Mixing VST Plugins

Make Your Sound Go Boom!

UBERLOUD makes your sounds go loud, insanely loud. The VST plug-in is a true beast with sharp edges and extraordinary character. Using a clipper to add harmonics while a denoiser gets rid of floor noise, UBERLOUD will maximize your sound with minimal effort. So the next time your sound just doesn’t sound loud enough, make it UBERLOUD.

What is UBERLOUD?

Does your sound seem thin or weak, no matter how loud it reads on the volume meter? Is it drowned out by other material? Usually, to make a sound truly big and shine through, it often takes layers of highly compressed and distorted material. But Boom has developed its own dynamic approach. Using high-end algorithms in an easy-to-use interface, you’re able to pump up your sounds with quick and maximum results.

With just a few knobs, UBERLOUD pushes your sound to a greater perceived loudness. It uses a clipper to add harmonics and includes a denoiser to get rid of floor noise that might be raised with everything else – making it a great option for voiceovers and guitar solos. And best of all? It’s all with a few clicks.

Your loudness jackhammer

UBERLOUD is designed to make your sounds really shine through your mix in the simplest possible way. You have one knob that pushes your signal. Use a clipper to add harmonics and a denoiser to get rid of floor noise. It’s that simple.

Features

• Add power and volume to your mix
• Dial-in the knob to control the impact
• Push the button to activate/deactivate
• Trigger via MIDI
• Dynamic single and multi-band processor
• Easy-to-use volume plug-in
• Add power and volume to your mix
• Give specific sounds the space they need
• Make stuff very loud and shine through

A Complete Sonic Universe

The Anthology XII plug-in bundle brings Eventide’s 50 years of pioneering audio technology directly to your DAW. Anthology XII has everything you need to take your sonic story to the next level by combining award-winning, groundbreaking, inspirational effects with the most essential music production staples of the last half-century! 

Anthology XII comes with 33 plug-ins designed to enhance, morph, mangle, pitch shift, re-shape, and define your sound. A comprehensive and creative toolkit for music producers, mixers, and artists alike, Anthology XII features Eventide’s revolutionary Structural Effects plug-ins, SplitEQ and Physion, which utilize transient/tonal splitting technology; the radical sound manipulation of Blackhole® and Undulator; authentic emulations of Eventide studio mainstays such as the iconic H910, H949 and H3000 Harmonizer®, Instant Phaser, Instant Flanger and Omnipressor®; and the legendary reverbs of the SP2016.  Also included are other one-of-a-kind tools like Tony Visconti’s Tverb, the powerful CrushStation® overdrive/distortion command center, and the unique Octavox eight-voice diatonic pitch shift Harmonizer.

MAIN FEATURES

• 33 Plug-in flagship collection delivers 50 years of Eventide effects to your DAW
• 4,500+ presets across all plugins, including artist presets
• Modernize your workflow using SplitEQ, a groundbreaking EQ with Transient/ Tonal splitting technology
• Authentic emulations of classic Eventide Harmonizers®, modulation effects, and more
• Lush spaces from the iconic Blackhole® and SP2016 Reverb among other dreamy and musical reverbs
• Thicken and layer sounds with signature pitch effects like Crystals, MicroPitch, and Octavox
• Create depth with unique delay multi-effects like UltraTap, Undulator, and H3000 Band Delays
• Sweeten tracks with the smooth sounds of TriceraChorus, Instant Phaser MkII, and Instant Flanger MkII
• Inject heft and grit with distortion multi-effects CrushStation® and MangledVerb
• Design sweepable transition effects with the H9 series plug-ins RIBBON slider
• Plenty of ways to morph, mangle, pitch-shift, reshape, and define your sound
• A comprehensive and creative toolkit for producers, mixers, and artists alike

Anthology XII adds 10 plugins to the previous Anthology bundle with 3 new reverbs, 3 new mod effects, 2 pitch effects, a cool distortion effect, and a next-generation EQ:

• SplitEQ — Groundbreaking EQ with transient/tonal splitting technology

• SP2016 Reverb —The legendary Room, Stereo Room, and Hi-Density Plate from the rackmount SP2016

• Spring — The dreamy flutters of the classic spring reverb 

• ShimmerVerb — Massive ethereal reverb with parallel pitch shifters

• TriceraChorus — Syrupy smooth Tri-Stereo chorus with MicroPitch & Psychedelic Swirl

• CrushStation® —Distortion/Overdrive Command Central

• Rotary Mod — Whirly Leslie Cab Modulation

• Undulator —Magical H3000 Modulated Tremolo

• MicroPitch —Iconic H3000 Dual Voice Pitch Shift + Delay

• Crystals —Signature reverse pitch shift/delay effect

NEW IN ANTHOLOGY XII

SplitEQ

SplitEQ is a groundbreaking EQ that offers a new approach to corrective and creative audio equalization. It excels at Enhancing, Repairing, Rebalancing, and Widening any musical source or audio signal. SplitEQ is both a surgical tool for fixing particularly nasty problems and a creative tool that opens up exciting new musical possibilities. More than just an EQ—It’s a new and better tool.

SP2016 Reverb

The SP2016 was the first programmable studio rack processor. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual EPROM chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski.  The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.

Spring

Spring Reverb models the sound and character of popular spring reverb found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves travelling through springs has been given an overhaul for the 21st century and beyond. Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! 

ShimmerVerb

ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, “shimmer.” Oftentimes, producers would achieve the effect by using Eventide pitch-shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire.

Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambience to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network. 

TriceraChorus

TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s, particularly the Dyno-My-Piano. It pairs rich BBD style tri-chorusing with another signature Eventide effect: micro-pitch detuning. This effect can be used to thicken the sound and widen the stereo field by detuning the left and right signals and pan them opposite directions.

The combination of these effects makes it easy to create syrupy, smooth, and deep modulations on synths, strings, vocals, guitar, bass, and more. TriceraChorus is a great way to add richness and spatial depth to your sounds.

CrushStation

CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac or PC. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.

Rotary Mod

Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation. Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals. Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand. 

Undulator

Undulator is Eventide’s classic modulated tremolo effect from the iconic H3000 effects processor. This unique, rhythmic effect combines ethereal feedback and detuned echos, run through an AM / FM modulated tremolo. Whether used for manipulating samples or adding movement to strings, pads, guitars, and keys, Undulator is a muse for creative musicians. Add Undulator into your plug-ins collection for the most playable tremolo-style effect on your DAW or iOS device.

Undulator excels at evolving pads, sync’d chops, and time-lapsing dreamy soundscapes. Combined with a multi-tap delay and powerful tremolo, Undulator’s controls give any sound sustain and shape. This is perfect for transforming ordinary synths, keys, guitars, and even vocals into evolving pads, tempo-synced production elements, or ethereal and fluctuant delays. Simply put, Undulator can make shorter sounds into longer layered effects, and give sustaining sounds shape and rhythmic character.

MicroPitch

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on its legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micro pitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

Crystals

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic.

Crystals is not a one-trick pony. The plug-in is also capable of huge sounding reverbs. Tweak the pitches a full octave down for a quick “drunk vocal” sound. Fit snares in the mix by pitch-shifting down an octave. Set really long delay times (up to 4 seconds per voice) with high feedback to use it as an ambient looper! From sound design to otherworldly solos, Crystals will spark inspiration.

