars at the same time.

Hit turbo charge

Listen to how BOOST shoots a massive rush into the demo tracks.

Features

• Loop – Set your loop length or freehand the whole thing — you have complete control over the dramatic arc of everything you make. 
• More Drama – Crank it up for MORE of everything, or turn it negative to filter the dry signal into oblivion and print only the BOOSTed signal. 
• Juice it up – Give your transitions new life and download the fully featured demo for 30 days free!

Silky Smooth Top End Without The Harshness

Oxygen uses a unique process to control & enhance the top-end of any track in your mix, with a smooth & musical character you can’t get from EQ.

Different Oxygen Types

3 different Oxygen types to help you add the exact type of top-end you’re looking for – BITE, PRESENCE and AIR.

Sculpt Your Sound

The built-in compressor has 2 modes. PUNCH mode emphasizes the transients & increases the attack of your top-end. SMOOTH mode gives an overall softened dynamic response for a silky high-end.

The CONTROL knob smartly sets the compression of the algorithm applied to the overall sound.

Add Character

The added harmonics and imperfections in the saturation module allow for a richer, warmer high-end that can be boosted without getting tiring to the ears.

The Side Enhancer found in the stereo version of Oxygen allows you to widen the high-end of your tracks. This can work great on stereo busses, giving extra width and shimmer to cymbals, vocals or other sources. 

Custom Producer Presets

Kickstart your process with over 30 built-in presets from professional producers like Henrik Udd, Max Cameron, Forrester Savell, and more.

Key Features

• At the core of Oxygen lies a smooth crossover filter with three predefined and carefully selected cutoff values, to give Bite, Presence or Air to the sound.
• A compressor that consists of two fine-tuned modes which are targeted specifically to work on high frequencies. And a Control knob that is smartly setting the compression of the algorithm.
• The tape saturation circuit is tuned to work great together with the high frequency parts of a signal. The additional added harmonics and imperfections allow to create a warmer high-end that can be boosted further without getting tiring to the ears.
• The Width found in the stereo version of Oxygen allows to boost the side signal of a sound in a very natural way. This can work great on stereo busses, giving extra width and shimmer to cymbals or other sources.
• Preset system with Producer presets included

Mic Mod EFX – Classic Microphone Modeler

Make the mics you own sound like the mics you wish you owned.

Mic Mod is the microphone modeling tool that makes the mics you own sound like the mics you wish you owned.

Instantly expand your mic locker with models of vintage mics from Neumann, AKG, and others, plus a wide selection of modern boutique mics.

Mic Mod includes precise digital models of over 100 legendary microphones. Just tell it what mic you’re using and what mic you want it to sound like.

Mic Mod not only reproduces all of the subtle sonic characteristics that make each microphone unique, it also gives you control of each mic’s specific options. Does the mic have a low cut filter? If so, it’s in the model. Close or far placement? Just dial in the proximity control. Each option results in the same sonic effect that it would have with the actual mic. For that final touch of perfection, you can even add some tube saturation.

Mic Mod gives you a huge virtual microphone collection that you can use for recording, mixing, and even in live performance to get the sound of mics you would never consider using on stage. It’s also a great tool for broadcast and podcasting applications.

MAIN FEATURES

Source Mic and Modeled Mic

• Simply select the mic you’re using (or used during your original recording) and the mic you want it to sound like.

Proximity

• Proximity Effect is a bass boost that results from placing a directional mic in close proximity to a signal source (e.g., a singer’s lips). With Mic Mod EFX’s Proximity controls, you can actually create the effects of different mic distances based on the specific physical properties of each individual modeled mic.

Low Cut Filter

• If your source mic has a low cut filter, enter its setting in the Source Mic Low Cut menu. If your selected modeled mic has a low cut filter, you can model the effects of any of its settings with the Modeled Mic Low Cut menu.

Pickup Pattern

• If your source mic has variable pickup patterns, enter the selected pattern in the Source Mic Pattern menu. If your selected modeled mic has variable pickup patterns, you can experiment with the effects of any of its patterns with the Modeled Mic Pattern menu.

Tube Saturation

• Based on the same technology as Antares’ famed WARM Tube Saturation Generator, the Tube Saturation control lets you give your track the warmth of a high-quality tube pre-amp.

Mic Mod EFX is available as a plug-in for RTAS (Mac & PC), VST (Mac & PC) and Audio Units. At a fraction of the cost of even a modestly lust-worthy mic.

Polyverse Bundle Deal

The Polyverse Bundle Deal is a special discount for purchasing the entire collection of Polyverse’s plugins at once, delivering a collection of cutting-edge audio manipulation tools that offer unparalleled creative possibilities for music producers and audio engineers. Polyverse’s plugins are renowned for their innovative features, intuitive user interfaces, and high-quality sound processing capabilities, making them a go-to choice for professionals in the industry.