Effects

Instant Phaser Mk II

Released in 1971, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades.

Reminisce back to a phaser with analog personality, smooth modulations, and inherent musicality. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal. This new emulation of the classic effect accomplishes the same legendary sound notably used on hits like Led Zeppelin’s “Kashmir” and “Presence”. The capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob.

Physion

Physion is the first plug-in to use Eventide’s ground-breaking Structural Effects technology – A new method for processing audio. It allows you to split a sound into its transient and tonal parts, independently manipulate them using Eventide’s world-class effects and then fuse them back together. With the ability to add effects and dynamic controls to the transient and tonal sections, you can produce a wide range of effects, from the subtle to the extreme.

H3000 Band Delays

Imagine if you could take any sound, separate it by frequency bands, change the filter type, and then individually process those bands with delays. The H3000 Band Delays plug-in is dereived from the H3000 Harmonizer® studio processor. This unique plug-in is capable of everything from standard delays and filtering, to stereo-widening and killer rhythmic effects.

Just feed it any instrument or vocal and instantly manipulate up to 8 voices by frequency, resonance, filter type, delay time, volume and panning. Then easily build complex movement using the H3000 Function Generator.

H3000 Factory

The H3000 Factory combines the pitch, delay, modulation, and filtering that made the original H3000 Ultra-Harmonizer a studio legend.

Octavox

Level up your composition skills with Octavox’s unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from Eventide’s flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity.

Quadravox

Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences. With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences.

Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values. Each of the four voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays.

UltraTap

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Reverb

Blackhole

Most reverbs are earth-bound and constrained by the physics of the real world. Eventide’s Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allows it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.

MangledVerb

MangledVerb™ is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer®, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favorite DAW.

Tverb

Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb.

Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.

UltraReverb

9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available. 

Clockworks Legacy

Instant Flanger Mk II

Modeled on the original hardware unit from 1976, the Instant Flanger plug-in simulates the happy accidents of flanging sounds originally produced by interfering with physical tape machines. Its phase-reversed and variable-delay outputs, create a heavy stereo effect. With its simple controls, Instant Flanger allows you to instantly oscillate your tones and will add a new layer of movement to guitars, drums and synths.

By pressing multiple front panel “IN” buttons, Instant Flanger allows for multiple simultaneous control modes. Have the flange moving constantly with an LFO, while also spiked by the peaks from the envelope follower!

H910 Harmonizer®

The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.

A powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. Use the H910’s pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback.

H949 Harmonizer®

Building on the legacy of the H910 pitch shifter, the H949 was Eventide’s first de-glitched pitch-shifter. Produced from 1977 to 1984, it introduced MicroPitch which used a proprietary single sideband modulation technique for precise control of small pitch shifts. The H949 also offered unique flange, reverse and randomized pitch effects.

Popularized by Jimmy Page (as the only piece of digital gear to grace his rig) and cherished by Suzanne Ciani, the H949’s full feature set is recreated in this plug-in. From basic engineering and sound sculpting tasks to demonic space robot creations; H949 is built to inspire.

Omnipressor

Introduced in 1971, the Omnipressor® rack unit was widely used on hit records throughout the last four decades. One of Eventide’s first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.

Professional quality dynamic-modifier for gating, compression, limiting and expansion. The Omnipressor is even capable of reversing a sound’s envelope, making loud sounds quiet and quiet sounds loud. This plug-in is based on the original Eventide Omnipressor, introduced in 1971 and used on hit records throughout the last four decades.

Instant Phase Mk II

Modeled on the original hardware unit from the early 1970s, the Instant Phaser plug-in simulates one of the first dedicated electronic effects units ever made. Producers and engineers put it to use on countless hit records to create stereo images from a single source and create swept comb filter effects similar to – yet distinct from – tape flanging. The Instant Phaser employed a series of eight, FET-based, carefully tuned analog all-pass filters which delivered lush phasing while preserving the original tone.

Utilities

EChannel

EChannel is a powerful audio engineering channel strip that includes a routable gate, a powerful parametric EQ, a versatile compressor and an output transformer simulation. EChannel is optimized for efficiency and delivers legendary Eventide effects on multiple tracks at once, without sacrificing sound quality or taxing your CPU. 

EQ 45

Eventide’s EQ45 is a faithful recreation of the Urei 545 equalizer. Its streamlined, easy to use interface features a four-band parametric EQ with high and low cut Butterworth filters, width and gain controls for each frequency band, and an overload protection mechanism.

EQ 65

Eventide’s EQ65 is a faithful recreation of the utilitarian studio tool, the Urei 565 Filter Set. This two-band notch/bandpass filter set allows you to quickly find a selected frequency and perform a boost or cut of the signal. It’s a precision tool that allows you to surgically de-emphasize or completely eliminate selected frequencies in an audio recording.

Precision Time Align

Precision Time Align is a high precision sub-sample delay that can slide a track forward or backwards in time. It will help you get perfectly synchronized double-tracked recordings completely eliminating timing anomalies and phase issues from your mix, especially on multi-miked drums, vocals and instruments.

UltraChannel

UltraChannel™ is a high-precision channel strip that includes several feature-packed versions of Eventide’s legendary effects, all in one plug-in. Whether mixing or mastering, regardless of genre, UltraChannel is the ultimate tool to make your tracks and mixes come to life. It not only has industry benchmark performance but is also the most versatile channel strip available due to Eventide’s exclusive FlexiPath™ routing, which allows processors to be ordered based on the desired workflow.

MDrumLeveler is a unique tool specially designed for drums and percussive materials. It will improve the drum performances, stabilize drum hit levels, remove leakage and ambience and let you control the drum hits better than you ever could with traditional tools.

Truly Transparent Event-Based Processing

Traditional dynamic processors (compressors, expanders, gates…) detect levels of input samples and transform them depending on the transfer curve. This means that the gain is changing on every sample. This can be very well used to shape the sound itself, but it is hard to make it transparent if you want to level individual drum hits. MDrumLeveler on the other hand analyzes the incoming audio, detects events (drum hits for example) in it and transforms them somehow. That way it adjusts the level of each event, but does not alter the actual sound or color, so the results are unbelievably transparent.

Improves Drum Performances

No drummer’s performance is perfect, each hit has a different velocity, and difference in levels are even exaggerated by the recording equipment. But there is a very high standard for perfectness in performances for most modern styles. Vocalists regularly use automatic tuner, drummers have MDrumLeveler now. It can even out drum hit levels, so the performance will just sound perfect even if it, well, is not.

Removes Leakage and Ambience

Traditionally you use gates to attenuate the audio in between separate hits in order to remove ambience and leakage from other instruments. That is necessary for modern tight mixes and very hard to accomplish with standard tools. MDrumLeveler can do it with unbelievable ease and provides unbelievable results thanks to the advanced event-based processing.

Drum Envelope Shaping

MDrumLeveler lets you shape the envelope of each drum hit. Whether you want a longer body or faster release, it is no problem for MDrumLeveler. And you don’t need to spend hours experimenting, MDrumLeveler gives you a direct control of these parameters.