Whether you’re a music producer looking to push the boundaries of your creative output, or an audio engineer seeking new and innovative ways to enhance your mixes, the Polyverse Bundle Deal is an exceptional value that can help take your creations to the next level.

Manipulator is a one-of-a-kind transformer for vocal processing that allows you to alter the timbre and pitch of your audio in new and exciting ways.

Next, is I Wish, a unique pitch freezing plugin that takes any sound, instantly freezes its time and pitch which can then be manipulated and modulated to your liking.

Comet is an unmissable reverb plugin that allows you to create breathtaking textures and living spaces whilst maintaining unmatched versatility.

Supermodal is a cutting-edge modal filter, designed to help you carve, sculpt, and modulate your sound.

Lastly, we have Gatekeeper, an excellent volume modulation unit that is capable of sample-fast transitions and equipped with a unique variable smoothing algorithm.

Manipultor

Through unique granular algorithms, Manipulator can dramatically alter the timbre and pitch of monophonic audio in new and unexplored ways. From subtly imposing pitch and harmonization, to a full-on sonic mangle that will leave you with a totally new sound, Manipulator is as versatile as it is creativity-inducing.

• Bend and sculpt your sounds into new ones
• Alter timbre and pitch of vocals and instruments
• 10 Different effects with endless combinations
• Change melodies of existing performances
• Create harmonies with up to 4 polyphonic voices
• Extensive modulation capabilities
• Real-time processing for live performance
• Supports VST / AU / AAX plug-in formats

NEAR-ENDLESS MANIPULATION Equipped with 10 different effects including pitch processing, formant, harmonics, sound smearing, pseudo stereo and more, Manipulator can take a normal vocal and transform it into a complex, entrancing new sound. Other monophonic and rhythmic sources work particularly well with Manipulator. Alter Pitch in Real Time Like I Wish, Manipulator allows users to accept midi data in real time, allowing pitch shifting to be controlled on the fly via midi controller. Didn’t like the vocal melody in a take? Play it the way you hear it! Manipulator transposes pitch seamlessly and adds a unique texture to incoming audio. Manipulator supports up to 4 polyphonic voices when used with a midi input.

I Wish

I Wish is a pitch freezer plug-in. It allows you to take any sound – a vocal recording, a drum beat or even noise, and instantly freeze it in time and pitch. The pitch-frozen audio can then be manipulated and modulated to create highly musical mind bending effects and sounds that have never been heard before!

• The only pitch freezer plug-in on the market.
• Modulate pitch and formant.
• Real-time polyphonic Wavetable synthesizer.
• Pitch based micro-editing on the fly.
• Produce extremely controlled stutter effects.
• Create attention grabbing ear candies.
• Endless creative possibilities.
• Supports VST / AU / AAX plug-in formats
• I Wish has received a more robust protection scheme, and can now be authenticated in host DAW applications via license key file.

SO WHAT EXACTLY DOES THIS PLUG-IN DO?

When you hit a note on your midi keyboard, the plugin creates a tiny loop, at the wavelength of that note. I Wish allows you to freeze your audio in any pitch you like. There are various uses for this plug-in such as creating robotic voice effects, pitched stutter effects, musical drum beats, mind bending ear candies – the possibilities are endless! It can even be used as a polyphonic synthesizer, with real-time wavetable oscillators! This essentially allows you to make music from noise. I Wish is the only plug-in that allows pitch based micro-editing on the fly. Since the result is heavily dependent on the audio and MIDI you feed the plug-in, it will always be highly personalized and unique to you.

Comet

Introducing Comet – a reverb of unparalleled lushness and versatility. Envelop yourself in breathtaking textures of sheer beauty while creating living, breathing space in real time with Comet’s unique preset morphing capabilities. Experience trails of beauty that are pristine, dramatic, and one-of-a-kind.

DYNAMIC, FULLY AUTOMATABLE SPACES

FEATURES

• An unbelievably smooth and beautiful reverb
• Five interchangeable preset morphing slots
• Glide control to morph between parameters
• Pre Delay & Glide available in milliseconds and rhythmic subdivisions
• Lockable parameters for consistency between presets
• Uniquely rich and musical detune algorithm
• Saturation module from input gain for extra density
• MIDI and CV control for every parameter

TRAILS OF BEAUTY

Comet is designed to create beautiful trails of sound. It does not aspire to model the physics of a room. Instead, it captures the essence of a beautiful reverb. Once you hear it, you’ll fall in love.