Adjustable to Any Audio Material

Drum recordings are rarely flawless, usually contain lots of leakage, ambience, artifacts… MDrumLeveler’s event detector is highly adjustable. Among other settings, you can use 2 parallel resonant band-pass filters to target the dominant frequencies of the drum you are interested in.

Can Be Used Live

MDrumLeveler’s job cannot be done without looking “into the future”. By default it looks 20ms ahead, which provides 100% accuracy for all standard drums. But you can get much lower – in most cases look-ahead below 5ms still works perfectly, good enough for using it live. MDrumLeveler can know how hard you hit the drum just a few milliseconds after you do that.

Features

The Most Advanced User Interface on the Market – Stylable, Resizable, GPU Accelerated

• Modern user interfaces must not only be easy and quick to use, but also versatile and the whole visual appearance should inspire you. MDrumLeveler features the most advanced GUI engine on the market. It is still the first and only GUI engine, which is freely resizable and stylable. It also lets you choose between knobs, sliders or buttons, whichever you like the most.
• The plugin can look as an ancient vintage gear, if you are working on old-school rock music. Or as super-modern futuristic device if you are working on modern electronic music.
• If your display doesn’t have a high resolution, you can make the plugin smaller. If the fonts are too small, you can make the plugin bigger and save your eyes.
• All the graphics is accelerated using your GPU, graphical interface, providing ultimately quick response and keep your CPU focused on the audio.

Unique Visualisation Engine with Classic Meters and Time Graphs

• Your ears should always be the main judge, but a smart metering system can often be a huge help. MDrumLeveler provides the most advanced metering system out there. The plugin can display the measurements of all relevant values using classic meters, or it can even show them in time using the time graphs. Everything is customisable as usual.Modulators

Multiparameters

• MDrumLeveler provides 4 fully-featured modulators which can control any set of parameters including other modulators. Each modulator works as an LFO, level follower, midi/audio triggered ADSR enveloper, randomiser or pitch detector, or even a combination and can listen to the plugin’s side-chain.
• You can make the sound move in time, be less static and more interesting. You can make various parameters depend on the input (or the sidechain) level or even listen to the input pitch.

M/S, Single Channel, Up to 8 Channels Surround Processing…

• MDrumLeveler lets you control multiple parameters using a single so-called multiparameter. This may not only come handy for automation for example, but the multiparameters are very smart units and you can use them to smartly morph between banks of settings for example. All in the name of creativity!

Automatic Gain Compensation (AGC)

• Most plugins change loudness of the output audio, which makes browsing presets inconvenient, not mentioning randomisation. MDrumLeveler includes automatic gain compensation, which quickly adapts to current settings and ensures the output sounds as loud as the input. This even protects you from thinking that something sounds better in cases it is just louder.

Safety Limiter

• Some plugins can intensely increase gain when exposed to specific audio materials. MDrumLeveler provides a safety brick wall limiter, which ensures the output stays below 0dB and prevents your equipment and your ears from potential danger automatically.

Adjustable Up-Sampling 1x-16x

• Digital audio provides very superior audio quality compared to ancient analog gear, but there are problems too. The main problem is the aliasing, which may be noticeable, when using nonlinear processes such as compression or saturation. MDrumLeveler includes both minimum-phase and high-quality linear-phase upsampling algorithms, which avoids the aliasing.

MIDI Controllers with MIDI Learn

• MDrumLeveler contains a powerful MIDI processor, which listen to MIDI controllers and MIDI keyboard and control any parameters realtime.

64-bit Processing and an Unlimited Sampling Rate

• MDrumLeveler provides the maximum audio quality you can get. It uses 64-bit audio processing and can handle any sampling rate. It does not make much sense to go over 192kHz, but if you think it is a good idea, the plugin can do that.

Extremely Fast, Optimised for Newest AVX Capable Processors

• Computers are now extremely fast, but the algorithms are more complex and projects bigger, so we still need to use the processing power with care. MDrumLeveler uses the fastest algorithms, takes advantage of the newest processor capabilities, lets your GPU handle the graphics, and shares the resources with other MeldaProduction plugins. The plugin is among the fastest on the market, yet it provides the best possible audio quality.

Global Preset Management and Online Preset Exchange

• MDrumLeveler presets are carefully stored in a system database and you can quickly access them from any project in any host. The plugin can automatically share your presets and download presets of other users from our servers. We are building a community and you can be a part of it!

Supports VST, VST3, AU and AAX Interfaces on Windows & Mac, both 32-bit and 64-bit

• MDrumLeveler supports all major hosts on both platforms. Check system requirements for information about compatibility and installation.

No Dongle nor Internet Access is Required for Activation

• How many times did you forget your USB dongle? We are an honest company and expect the same from our customers. Our software uses licence files to activate your software. And the licences are to-person, so you can use it on all your computers as long as you are the user.

Free-for-Life Updates

• When you buy the software you are entitled to free updates, forever. No more money wasted on major upgrades like it is with other companies. And we upgrade our software a lot!

AI Empowerment. Audio Mastery.

Cutting-edge audio manipulation software that accurately isolates voice, drums, bass, sound effects, guitar, keyboard and other layers from full-mix stereo MP3s, WAVs and other file formats, using industry-leading AI source separation.

Additionally, DeepAudio includes tools for producing even higher quality separated audio, such as the Harmonic Editor, Unpitched Sound Editor, and Noise Removal.

Experience unprecedented access to – and control over – the notes, harmonics, unpitched sound and other core components of audio, such as amplitude, frequency and phase. All in a powerful but easy-to-use click & drag interface.

Audioshop® Sound Manipulation Tools

• Powerfully, but easily, adjust pitch, time-stretch, copy and paste individual or groups of notes, sibilants and unpitched sounds.
• Edit Unpitched tool displays all unpitched sound spread over the entire Rip, from its top to its bottom. Click & drag to select a region of unpitched sound and edit it.
• Draw notes, drums and samples onto your rip with the Draw Sound tool.
• Use the Split tool to cut notes into sections for further editing.
• Piece together notes so you can edit as one, with the Join tool.
• Quickly change the instrument playing notes, say from vocal to guitar, using the Replace Sound tool.
• Clone characteristics such as pitch variation (e.g. vibrato), sound (timbre with volume) & panning from one note to another, for example to duplicate a real instrumentalist’s playing style, with the Clone tool.
• Make fine pitch adjustments and slides simply by clicking and dragging, with the Draw Pitch tool.
• Add fluctuations in pitch, formant, volume, and panning to notes, using the Apply Pattern tool.
• Blend together the pitch, formant, timbre, volume and/or stereo panning of notes by clicking & dragging over them, with the Smooth Region tool.

Harmonic Editor

This is no Spectrum Editor – these are the actual harmonics that describe the sound of a note, and Harmonic Editor allows complete control over them.

Perfect for removing noise, adjusting timbre and creating interesting new sounds.

Noise Removal

Quickly remove background or foreground noise from selected notes and unpitched sound.

Manipulate Audio With Even More Tools

DeepAudio editing features don’t stop there, including audio manipulation tools such as:

• Chord Creator
• Infinity Scale
• Inharmonicity and the Beat
• Panning
• Pitch and Volume Mappers.

DAW Integration

Most leading DAWs can open audio clips for editing with DeepAudio. RipLink plug-ins are installed so that it can be used from Pro Tools and DAWs that support VST3 & ARA2.

For other DAWs, such as Logic Pro X, it is possible to work directly with RipX by setting it as the external sample editor, or by using general audio import and export methods.

RipScripts – Create Your Own Powerful Tools

For the ultimate in audio manipulation, DeepAudio supports RipScripts written in the Python programming language, and even includes a special editor.

Not only can you create a tool with its own UI, RipScripts have access to and control over the core building blocks of sound, such as notes, harmonics, amplitude and frequency.

In fact, the Audioshop and Harmonic Editor features described above are RipScripts.

DeepRemix included!

Cutting-Edge Separation, Sampling, Remixing & Song Creation Software

Cutting-edge remix software that splits full-mix stereo MP3s, WAVs and most mainstream file formats into voice, drums, bass, keyboard, guitar, sound effects and other layers.

Export straight to WAV stems to add to your DJ set or to perform or practise over, or use DeepRemix‘s powerful remix software tools to take your music to the next level, copying and pasting parts between tracks and much more!

Remove Vocals. Extract Stems. Create Music.

Audio is stored in Hit’n’Mix’s revolutionary Rip format, a step up from waveforms, enabling full control over all aspects of sound.

Find out more about DeepRemix here. Available as an individual module.

MDrumEnhancer is a unique tool that follows your drum track and synthesizes it’s own signal using samples to make it sound big and phat, without any problems drum replacing suffers from. Add snare noises, improve bass drum’s boom or snap, or even resynthesize the sound completely.

Modern Alternative to Drum Replacing

MDrumEnhancer doesn’t suffer from latency, missed notes or nonexistent notes, incorrect velocities, loss of dynamics and other problems which make drum replacing so hard to use. You simply select a preset or sample, fine-tune a few parameters if needed and let the plugin do the magic.

Get that Big, Phat Drum Sound … Fast!

Normally, recording engineers spend hours to set the microphones right. 2 or 3 mikes for snare drum just to ensure both the body and snares are captured, similarly for bass drum to get both snap and boom… Then the mixing engineer spends hours trying to make it sound good and in 50% cases he/she ends up with drum replacing. 

MDrumEnhancer makes this process so much simpler. You don’t need several tracks for a snare drum, because the plugin can fill what’s missing. And unlike drum replacing it is so easy to set up. And unlike equalization & compression it can add what hasn’t actually been captured in your recording.

Live Drum Mixing

Mixing live drums is one of the hardest tasks of a mixing engineer, but MDrumEnhancer makes it much easier. It has no latency, so it can indeed be used live. Instead of neverending tweaking of equalizers and compressors trying to get at least mediocre results, you can simply employ MDrumEnhancer, select a preset and you are good to go and the results will be far beyond what you could reach with standard tools.

It Can Blend with Any Material

MDrumEnhancer is quite a straightforward plugin, but has enough controls to let you fine-tune it for any material. You can change pitch of the samples to tune it to your drum track, it has a full dynamic equalizer so you can tweak the spectrum of the enhancement signal, sustain control lets you make the drum hits shorter but also longer than they actually are and even provide cool reverberation.

Features

The Most Advanced User Interface on the Market – Stylable, Resizable, GPU Accelerated

• Modern user interfaces must not only be easy and quick to use, but also versatile and the whole visual appearance should inspire you. MDrumEnhancer features the most advanced GUI engine on the market. It is still the first and only GUI engine, which is freely resizable and stylable. It also lets you choose between knobs, sliders or buttons, whichever you like the most. 
• The plugin can look as an ancient vintage gear, if you are working on old-school rock music. Or as super-modern futuristic device if you are working on modern electronic music. 
• If your display doesn’t have a high resolution, you can make the plugin smaller. If the fonts are too small, you can make the plugin bigger and save your eyes. 
• All the graphics is accelerated using your GPU, graphical interface, providing ultimately quick response and keep your CPU focused on the audio.

Unique Visualisation Engine with Classic Meters and Time Graphs

• Your ears should always be the main judge, but a smart metering system can often be a huge help. MDrumEnhancer provides the most advanced metering system out there. The plugin can display the measurements of all relevant values using classic meters, or it can even show them in time using the time graphs. Everything is customisable as usual.

4 Exceptionally Versatile Modulators

• MDrumEnhancer provides 4 fully-featured modulators which can control any set of parameters including other modulators. Each modulator works as an LFO, level follower, midi/audio triggered ADSR enveloper, randomizer or pitch detector, or even a combination and can listen to the plugin’s side-chain. 
• You can make the sound move in time, be less static and more interesting. You can make various parameters depend on the input (or the sidechain) level or even listen to the input pitch. 

Adjustable Oscillator Shape Technology

• Every oscillator in MDrumEnhancer uses the most versatile oscillator algorithm on the market. It provides mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), a step-sequencer and several methods for algorithmic postprocessing. 
• It also provides a harmonic mode, which lets you control the harmonic content instead of oscillator shape. This is especially useful for high frequency oscillators.

4 Multiparameters

• MDrumEnhancer lets you control multiple parameters using a single so-called multiparameter. This may not only come handy for automation for example, but the multiparameters are very smart units and you can use them to smartly morph between banks of settings for example. All in the name of creativity!

M/S, Single Channel, Up to 8 Channels Surround Processing…

• MDrumEnhancer can handle not only mono and stereo signals, but also mid/side encoding for stereo field processing, separate left & right channels, separate mid or side signal and up to 8 channels of surround audio. It is perfect for audio production for music, movies, games…

Automatic Gain Compensation (AGC)

• Most plugins change loudness of the output audio, which makes browsing presets inconvenient, not mentioning randomization. MDrumEnhancer includes automatic gain compensation, which quickly adapts to current settings and ensures the output sounds as loud as the input. This even protects you from thinking that something sounds better in cases it is just louder.

Safety Limiter

• Some plugins can intensely increase gain when exposed to specific audio materials. MDrumEnhancer provides a safety brickwall limiter, which ensures the output stays below 0dB and prevents your equipment and your ears from potential danger automatically.

Adjustable Up-Sampling 1x-16x

• Digital audio provides very superior audio quality compared to ancient analog gear, but there are problems too. The main problem is the aliasing, which may be noticeable, when using nonlinear processes such as compression or saturation. MDrumEnhancer includes both minimum-phase and high-quality linear-phase upsampling algorithms, which avoids the aliasing.

MIDI Controllers with MIDI Learn

• MDrumEnhancer contains a powerful MIDI processor, which listen to MIDI controllers and MIDI keyboard and control any parameters realtime.

Extremely Fast, Optimized for Newest AVX Processors

• Computers are now extremely fast, but the algorithms are more complex and projects bigger, so we still need to use the processing power with care. MDrumEnhancer uses the fastest algorithms, takes advantage of the newest processor capabilities, lets your GPU hangle the graphics, and shares the resources with other MeldaProduction plugins. The plugin is among the fastest on the market, yet it provides the best possible audio quality.

Global Preset Management and Online Preset Exchange

• MDrumEnhancer presets are carefully stored in a system database and you can quickly access then from any project in any host. The plugin can automatically share your presets and download presets of other users from our servers. We are building a community and you can be a part of it!