Enhance your vocals, melodic instruments and drums alike, and add a special quality to your musical textures and sound effects.

REVOLUTIONARY PRESET MORPHING

Comet has 5 preset slots created to take advantage of its advanced morphing capabilities. Using variable gliding controls, you can smoothly transition or “morph” between up to 5 different settings/presets.

REVERB: REIMAGINED

While researching and developing various new prototypes, Comet was stumbled upon by the Polyverse development team. After an initial comparison with other popular and classic reverbs, it was decided that Comet’s algorithm was so unique and beautiful that we needed to share it with the world. Not only that, its versatile sound in all iterations inspired a degree of flexibility unheard of in other reverbs.

SuperModal

Two Become One

At the heart of Supermodal are two powerful filter sections working in tandem. On the left of Supermodal’s interface users will find the Classic Filter, a zero-feedback state variable filter that can morph smoothly between lowpass, bandpass, and hipass filter modes with its ‘Type’ control. It features a fixed slope of 24 db per octave, evoking many well-known analog filters, and is capable of both sweet and chunky filter sounds with the help of a built-in saturation algorithm and input and output controls that allow users to drive it for a fat, musical sound.

To the right of the Classic Filter is Supermodal’s namesake Modal Filter. A ‘meta-filter’ made up of hundreds of resonant bandpass filters, the Modal Filter features 27 different carefully crafted resonation behaviors–or variants– that organize its numerous bands to emphasize various harmonics–known as partials–across the frequency spectrum. These variants are grouped into 9 filter models, which include ‘Vocal Formant,’ with its ‘Ah,’ ‘Ih,’ and ‘Oh’ variants; ‘Struck,’ with ‘Piano,’ ‘Vibraphone,’ and ‘Bell’ variants, ‘Waveform,’ with ‘Saw,’ ‘Square,’ and ‘Hypersquare’ variants, and more. This unique approach to filtering results in transformative sounds unlike anything possible with conventional filtering alone, while ‘Damping’ and ‘Partials’ control allow users to refine the sound of the filter to achieve their desired tonality.

The Classic Filter and Modal Filter are arranged in parallel, combining their outputs for more full-range filtering effects. A ‘Blend’ knob crossfades between them, allowing users to dial in their perfect balance between the two filters’ effects. Supermodal also features a Dry/Wet mix slider, enabling subtler effects that retain some characteristics of the original audio source.

POWERFUL FILTER | MODERN SOUND

Polyverse Supermodal is a powerful filter with a modern sound that will make your music resonate. It remodels ordinary tracks utilizing its powerful Modal filter that emulates sonic characteristics modeled from a wide range resonating bodies. Combined with a parallel state-variable filter and expansive modulation system, a single audio signal can be manipulated into a wide array of frequencies to create shimmering cinematic soundscapes, pulsating rhythms, pads with harmonic motion, or anything else you can dream up.

FEATURES

• Modal filter capable of seamless morphing between modes
• 27 Modes ranging from musical to mangled
• 24dB per-octave slope state-variable filter
• Blend between SVF and Modal filter
• Drive SVF filter input and Modal filter output
• Self-resonate when resonance is boosted past 100
• Control partials to completely eliminate high or low frequencies
• Shape modal tails with decay and damping controls
• Modulate any parameter with fast, intuitive modulation sources
• Cross modulate between 4 modulation slots

27 SOUND MODELING MODES

The Modal Filter utilizes hundreds of surgically precise bandpass filters to model the resonant bodies of various instruments, objects, waveforms, and more. We created 9 models, each with 3 variations for a total of 27 modes including a range of flangers, phasers, vocal filters, physical and even mathematical modeled resonators. With decay, dampening and partial settings, Supermodal provides fine-tuned control to either subtly or dramatically fashion these unique sonic characteristics into your sound palette.

SHOW STOPPING MANIPULATION

The glamor of Supermodal is fully unveiled when combining its powerful filters with its robust modulation system. The 4 modulation slots offer 6 modulation sources including – Meta knob, ADSR, Envelope follower, Sequencer, MIDI/CV triggers, and Randomizer. You can also cross modulate between slots to create even more intense modulation. Both the State-Variable filter and Modal filter operate in stereo allowing you to modulate the left and right signal independently, together, or separate to deliver awe-inspiring stereo effects. Virtually all parameters in Supermodal can receive modulation.

SVF FILTER WITH FAT NON LINEAR DRIVE

Supermodal’s classic State-Variable filter smoothly blends between high-pass, band-pass and low-pass while working in parallel with the Modal filter. The SVF filter uses a 24dB per-octave slope that is familiar to many classic analog synthesizers, with the ability to boost its resonance to self-resonate. It can be further driven with the Drive feature to add warmth and thicken the signal. Crossfade between the state-variable and Modal filter with its Blend slider for seamless morphing.