Supports VST, VST3, AU and AAX Interfaces on Windows & Mac, both 32-bit and 64-bit

• MDrumEnhancer supports all major hosts on both platforms. Check system requirements for information about compatibility and installation.

No Dongle nor Internet Access is Required for Activation

• How many times did you forget your USB dongle? We are an honest company and expect the same from our customers. Our software uses licence files to activate your software. And the licences are to-person, so you can use it on all your computers as long as you are the user.

Free-for-Life Updates

• When you buy the software you are entitled to free updates, forever. No more money wasted on major upgrades like it is with other companies. And we upgrade our software a lot!

SubBass Doctor 808

Treating the lowest frequencies is not an easy task. And in some listening environments, it is almost impossible. If you mix while travelling or your mixing room or your system is not 110% perfect, you should see the doctor. Namely SubBass Doctor 808.

KEY FEATURES

Your subs can be harmful

We all want the pumping subs that shake the body. But without the right treatment, they can get out of control. Although they are inaudible in some environments, wrongly mixed low frequencies can even destroy big PA systems.

Who needs the Doctor 808

You may want to mix while travelling, you may be producing a home studio. Your monitors do not deliver the lowest frequencies right or your room is perhaps not 100% acoustically treated. In all these cases you should search for the Doctor.

Get your cure

SubBass Doctor 808 is a safety net for all mentioned above. It filters the harmful frequencies and guards the lowest basses not to exceed the healthy limit.

Extra sub

As SubBass Doctor 808 steals something from the low end, it compensates the loss in healthy sub frequencies ensuring you don’t lose even a little bit of the sub-bass power.

Saturate

To accentuate the low frequencies and to add extra warmth SubBass Doctor 808 adds pleasant parallel saturation. This helps the sub-bass to set off and astonish the audience.

808, 5-string and double bass

As the name suggests SubBass Doctor 808 is mainly designed for synth bass and drums. But it is essential when mixing other instruments that reach really low – such as low-B five-string bass or double bass.

Hassle-free software protection

No iLok, no dongle nor internet access is required for activation. Our software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

64-bit audio quality at ANY sampling rate

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart bypass

The intelligent way our plugins manage bypassing ensures that you don’t get any click or harmful noises when automating the parameter.

Lift Your Voice

For a vocal to really cut through the mix and ride other instruments, it’s usually a good idea to make sure it’s loud and proud. However, the dynamics of a vocalist’s performance can vary wildly, from softly sung verses to strident choruses. Despite a comprehensive vocal effects chain, with careful volume-riding and compression, you’ll often need a final limiter to clamp down on fluctuating dynamics or to smooth slower phrases.

W.A Production designed Vocal Limiter to be the last step in your vocal processing chain and as simple to use as possible.

It’s specifically developed to target the frequencies of vocal performances so is less affected by overly high or low-frequency content. With multiple speed modes and real-time VU meters, you can use your eyes and ears to find the perfect settings… or just flick through the included presets. With Vocal Limiter you can be sure that your vocals will sit comfortably in the mix and be heard loud and clear.

Threshold

You’ll probably already be familiar with the normal functions of a limiter; set the threshold to clamp down on levels above a certain amplitude. How quickly a signal recovers after this is dictated by the Speed button.

4 Release Speed Modes

Use the central button at the bottom of the interface to toggle the auto-release of the limiter to 4-speed settings. Depending on the performance of your vocalist, each of these settings will give a different effect. Use a slow speed for smoother performances such as ballads and acoustic songs, and fast speed for quicker changes, perfect for vocal chops and raps. Medium speed is suitable for most other kinds of vocal but feel free to experiment and discover the best settings for your particular style. Ultra Slow speed has also been included as a bonus; useful for synth parts and other types of audio that require a more gentle, transparent release setting.

Input & Output

Adjust the Input and Output faders to balance vocals recorded at different volumes and dynamics. These parameters are also useful when used in conjunction with the click and pop-free bypass button, for accurate A/Bing in context.

Visual Feedback

The live VU meters of the interface show exactly what’s happening to your audio signal in real-time. This allows for accurate monitoring at every step of the chain.

Presets

It’s easy to adjust the parameters of Vocal Limiter and since this is such a simple plugin, finding the right settings is so fast. Nevertheless, W.A Production have bundled some of the most useful combinations of settings as factory presets, easily accessible via either the browser or the arrows to the left and right of the interface preset section. Just click these for quick access to curated presets.

Features:

• Super simple vocal limiting
• 4 speed modes
• Input & Output gain sliders
• Real-time VU metering
• Pop & click free bypass
• Responsive & CPU friendly
• Factory presets
• Full PDF Manual & Tutorial video
• Resizable user interface

Echothief Inspired

This plugin is a direct collaboration with Dr Chris Warren (aka Superhoax); who is also the genius behind Echothief, the library of impulse responses we use for our modelling reverb of the same name. The plugin is adapted from his Picante MaxForLive patch.

Soft Saturation

Picante works as a tone shaper, graphic EQ, and light distortion. It can be made to add grit or a soft fuzz. The full range EQ gives you precise control even as the limiters introduce a nuanced amount of nonlinearities for tonal depth.

Light, Sweet, Crude

We use a unique combination of limiters and saturation to obtain a light push overdrive that is perfect for bringing out the grit in horns and vocals, or used more aggressively it can be used to push a tone to be hard but not heavily distorted.

Q Power

The inclusion of variable Q gives another dimension of control as you can push the sound’s resonance toward ringing. This lets you use this plugin as an effect for otherworldly sounds, shaping a saxophone into a thick tinny sound and then morphing into a ringing percussive blast.

PSP auralControl (AAX for ProTools only; AU & VST3 coming later this year) is an essential tool for multichannel tracking, mixing and mastering.

Its aim is to individually adjust level, polarity, bandwidth and timing for each individual channel in the multichannel set.

Predefined industry standard multichannel formats, grouping capability, and displaying all features on a single screen makes the PSP auralControl a time saver in a virtually every surround project. Whether dealing with imbalances in the multichannel live stem, addressing problems with a multichannel reverb track, not wanting to limit the spectrum content of the LFE or ceiling speakers, or adjusting the center channel timing and level in reference to left and right – PSP auralControl offers a straight-forward solution to these problems.

We designed this plug-in to make our friends’ lives easier. Special thanks to Thor Fienberg for initial idea, inspiration and help from the beginning of the project.

Typical Uses

• Re-balancing multichannel stems.
• Monitoring of multichannel buses: you have peak meters for each channel and can mute or solo desired channels on multichannel buses – for example to check SIDEs on a multichannel reverb send.
• Gain staging for multichannel buses: you can control the level of each channel with ease – for example bring up REARs on effect sends, reduce LFE.
• Simple multichannel operations: you have direct access to basic HPF and LPF filters for each channel – for example to roll-off LFE with LPF or to leave only “air” on TOPs with HPF.
• Advanced effect operations: you have access to a Delay section to setup unique depths for multichannel mixes – for example you can put a multi-mono instance of PSP 2445 on a multichannel reverb send, creating a type of “big monophonic reverb.” With PSP auralControl you can roll off LFE, set different frequency ranges and levels for FRONTs, REARs, SIDEs and TOPs and set different pre-delays for each channel group to produce a full-sounding multichannel reverb.
• Advanced level riding: you have access to channel groups and record automation with relative or reversed linking (reversed linking – for example bringing up FRONT levels while reducing REAR levels).
• Advanced Mid-Side operations: you have access to Mid-Side processing of Stereo tracks.