Cutting-Edge Separation, Sampling, Remixing & Song Creation Software

Cutting-edge remix software that splits full-mix stereo MP3s, WAVs and most mainstream file formats into voice, drums, bass, keyboard, guitar, sound effects and other layers.

Export straight to WAV stems to add to your DJ set or to perform or practise over, or use DeepRemix‘s powerful remix software tools to take your music to the next level, copying and pasting parts between tracks and much more!

Remove Vocals. Extract Stems. Create Music.

Audio is stored in Hit’n’Mix’s revolutionary Rip format, a step up from waveforms, enabling full control over all aspects of sound.

For example, you can mix your favorite parts together and have fun experimenting with different tempos, effects, pitches, scales, time-stretching, stereo panning (even on mono tracks), volume, and EQ. You can even create loops and edit them during playback to create new music in real-time.

Copy and paste parts from one track to another, automatically fitting the new tempo.

Apply powerful built-in live effects ranging from Reverse to Delay to Vibrato. Add Harmony to thicken out a vocal, Shift Formant to change the characteristics or apply a Low/High Pass filter for a different atmosphere.

For real inspiration, apply the Randomize effect, set a loop playing and DeepRemix will automatically create variations of the audio in what we call a Ripple. You can play back, edit and copy & paste audio from a Ripple to your working Rip, or even loop and edit it real-time to create further Ripples.

Changing a song’s musical scale

To help getting the right notes & chords, you can set the musical scale or key of the track – or click Detect and let RipX work it out for you. Notes will snap to the pitches that are part of the scale as you change their pitch by clicking and dragging up/down.

Turn on Auto Pitch To Scale and RipX automatically fits notes to the scale, whilst keeping it sounding natural.

The Randomize effect means you can set up a loop and hear sections of music played back in different scales – find the one that you like best.

Remix software with the right mood

Drop your own background image (PNG or JPEG) onto the rip to set the mood when creating music.

For Remixers

• Mix & match vocal, instrument, percussion and effects parts between different songs and layers, with revolutionary remix software.
• Create acapellas.
• Change tempo and apply/randomize effects and key.
• Extract and manipulate samples from within mixed and mastered stereo files.
• Remove drums, bass and vocals that might be in the way of other vocals, instruments or percussion, especially if the track wasn’t recorded as separate stems.
• Transform old mono recordings to stereo.

For DJs

• Export separated stems straight to WAVs to transfer onto a USB stick for mixing into a DJ set.
• Change tempo and apply/randomize effects and key.
• Mix & match vocal, instrument, percussion and effects parts between different songs and layers.
• Transform old mono recordings to stereo.

For Musicians

• Analyze and change tempo of existing music to help learn how to play.
• Create backing tracks to play along to.

For Arrangers, Transcribers & Music Publishers

• Extract and export parts as MIDI files to import into notation software.
• Analyze notes for transcription. If you have a customer who wants a score that sounds as similar to an existing recording as possible, RipX can expose the subtle nuances.
• Extract and delete vocal parts to create instrumentals from stereo masters for sync placement purposes, without needing to open a single, original multitrack DAW project.
• Alter the structure of stereo files by deleting, copying and pasting sections within rips, as well as creating new sections.

For Songwriters

• Experiment with music and samples to create new ideas and creations. For example, adjust tempo, effects, pitches, keys/scales and time stretch.
• Use Set Musical Scale to analyze the existing key and set new keys. The Auto Pitch To Scale and Randomize options further enable creative experimentation.

For Students & Educators

• Study compositions and performances of yourself or others. View the precise volume, timing and variation in pitch of each note over time and make subtle adjustments to hear the difference.
• Rip and separate MP3s and audio files into vocal, instrument and percussion parts, then view the individual notes of any part and practice against backing tracks.
• Create new versions of songs and compositions and import background images to match the feel of the music or for personalized inspiration.
• Experiment with new sounds and effects.
• Import samples or MIDI from existing works.
• Create minimalist compositions with real-time editing of loops, stored as Ripples.
• Experiment with polystylism and polytonality by applying different scales to selections of notes.

Elevate Bundle

Mastering with a Brain

Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master.

Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.

Elevate utilizes 26 critical filter bands modeled from the human ear. Each of the bands are spaced to give maximum control over how the sound hits your eardrum. Draw curves, solo bands and manipulate the transient attack for each individual band to bring out particular instruments such as kick or snare drums.

Adaptive Technology

Elevate uses artificial intelligence algorithms to make it easy for you to get the best sounds, but you can still get under the hood for as much precise control as you desire. This includes giving you control over the tonal balance and transients inside the final limiting stage. The adaptive algorithms reduce audible artefacts and the additional controls give you maximum flexibility with professional results.

Features

• Analyzes and alters the gain, speed and transients of each filter band in real time.
• Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.
• Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce “pumping” and breathing artifacts and perceived distortion.
• Preserves or emphasizes fast transients to avoid squashing your mix.
• Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.
• Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.
• Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.
• Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.
• Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.
• Six different types of metering allow you to keep an eye on every aspect of your output audio.

EQuivocate

Powerful & Precise Human Ear EQ

Graphic EQ that uses filters which are modeled on the human ear.  Perfect for mixing and mastering, EQuivocate’s auditory filters and match EQ functionality make it incredibly powerful, simple to use, and natural sounding. Each of the 26 critical bands tickles a different part of your inner ear, making any combination of settings sound as natural as possible. Combining this with a linear-phase filter shape that reduces pre-echo makes EQuivocate an EQ with a difference you can hear. Includes a parametric EQ, compressor, gate, soft saturation, transformer emulation, micro pitch shift, and stereo delays.

Saturate

Saturate is the Spectral Clipper algorithm made popular in the Elevate Mastering Limiter. Saturate’s two controls belie a sophisticated signal processing engine which allows it to overdrive a signal without effecting the tonal balance no matter how hard you push it. Add up to 12 dB of clipping with a variable shape parameter which moves from a pleasant soft curve to full hard clipping. Additionally, the SHAPE control allows you to smoothly morph between hard clipping and the mathematically smoothest curve possible. Use Saturate to overdrive individual tracks or your entire mix.

Learn more about Saturate.

Punctuate

Based on the Transient Emphasis section of the award winning Elevate Mastering Limiter, Punctuate is a multi-band transient modulator based on the critical bands in the human ear. Punctuate’s intelligent algorithms allow you to control the transient emphasis or suppression of all 26 critical bands with just 4 controls. This makes for an incredibly powerful, but very easy to use transient modulator.

Learn more about Punctuate.

The Creative Pitchbending Plugin.

Fluid pitch is an innovative next-generation Pitch bend system, which is not only free of existing constraints but a Revolutionary Leap Forward in Music expressions for all Musicians using any standard MIDI keyboard.

Fluid pitch introduces World’s First Scale-Locked-Pitch-Bend System powered by MIDI to MPE upscale engine. Now musicians no longer have to think about which scale or where they are using the pitch bend wheel, Fluid pitch always takes you to the right note!

Play any style of music with unparalleled ease and boost your confidence on stage, without the need to buy any new keyboard or going through a new learning curve.

Now Experience Fluid pitch bending, Polyphonic pitch bending, Access Mpe synths, Micro tune individual notes, and open new dimensions in creativity.

Scale Locked Pitch Bend System (SLPB)

Fluid pitch Introduces world’s first scale locked pitch bend system which can lock your keyboard’s pitch bend to any scale you want, giving you access to fluid pitch bending.

Realtime access to different pitch bend ranges

You can choose any range for your pitch bend wheel and change it in real time while performing.

MPE Upscale Technology

Upgrade your standard MIDI keyboard into an MPE (MIDI Polyphonic Expression) device and access MPE Synths without MPE hardware.

Polyphonic Pitch Bending

Introduce chord bending into your music powered by MPE Upscale Technology.

Microtuning

With Fluid Pitch, you can now tune any note in the scale up to 100 cents up or down giving you access to a whole new world of microtonal scales, melodies and harmonies. Access a new world of micro tuned scales in Indian ragas and Middle Eastern maqam’s.

Tape – That Missing LoFi Plugin
The newest member of our Plugins line is here, a perfect meticulously simulator of the most famous Cassettes and Cassette Players of All the Time.

Take any beat, sound, or project, and instantly inject beautiful nostalgic flavor and endless vibes, from subtle analog fatness to Glitchy pitch flutters. Lush, fat, and crunchy, all your lo-fi needs within seconds.

Introducing to you The TAPE, a Carefully crafted vintage, lo-fi Multi-fx Plugin With an Eye-Catchy interface, That is Missing in your FX Arsenal.

Buy now and receive CLONE completely free (A $79.50 Plugin!!).

More info at the bottom!

The Sound of the Good Days

Plug TAPE in the Master / Audio or Midi tracks, and bring instant chill atmosphere and vintage tape-aged warmth to any sound.
Browse through the built-in presets and choose the one you like, and Start tweaking anything to achieve That that crunchy, noisy, imperfect sound!