Features

• Level control faders with Peak Meters on each channel.
• Adjustable Delay Time, High-Pass and Low-Pass Filters.
• Mute and Solo buttons on each channel.
• All parameters may be controlled in Predefined or Custom Groups, or Individually for each channel in the multichannel set.
• Predefined industry standard multichannel formats from two-channel Left-Right or Mid-Side Stereo to 7.1.2

EXPAND

Expand mode allows you to dial in a pristinely clean sounding upward expansion. This increases the volume of signals over the threshold, giving your audio more dynamic range in a transparent way.

More Features:

• Mid/Side, Left & Right Functionality
• Sharp retina display
• Easy to set up. Gives you total control with a user friendly interface. Interactive tool tips can also be activated for even more information.

This product is an individual plugin related to the Parent Plugin: Animate 

MCompare is the ultimate reference tool for mixing and mastering allowing you to quickly compare your audio to any audio file and stages of your processing chain, and saves you from loudness deception.

Astonishing Workflow for the Essential Task

Comparing your audio to a reference commercial track is essential for every mixing and mastering engineer. Of course you can do that in your host, but the workflow is what matters here. And it cannot be any easier. Press one button and the plugin quickly crossfades between your track and whatever track you choose. Press another one to choose a different track. Or a different stage of your mastering chain for example…

Better or Just Louder?

Your ears can fool you whether you like it or not. Louder music makes you think it sounds better. It lets you feel spectral and spatial balance incorrectly. It lets you ignore acoustic errors hidden under the loud wall of sound, but this plugin can help you avoid that! It can automatically make the reference tracks match the loudness of your own track. With MCompare you don’t need to doubt your senses anymore. If your audio will sound better, it really will be better, not just louder.

Does Your Master Actually Sound Better?

How many times did you spend hours working on your project and just when you felt it’s perfect, you took a break and when you listened to it afterwards you were horrified? That’s because your ears fooled you somewhere on the road.

MCompare lets you compare your master to multiple stages in your chain, the dry mix for starters. It will compensate for any latency and match the loudness, so you will really be comparing the sonic qualities of your master and don’t let your ears deceive you! So when you start doing something wrong, you will know quickly enough, in one click to be precise.

The Ultimate Mastering Chain with Referencing

MCompare is the only plugin that lets you compare your master to the chosen reference tracks, dry mix, different stages of your mastering chaing and even different versions of your mastering chain. All in a single instance, where everything is one click away. It just cannot be any easier.

Features

The Most Advanced User Interface on the Market – Stylable, Resizable, GPU Accelerated

• Modern user interfaces must not only be easy and quick to use, but also versatile and the whole visual appearance should inspire you. MCompare features the most advanced GUI engine on the market. It is still the first and only GUI engine, which is freely resizable and stylable. It also lets you choose between knobs, sliders or buttons, whichever you like the most.
• The plugin can look as an ancient vintage gear, if you are working on old-school rock music. Or as super-modern futuristic device if you are working on modern electronic music.
• If your display doesn’t have a high resolution, you can make the plugin smaller. If the fonts are too small, you can make the plugin bigger and save your eyes.
• All the graphics is accelerated using your GPU, graphical interface, providing ultimately quick response and keep your CPU focused on the audio.

Unique Visualisation Engine with Classic Meters and Time Graphs

• Your ears should always be the main judge, but a smart metering system can often be a huge help. MCompare provides the most advanced metering system out there. The plugin can display the measurements of all relevant values using classic meters, or it can even show them in time using the time graphs. Everything is customisable as usual.

M/S, Single Channel, Up to 8 Channels Surround Processing…

• MCompare can handle not only mono and stereo signals, but also mid/side encoding for stereo field processing, separate left & right channels, separate mid or side signal and up to 8 channels of surround audio. It is perfect for audio production for music, movies, games…

MIDI Controllers with MIDI Learn

• MCompare contains a powerful MIDI processor, which listen to MIDI controllers and MIDI keyboard and control any parameters realtime.

Very Fast, Optimized for SSE/SSE2/SSE3 Processors

• Computers are now extremely fast, but the algorithms are more complex and projects bigger, so we still need to use the processing power with care. MCompare uses the fastest algorithms, takes advantage of the newest processor capabilities and lets your GPU hangle the graphics. The plugin is among the fastest on the market, yet it provides the best possible audio quality.

Global Preset Management and Online Preset Exchange

• MCompare presets are carefully stored in a system database and you can quickly access then from any project in any host. The plugin can automatically share your presets and download presets of other users from our servers. We are building a community and you can be a part of it!

Supports VST, VST3, AU and AAX Interfaces on Windows & Mac, both 32-bit and 64-bit

• MCompare supports all major hosts on both platforms. Check system requirements for information about compatibility and installation.

No Dongle nor Internet Access is Required for Activation

• How many times did you forget your USB dongle? We are an honest company and expect the same from our customers. Our software uses licence files to activate your software. And the licences are to-person, so you can use it on all your computers as long as you are the user.

Free-for-Life Updates

• When you buy the software you are entitled to free updates, forever. No more money wasted on major upgrades like it is with other companies. And we upgrade our software a lot!

PSP Xenon is a full band, dual-stage limiter plug-in featuring an integrated leveler, advanced K-System metering, and psychoacoustically optimized word-length reduction.

PSP Xenon offers pristine 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.

Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your “go to” limiter for mastering and other critical audio applications.

PUNCH

Punch mode enhances the transients of your audio to help them bite through the mix. Whether you want to subtly accentuate the high-frequency transients in the mid-channel of your master or bring out serious smack on an individual channel, Punch can handle the task.

More Features:

• Mid/Side, Left & Right Functionality
• Sharp retina display
• Easy to set up. Gives you total control with a user friendly interface. Interactive tool tips can also be activated for even more information.

This product is an individual plugin related to the Parent Plugin: Animate 

MIXROOM is an intelligent EQ that guides you to set the perfect balance of richness and clarity whether you’re working on a vocal, a synth or mastering your music.

MIXROOM analyses your audio and shows you which frequencies could be adjusted to improve your sound. The EQ target suggestion helps you get a solid starting point, from which you can tweak your sound to suit your preference.

NO MORE MUDDY, DULL, THIN, OR HARSH SOUNDING MIXES

Key Benefits

• Specifically designed EQ filters that deliver maximum clarity & transparency in the mid and high frequency range.
• Genre and channel specific EQ target suggestions to take out the guesswork and give you pro-sounding results in seconds.
• Create your own EQ targets by importing reference tracks so you can get closer to the sound of your favorite tracks.
• Level match pointer on output gain to help you make sure you’re making real improvements to your music.
• Super-fast workflow with easily adjustable EQ bands and mid-side functionality.
• Clear and immersive mixing experience with the retina 3D & fully resizable user interface.

How To Use MIXROOM In 4 Easy Steps:

1. Load On Master or individual Channel – You can use MIXROOM to EQ anything in your session. It works great on vocals, instruments, grouped buses, or on your master channel.

2. Choose A Preset or Create A Target – To get the most value from MIXROOM, start by selecting a preset that best suits the material you’re working on.