Instant Tape & Lo-Fi Effects

TAPE combines 7 different effect units, including:

1. Noise: 9Textures + HP/LP Controls. Import your Textures, simply via drag-n-drop.
2. Space: an Algorithmic Crystal clear, Lush, and Bright Reverb + HP/LP Controls.
3. Echo: a Tempo Synced Delay + HP/LP Controls.
4. Glitch: The most Creative Part of The TAPE, Glitch Lets you do Robotic Time stretching, and Repeating The Audio Signals. No word can explain How Cool It is.
5. Drive: Add warmth to your mixes, or even full-blown distortion.
6. 8-Bit: From 1 single bit up to 64 bits per sample, Go Digitalized With 8-Bit.
7. Drops: Emulate a virtual tape getting stuck randomly and catching up again.

Combining these options allows you to recreate any Lofi characteristic you could think of.

Realistic Emulation of Real-Life Cassette Players

I = Warm, Natural, and Noisy
II = Warm, More low end, a Little Dark.
III = Warm, Boomy Low end.
IV = Telephone Cassette Recorder.
V = Walkman Player, With A Little Boost on Lows.
VI = Radio Recorded Through Walkman.

Features

• 6 Different cassette types, Each one delivering different Sonic Characteristics.
• Real-life cassette hiss or low-fidelity hardware.
• Built-in Effects ( Noise Player – Reverb – Delay – Glitch Machine – Bit Crusher – Saturation – Stereo Widener – Dropouts).
• Mix, Input, Output Controls.
• Can be used for Video Audio Post Productions as well as Music Productions & Mixing Purposes.
• Amazing, user-friendly Vector GUI (No PNG At All, all Codes).
• Animations, And in/out VU Meters
• Resizable UI ( up to 200%, Sharp and Smooth )
• Preset Browser system. ( 70 factory Presets & Shareable Patches )
• Mac & PC All Updates Compatible.
• And More…

Buy now and receive CLONE completely free (A $79.50 Plugin!!) Check out CLONE below!

CLONE – Double Check your Mix

Introducing “Clone” a realistic emulation of different types of speakers with their acoustics and environments. an ultimate mixing assistant that helps you to get better mixes instantly.

Clone simulates a wide range of playback speaker systems for auditioning purposes, from studio monitors, hi-fis and headphones, to car stereos, phones, tablets and TVs. Choose from 16 different convolution-based speaker sims and quickly turn your studio monitors into classic reference monitors or get creative and “Colorize” your mixes.

Clone Features:

• 16 Realistic emulation of different types of speakers
• 4 Band Eq.
• Real-Time Goniometer | Widener
• Built-in Effects ( Distortion – Bit Crusher – Stereo Widener – Noise Player – Time Machine From VYBZ – Stereo Widener ).
• Fully resizable Vector / HD interface (up to 200%, Sharp and Smooth)
• Get inspired with Animations.
• Preset Browser system. ( Plenty of factory presets & Shareable Patches )
• Mac & PC All Updates Compatible.
• And More…

Plug-in formats: Windows ” VST / VST3 ” 32 & 64 Bit Mac ” AU / VST / VST3 ” 64 Bit Size On Disk: 45 M.b for each format.

System Requirements:

• “Windows” 7, 8, 10 or above
• 4 Gb ram / 2 GB free space on the system drive
• “Mac” OS X 10.9.5 Mavericks or above
• 4 Gb ram / 2 GB free space on the system drive
• macOS Catalina / Bigsur Ready ( Compatible With M1 Silicon Computers Under Rosetta 2 )
• Works In Most Major DAWS Excluding Pro Tools. ( No AAX )

Bass is the base

Of course, Bass is the fundament of music. And when guitarists got their Electrum, we simply had to create Bassment. We built a multi-effect all-in-one one-screen bass solution around the most flexible bass amp that was ever made. An amp that contains them all. You wish you could have this beast on stage. Dream on, it won’t happen. But you can still use it to get the most of your mixes.

Choose your GUI style

Some people like 3D graphics better, some prefer flat design. With this plugin, you are not determined. You may choose which GUI suits your more and switch between 3D and 2D any time. The graphic style has NO effect on sound nor on CPU load.

KEY FEATURES

Smart input setting Hit Analyse Input Level button and hit the strings of your guitar as hard as you intend to play. Electrum will set up the input level automatically to find the perfect sweet spot to match your signal’s strength with the particular processors’ ideal working point. Perfect gain-staging and volume balance helps to get the most out of Electrum.

Sound like your heroes

EQ Matching is Electrum’s secret weapon. Make your guitar sound similar to the tracks that are already out there and you admire. Just load your favourite guitar performances into your track and loop-play them to analyze. Then analyze your guitar sound and let Electrum do the automatic match with incredible accuracy.

(Most) Flexible Amp

One amp is enough if it is truly universal. Bassment’s amp doesn’t go to eleven but its input gain goes from gentle to brutal. And it has a perfectly tuned 5-band EQ that matches any style. Even when mentioning the amp’s dry/wet control we may say: That’s not all!

Bass Treatment

Bassment’s amp can give extra care to bass frequencies. It has a dedicated compressor for the low-end, low-pass filter and Aggression and Presence knobs to help your sound fight through.

The Mids

The middle frequencies can determine the final bass sound character. Not only you can control the frequency and low-cut, but also the brightness and colour of your midrange. And it also has dedicated drive control. Trebleshooting

High frequencies have 6 controls dedicated. Give them some drive, choose colour and brightness or add some rust with corrosion control.

The Boxes

Bassment’s unique cab simulation brings 15 types of cabinet simulations combined with 15 alterations, over 200 models. And it’s no simple IR set, our cabinet produces a great natural sound no IRs can provide. Order

Bassment lets you easily reorder the modules it provides if you want to be extra creative. Perhaps you’d like to compress before EQing. Maybe you’d like to try the auto-wah pedal after the amp? Maybe it is impossible with hardware, but certainly not for Bassment!

Advanced Tuner

Your performance will never be out of tune unless you really want it. Electrum’s super-fast responding and super-accurate poly-tuner is based on advanced spectral analysis. Strike all your strings at once to see which one is out of tune. Or do it one by one with incredible accuracy.

Multimodulation

The Modulation section usually includes several stomp-boxes. We decided to merge them into one to let you blend unique effects. Chorus, flanger, phaser, tremolo, sweeper and any combination. How about a sweerus or trenger? 🙂 Smoothen your performance

The Leveller section is here to balance performance mistakes and volume dropouts. Its (inaudible) performance will make you feel like they were never there.

Extra Parallel Drive

To finalize your bass tone’s personality Bassment’s amp offers great parallel saturation. Its six controls allow you to have a maximum variety of sounds.

Instantly enhance the functionality of your plug-ins and DAW with eleven different signal modification units. Explore new creative possibilities and quickly add missing features.

Each module can easily be inserted, swapped and moved around making new options to correct, convert or tweak your audio.

With eleven single-process modules, SigMod contains many useful, creative functions which are unobtainable or otherwise difficult to engage. Combine these single-process modules in any order to design the precise routing you require. Auto-resizing keeps the signal flow and functionality clear at all times.

Full List of Modules:

• Mid/Side
• Protect
• Mono
• Switch
• Delay
• Phase
• Trim
• DC offset
• Tap
• Mute/Solo
• Crossover

For Your Plugins

Add mid/side functionality to classic stereo compressor and EQ emulations, or get creative with mid/side delays, distortion and many other effects by inserting the mid/side encoder/decoder either side of any left/right plug-in instance.

Insert the Protect unit across your output bus and this safety module will automatically cut in to prevent bursts of noise or feedback howls due to system errors, saving both your nerves and your speakers.

Manual or auto reset options give you the level of protection you need.

Want to try some parallel processing? Drop in the Tap module and you are good to go. Use the Crossover module to split the highs from the lows to apply different effects to different frequency ranges – great for avoiding muddying up the low frequencies or getting creative with automation and sweep effects.

For Your Daw

Several of SigMod’s modules offer easy access to functionality which is either missing from certain DAWs, or at least complicated to access natively. Solo/mute or trim the left and right sides of a stereo signal independently, or easily flip the stereo image in one click. Quickly detect and correct DC offset to retain valuable headroom.

How does your mix sound in mono? Think about how many listeners will be using a phone or a DAB radio with one speaker – the Mono module switches your signal from stereo to mono in one click.

You can also check the phase relationship between your left and right channels with the Phase module.

Instant Old School Flavours – Rediscovering Glorious Tones

Do you ever play classic records and think “That. Sounds. GREAT! How do I get that 60s (or 70/80/90s) vibe in my track?” With Finisher RETRO, it’s easy. UJAM’s experts have done the hard work and captured the classic reverbs, delays, flangers, tubes, tape hiss and magic for you. Just load RETRO and go!

A Complex Web of Effects

RETRO is so much more than just one effect. Each of its modes is a web of up to 20 interconnected sound modules. It’s like having a huge pedalboard AND rack of studio gear with everything set just right.

• Like Instagram filters for your audio.
• 50 modes presented in decades, from 60-90s.
• 100 individual presets created from the modes.
• FINISHER and VARI knobs for fast, easy tweaking.

60s, 70s, 80s or 90s. You Pick!

Finisher RETRO’s models are presented in decades, from 60s, 70s, 80s or 90s. Each mode is carefully crafted by UJAM’s sound designers to give you an authentic snapshot of a great sound from that decade.