3. Shape Your Sound – Now monitor a full bodied section of your audio. The Target EQ Curve takes out the guesswork and helps you dial in pro-sounding results in seconds. The ‘Add Smart Bands’ button will instantly load EQ bands that match the Target EQ Curve to give you a great starting point. MIXROOM’s unique and specifically designed EQ filters give you maximum clarity & transparency when shaping your audio.

4. Level Match – The EQ adjustments may have changed the perceived loudness of your audio making it difficult to hear whether the changes you’ve made are improving your sound. Match the gain slider to the level match pointer to match the perceived loudness of your audio before it passed through MIXROOM. This allows you subjectively hear how the changes have affected your sound.

Hear The Difference!

Whether your audio is muddy, dull, thin, harsh, or even almost perfect, MIXROOM helps you elevate your mix to get the perfect balance of richness and clarity.

MPhatik is a unique dynamic multi-effect featuring an amp, convolution and a compressor, which lets you warm up your audio and then restore the original dynamics. And that’s just the beginning without being creative yet…

Don’t lose the dynamics!

Amping/distortion/saturation are the classic methods for getting some warmth to just about any audio, but the problem is, these processes remove dynamics by nature. MPhatik analyses the input level envelope, processes your audio signal, analyses the level envelope of the output and applies a gain to make the output envelope the same as the input. In other words it restores the dynamics. Now you can finally phatten up any audio material without loosing dynamics, which is an inevitable result of using any classic methods, whether it is a digital distortion, analog saturation, tape…

All tools you need to phatten up anything…

MPhatik comes equipped with a powerful amp simulator, convolution reverb (featuring all kinds of impulse responses from plate reverbs to halls, rooms etc., plus your own files of course) and a compressor. If that’s not enough, you can still use the side-chain input to drive MPhatik and process the audio with your own tools.

Apply dynamics of one track onto another one?

So how about applying a level envelope of drums on a pad to get a rhythmical pad? Or avoiding collisions between drums? Make no mistake, this isn’t something you can do with classic tools such as gates or compressors, because these tools use only a single level detector. In other words, they don’t care about what audio you are processing. MPhatik does!

MeldaProduction goodies

Like always you’ll find the standard MeldaProduction features: M/S, surround support as well as other channel modes, A-H presets for easy comparisons, our easy to use integrated help system, automatic gain compensation and much more.

The most advanced user interface on the market – stylable, resizable, GPU accelerated.

• Modern user interfaces must not only be easy and quick to use, but also versatile and the whole visual appearance should inspire you. MPhatik features the most advanced GUI engine on the market. It is still the first and only GUI engine, which is freely resizable and stylable. It also lets you choose between knobs, sliders or buttons, whichever you like the most.
• The plugin can look as an ancient vintage gear, if you are working on old-school rock music. Or as super-modern futuristic device if you are working on modern electronic music.
• If your display doesn’t have a high resolution, you can make the plugin smaller. If the fonts are too small, you can make the plugin bigger and save your eyes.
• All the graphics is accelerated using your GPU, graphical interface, providing ultimately quick response and keep your CPU focused on the audio.

Unique visualisation engine with classic meters and time graphs.

• Your ears should always be the main judge, but a smart metering system can often be a huge help. MPhatik provides the most advanced metering system out there. The plugin can display the measurements of all relevant values using classic meters, or it can even show them in time using the time graphs. Everything is customisable as usual.

4 exceptionally versatile modulators.

• MPhatik provides 4 fully-featured modulators which can control any set of parameters including other modulators. Each modulator works as an LFO, level follower, midi/audio triggered ADSR enveloper, randomizer or pitch detector, or even a combination and can listen to the plugin’s side-chain.
• You can make the sound move in time, be less static and more interesting. You can make various parameters depend on the input (or the sidechain) level or even listen to the input pitch.

Adjustable oscillator shape technology.

• Every oscillator in MPhatik uses the most versatile oscillator algorithm on the market. It provides mix of predefined oscillator shapes, custom waveforms edited using our MeldaProduction Envelope System (MES), a step-sequencer and several methods for algorithmic postprocessing.
• It also provides a harmonic mode, which lets you control the harmonic content instead of oscillator shape. This is especially useful for high frequency oscillators.

4 multiparameters.

• MPhatik lets you control multiple parameters using a single so-called multiparameter. This may not only come handy for automation for example, but the multiparameters are very smart units and you can use them to smartly morph between banks of settings for example. All in the name of creativity!

M/S, single channel, up to 8 channels surround processing…

• MPhatik can handle not only mono and stereo signals, but also mid/side encoding for stereo field processing, separate left & right channels, separate mid or side signal and up to 8 channels of surround audio. It is perfect for audio production for music, movies, games…

Smart Randomization

• Being creative is sometimes complicated and one often needs an inspiration. By clicking a single button you can walk through the billions of possible settings and find the best one for you. The smart randomization algorithm wisely selects good sounding combinations of parameters. It can even randomize modulators for you. And if that’s too much, you can just hold ctrl and MPhatik will just slightly modify existing settings.

Automatic Gain Compensation (AGC)

• Most plugins change loudness of the output audio, which makes browsing presets inconvenient, not mentioning randomization. MPhatik includes automatic gain compensation, which quickly adapts to current settings and ensures the output sounds as loud as the input. This even protects you from thinking that something sounds better in cases it is just louder.

Safety Limiter

• Some plugins can intensely increase gain when exposed to specific audio materials. MPhatik provides a safety brickwall limiter, which ensures the output stays below 0dB and prevents your equipment and your ears from potential danger automatically.

Adjustable Up-Sampling 1x-16x

• Digital audio provides very superior audio quality compared to ancient analog gear, but there are problems too. The main problem is the aliasing, which may be noticeable, when using nonlinear processes such as compression or saturation. MPhatik includes both minimum-phase and high-quality linear-phase upsampling algorithms, which avoids the aliasing.

Synchronization to Host Tempo

• Every oscillator and modulator in the plugin can automatically synchronize to the host. But it can be out-of-sync if you want of course.

MIDI Controllers with MIDI Learn

• MPhatik contains a powerful MIDI processor, which listen to MIDI controllers and MIDI keyboard and control any parameters realtime.

64-bit Processing and an Unlimited Sampling Rate

• MPhatik provides the maximum audio quality you can get. It uses 64-bit audio processing and can handle any sampling rate. It does not make much sense to go over 192kHz, but if you think it is a good idea, the plugin can do that.

Extremely Fast, Optimized for Newest AVX Capable Processors

• Computers are now extremely fast, but the algorithms are more complex and projects bigger, so we still need to use the processing power with care. MPhatik uses the fastest algorithms, takes advantage of the newest processor capabilities, lets your GPU hangle the graphics, and shares the resources with other MeldaProduction plugins. The plugin is among the fastest on the market, yet it provides the best possible audio quality.

Global Preset Management and Online Preset Exchange

• MPhatik presets are carefully stored in a system database and you can quickly access then from any project in any host. The plugin can automatically share your presets and download presets of other users from our servers. We are building a community and you can be a part of it!

Supports VST, VST3, AU and AAX Interfaces on Windows & Mac, both 32-bit and 64-bit

• MPhatik supports all major hosts on both platforms. Check system requirements for information about compatibility and installation.

No Dongle nor Internet Access is Required for Activation

• How many times did you forget your USB dongle? We are an honest company and expect the same from our customers. Our software uses licence files to activate your software. And the licences are to-person, so you can use it on all your computers as long as you are the user.

Free-for-Life Updates

• When you buy the software you are entitled to free updates, forever. No more money wasted on major upgrades like it is with other companies. And we upgrade our software a lot!

Blue Cat’s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks.

What’s new in 3.5!?

• New macro controls editor to edit plug-in parameters mapping.
• Assign multiple parameters from multiple plug-ins to a single macro
  control, and adjust the range for each parameter.
• Assign a name to each macro control, that is now displayed in
  automation lanes in most host applications (may require a session reload
  in some cases).
• Parameters names for existing sessions will be automatically updated
  upon load.
• Select macro knobs appearance among 18 predefined styles.
• Updated dozens of presets with macro parameters.
• New learn modes to quickly assign plug-in parameters.
• Added an option in global & preset input settings to send MIDI events
  when MIDI-enabled parameters are modified in the plug-in (to update
  control surfaces accordingly).
• In most plug-in formats, internal audio I/O configuration can now be
  selected regardless of the configuration defined by the host (you can
  for example reduce the number of channels to save CPU and process only
  selected channels).
• Improved performance to load the user interface.
• Improved VST parameter value display in some host applications.
• Added Apple Silicon support for AAX Plug-in Format.
• Mac: installers and plug-ins have been notarized to avoid security
  warnings on Mac OS Catalina and newer.
• Fixed bypass that did not let MIDI messages go thru for some MIDI
  plug-ins.
• Fixed some GUI resizing issues with some VST3 plug-ins.
• Fixed an issue with some VST3 plug-ins requiring to click twice on the
  bypass button to get bypassed.

Main Features:

• Multiband mixing console: adjust the levels, panning and “stereoness” of each band separately.
• Multiband VST, VST3 and Audio Unit Host: insert third party VST, VST3 and AU plug-ins and process each band independently.
• External side chain support for sub plug-ins on each band.
• Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.
• Flexible Audio routing: connect sub plug-ins i/o to any audio channel for multi-mono effects or creative side chain.
• Pre and post fader VST/VST3/AU plug-in inserts, with full latency compensation.
• Up to 7 bands, with crossover filters from 6 to 96 dB/Oct for optimal separation.
• Multiple instances linking: group bands within a single instance or between multiple instances of the plug-in. Modify the spectrum on multiple tracks with a single slider.
• Bypass, mute, solo on every band.
• Mono switch on master for mono compatibility check.
• Dual Mode: independent left and right or mid and side channels control.
• Complete visual feedback with real time response curves, spectrogram, and levels display for each band.
• Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.
• No additional latency.

New Features & Improvements:

• Up to 7 times more processing power with the new multicore engine that processes each frequency band on a different core.
• New DSP workload meter that displays the DSP activity and CPU load.
• Added MIDI control support (MIDI CC messages) for Next and Previous Preset commands, with MIDI learn.
• Reduced time to load the MB-7 Mixer or any built-in plug-in.
• Multiple DSP performance improvements.
• Level meters and frequency analyzers are not computed anymore when the user interface is closed, reducing CPU usage.
• Reduced the number of threads used by the plug-in.
• Improved global and preset settings window loading time on Windows.
• Added ability to select the plug-in to load when a shell plug-in file is dragged and dropped onto a slot.
• Full unicode support.
• Preset files can now be dropped onto the preset LCD area to be loaded.
• Improved “Tone Maps” user interface (available for 9 built-in effects).
• Native Apple M1 support available as a preview.

Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the “stereoness” and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility.

The plug-in can also operate as a multiband VST, VST3 and Audio Unit host: you can process each band independently with your favorite VST, VST3 or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation.

The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several competing tracks.

And as usual with Blue Cat Audio, the plug-in provides comprehensive visual feedback to let you know what’s exactly going on: for each channel, monitor the spectrum, the in/out levels and the frequency response.

Thanks to its advanced MIDI and automation input capabilities, when combined with our other plug-ins, Blue Cat’s MB-7 Mixer is capable of advanced side-chaining features that really unveils its potential.

Put a sophisticated polish on your productions

Wave Arts PowerSuite gives you five plug-ins that cover the essential aspects of tracking, sound design, mixing, and mastering.

• TrackPlug is a channel strip plug-in with 10-band EQ, gate, and dual compression.
• MasterVerb is a multi-algorithm reverb with 3D frequency plot, gate, and multiple early reflections.
• FinalPlug is a peak limiter/volume maximizer with auto release and noise shaping.
• MultiDynamics gives you powerful multiband dynamics with one to six bands, vintage/clean modes, and dual-crossover slope.
• Panorama takes you beyond the limitations of conventional stereo – without using a surround system.

Put a sophisticated polish on your productions with Wave Arts PowerSuite.

Power Suite consists of the following plug-ins:

• TrackPlug – the ultimate channel strip plug-in with 10-band EQ, gate, and dual compressor
• MasterVerb – multi-algorithm reverb with 3D frequency plot, gate, and multiple early reflections
• FinalPlug – professional peak limiter/volume maximizer with auto release and noise shaping
• MultiDynamics – powerful multiband dynamics with 1-6 bands, vintage/clean, and dual-crossover slope
• Panorama – 3D Sound Positioning lets you go beyond the limitations of conventional stereo (without using a surround system)

Fades in a DAW?

XFade is designed to give the producer or DAW DJ a simple crossfader, suitable for mixing, production, or live performance. This plugin allows you to fade between 2 input streams within the DAW, overlaying samples on each side as well.

Damn Fast

XFade operates with 0 latency and can fade in/out more than once in a buffer, so it will be lightning fast even with larger buffers and older sound-cards. If you plan on crab scratching in your DAW, this is a must. Be sure your midi device is high speed, XFade can keep up!

Adjustable Cutoff

You can adjust the crossfade slope. Use a sharp curve for fast cuts, or a gradual slope for slow and smooth fades between tracks.

Add Samples

Additionally, there are sample players on each side, which can overlay audio int the mix. Keep an extra track to fall back on when mixing, blast an air horn or one shot for some extra energy, or have a loop to fall back on while your guys drop a solo. A must for live performance.

Focus Elements: Essential stereo manipulation tools

Streamlined & accessible: The Focus Elements bundle consists of streamlined versions of our Focus plug-ins – Stereoizer, Monofilter and Stereoplacer. The Elements plug-ins use the same powerful technology under the hood, in a simplified package:

• Stereo enhancement.
• Bass management.
• Frequency specific panoramic placement.

Stereoizer Elements: Stereo width, streamlined:

• Add polish and spatial balance.
• Create stereo audio from a mono source.
• Create a super wide stereo image.

Monofilter Elements: Bass management, made simple:

• Sum your bass to mono.
• Sharpen, tighten and define low frequency information.
• Optimise for louder playback.
• Safely mix and master for vinyl.

Stereoplacer Elements: Panning, fine-tuned:

• Reconstruct a stereo image from mono.
• Fix poor stereo microphone placement.
• Restore archive recordings.
• Tidy up samples from old records.