Tweak-o-Rama

Don’t worry, you’re never stuck with RETRO’s presets. The FINISHER and VARI knobs let you easily push each preset in different directions from “light and subtle hint” to “laying it on real thick!”

Features

• Super-Simple User Interface: Create your music without overthinking! Pick any inspiring preset and get to work instantly.
• UJAM’s infamous FINISHER knob: Presets have dozens of processors under the hood, but it’s all controlled with one glorious knob.
• Tweak to perfection: In addition to the FINISHER knob, you have four VARI knobs to tweak your sounds to perfection.

Effects That Make All The Difference

ColorFX Suite offers a wide palette for assertive sound coloration. Tape Machine combines the pulsating dynamics of analog hardware with the precision of virtual sound control. Bitcrusher takes the concept of digital distortion to a new level, delivering more parameters for more excitement. Tube Distortion gives sound a singing quality that ranges from quiet and harmonic to fiery and crashing.

With signal routing that can be filtered and modulated, colorFX can be used flexibly – as subtle emulsifiers for masters and grouped signals, or to create a distinctive texture for individual tracks.

ColorFX Tape Machine

Tape saturation produces more overtones in louder signals and can even be pushed to distortion. Subtle variations in pitch give tape recordings more vibrancy.

Tape speed and tape head mechanism amplify selective frequencies in the bass range, creating greater warmth. colorFX Tape Machine combines the virtues of analog technology with digital efficiency and flexibility.

Ideal for the fine-tuning of sound and dynamics in mastering and for the colorful editing of individual instruments and vocals.

All colorFX include professional visualization aids for input and output such as peak level or RMS value.

ColorFX Bitcrusher

By reducing the resolution and bandwidth of audio with lower bit and sample rates (for instance 8-bit and 22kHz), colorFX Bitcrusher can create distortion ranging from aggressive to bright.

Parameters can be freely modulated, which keeps distortion dynamic and creates exciting variations in sound. Aliasing and quantize noise sound great here – not just for lo-fi fans. By carefully mixing distortion, colorFX Bitcrusher achieves concentrated and full sounds that are perfect for group and summed signals.

On the other hand, massive bit reductions let you send any track up in smoke and are just the thing for the perfect breakdown.

All colorFX include professional visualization for input and output from spectrometer to loudness meter.

ColorFX Tube Distortion

ColorFX Tube Distortion Tubes don’t just become warm: they create warm sounds too. This is produced by harmonic clipping at peak levels. These FX are well-suited for enhancing different instruments and vocals, and essential for that classic tube amp sound.

When used for mid-range distortion, color FX Tube Distortion delivers a range of expression that’s rich with nuance – for melodic and percussive instruments, vocals and even noise. Full overdrive supports harder musical styles, but also creates solo accents across genre boundaries.

All colorFX include professional visualization aids for input and output such as VU meter or as a waveform display.

Sounds that pack a real punch

From the soft sheen of analog patina to crunchy digital distortion, colorFX Suite offers the right texture for any track. Use the FX to weld together summed signals such as masters and grouped tracks or to give individual tracks a distinctive character.

Air is the perfect tool to simulate distance through high-frequency attenuation. Use it on any DAW.

MAIN FEATURES

• Several Locations: Air already includes temperature and humidity settings from different locations around the globe, from Antarctica to Death Valley, but you are always able to enter your one custom.
• Perfect Result: Air is much more accurate than a simple low-pass filter, using scientifically measured frequency response values of air dampening.
• Frequency Response: With Air, you can see the actual frequency response that is being applied to the sound.
• Distance Attenuation: Control the volume over distance with the Distance Attenuation parameter.
• World Units: Do you prefer “meters” or “feet”? “Mph” or “km/h”? Full integration with Imperial and Metric units, for an easy and more welcoming workflow for everyone.
• Control Surfaces: Use control surfaces (such as AVID S6) to edit the plug-ins’ parameters.

Air for Music
Easily take away some presence of specific items within your projects. Let instruments breathe and mixes shine with this ready to go plugin.

Air for Sound Effects
A close-by object doesn’t sound like a faraway object. Quickly reinvent sound effects by adding depth and distance to your sounds. No need to record everything all over again.

Air for Mixing
With just one knob, it is possible to accurately simulate the distance of any sound. Air will apply the exact EQ and distance attenuation necessary to make audio assets perfectly resemble real-life sonic events.

Air for Automated Dialogue Replacement
The biggest challenge of ADR is making it sound as natural as if it was recorded on the original set. Air helps in achieving a natural-sounding distance effect, so that ADR never sounds misplaced again.